Ian Carmichael Movies

A seemingly harmless man comes to a small town with a deadly mission in mind in this British made-for-television movie. Jack Shepherd stars as Peplow, a reserved man who meets up with a disenchanted, crippled veteran (Peter Egan) on the day of their town's annual fair. Unbeknownst to the curmudgeon vet, Peplow has come to town for more than just the fair. ~ Bernadette McCallion, All Movie Guide

The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, All Movie Guide

Dark Obsession is a slow, English-made, psychological thriller dealing with erotic obsession, guilt and betrayal. Sir Hugo Buckton (Gabriel Byrne), an aristocrat strapped for money, is married to beautiful, sensual and successful Virginia (Amanda Donohoe). His alcoholism and his envy of her lead to his obsessive jealousy and belief in her lack of fidelity. During one drunken evening while out driving with friends, Hugo hits and kills a pedestrian who resembles Virginia. When Hugo begins to receive vague blackmail letters, he suspects one of his friends, and the group begins to plot a murder. Dark Obsession has all the ingredients of a first-rate thriller but fails despite its excellent cast to generate any excitement. The pace of the film is languid, the motivations of the characters are unclear, and after the accidental death, nothing much really happens. Dark Obsession, originally released as Diamond Skulls, despite the best efforts of its cast, is a thriller that fails to thrill. ~ Linda Rasmussen, All Movie Guide

A battered houseboat on the Thames provides the setting for this romantic British comedy. Two newlyweds rent the leaky floating home. The trouble begins when the husband decides to move the scow to a better location. The rickety barge disrupts river traffic. Next the two get lost in a fog bank. When it finally lifts, they find themselves in France. Fortunately, their landlord's yacht is moored nearby and they are able to borrow some petrol. The landlord bets that he can beat them across the Channel with his yacht. The race begins. The yachtsman gets terribly drunk and his cannot stay on course. The newlyweds win the race. ~ Sandra Brennan, All Movie Guide

This waterlogged adaptation of an obscure Grand Guignol stage play finds a hapless couple (Dermot Walsh and Hazel Court) convinced that their newly-acquired yacht is haunted by mysterious and deadly forces. After numerous fatalities, the couple eventually hires a paranormal investigator (John Robinson), who uncovers the yacht's bloody history and determines that the craft is occupied by the vengeful ghosts of the former owner's wife and her lover, who were murdered and subsequently entombed somewhere aboard. Writer-producer-director Vernon Sewell -- who filmed most of the scenes aboard his own private yacht -- executes a few interesting paranormal twists on the Old Dark House scenario, and he would revisit the seagoing thriller theme (on the same boat) somewhat less successfully with Terror Ship two years later. ~ Cavett Binion, All Movie Guide

Considered a bit too sacrilegious for general consumption in 1963, the Boulting brothers' Heavens Above was simply ahead of its time, and has since accrued a loyal and vocal following. Peter Sellers plays an idealistic British reverend with a bad habit of telling the truth at all times. He also follows his conscience whenever possible, resulting in several cleric decisions that shock his wealthy, landed-gentry parishioners. By inviting such "undesirables" as gypsies and West Africans to worship freely in his church, Sellers rouses the ire of the rest of his white-bread flock. He does, however, compel the selfish owner (Isabel Jeans) of a laxative firm to "see the light" and to sell off all her holdings on behalf of the poor and downtrodden. Unfortunately, by doing this the woman wrecks her business--which is the principal source of income for the community where Sellers works. Retreating from town with an angry mob on his heels, Sellers relocates on a tiny island in the Pacific. Since the island is the site of a missile base, and since the local astronauts have shown signs of agnosticism, where else is there for Sellers to go...but up? Heavens Above was inspired by a notion cooked up by iconoclastic British satirist Malcolm Muggeridge. ~ Hal Erickson, All Movie Guide

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, All Movie Guide

Director Lewis Gilbert is best known for his other cinematic efforts, such as Educating Rita or in films in a wartime genre, Sink the Bismarck. This unexceptional comedy is about a bumbling searchlight unit during World War II. Ensemble acting creates a series of intertwining stories that involve the various soldiers assigned to this post. Lt. Ogleby (Ian Carmichael) is the cheerful, inept officer in charge, then there is the womanizer whose concept of birth control is limited, the lovesick soldier unhappy over a misunderstanding with his girlfriend, the Cockney cook, the father-figure, and several others. Their trials and tribulations provide the bulk of the comedy, such as it is. ~ Eleanor Mannikka, All Movie Guide

Ian Carmichael stars as upper-crust detective Lord Peter Wimsey in this made-for-TV adaptation of the novel by Dorothy L. Sayers. When Victor Dean, an employee of Pym's Publicity, one of London's best respected advertising agencies, dies after a nasty fall down a stairwell, Lord Wimsey is called in to investigate the matter. It doesn't take long for Wimsey to conclude that Dean's death was no accident, and his research uncovers evidence that several people on the Pym's payroll are involved in a sinister underground world of drugs and crime. As Wimsey unravels the dirty little secrets of Pym's, several other employees turn up dead, adding to the urgency of his investigation. ~ Mark Deming, All Movie Guide

Ian Carmichael stars as Dorothy L. Sayers blue-blooded detective in this made-for-TV thriller. Armistice Day in 1922 finds a number of old soldiers relaxing at the exclusive Bellona Club, but it turns out one of them is a bit too relaxed -- General Fentiman (Ralph Truman) is dead. As it happens, Fentiman's sister, Lady Dorland, passed away the same day, and since the distribution of her sizable estate hinges upon which sibling died first, Lord Wimsey (Charmichael) is brought in to unravel the truth. It soon becomes obvious that Fentiman was murdered, and the deeper Wimsey digs into the case, the stickier the issue becomes as he discovers an ugly web of treachery involving Fentiman's heirs. Originally produced as a four-part mini-series for the BBC (and aired in the United States on the PBS anthology series Masterpiece Theater, Lord Peter Wimsey: The Unpleasantness At The Bellona Club also stars Derek Newark as Bunter, John Welsh as Mr. Murbles, and Vivien Heilbron, John Quentin, and Terence Alexander as the Fentiman heirs. ~ Mark Deming, All Movie Guide

Though Meet Mr. Lucifer reads rather better than it plays, the film is still good for a few healthy laughs. Stanley Holloway plays Hollingsworth, an actor who is playing Lucifer in a stage production. While being hoisted through a trap door, Hollingsworth is knocked cold. While unconscious, he is replaced by the real Lucifer. Seeking about for a new form of deviltry to inflict upon the public, Lucifer comes up with the most hellish device of all: Television! The rest of the film details the effects that the boob tube has on otherwise normal, rational British citizens (there's even time for a swipe at 3D movies). Based on a play by Arnold Ridley, Meet Mr. Lucifer is enhanced by an all-star cast, including Peggy Cummins, Kay Kendall and Ernst Thesiger. ~ Hal Erickson, All Movie Guide

Love, marriage and show business provide the basis of this lively comedy that centers on a husband and wife, who are chosen by television producers to embody the perfect married couple on an upcoming television series. The show is to be filmed and broadcast live from the home of Simon and Laura, who on camera are indeed the perfect couple. Unfortunately, the minute the camera is off, the two are going at it hammer and tong. Still, their show is very popular, and many couples look up to them until the ill-fated shooting of a Christmas special in which the couple begin tippling alcoholic beverages during the filming and end up letting their true relationship come out. ~ Sandra Brennan, All Movie Guide

Smashing Time attempts to turn British actresses Rita Tushingham and Lynn Redgrave into a female Laurel and Hardy. The film's second mistake is to prolong the joke for 96 minutes. Tushingham and Redgrave play a couple of dimwitted North Country girls who head to London, in hopes of breaking into the mad, mod world of fashion modeling. Instead they spend most of their screen time getting in each other's way and wreaking havoc on innocent pedestrians. The comic "highlight" of Smashing Time is supposed to be a mammoth pie fight; but outside of one cute throwaway gag involving a street minister, the sequence makes one wish, in the words of Laurel and Hardy buff Leonard Maltin, that Smashing Time "had been handled by someone other than [director] Desmond Davis." ~ Hal Erickson, All Movie Guide