Julie Carmen Movies

This relates the true account of the young Latino comedian who quickly found fame but could not quite pull his life together, and who died a tragic death in 1977. ~ Kristie Hassen, All Movie Guide

Gloria (Gena Rowlands), a self-involved woman in her forties who was once a mobster's mistress, is asked to look after Philip (Juan Adames), the son of her Mafia-connected Puerto Rican neighbors. This temporary set-up becomes permanent when the neighbors are killed in a mob hit. Philip has in his possession a diary containing a record of illegal Mafia activities; thus the boy is as good as dead unless Gloria takes decisive action. With Philip in tow, Gloria leads the hit men on a frantic chase around Manhattan, and during the various gunfire exchanges, more than holds her own. Offering to exchange the diary for the boy's life, Gloria is rebuffed by the vendetta-driven assassins. Where once she was content squirreling herself away in her lonely apartment, Gloria now must face a lifetime on the run. Directed on a more commercial level than was customary for John Cassavetes (with a subversive streak of self-parody in the bargain), Gloria served as an excellent showcase for Cassavetes' wife Gena Rowlands. The film won the Golden Lion Award at the 1980 Berlin Film Festival. ~ Hal Erickson, All Movie Guide

A 1962 novel by Edward Abbey was the source for this 1981 TV movie. Buddy Ebsen plays a stubborn oldster who refuses to leave his mountain property when it is targeted for a government missile base. Not even a promised $100,000 compensation will induce Ebsen to leave. Young land developer Ron Howard is sent to vacate Ebsen, but soon Howard joins the older man in defying the military. Soon it boils down to a battle of wills between Ebsen and the equally bullheaded army officer Michael Conrad. Fire on the Mountain may have your typical "all-TV" cast, but it's a good one. ~ Hal Erickson, All Movie Guide

Controversial Nicaraguan leader Somoza is treated with inordinate kindness in the propagandistic adventure The Last Plane Out. As played by Lloyd Battista, Somoza is a pussycat compared to those "nasty" insurgents. The story is based on the somewhat slanted memoirs of former journalist Jack Cox, who produced the film and is personified herein by Jan-Michael Vincent. Even at its best, the film runs a distant second to its obvious inspiration, Under Fire. The Last Plane Out is energetically directed by David Nelson--who, as we all may know, is the non-singing son of Ozzie and Harriet. ~ Hal Erickson, All Movie Guide

When prodigal son Billy Turner (Judd Nelson) returns to his Florida home town, he's caught in a brawl and thrown in jail. He tells the guards to call his father, the mayor, who will have him released; however, he soon discovers his father has been killed. After Turner finally gets out of jail, he starts to hunt down his father's murderer, with the eventual help of Annie Rayford (Ally Sheedy) and her brother Joey (David Caruso). Their nemesis is the nasty crime boss Perry Kerch (Scott Wilson) and his henchmen, though the slow-witted police chief (Paul Winfield) is not much help, either. ~ Eleanor Mannikka, All Movie Guide

Set in a small, deeply religious town where annually the crucifixion is literally reenacted, this melodrama centers on the tragic results of a love triangle between a troubled young wife, her husband and his handsome best friend. ~ Sandra Brennan, All Movie Guide

It's advisable to know from the beginning of The Milagro Beanfield War that "milagro" is the Spanish word for "miracle". The scene is a rundown Hispanic community in New Mexico, bordering a posh housing development. In full control of the local water rights, the powers-that-be are secure in the belief that they'll be able to expand their development without resistance from the locals. No one can foresee that impoverished farmer Chick Vennera, during a burst of frustrated rage, will accidentally open a heretofore hidden sluice, thereby providing free water for his beanfield. At first, the locals are against Vennera's "insurrection", reasoning that the new housing development will provide jobs. But with the help of John Heard, a burned-out 60s activist who now runs the community newspaper, Vennera becomes the hero of the hour, the spiritual leader of an ever-growing "no development" movement. The evil land developers send their minions to intimidate or coerce Vennera; each time, however, he is seemingly protected from harm by Divine intervention. When Vennera is forced to shoot a trespasser on his land, it looks as though his luck has run out. Chased into the hills by private detective Christopher Walken, Vennera is once more rescued in the nick of time by what appears to be a miracle. And there are more wonders to behold before fadeout time! Whimsical yes, but thanks to its hand-picked ensemble cast (including Sonia Braga, Ruben Blades, James Gammon, Daniel Stern, Freddy Fender, M. Emmett Walsh and Melanie Griffith) the film remains totally credible throughout. Adapted by John Nichols and David Ward from Nichols' own novel, Milagro Beanfield War may be the most likeable "liberal-tract" film of the 1980s. Robert Redford's appropriately Capraesque direction is matched by Dave Grusin's vibrant Oscar-winning musical score. ~ Hal Erickson, All Movie Guide

In this Hitchcockian thriller, a wealthy and naive young sculptor learns that people are not always nice and helpful. His first mistake is to fall for the seductress who runs the gallery that has an exclusive on his work. He then hooks up with an insane art collector who gets jealous of the gallery owner's hold on the artist and commits murder, leaving the sculptor to take the blame. ~ Sandra Brennan, All Movie Guide

Gore Vidal's 1955 TV play and 1958 film The Left-Handed Gun discreetly explored the hitherto untapped homosexual subtext in the saga of gunslinger Billy the Kid. Vidal's 1989 reworking of the same material, the made-for-cable Gore Vidal's Billy the Kid, is just as discreet, but no less top-heavy with 20th-century psychoanalysis. In relating the tale of New Mexico Territory outlaw William H. Bonney, Vidal once again postulates that Billy (described as a "homicidal moron" by one less sentimentally inclined historian) was a misunderstood kid who fell in with bad company. Val Kilmer, on the verge of bigger things, stars as Billy, while Duncan Regehr portrays sheriff Pat Garrett, the Kid's onetime crony and ultimate executioner. Gore Vidal himself shows up in a bit as a minister. "Pursued by his enemies, betrayed by his friends, ruled by his passions" read the ad copy when Gore Vidal's Billy the Kid premiered over the TNT Cable Channel on May 10, 1989. ~ Hal Erickson, All Movie Guide

An international ring of art thieves has connections with a Latin American dictator, and investigator Gideon gets into a heap of trouble when he uncovers this conspiracy. ~ All Movie Guide

Marcus De Leon directed this standard erotic thriller for Roger Corman's Concorde Pictures. Sexy Julie Carmen stars as Teresa Bozman, wife of Jake (Guy Boyd), a sadistic bar-owner in East Los Angeles. When a handsome singer named Tony Montero (Robert Beltran) is hired, his music boosts the club's business and steals Teresa's heart. Together, they plot to kill Jake and live happily ever after, but the usual complications ensue. A mostly Latino cast and authentic locations give this film more credibility than Dan Golden's tiresome redneck remake (also for Concorde), Saturday Night Special (1994). ~ Robert Firsching, All Movie Guide

The expensively assembled two-part TV movie Drug Wars: The Cocaine Cartel is the true story of a successful "bust" engineered by the Drug Enforcement Administration. Part One detailed an undercover attack on the Colombian drug lords' refineries (see separate entry for further details). In part two, DEA agent Mike Cerone (Dennis Farina) risks life and limb--and his job--to reel in the Medelin kingpins in Bogota. Though the villains exact a vengeance upon their tormentors (and several innocent bystanders), victory is ultimately in the hands of the good guys. Part Two of Drug Wars: The Cocaine Cartel first aired January 21, 1992. ~ Hal Erickson, All Movie Guide