Mort Shuman Movies

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange. ~ Eleanor Mannikka, All Movie Guide

The cartoonist Gerard Lauzier wrote this satire of psychologists, their practice, and the whole idea of group therapy, around Marc (Patrick Dewaere), a psychologist who may need more help than he gives. Right now, Marc is living in the countryside with Colette (Anny Duperey), but not without difficulties. He plans to conduct a group therapy session at his home one week-end, something that soon unravels because of the sudden arrival of Marc's former girlfriend and her lover. Several years ago, the lover was Marc's trusted friend, until he not only stole Marc's girlfriend, but also his car, and his money. The former girlfriend and former buddy, and their partner in crime are hiding out from the police, and intent on using Marc's property until they are safe. Group therapy, Marc, and Colette will never be the same by the time the week-end is concluded. ~ Eleanor Mannikka, All Movie Guide

Je Te Tiens Tu Me Tiens Par La Barbichette refers to a French children's game, where two children hold one another's chins and stare at one another. The one who laughs first, loses. In this satire, a police detective (played by Jean Yanne) is investigating the disappearance and kidnapping of the host of a television dance show (played by Jean-Pierre Cassel). However, instead of finding his man, he is trapped into becoming a contestant on a children's quiz show. What's worse is that he becomes a very successful contestant. ~ Clarke Fountain, All Movie Guide

When they are called upon to investigate a sex murder, Melville and Pignon (Jean Carmet and Jean-Pierre Marielle), two rude and crude (not to mention racist) policemen, find themselves in the midst of the multicultural machinations of members of the international film community in fashionable St. Tropez. The real culprit is an extremely clever man, who knows that they can be counted on to arrest the most obvious suspect while he looks on. Nonetheless, they are dogged, serious men who hunt down every clue, and are unfazed by the carryings-on of the excitable artists they encounter. ~ Clarke Fountain, All Movie Guide

This French psychological detective drama owes much of its tone to Existentialism, even though that philosophy had its heyday at least a decade earlier. In the story, set in the 1950s, Nestor (Michel Galabru) is a small-time private detective who is doing a small-time job, searching for some missing jewels. When the activities of a serial murderer cross his path and interrupt his search, he turns his efforts to tracking him down. The killer is the son of a local policeman and feels that he is somehow above the ordinary concerns of mere mortals: his murders are his way of proving this. ~ Clarke Fountain, All Movie Guide

In this Canadian thriller, Jodie Foster plays the title character, a reclusive, fiercely self-reliant teenager who lives alone in her father's house. When visitors call, Foster explains that her father is away on business. He's away, all right...far, far, away. And Foster, determined not to lose her independence, will go to any lengths to protect her secret, a fact that nosy neighbor Alexis Smith learns to her regret. A new danger to Foster's well-being looms in the form of pedophile Martin Sheen, who schemes to place the girl in a compromising position. Offering a helping hand to Foster is misfit teenager Mario (Scott Jacoby). Laird Koenig adapted his own novel to the screen. ~ Hal Erickson, All Movie Guide

Leopold (Jean-Michel Folon) is a thoughtful cipher, an investment broker who is so opposed to war that he transfers his entire personal portfolio into chocolates, reasoning that this is a product that can never be turned to war-like use. His preoccupation with inner concerns begins to separate him from those around him, but his need for his wife's company helps him to realize that he must be more attentive to his world. ~ Clarke Fountain, All Movie Guide

Directed by Catherine Breillat in 1975 but withheld from release for 25 years because Breillat's producer went bankrupt, Une Vraie Jeune Fille marked the director's feature debut. Like Breillat's controversial Romance (1999), Fille is concerned with the expression of female desire, and it takes a characteristically audacious approach to its subject. Striking close-ups of male and female genitalia, various bodily fluids, and graphic sexual fantasies make up a significant portion of the film, which charts the sexual awakening of the teenaged Alice (Charlotte Alexandra), who is vacationing with her parents in the country. Bored and restless, Alice spends much of her time lusting after Jim (Hiram Keller), a local sawmill worker. When not lusting after him, Alice fills the hours with such pursuits as writing her name on a mirror with vaginal secretions and wandering the fields with her underwear around her ankles. And, in true teenaged tradition, she spends a lot of time writing in her diary. Une Vraie Jeune Fille was adapted by Breillat from her third novel, 1974's Le soupirail, which she was commissioned to adapt for the screen by noted producer Andre Genoves. ~ Rebecca Flint Marx, All Movie Guide

French schoolboys Alain (Remi Laurent) and Jean-Pierre (Stephane Hillel) had planned on going to St. Tropez for the summer, but after failing their high-school English tests, they are sent to live with English families in a British resort town and perfect their language skills. It is 1958, and they are much more interested in girls than in another language. Eventually, though, they make progress in both departments. ~ Clarke Fountain, All Movie Guide

In Polish Russia, Stoloff (Yul Brynner), a Cossack in exile from his land and family, has gained control over a small Jewish village. The villagers live mainly by horse-thievery, under the leadership of Kifke (Eli Wallach). Stoloff's regime is tolerated with difficulty until he commandeers the village's horses (the sole source of wealth) for the Russian army. Naomi (Jane Birkin) has been away in France, where she has gotten a notion of revolution, and she inspires the town to resistance. This action gets her into deep trouble, from which only the wily Kifke and his assistant Zanvil (Oliver Tobias) can rescue her. Zanvil is particularly motivated, as he is in love with Naomi. ~ Clarke Fountain, All Movie Guide