Julie Carmen Movies

A struggling Bronx musician falls for a pretty girl from Brooklyn while working to launch his career and exceed his father's expectations. Jay (Andrew Cisneros) is a gifted performer from a tough Bronx neighborhood. He's performing on the streets when he meets Alessandra (Jenna Dewan), a Brooklyn muse who encourages him to pursue his dreams at all costs. But in the eyes of Jay's angry, resentful father, the young musician will never get out from under the shadow of his older brother, a Marine who has recently returned home from active duty. Trapped in a vicious self-destructive cycle of violence and anger, Jay must summon the courage to stand up to his enemies, and take those first uncertain steps toward the life he's always wanted. ~ Jason Buchanan, Rovi

A well-known level-one angel looking to reunite with his level-six soulmate strikes a special bargain with God in this heavenly comedy featuring some of the best-loved stars of the golden-era of cinema. George Burns (Frank Gorshin) is miserable in heaven. In addition to not being able to smoke his trademark cigars, level-one angel George is also forbidden from cavorting with his level-six love Gracie Allen (Amy Wieczorek). Upon bearing witness to the misery of his forlorn heavenly guest, God makes a proposal to George; save failing musician Steven "Shoomie" Schoomer (Scott Edmund Lane) from completely destroying his life and earn the status that will let him spend eternity with his beloved Gracie. When George arrives back on Earth, he finds Schoomie a commitment-phobic wedding musician with few prospects and little hope for the future. After encouraging Schoomie to make amends with former best friend Howie Gold (David Proval) and embark on a madcap mission to sell a stash of smuggled Cuban cigars, George's plan goes awry as everyone from stealthy assassin Shelleen (Gorshin playing in a dual role) to Fidel Castro himself show a curious interest in the mysterious cigars. ~ Jason Buchanan, Rovi

Migrant worker Roberto Morante (Efrain Figueroa) is disdainful of his son Tino (Carlo Alban), a talented pianist who hopes to study music at a prestigious college. Roberto is of the opinion that Tino should remain with his family and contribute to their meager income. The issue may be forced for the boy when Roberto suffers an injury rendearing him incapable of further work, just as Tino has received a letter of acceptance from the college. Worse still, the boy's hands become so blistered that he may not even pass the audition. How can angel Rafael (Alexis Cruz) help resolve this crisis without hurting either Roberto or Tino in the process? ~ Hal Erickson, Rovi

Set upon a lonely Polynesian Island, this sci-fi chiller, tells the wild tale of a marine biologist who goes there to investigate the effects of recent earthquakes on the locals. What the scientist finds is bigger than he could have ever imagined. ~ Sandra Brennan, Rovi

Hired to help locate a missing author, an insurance investigator discovers to his terror that the nightmarish events depicted in the writer's best-selling horror novels are coming true. Wishing to be both a horror film and a parody of the genre, John Carpenter's In the Mouth of Madness combines supernatural thrills with winking references. For instance, the vanished author, Sutter Cane (Jürgen Prochnow), is modeled on writers like Stephen King and Howard Phillips Lovecraft, from his great popularity to his obsession with small-town New England. Indeed, it is to one such hamlet that investigator John Trent (Sam Neill) and Cane's female editor (Julie Carmen) travel, discovering a town filled with terrifying scenes right out of Cane's books, from random axe murders to far worse. Have Cane's fans gone psychotic and begun imitating his writings, or are Cane's stories of an otherworldly evil invading the earth actually true? In the Mouth of Madness's mix of self-referential satire and real frights anticipates the later Scream (1996). ~ Judd Blaise, Rovi

The expensively assembled two-part TV movie Drug Wars: The Cocaine Cartel is the true story of a successful "bust" engineered by the Drug Enforcement Administration. Part One detailed an undercover attack on the Colombian drug lords' refineries (see separate entry for further details). In part two, DEA agent Mike Cerone (Dennis Farina) risks life and limb--and his job--to reel in the Medelin kingpins in Bogota. Though the villains exact a vengeance upon their tormentors (and several innocent bystanders), victory is ultimately in the hands of the good guys. Part Two of Drug Wars: The Cocaine Cartel first aired January 21, 1992. ~ Hal Erickson, Rovi

Nicolas Roeg's Cold Heaven (based on a novel by Brian Moore) examines grief and loss and spiritual questions concerning belief and faith. Theresa Russell plays Maria, a woman in deep despair over the death of her husband Alex (Mark Harmon) in a boating accident. When Alex's body disappears from the morgue, she becomes convinced that he is still alive. Before her husband's death, she had been ready to abandon her marriage and start over again with another man, Daniel (James Russo). But Alex's death has made her guilty and has given her pause. Complicating matters is when Maria begins to see visions of Alex before her. Re-discovering her abandoned Catholicism, she begins to speak with a Carmelite nun (Talia Shire), Father Niles (Will Patton) and Monsignor Cassidy (Richard Bradford) about her Bernadette-like visions. ~ Paul Brenner, Rovi

Marcus De Leon directed this standard erotic thriller for Roger Corman's Concorde Pictures. Sexy Julie Carmen stars as Teresa Bozman, wife of Jake (Guy Boyd), a sadistic bar-owner in East Los Angeles. When a handsome singer named Tony Montero (Robert Beltran) is hired, his music boosts the club's business and steals Teresa's heart. Together, they plot to kill Jake and live happily ever after, but the usual complications ensue. A mostly Latino cast and authentic locations give this film more credibility than Dan Golden's tiresome redneck remake (also for Concorde), Saturday Night Special (1994). ~ Robert Firsching, Rovi

In this Hitchcockian thriller, a wealthy and naive young sculptor learns that people are not always nice and helpful. His first mistake is to fall for the seductress who runs the gallery that has an exclusive on his work. He then hooks up with an insane art collector who gets jealous of the gallery owner's hold on the artist and commits murder, leaving the sculptor to take the blame. ~ Sandra Brennan, Rovi

Gore Vidal's 1955 TV play and 1958 film The Left-Handed Gun discreetly explored the hitherto untapped homosexual subtext in the saga of gunslinger Billy the Kid. Vidal's 1989 reworking of the same material, the made-for-cable Gore Vidal's Billy the Kid, is just as discreet, but no less top-heavy with 20th-century psychoanalysis. In relating the tale of New Mexico Territory outlaw William H. Bonney, Vidal once again postulates that Billy (described as a "homicidal moron" by one less sentimentally inclined historian) was a misunderstood kid who fell in with bad company. Val Kilmer, on the verge of bigger things, stars as Billy, while Duncan Regehr portrays sheriff Pat Garrett, the Kid's onetime crony and ultimate executioner. Gore Vidal himself shows up in a bit as a minister. "Pursued by his enemies, betrayed by his friends, ruled by his passions" read the ad copy when Gore Vidal's Billy the Kid premiered over the TNT Cable Channel on May 10, 1989. ~ Hal Erickson, Rovi

An international ring of art thieves has connections with a Latin American dictator, and investigator Gideon gets into a heap of trouble when he uncovers this conspiracy. ~ Rovi

This horror-comedy sequel finds the teen protagonist of Fright Night being terrorized by the undead sister of the vampire he killed in the original film. Two years after the death of bloodsucker Jerry Dandridge, young Charley Brewster (William Ragsdale) has settled into life as a college student and rejected his former belief in the existence of vampires. Although he's busy pursuing the affections of determined coed Alex (Traci Lind), Charley soon falls under the spell of the mysterious and alluring Regine (Julie Carmen). Although everything about the woman screams vampire, her feminine charms -- and her claims of being nothing but an outlandish performance artist -- lead Charley to become her unwilling servant. Torn between Regine's enchantments and his loyalty to Traci, the youth again looks for help from Peter Vincent (Roddy McDowall), the washed-up horror-show host who assisted him in the first film. Soon, Charley, Peter, and Traci are facing off against a coven of picturesque bloodsuckers led by Regine, who reveals herself to be the ancient sister of Jerry Dandridge. Directed and co-written by John Carpenter colleague Tommy Lee Wallace, Fright Night Part 2 includes a co-writing credit for Pretty Woman scribe Stephen Metcalfe and cinematography from Mark Irwin, who has worked with everyone from David Cronenberg to the Farrelly brothers. ~ Brian J. Dillard, Rovi