John Sherwood Movies

John Gant (Audie Murphy) rides into the town of Lordsburg and quietly checks into the hotel. He doesn't say much, nor does he need to -- his mere presence does the talking. Gant is a killer, a hired assassin, a gunman with 23 dead men to his credit, but he is not a murderer or a criminal; all of his killings have been legal, a result of self-defense when the men he was after drew on him. When he comes to a town, someone dies as surely as if he were the angel of death -- he even tells the town doctor in Lordsburg (Charles Drake) that he's in "a similar line of work," and ends up playing chess with him. Who has he come to "see" in Lordsburg? No one is sure, but as the sheriff (Willis Bouchey) tells his deputy, it will be mighty interesting watching the leading citizens over the next few days. Sure enough, the town banker (Whit Bissell) locks himself in his office with a gun, his business partner starts packing iron for the first time in his life, the man they cheated in their dealings is also going armed; and one guilty cuckold (Warren Stevens) is positive his ex-rival has paid Gant. Less than 12 hours after that, there's no law left in Lordsburg, every dirty little secret in every man's past starts bubbling to the surface, and gunplay has broken out in the streets between the men who think their respective rivals have brought Gant to town. ~ Bruce Eder, All Movie Guide

Raw Edge is a modest Universal western from the peak of the double-feature era. Rory Calhoun plays a rancher whose "equal opportunity" hiring policies backfire. Calhoun learns that several of his ranch hands plan to kill him and take over the property. The treacherous employees further intend claim Calhoun's widow-to-be (Yvonne de Carlo) along with the ranch. Mara Corday plays the other woman in Calhoun's life: Can she, or anyone else in this picture, be trusted? While the plotline of Raw Edge has its esoteric moments, the film is brought down to earth by the perfunctory direction of John Sherwood. ~ Hal Erickson, All Movie Guide

Rock Hudson stars as Michael Martin, a naive and impetuous young would-be rebel in 1815 Ireland, who turns to robbery in his desire to support the cause against England. Now wanted by the British and forced into hiding, he crosses paths with the renowned rebel leader Captain Thunderbolt aka John Doherty (Jeff Morrow), who takes him under his wing. Impressed with Michael's bravery, Thunderbolt makes him his second-in-command, a job that becomes twice as difficult when Thunderbolt is wounded and must drop out of sight. Michael must replace him, not only as a rebel leader, but also in running the business that Doherty fronts as a cover, and in his household -- and that puts Michaal on a collision course with Doherty's equally impetuous, headstrong daughter Aga (Barbara Rush). Sparks fly between them, as the English draw ever closer in their pursuit of the rebels. ~ Bruce Eder, All Movie Guide

Francis Joins the WACS was the fifth in Universal's comedy series about a talking Army mule and his hapless human companion. Thanks to a bureaucratic snafu, ex-GI Peter Sterling (Donald O'Connor) is called into acitive duty and assigned to a WAC unit, headed by Major Simpson (Lynn Bari). It is Sterling's task to train the women to be camouflage experts, but the ladies resent his presence, assuming that Peter has been sent to discredit their unit. But with the help of Francis, the WACs manage to win the annual War Games, and to flummox misogynistic General Kaye (Chill Wills, who also provides Francis' voice). Julie Adams, then billed as Julia, provides the love interest. ZaSu Pitts also appears in Francois Joins the WACs, recreating the role she'd played in the first Francis installment back in 1949, while other uniformed females include Mamie Van Doren and Allison (Attack of the 50-Foot Woman) Hayes. ~ Hal Erickson, All Movie Guide

One of the finest and most troubling films to come out of Universal-International, The Sleeping City tried to emulate some of the cinéma vérité elements of The Naked City (which had been produced at Universal's facilities). The producers got the permission of the city of New York to shoot at Bellevue Hospital, and, in exchange, opened the movie with a disclaimer spoken by star Richard Conte, stepping out of character to point out that nothing like the story in this movie ever happened at Bellevue and offering tribute to the actual hospital and its staff. That's the last reassuring moment that one will find in this eerie crime drama -- in the first six minutes, a young doctor taking a break from work is shot in the head, and the police can't find a clue even as to a possible motive. Inspector Al Gordon (John Alexander) decides that he has to put some men on duty at the hospital, and one of them is Fred Rowan (Richard Conte), a detective with experience as an army medic, masquerading as an intern. What Rowan finds is a high-pressure world in which interns are hopelessly squeezed for time, sleep, energy, and -- most of all -- money, and walk a fine line on the edge of personal and professional disaster. His roommate, Steve Anderson (Alex Nicol), seems especially desperate. The only relief from the bleakness and tension, on a personal level, comes from the attentions of Ann Shelton (Coleen Gray), the ward nurse in traumatics, where Fred is assigned, and the good-natured needling of Pop Ware (Richard Taber), an elevator operator who likes to take an avuncular interest in the interns around him. But before he can get too far in his investigation, potential witnesses start dying around Rowan , and one of his friends at the hospital is threatened. Soon the whole scheme and the motives for the murders suddenly become clear, along with Rowan's earlier failure to spot the clue he needed. He also suddenly recognizes the involvement of the people closest to him at the hospital, but before the squad can move, he also finds his own life at risk. ~ Bruce Eder, All Movie Guide

Elizabeth MacDonald (Claudette Colbert) is a newly married corporate librarian in 1918 Baltimore working for a chemical company owned by the Hamilton family and managed by Larry Hamilton (George Brent). Just as she is celebrating the armistice and anticipating the return of her husband John (Orson Welles), she learns he was killed in action, just days before the cease fire. Pregnant with their child and alone in the world, she is taken in by Larry Hamilton, who has loved her from afar and is driven by sympathy for her plight. She has her baby, a boy named Drew, and she and Larry marry, raising the child as his own and never telling the boy of his real father. Meanwhile, in an Austrian hospital, a horribly wounded and disfigured American officer (Welles) without any identification insists to the doctor treating him (John Wengraf) that he be allowed to die. The doctor saves his life, but the shock of his injuries and the strain of his recovery causes him to lose his memory, and he ends up adopting a new identity. Cut to 1939, and the outbreak of the Second World War in Europe. Drew (Richard Long) is about to graduate from college and wants to join his fraternity brothers, who are planning on going to Canada, signing up with the Royal Canadian Air Force, and heading to England to fly against the Germans. Drew is not yet 21, however, and needs the permission of his parents, but Elizabeth is appalled by the notion of losing Drew to war the same way that she lost John.

Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).

Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, All Movie Guide

When he finds out his ex-wife has just had his child and plans to give her up for adoption, a timid English instructor dashes to the child's rescue and attempts to care for her in a hotel room. Before too long, however, his new fiancee and his ex confront him and he must decide what he will do. This light comedy starring Gary Cooper, Theresa Wright and Anita Louise garnered Oscar nominations for Sound and Art Direction and was previously filmed under the title Little Accident in 1930 and 1939. ~ Kristie Hassen, All Movie Guide

Thornton Wilder's Pulitzer Prize-winning play Our Town is given the Hollywood treatment in this adaptation directed by Sam Wood featuring an evocative score by Aaron Copland and outstanding production design by William Cameron Menzies. Frank Craven is Mr. Morgan, the narrator and our guide through the small town of Grover's Corners in the more innocent American times of 1901, 1904, and 1913. Mr. Morgan chronicles the lives of a handful of Grover's Corners citizens, centering upon Emily Webb (Martha Scott), the daughter of the local newspaper editor (Guy Kibbee), and George Gibbs (William Holden), the son of the local doctor (Thomas Mitchell). Emily and George fall in love and the film details their difficult courtship, marriage, and tragic childbirth. The film was nominated for a Best Picture Oscar, losing out to Rebecca. ~ Paul Brenner, All Movie Guide

After retiring from a boxing career, Johnny Cave (James Cagney) accepts an appointment to serve as head of the Bureau of Weights and Measures. However, when he discovers that his organization is full of corruption and lies, he sets out to uncover the scam, much to the dismay of his girlfriend, Janet (Mae Clarke), and his underhanded coworkers. ~ Iotis Erlewine, All Movie Guide