Martin Sheen Movies
Martin Sheen has appeared in a wide variety of films ranging from the embarrassing to the sublime. In addition to appearing in numerous productions on stage, screen, and television, Sheen is the father of a modern dynasty of actors and a tireless activist for social and environmental causes, particularly homelessness. Born Ramon Estevez on August 3, 1940, he was the seventh of ten children of a Spanish immigrant father and an Irish mother. Growing up in Dayton, OH, Sheen wanted to be an actor so badly that he purposely flunked an entrance exam to the University of Dayton so he could start his career instead. With his father's disapproval, he borrowed cash from a local priest and moved to New York in 1959.While continually auditioning for shows, Sheen worked at various odd jobs and changed his name to avoid being typecast in ethnic roles. "Martin" was the name of an agent/friend, while he chose "Sheen" to honor Bishop Fulton J. Sheen; until his early twenties, the actor had been a devoted Catholic. He joined the Actor's Co-op, shared a loft, and with his roommates prepared showcase productions in hopes of attracting agents. For a while he worked backstage at the Living Theater alongside aspiring actor Al Pacino, and it was there that he got his first acting jobs. Around that time, Sheen married, and in 1963 broke into television on East Side West Side; more television would follow in the form of As the World Turns, on which he played the character Roy Sanders for a few years.
In 1964, Sheen debuted on Broadway in Never Live Over a Pretzel Factory, and that same year won considerable acclaim for his role in The Subject Was Roses, which in 1968 became a film in which he also starred. After making his feature film debut as a subway punk in The Incident (1967), Sheen moved to Southern California in 1970 with his wife and three children. During the beginning of that decade, he worked most frequently in television, but occasionally appeared in films as a supporting actor or co-lead. His movie career aroused little notice, though, until he played an amoral young killer (based on real life murderer Charles Starkweather) in Terrence Malick's highly regarded directorial debut, Badlands (1973). Further notice came in the mid-'70s, when the actor was cast by Francis Ford Coppola to star in a Vietnam War drama filmed in the Philippines. Two years and innumerable disasters later -- including a near-fatal heart attack for Sheen -- the actor's most famous film, Apocalypse Now (1979), was complete, and it looked as if he would finally become a major star.
Although the film won a number of honors, including a Golden Palm at the Cannes Film Festival, and Sheen duly gained Hollywood's respect, he never reached the heights of some of his colleagues. This was possibly due to the fact that during the 1970s and 1980s, he appeared in so many mediocre films. However, Sheen turned in memorable performances in such films as Ghandi (1982) -- from which the actor donated his wages to charity -- and Da (1988), in which he took production and starring credits. He also did notable work in a number of other films, including Wall Street (1987), The American President (1995), and Monument Ave. (1998). In 1999, he could be seen in a number of projects, including Ninth Street and Texas Funeral, which premiered at the Venice Film Festival that year; O, a modern-day adaptation of Othello; and The West Wing, a television series that cast him as the President of the United States (a role for which he would win the Best TV Series Actor in a Drama Award at the 2000 Golden Globe Awards).
In 1986, Sheen made his directorial debut with the Emmy-winning made-for-TV movie Babies Having Babies. All three of his sons, Emilio Estevez, Ramon Estevez, and Charlie Sheen (whom he directed in 1991's Cadence), as well as his daughter, Renee Estevez, are movie and television actors. His brother, Joe Estevez, also dabbles in acting. ~ Sandra Brennan, All Movie Guide

- 1960
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Hollywood has long been part of the war machine. This comprehensive documentary delves into the history of combat films and Hollywood's portrayals of war from Cecil B. De Mille's silent The Little American to Francis Ford Coppola's groundbreaking Apocalypse Now, and beyond. Martin Sheen narrates. ~ Heather M. Fierst, All Movie Guide
In the tenth volume in a collection culled from the 1963-1965 science fiction anthology television series, a group of international strike-force soldiers is captured by an alien culture. ~ Jason Ankeny, All Movie Guide
Engineer Alan Maxwell (Cliff Robertson) is using his commercial radio station's antenna to probe into deep space in experiments of his own, in the course of which he makes contact with a being (William O. Douglas, Jr.) from the great nebula in the constellation Andromeda. Through an accident, the alien is transported to Earth, where its radioactive emanations prove lethal to all who come in contact with it. ~ Bruce Eder, All Movie Guide
Jack Landau directed this 1966 televised production of Tennessee Williams' fantastical one-act play. In it, Martin Sheen stars as Kilroy, an American GI who finds himself in the surreal landscape of a fictitious Latin American nation where he interacts with several characters who have fallen into meaningless and destitute lives. The play also features performances by Tom Aldredge, Michael Baseleon, Albert Dekker, Hurd Hatfield, Kazimir Kokich, and Lotte Lenya. ~ Matthew Tobey, All Movie Guide
- Starring:
- Martin Sheen
Martin Sheen may be the Grey Eminence of movies nowadays, but back in 1967 he often as not played switchblade-wielding punks. This he does, in the company of Tony Musante, in The Incident. After mugging a helpless old man, Sheen and Musante take over a subway car, terrorizing its occupants. In Stagecoach fashion, all the best and worst qualities of the passengers are brought to the surface by the presence of danger. Among the passengers are angry black man Brock Peters and his supplicative wife Ruby Dee, ex-alcoholic Gary Merrill, timorous Jewish couple Jack Gilford and Thelma Ritter, blowhard Ed McMahon, and homosexual Robert Fields. It is furloughed army private Beau Bridges who puts an end to Sheen and Musante's reign of terror. Based on Ride with Terror a 1963 TV play by Nicholas E. Baehr, The Incident is an unpleasant but undeniably fascinating character study. And yes, that cute young blonde playing Alice Keenan is Donna Mills. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Musante, Martin Sheen, (more)
Frank D. Gilroy's Pulitzer-winning "kitchen sink" theatrical piece The Subject Was Roses was given a no-frills film transference in 1968. Martin Sheen and Jack Albertson re-create their stage roles as a returning serviceman and his alcoholic father. Patricia Neal takes over from the play's Irene Dailey as Nettie Cleary, Timmy's (Sheen) overly protective mother, long at odds with husband John (Albertson) over his drinking. Mother and Father try to put on a facade of happiness for the benefit of their son, but soon the three of them are squabbling again, just as if the boy had never been away. With the exception of adding a few extraneous characters, the film version of The Subject Was Roses is essentially the same as its 1964 Broadway counterpart. The film helped establish the career of Martin Sheen, launched a whole new dramatic career for Jack Albertson, and represented a triumphant comeback for Patricia Neal, who'd recently recovered from a debilitating stroke. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Neal, Jack Albertson, (more)
The FBI launches a search for the thieves who stripped the abandoned car owned by wealthy kidnap victim John Graham (Jim McMullan). Inspector Erskine (Efrem Zimbalist Jr.) hopes that the thieves may have witnessed the crime and will be able to identify the abductor. Meanwhile, efforts to negotiate Graham's safe release hit a snag when the victim's brother Philip (Russell Johnson) refuses to pay the $300,000 ransom. In a fascinating bit of casting, the uncle-and-nephew team of kidnappers is played by Edward Asner and Martin Sheen. ~ Hal Erickson, All Movie Guide
This pilot film for the 1969-1970 TV series Then Came Bronson stars Michael Parks in the title role. A young, ambitious journalist, Bronson realigns his priorities after his best friend (Martin Sheen) commits suicide. Borrowing a page from Kerouac, Bronson gives up the rat race for the road. He mounts his friend's motorcycle, speeding up and down the California coastline in search of life's meaning. Along the way, he meets a runaway bride (Bonnie Bedelia) who briefly joins him on his odyssey. The best sequence takes place in a nomad encampment, presided over by Zorba-like Akim Tamiroff. Everyone who grew up in the late-'60s seems to have fond memories of the series; why, then, was the show canceled after only one season? ~ Hal Erickson, All Movie Guide
- Starring:
- Bonnie Bedelia, Akim Tamiroff, (more)
Kellerman (Anthony Zerbe), chief of security in an Iron Curtain country, suspects that defector Orin Selby (John Crawford) is actually a double agent for the Americans. Having captured the only person who knows Selby's true identity, Kellerman holds the man in a booby-trapped cell in a state of perpetual torture. To protect Selby's cover, the IMF must discredit Kellerman and rescue his prisoner. A young A young Martin Sheen appears as Kellerman's nerdish aide Brocke, whose naivete--and affection for a duplicitous young woman named Stephanie (Diana Ewing)--plays right into the IMF's hands. First telecast on February 23, 1969, "Live Bait" was scripted by James D. Buchanan, Ronald Austin and Michael Adams, from a story by Adams. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Graves, Barbara Bain, (more)
A youthful Martin Sheen guests as an elusive contract killer who takes refuge amongst a group of anti-Vietnam protesters. In exchange for the group's silence, the cagey hit man promises not to expose an "underground railway" which is transporting draft dodgers to Canada. In order to trap the murderer, Ironside (Raymond Burr) must first gain the trust of the young antiwar activists--and that's a tall order for anyone over 30! ~ Hal Erickson, All Movie Guide
The Season Six opener of The F.B.I finds federal agents Erskine (Efrem Zimbalist Jr.) and Colby (William Reynolds) canvassing an era ranging from Pennsylvania to Oregon in search of two elusive bank robbers. Perry Victor (Martin Sheen) is the suave schemer of the pair, while Shep Buford (Tim McIntire) is the bucolic triggerman. Their ultimate goal is to steal the payroll for an Oregon tunnel project--but neither man had figured on the duplicity of Shep's girlfriend Cindy (Joan Van Ark). ~ Hal Erickson, All Movie Guide
Two episodes of the 1970-71 TV series Matt Lincoln were welded together to create the made-for-TV "movie" The Cliff. In one of the episodes, Patty Duke plays a suicidal unwed mother who struggles over whether or not to give up her child for adoption. In the other, Martin Sheen plays a homicidal maniac who keeps in touch by telephone with suicide prevention center psychiatrist Matt Lincoln (Vincent Edwards). Through a little juggling and an additional line or two of dialogue, the two separate plotlines become one. ~ Hal Erickson, All Movie Guide
Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Alan Arkin, Martin Balsam, (more)
In this drama, a freed-POW returns home and is further traumatized by his supposed friends, family and neighbors. ~ Sandra Brennan, All Movie Guide
Though Mia Farrow came to prominence as costar of the TV series Peyton Place, much was made by network publicity flacks of Ms. Farrow's TV-movie debut in Goodbye Raggedy Ann. She plays an aspiring actress whose spectacular lack of good fortune in New York utterly destroys her will to go on. Mia is on the verge of suicide, when writer Hal Holbrook arrives on the scene and tries to talk her out of doing herself in. With Holbrook's guidance, Ms. Farrow realigns her notions of true success and gives life a second chance. Mia Farrow has always been a variable actress, but she's on target for most of Goodbye Raggedy Ann--whenever she isn't undermined by the corniness of Jack Sher's teleplay. ~ Hal Erickson, All Movie Guide
In this film, the Southern small-town life of two attractive twin sisters becomes much more interesting after they meet up with a traveling stranger. ~ Iotis Erlewine, All Movie Guide
Joe Don Baker stars as Mongo Nash, a professional gunman and the brother of mob boss Mike Nash (Charles Cioffi). At the behest of his brother, Mongo packs up his heat and prepares to bump off a rival gangster. Meanwhile, relentless police lieutenant Pete Tolstad (Telly Savalas) dogs Mongo's trail, determined to bring to justice all the crooks involved in the plot line. Partly filmed along the waterfront of San Pedro, CA, this made-for-TV thriller was based on a novel by E. Richard Johnson, who was then doing time on a robbery-murder charge at Minnesota State Prison. Mongo's Back in Town made its first CBS network appearance on December 10, 1971. ~ Hal Erickson, All Movie Guide
During America's Civil War, wealthy citizens on both sides routinely bought their way out of military service. However, people who avoided military service out of principle, then as now, were rare. History records that one such man was Ashby Gatrell of West Virginia, played here by Martin Sheen. Since West Virginia was a border state, its citizens enlisted on both sides of the conflict. Gatrell was reluctant to kill friends and relatives, as he would have had to do no matter which side he joined. Instead, he spent three years hiding in a cave, occasionally gleaning information about the progress of the war from comments made by passers-by. The whole movie is seen and told from his point of view, and other people are usually only glimpsed. This unusual film was directed by novelist-turned-filmmaker Clyde Ware, and features authentic music of the period and the region. ~ Clarke Fountain, All Movie Guide
Described in the original TV Guide listings as "a young movie and TV comer", Martin Sheen essays another bad-guy role for producer Quinn Martin in this episode. Sheen is cast as Steve Chandler, a novice contract killer who goes into hiding from both the FBI and the Mob after bungling a job. On the verge of starting life anew with girlfriend Marcy Brandon (Meg Foster), Chandler realizes with startling suddenness that his days of freedom (and on earth!) might be numbered. ~ Hal Erickson, All Movie Guide
The second of actor George C. Scott's rare directorial efforts (his first being the 1970 television film The Andersonville Trial), this drama, produced at the height of the Vietnam War, was critical of the military's weapons testing. Scott stars as Dan Logan, a single father living with his teenage son Chris (Nicolas Beauvy) in Wyoming. On a camping trip, the Logans are sprayed with an experimental chemical by an Army helicopter. The biological weapon kills every animal in sight and puts Chris into a coma. Seeking medical attention, Dan is instead used as a guinea pig by an Army doctor, Major Holliford (Martin Sheen), who wants to observe the effects of the chemical agent on him. Separated from Chris, Dan realizes that his son has died and escapes from the facility where he's been held. Purchasing some dynamite, the dying father goes on a campaign of bitter, bloody revenge against the Army and lab that made the dangerous substance. ~ Karl Williams, All Movie Guide
- Starring:
- George C. Scott, Richard Basehart, (more)
In this thriller, adapted from the novel Binary by John Lange and directed by Michael Crichton, a federal agent played by Ben Gazzara must stop a madman before he can unleash a toxic nerve gas upon an unwitting political convention. ~ Jason Ankeny, All Movie Guide
In this counter-culture melodrama, a youthful hitcher teams up with an aging vagabond on a lonely Southwestern road. The two are given a lift by an unemployed rocker. Soon the three find themselves at odds with assorted "establishment" characters until the old hobo has a fatal heart attack. As he dies, he asks to be buried on his old farm. Unfortunately, the newest owner refuses, so the rocker and the hitcher have the old guy cremated. They then scatter his ashes over the farm. Songs include: "Echos of the Road" (Stu Phillips, Bob Stone), "Electric Ethel" (Murphy and Castleman), and "Flowers For My Bed" (Nino Candido). ~ Sandra Brennan, All Movie Guide
The Emmy-winning writing team of Richard Levinson and William Link was the creative forced behind the landmark TV movie That Certain Summer. Hal Holbrook stars as a middle-aged divorced man, whose son Scott Jacoby cannot fathom the reason for his parents' split. During a summer visit, Jacoby meets his father's much-younger "best friend," Martin Sheen. Holbrook hedges, but finds he can no longer hold back the truth from his son: Sheen is Holbrook's male lover. Hope Lange costars as Holbrook's ex-wife, who struggles to come to grips with her former husband's sexual preferences, and who encourages him to reveal all to his son. Originally telecast on November 1, 1972, That Certain Summer was the first TV film to take a mature and non-remonstrative approach to the subject of homosexuality--and like many "firsts," the film seems a bit timid when seen today. Levinson and Link were compelled by the network to include short self-deprecating speeches describing the gay life as something of a sickness, one that Holbrook would in his heart of hearts prefer not to pursue. Still, it was as adult as a TV movie could get in those more restrictive times, and doesn't date as badly as it might. In fact, the only truly dated element of That Certain Summer is the self-consciously arty direction of Lamont Johnson. ~ Hal Erickson, All Movie Guide

















