Ronald Shedlo Movies

Carrington is the true story of the peculiar love affair between two nonconformists in Victorian England: painter Dora Carrington (Emma Thompson) and author Lytton Strachey (Jonathan Pryce). Dora is a young English artist who is part of the Bloomsbury Group, an assemblage of British writers, painters, and eccentrics that includes the likes of Virginia Woolf and E.M. Forster, when she meets Strachey. A confirmed homosexual before meeting Carrington, Strachey inquires who the "ravishing boy" is and discovers that it's a woman. Shocked to discover this, he finds himself captivated by her, and they begin an unusual 17-year love affair/friendship. Strachey (most famous for the groundbreaking book Eminent Victorians) and Dora eventually move in together and have a series of offbeat sexual experiences with other members of the group and sometimes even with the same man; at one juncture, Dora even marries another man. Yet their relationship endures until Strachey's death years later. Pryce was honored as Best Actor at the Cannes Film Festival for his performance. ~ Don Kaye, All Movie Guide

For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, All Movie Guide

The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, All Movie Guide

Nicol Williamson stars as a Liverpool/Irish layabout who inherits a business from his father. Even in his executive togs, Williamson remains out of step with society. Already a surly sort, Williamson becomes even less likeable as the film progresses, especially when seeking to avenge a long-ago slight against his father. The film is a belated but still compelling entry in Britain's "Angry Young Man" cinematic cycle, with the "protagonist" remaining on top at the expense of his soul. Reckoning was based on The Harp That Once, a novel by Patrick Hall. ~ Hal Erickson, All Movie Guide

In this decidedly Hollywood view of what growing up Puerto Rican in New York must really be like, almost an entire family (with only one son and a daughter) faces disintegration and tragedy. The father loses his job, which puts the family in a crisis situation. So the son goes out to find work as a delivery boy and the daughter eventually lapses into prostitution. Trouble brews when the son confronts a local gang leader whom he believes has misused his sister, and the mother similarly tracks down a bully for more or less the same reason. In a plot twist, it is the mother's confrontation that goes from bad to worse, precipitating a comparable and tragic denouement at home. ~ Eleanor Mannikka, All Movie Guide