Robert Shaye Movies
Best known as the founder, co-chairman, and co-CEO of New Line Cinema, warhorse Robert K. Shaye is responsible for turning that enterprise from a fledgling, independently owned distributor of "arthouse" features and documentaries (circa the late '60s), into one of the most significant film production companies and distributors of motion-picture entertainment in the international marketplace. Fiscally, it currently stands as the fifth-ranked studio in Hollywood thanks to Shaye's efforts.Born March 3, 1939, in Detroit, MI, Shaye initially pursued a career as a film director, authoring a training film for workers at his father's supermarket, and later helming the shorts Image (1963) and On Fighting Witches (1965). He received an MBA from the University of Michigan and a JD from Columbia University School of Law, then accepted a position, in the mid- to late '60s, with New York's Museum of Modern Art (infamous for its extensive archival film holdings) and used the knowledge he obtained from that post to explore the option of establishing a startup film distributorship out of his Greenwich Village apartment.
Shaye founded "New Line Cinema" (as he named the business) in 1967, initially as an outlet for rereleases of "cult" films (such as the 1936 Reefer Madness, which became a sensation among potheads) and first-run domestic issues of international films, much as Barney Rosset's Grove Press was doing right at around the same time. But whereas Grove experienced financial difficulty in the early to mid-'70s and watched its film distribution wing fold, New Line enjoyed enormous success on all fronts through the end of the decade. The corporation branched out into far more lucrative and commercial territory (the "mainstream") in the '80s and '90s, largely thanks to the release of Wes Craven's Nightmare on Elm Street series, the Teenage Mutant Ninja Turtles series, and -- later on -- the Austin Powers series. In 1993, it inherited the Friday the 13th franchise as well (then dormant for four years, a longer lapse than at any point in the prior history of the series) and successfully revived it with Jason Goes to Hell: The Final Friday, raking in millions of dollars. Meanwhile, Shaye branched out into more independent, arthouse fare (in competition with such entities as Miramax), and established the Fine Line Features distribution wing of New Line in 1990 to help accomplish this goal. With teenage slasher fans and a more discerning, educated viewership under its belt, concurrently, New Line thus managed to reach multiple audiences on opposite sides of the industry spectrum -- an unprecedented move in the American film industry. New Line's successful arthouse projects during the '90s and 2000s include The Player (1992), Short Cuts (1993), Pleasantville (1998), Magnolia (1999), About Schmidt (2002), and Punch-Drunk Love (2002), to name only a few among dozens. Over the years, New Line -- under Shaye's aegis -- has become industry godfather to such maverick filmmakers as Craven, John Waters, Alexander Payne, Albert and Allen Hughes, Paul Thomas Anderson, and Robert Altman (in his early '90s Hollywood resurgence).
Shaye is a Fulbright Scholar, a trustee of Columbia College, and a member of the New York State Bar Association. He serves on several committees, including the Legal Aid Society of New York, the AFI, and the Board of Trustees of Motion Picture Pioneers. ~ Nathan Southern, All Movie Guide
A decade of wisecracking sequels have not diminished the power of this striking horror film from the director of Scream. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter (Heather Langenkamp) traces the cause to child molester Fred Krueger (Robert Englund), who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. The teenaged leads are sympathetic and intelligent, unlike the dumb victims presented in most films of the period, and they are ably backed up by veterans like John Saxon and Ronee Blakley. Director Wes Craven creates moments of real dread by examining the line between nightmares and reality, as well as the "sins of the parents" theme, and although the film is quite gory, it never resorts to cheap bloodletting for its effect. A unique and disturbing experience, this film is highly recommended for horror buffs. ~ Robert Firsching, All Movie Guide
- Starring:
- John Saxon, Ronee Blakely, (more)
- 1985
- R
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Several years after the events of A Nightmare on Elm Street, Jesse Walsh and his family moved into the home of Nancy Thompson, the only survivor of supernatural killer Freddie's reign of terror. Haunted by dreams of the disfigured child-killer, the lonely Jesse has trouble sleeping, falls asleep often in school and quarrels with his picture-perfect family. Lisa, his prospective girlfriend, discovers Nancy's diary in Jesse's closet, and slowly he learns of his predecessor's ordeal. When his sadistic gym teacher catches Jesse blowing off steam at a leather bar, he attempts to exact punishment of an unsavory nature. Freddie intervenes, savagely murdering the coach in the school shower room, and Jesse must flee the crime scene naked, terrified that he's going insane. His parents become convinced he's on drugs, but Jesse knows that Freddie is trying to possess him. Bereft of sleep, alienated, and frightened of what he might do to his sister or Lisa -- especially if he responds to her sexual advances -- the youth attempts to sequester himself in his friend Ron's bedroom; Freddie emerges though, killing Ron and sending Jesse on the lam. Mayhem erupts when Freddie/Jesse crashes Lisa's pool party, leading to a showdown at the abandoned factory where the madman first preyed on the children of Springwood. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Mark Patton, Kim Myers, (more)
The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide
- Starring:
- Heather Langenkamp, Patricia Arquette, (more)
This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, All Movie Guide
- Starring:
- Robert Englund, Lisa Wilcox, (more)
- 1989
- R
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In the fifth installment in the Nightmare on Elm Street series, Alice (Lisa Wilcox) begins the film with the notion that she is safe after she vanquished the evil Freddy Krueger (Robert Englund) by learning how to battle the dreamworld psychopath within her own unconscious mind. But somehow Freddy has survived, and Alice discovers that he's found a place where Alice can't protect herself when he taps into the dreams of her unborn child. Freddy is soon leaving a trail of destruction while the child is still in the womb, and he will become even more deadly when the child comes to term. Memorable moments include Freddy's attack on a comic book artist and his Hellish experiences when "the bastard son of a hundred maniacs" is locked in an insane asylum with a nun. A Nightmare on Elm Street 5: The Dream Child was followed by Freddy's Dead: The Final Nightmare, though Mr. Krueger popped up again in Wes Craven's New Nighmare. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Englund, Lisa Wilcox, (more)
This is a very enjoyable tongue-in-cheek horror film about some homicidal maniacs who break out of an asylum and terrorize a psychiatrist's family on a dark and stormy night. Martin Landau and Jack Palance are particularly funny, but there are some genuine scares as well. One scene, in which a frightened woman is menaced on her bed by a maniac thrusting a butcher-knife up through the mattress, is a clever send-up that will nevertheless linger in the memory. The coda, in which the crazy Palance has a bizarre encounter with a spaced-out punk chick in a nightclub, is a real gem. Recommended. ~ Robert Firsching, All Movie Guide
- Starring:
- Jack Palance, Donald Pleasence, (more)
In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Madeleine Stowe, Aidan Quinn, (more)
A teenager in the '50s moves to a new neighborhood and has to deal with all the problems that come with it in this lighthearted feature--complete with a rock 'n' roll soundtrack. ~ Kristie Hassen, All Movie Guide
- Starring:
- Chris Young, Keith Coogan, (more)
Critters, an amusing horror comedy directed byStephen Herek, is the story of a family menaced by eight basketball sized creatures from outer space who arrive at their Kansas farm in search of food. Helen Brown (Dee Wallace Stone) and Brad (Scott Grimes), owners of the farm find themselves held hostage as the creatures roll, jump and bounce around during the night. They are pursued by a pair of inept, intergalactic bounty hunters, Charlie (Don Keith Opper) and Johnny (Terrence Mann) who can shape-shift at will and are packing weapons capable of taking care of any creature they encounter. The special effects of this humorous thriller are extremely good and the creatures themselves have distinct and separate personalities. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Dee Wallace, M. Emmet Walsh, (more)
Critters 2: The Main Course is the sequel to the highly enjoyable horror comedy Critters. The people of the Kansas town first menaced by the little, furry creatures find that they are not yet safe as they are again assaulted when the creatures reproduce. Charlie (Don Opper) is joined by Lee (Roxanne Kernohan) as all join forces to save the town. The special effects, particularly the ""critters" are again, superb, but the direction by Mick Garris is less self-assured than in the original feature. While still enjoyable, Critters 2 is not nearly as much fun as the original, but still well worth a view. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Scott Grimes, Liane Alexandra Curtis, (more)
A documentary profile of filmmaker John Waters, Divine Trash focuses on the bad-taste pioneer's early years, especially his 1972 breakthrough Pink Flamingos, which turned the director of Mondo Trasho and Multiple Maniacs into the king of midnight movies thanks to word of mouth about the film's gleeful taboo-bashing -- and a distribution deal with the fledgling New Line Cinema. Interviews with filmmakers who both influenced Waters (Paul Morrissey, Herschell Gordon Lewis, Mike Kuchar, George Kuchar) and were influenced by him (Steve Buscemi, Jim Jarmusch, David O. Russell, Hal Hartley) are interspersed with copious behind-the-scenes footage from the making of Pink Flamingos, including the infamous doggy-doo scene. Through it all, the witty Waters provides commentary, recollections, and one-line quips. Pete Garey, owner of the film lab where Waters learned the technical side of moviemaking, recalls his first meetings with the youthful auteur. Mink Stole and other Dreamland Studios superstars reminisce about growing up in suburban Baltimore with Waters, who as a youngster loved car crashes, puppets, and clowns. The director's strait-laced parents reminisce about the financial support they provided for Pink Flamingos, which they have never seen. Neither has Frances Milstead, who looks back on the career of her late son, drag terrorist and Waters muse Divine. Divine and late "egg lady" Edith Massey crop up in various archival interviews and film clips. The man who played the "talking asshole" in Pink Flamingos also appears, albeit anonymously and disguised. Various film theorists and critics debate the merits and meaning of the Waters oeuvre, while Baltimore critic Don Walls and former Maryland film censor Mary Avara express their incredulity about the director's success. Divine Trash won the Filmmakers Trophy for Best Documentary at the 1998 Sundance Film Festival. Director Steve Yeager, a longtime friend of Waters, would go on to direct In Bad Taste: The John Waters Story and help Milstead write a book about her son. ~ Brian J. Dillard, All Movie Guide
- Starring:
- John Waters, Jeanine Basinger, (more)
The romance, intrigue, and industry politics of the world's biggest film festival -- which is also the world's biggest film marketplace -- provides the backdrop for this typically understated comedy-drama from director Henry Jaglom. Alice Palmer (Greta Scacchi) is a well-known American actress who has written a screenplay that she'd like to direct, and she arrives a the Cannes Film Festival to look for investors. Alice has her eyes on veteran star Millie Marquand (Anouk Aimee) to play the lead, but while Millie loves the script, she's been offered a better-paying supporting role in an upcoming Tom Hanks project. Meanwhile, Millie's former husband Viktor Kovner (Maximilian Schell) is a director fallen on hard times who is trying to scare up financing for his own film. Producer Rick Yorkin (Ron Silver) wouldn't mind leaving Millie in the lurch if it meant landing Alice for his next project. Kaz (Zack Norman) is a less-than-scrupulous producer hoping to put some sort of package deal together. And Blue (Jenny Gabrielle) is a young woman whose shoestring budget independent film has become an unexpected smash hit. Shot in the midst of the 1999 Cannes Film Festival, Festival In Cannes features cameos from such stars as Jeff Goldblum, Holly Hunter, Faye Dunnaway, and William Shatner. ~ Mark Deming, All Movie Guide
- Starring:
- Jenny Gabrielle, Greta Scacchi, (more)
- 2010
Disaster movie maestro Roland Emmerich and partner Michael Wimer team up to produce what many have considered an impossible adaptation -- that of Isaac Asimov's Foundation. The sprawling work of thoughtful science fiction details mathematician Hari Seldon's goal to preserve humanity after discovering that the universe will fall into a dark age through his work in psychohistory, a concept that allows one to predict the future. ~ Jeremy Wheeler, All Movie Guide
Rumored and anticipated for years, the two biggest icons of the slasher genre finally meet in Freddy Vs. Jason, the eighth entry in the Nightmare on Elm Street saga and the 11th film in the Friday the 13th series, though with Jason X taking place in the future, it should be noted that the events of this film take place after the ninth film Jason Goes to Hell. And it is hell where Freddy Kreuger (Robert Englund) and Jason Voorhees (Ken Kirzinger, donning the hockey mask for the first time in a controversial snub against series veteran Kane Hodder) finally become acquainted. Banished there for eternity, Freddy devises a plan to manipulate Jason into continuing his work, hacking up the teenagers of Elm Street. All goes well at first until Jason realizes he's been duped by "the dream master" and is none too pleased. Coaxed by surviving teenagers Will (Jason Ritter), Lori (Monica Keena), and Kia (Destiny's Child's Kelly Rowland), Jason and Freddy descend upon Crystal Lake for a mano a mano battle royal. Helmed by Hong Kong director Ronny Yu (Bride of Chucky, The Bride With the White Hair), Freddy Vs. Jason features the director of the first Friday film, Sean S. Cunningham serving as producer. ~ Matthew Tobey, All Movie Guide
- Starring:
- Robert Englund, Ken Kirzinger, (more)
- 1991
- R
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The producers insisted that this sixth entry in the Nightmare on Elm Street series marked the last; no points for guessing that additional sequels followed. This time, homicidal wraith Freddy Krueger (Robert Englund) decides to extend his reign of terror past Elm Street. His agent-on-earth is his own long-lost daughter Maggie (Lisa Zane, sister of Phantom star Billy Zane). Securing a job as a dream therapist for troubled teens, Maggie is able to "open up" the minds of her patients so that Freddy can exercise his usual bloody prerogative. In a garish, 3-D climax, Freddy himself becomes the victim of the vengeful Maggie. Since what happens in this picture is laid out in the title, we can't possibly be accused of giving the ending away. Watch for cameos from Roseanne and her then-husband Tom Arnold, Alice Cooper, Elinor Donahue, and Johnny Depp, one of the stars of the very first Nightmare. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Englund, Lisa Zane, (more)
- 1988
The first season of the horror anthology Freddy's Nightmares begins with a revisionary rehash of the premise established in the original Nightmare on Elm Street film series, as multiple murderer Freddy Krueger (Robert Englund), released from prison on a technically, falls victim to the vigilante justice meted out by the outraged residents of Elm Street in the town of Springwood. Freddy's "death", however, is hardly the end of the story: Burned virtually beyond recognition and sporting a glove with long, deadly razors where his fingernails should be, Freddy returns in a "dream demon" form to induce unspeakable nightmares in the minds of the Springwood citizenry. Though several of Freddy's victims die horribly as a result, no teenagers are killed in the TV version of the popular movie franchise--a marked contrast to the mortality rate amongst the teen characters in the original films. Each of Season One's episodes is divided into two half-hour segments, with one of the survivors of the terrors depicted in the first half of the story becoming the main victim in the second half. In most cases, Freddy is the catalyst for the stories: inducing grim dreams in the mind of an overworked medical student in one episode, playing one twin against the other to destroy their policeman father in another episode, and so on. In other instances, Freddy serves only as narrator, taking no active part in the mayhem. Among the more recognizable actors appearing in the first season of Freddy's Nightmares are Brad Pitt (in the episode "Black Tickets"), Susan Oliver, George Lazenby, Mariska Hargitay, Lori Petty, Page Hannah, Brett Cullen, Timothy Bottoms, Nancy Linari, Jeffrey Combs, and that ubiquitous cult favorite, Dick Miller. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Englund
- 1989
The hideously charred face, blazing eyes, and razor-enhanced glove of "dream demon" Freddy Krueger (Robert Englund remain essential ingredients to Freddy's Nightmares as the weekly, hour-long horror series launches its second season. As before, Freddy's "role" in the proceedings varies from story to story: In some instances, he is the instigator of the terrible nightmares that drive the various characters to madness, murder or death; in other cases, he is merely a sidelines observer, providing grimly sarcastic narration to the terrors at hand. Also carried over from Season One is the series basic format of offering two half-hour playlets per 60 minute episode, thinly connected by having one of the "survivors" of the horrors in Part One turning up as the "victim" in Part Two. And finally, the series' producers hold firm to their policy of never killing off any character under the age of 18, thereby (hopefully) quelling complaints from various clean-up-TV pressure groups that the series is too intense for younger viewers. Though a bit light on "star" names in the cast rosters, the episodes presented in Season Two still feature a number of instantly recognizable performers. "Heartbreak Hotel" is an interesting exercise in "other-generational" casting, featuring Anne Lockhart, daughter of June Lockhart, and Stacy Keach Sr. rather than the better-known Stacy Keach Jr.. TV archivists should enjoy the teaming of David L. Lander, aka "Squiggy" on Laverne and Shirley, and Mary Crosby, otherwise known as the Girl Who Shot J.R. on Dallas, in "Lucky Stiff". Tony Dow, the former "Wally Cleaver" on Leave It to Beaver, shows up in "Prime Cut." And action-film perennial Sandahl Bergman is the focal point in "Dust to Dust". ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Englund
Known more for his dark, psychological crime thrillers Primal Fear (1996) and Fallen (1998), director Gregory Hoblit surprisingly created this Frank Capra-meets-Rod Serling-style fantasy that mixes several genres of storytelling into a likable stew. James Caviezel stars as John Sullivan, a New York police detective who has never recovered from the death of his father Frank (Dennis Quaid), a firefighter who died heroically when John was a boy. Experimenting with his dad's beloved ham radio one summer night, extreme sunspot activity allows John to contact Frank 30 years in the past. Since he's able to warn Frank away from danger, his father's death never occurs. Then the unthinkable happens: John's altered future is one in which his mother Julia (Elizabeth Mitchell) has been murdered by a serial killer. Now John in the present and Frank in the past must try to solve the riddle of the killer's identity and change the time line again. Frequency was written by Toby Emmerich, the brother of actor Noah Emmerich, who appears in a supporting role created specifically for him. ~ Karl Williams, All Movie Guide
- Starring:
- Dennis Quaid, James Caviezel, (more)
Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young girl's dream, and Tracy improbably wins a featured spot when she infiltrates a dance contest and makes a better impression than her favored rival, the catty Amber von Tussle (Colleen Fitzpatrick). Always able to have fun, even when she's being mocked by the jealous popular girls, Tracy wins the affections of Amber's boyfriend and soon begins leading a movement to integrate the dance show, which has previously featured blacks only in a once-weekly theme night. She is arrested following a demonstration at a local theme park owned by Amber's father (Sonny Bono), who subscribes to the same theory of race relations as "The Corny Collins Show." Tracy's adventures are also filtered through her loving but eccentric parents (Divine and Jerry Stiller) and involve a humorous cultural clash with pot-smoking beatniks (Ric Ocasek and Pia Zadora). ~ Derek Armstrong, All Movie Guide
- Starring:
- Ricki Lake, Michael St. Gerard, (more)
Jack Moony (Bob Hoskins) is a vice detective, but he is also an intense and crazed, racist lout. Jack has had a brief fling with a hooker named Crystal (Chloe Webb), but Crystal left him for Napoleon Stone (Denzel Washington), a suave, handsome, cosmopolitan lawyer, who becomes the object of Jack's rage, not simply because he has stolen his girl but also because he is black. Jack, who lives on cheeseburgers, beer, and whiskey, has a heart attack. This occurs the same night that Stone is killed in an un-accidental car crash. Thanks to a quick organ transplant, Jake ends up with Stone's heart. But to Jack's horror, he discovers the ghost of the lawyer has returned to earth to follow Jack around -- offering Jack nutritional advise, giving him tips on solving his murder, and suggestions on how to get back together with Crystal. ~ Paul Brenner, All Movie Guide
- Starring:
- Bob Hoskins, Denzel Washington, (more)
- 1990
- R
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Upon stopping for gas and directions on the Texas back roads, bickering yuppies Michelle (Kate Hodge) and Ryan (William Butler) get harassed by leering service-station owner Alfredo (Tom Everett). When the helpful intercession of a hitchhiker named Tex (Viggo Mortensen) leads to violence, the couple flees the area. Eventually, an unknown truck forces them off the road and into an accident with the sports utility vehicle of Benny (Ken Foree), a well-armed survivalist. Pursued by unknown assailants, Benny and his fellow accident victims must abandon both vehicles and armaments. Eventually all three end up trapped on the boggy forest estate of a family of cannibalistic serial killers who range in age from a feral little girl (Jennifer Banko) to an aged matriarch (Miriam Byrd-Nethery). The clan also includes the title character, whose chainsaw-wielding rampages are among the few direct links between this installment and the earlier two films in this series. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Kate Hodge, Viggo Mortensen, (more)
- 2005
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Stuart Samuels's popular documentary Midnight Movies: From Margin to Mainstream grounds itself in the thesis that six revolutionary American motion pictures - Night of the Living Dead (1968), El Topo (1970), Pink Flamingoes (1972), The Harder they Come (1972), The Rocky Horror Picture Show (1975) and Eraserhead (1976) - invented the concept of "midnight movies" and thus permanently reshaped the American film industry per se and the composition of the average U.S. film audience, creating a new "brand" of viewer. Samuels and his team tell the story of this odd subgenre as it evolved, peaked in popularity, and then faded gradually from view. The bulk of the picture consists of a myriad of interviews with the directors of these films per se (John Waters, Alejandro Jodorowsky, David Lynch, Perry Henzel, George Romero - Jim Sharman appears in archive footage only), cast members, theater owners who found their business reinvigorated by this trend, critics such as Roger Ebert who reflect on the era, and of course the films' fans. The documentary also features extended clips from the movies and period news footage about the rise in popularity of the said titles. ~ Nathan Southern, All Movie Guide
- 1987
- PG13
A young man named Kaz (Scott Valentine), afflicted with the curse of turning into an animal at the least sign of sexual arousal, tries to remain friends with a girl he's just met (Michelle Little). Meanwhile, he recruits a bizarre street scientist (Arnold Johnson) to create an antidote to the curse before its too late. ~ John Bush, All Movie Guide
- Starring:
- Scott Valentine, Michelle Little, (more)
- 1993
- PG13
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The Lethal Weapon series and the rest of the buddy-cop genre receives the parody treatment in this low-brow comedy. Emilio Estevez stars as Jack Colt, the Mel Gibson-like loose cannon, while Samuel L. Jackson assumes the Danny Glover role as Wes Luger, his exasperated partner. Together, Colt and Luger investigate the murder of Luger's former partner (Whoopi Goldberg) and discover a criminal conspiracy led by the nefarious General Mortars (William Shatner). Hoping to mimic the success of the Naked Gun films, director Gene Quintano (of Police Academy 4 fame) loaded the film with broad visual gags, deadpan slapstick, and gratuitous parodies of The Silence of the Lambs, Basic Instinct, and other movies. The attempt to mimic successful parodies proved ineffective, however, as critics and viewers alike found the parody stale and the juvenile humor dreary. ~ Judd Blaise, All Movie Guide
- Starring:
- Emilio Estevez, Samuel L. Jackson, (more)
After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, All Movie Guide
- Starring:
- Divine, Tab Hunter, (more)
