Irwin Shaw Movies

The man who assembled the remarkable documentary George Stevens: A Filmaker's Journey had the benefit of knowing the subject intimately: the film was written, produced and directed by George Stevens Jr. Utilizing pristine-quality filmclips and interviews, Stevens Jr. details Stevens Sr.'s rise from silent-film cameraman to one of the top producer/directors in Hollywood. We are treated to snippets of Stevens' camerawork on the Laurel and Hardy films at Hal Roach Studios, then we are transported to his salad days as a feature director at RKO. Among the films highlighted from this first chapter of Stevens' directorial life are Alice Adams (1935), Swing Time (1936) and Gunga Din (1939) (one would like to have heard a bit more background info concerning Stevens' Wheeler and Woolsey comedies). Next we find Stevens as an autonomous entity at Columbia Pictures, producing and directing such classics as The More the Merrier (1943). The war years are thoroughly covered via Stevens' vivid color footage of the invasion of Europe. The last stages of Stevens' Hollywood career is traced through generous portions of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). The many interviewees include Katharine Hepburn, Cary Grant, Fred Astaire, Ginger Rogers and Warren Beatty. As an added filip, A Filmmaker's Journey includes rare home-movie sequences showing George Stevens at home and at work--all filmed with as much care and professionalism as Stevens' "mainstream" pictures. ~ Hal Erickson, Rovi

The 1980 Winter Olympics at Lake Placid provides the setting for this drama that centers on a man's mid-life crisis. While there, he gets involved with love, sex and other diversions. ~ Sandra Brennan, Rovi

A piece of made-for-television hack work that suddenly became sort of topical 23 years later, with the attacks on the New York World Trade Center and the Pentagon on September 11, 2001, Evening in Byzantium was a two-part made-for-TV feature based very loosely on Irwin Shaw's best-seller. The book involved intrigue and romance at the Cannes Film Festival, but the television producers evidently thought that this did not justify a two-night prime time movie event, so they added a story about Middle Eastern terrorists using the Cannes Film Festival as part of a larger plot to attack the West. Glenn Ford plays Jesse Craig, a down-on-his-luck producer with a film project in mind involving terrorists, who goes to Cannes to raise money and finds himself dealing with his ex-wife (Shirley Jones) and romancing Erin Gray. But before too long, he uncovers a plot by real terrorists to replace commercial airliners in flight (blowing them out of the sky and taking over their authorized flight paths) with specially converted airliners and bomb targets in the United States. Also on hand is Vince Edwards, playing an actor with a radical political agenda, who is alarmed that Ford's proposed film parallels his own terrorist plans; Michael Cole as Ford's associate; Eddie Albert and Gloria De Haven as a couple with ties to the movie business; Harry Guardino as a skeptical American security officer; and Marcel Hillaire as the French police inspector trying to unravel the terrorists plans. It's all very silly, though played very sincerely by most of the cast, and none of the plot described is less plausible than the notion that Glenn Ford and Erin Gray could ignore the 36-year difference in their ages. Evening in Byzantium was originally shown in August of 1978 as part of the syndicated Operation Prime Time programming series, intended to compete with the three networks. ~ Bruce Eder, Rovi

Bert (Robie Porter) and Taylor (Sam Waterston) are two Americans who set out for a tour of France and Italy by auto. They meet a pretty female hitchhiker named Marty (Charlotte Rampling) and agree to allow her to travel with them. They agree not to become romantically involved with Marty to insure there is no conflict. When Bert goes off with a French woman for a night of love and romance, Marty makes a move on Taylor. Keeping in mind the pact with his friend, he refuses to get involved with the woman. Bert eventually returns and forgets his promise to Taylor as he makes a pass at the willing, wanton woman. Soon Taylor is left behind to ponder his fate as the two lovers resume the proposed tour. ~ Dan Pavlides, Rovi

Author Irwin Shaw wrote the screenplay for this adaptation of two of his short stories set in Paris. Christina James (Jean Seberg) is a footloose American girl living in the City of Lights. She becomes involved with Guy (Philippe Forquet), who tells her that he's a student at the University studying engineering, but when they plan a rendezvous at a cheap hotel, he confesses to her that he's really only 16 years old. Christina breaks it off with him and goes through a series of brief and unsatisfying affairs with a variety of men until she meets Walter Beddoes (Stanley Baker), a journalist with an unfortunate appetite for alcohol. Despite the fact his work often forces him to travel abroad on a moment's notice, Christina is deeply in love with Walter, and when her father (Addison James) tries to persuade her to come back to the United States, she refuses, preferring to stay with Walter. In time, Christina realizes that Walter is away from her more often than he's with her, and when she meets John Haislip (James Leo Herlihy), an American doctor vacationing in France, she has to decide if her passion for Walter is more important than her feelings for John, who wants her to come to his home in San Francisco, where he'll always be there for her. In the French Style offered an appropriate role for actress Jean Seberg, who was born in Iowa but found most of her best film roles after she moved to France. ~ Mark Deming, Rovi

This adventure melodrama concerns Vic Brennan (Stephen Boyd), who persuades his family to put up money for him to leave Dublin for the remote African town of Jebanda in order to start up a truck-hauling business. The family agrees to give Vic the money under the stipulation that his cousin Samuel (David Wayne), a bank clerk, go with him to protect their investment. Vic and Samuel arrive in the Ivory Coast along with Vic's bride Marie (Juliette Greco). Samuel loses their customs papers, and Vic's truck is impounded. Luckily, Marie recognizes a friend, a French naval captain, and he gets Vic's truck released. They then proceed onward toward Jebanda, but they have nothing but bad luck along the way --their truck crashes into a tree, and Vic has to bribe the natives with some beer to get the tree removed; a German guide tries to steal their cargo; and the African sun makes Samuel delirious, and he declares his love for Marie. Finally, the truck reaches a raging river. They try to cross it, and Vic is knocked unconscious by a log. Samuel must now find the courage to rescue Vic and continue on to Jebanda. ~ Paul Brenner, Rovi

Paul Newman and Joanne Woodward made a rare joint TV appearance in this live Playhouse 90 broadcast of 1958. Newman is cast as former college football star Christian Darling, whose legendary 80-yard run in the mid-1920s won him fame, adulation, a beautiful wife named Louise (Joanne Woodward), a profitable business set up by his father-in-law, and a generously yearly stipend. All this changed with the Crash of 1929: Now broke and unemployed, Christian sits morosely at home, with only the memory of his gridiron glory keeping him company. Meanwhile, Louise has landed a good job at a fashion magazine--but as she moves up in the world, the embirtterd Christian seriously considers moving out. "The 80 Yard Run" was adapted from Irwin Shaw's short story by the author's brother David Shaw. ~ Hal Erickson, Rovi

Jack Lemmon and Robert Mitchum star as Tony and Felix, co-owners of a tramp-steamer service in the West Indies. Threatening their friendship is itinerant trollop Irena (Rita Hayworth). Tony seethes with jealousy as Irena gravitates towards Felix, leading to a heated confrontation. Felix retaliates by blowing the whistle on Tony's under-the-counter smuggling activities. Tony in turns plots to kill his former partner, but changes his mind when Felix saves his life during a shipwreck. The supporting cast includes Herbert Lom, Bernard Lee, and Anthony Newley. ~ Hal Erickson, Rovi

In this 1957 psychological action drama, Robert Taylor plays Lloyd Tredman, a WWII American airman plagued by guilt over the war deaths of comrades in failed missions. Living in Spain, Tredman is despondent after losing all his money betting on a horse which ends up throwing its jockey and killing him. In order to get money and help a former comrade, Jimmy Heldon (Jack Lord), who is also broke, Tredman agreeds to a currency smuggling plot proposed by Bert Smith (Martin Gabel). In on the scheme is a Madrid native, Toto del Aro (Marcel Dalio). They smuggle the money and elude authorities after a long chase, but when they discover that their booty includes narcotics, they turn themselves in and implicate Smith. ~ Michael Betzold, Rovi

This very expensive Italian-made adaptation of Homer's "The Odyssey" stars Kirk Douglas as seafaring hero Ulysses. The story begins, as ever, with Ulysses leaving his faithful wife Penelope (Silvano Magnano) behind as he goes off to fight in the Trojan Wars. Having the poor taste to set himself above the gods after a stunning military victory, Ulysses is doomed to journey aimlessly across the sea until he can make amends. Along the way, our hero battles a cyclops, resists the fatal singing of the Sirens, and enjoys a brief interlude with pig-fancying enchantress Circe (also played by Silvano Magnano). Years and years later, Ulysses returns to Penelope, where he must meet and master a final challenge. Acceptable enough when first released in 1954, Ulysses pales in comparison to the high-tech, all-star 1997 TV miniseries version of The Odyssey. ~ Hal Erickson, Rovi

Upon beginning production on his Korean-war drama I Want You, producer Sam Goldwyn lamented "I've just brought those boys back from the war, and now I have to send them out again!" Goldwyn, of course, was referring to his Oscar-winning "homecoming" drama Best Years of Our Lives. He'd hoped that I Want You would be 1951's "answer" to that post-WW II classic, and while the later film falls short of that goal, it still has much to recommend it. The scene is a small town in the Eastern United States, where the outbreak of hostilities in Korea has a profound effect on several people. WW II veteran Martin Greer (Dana Andrews) wants to re-enlist, much to the dismay of his wife Nancy (Dorothy McGuire). Draftee Jack Greer (Farley Granger) fears that his military service will permanently shelve his plans to marry Carrie Turner (Peggy Dow). Jack's mother Sarah (Mildred Dunnock), having already lost one son in the war, resents the pro-American jingoism of her husband Thomas (Robert Keith). And George Kress, Jr. (Martin Milner) must contend with his possessive father George Kress, Sr. (Walter S. Baldwin), who'll do anything to keep his son out of uniform (Incidentally, both Dana Andrews and Walter S. Baldwin had previously appeared in Best Years of Our Lives). Screenwriter Irwin Shaw adapted I Want You from a series of human-interest articles by Edward Newhouse, which first appeared in The New Yorker. ~ Hal Erickson, Rovi

William Powell stars in Take One False Step as a happily married college professor who foolishly agrees to a reunion supper with old flame Shelley Winters. Winters later disappears, and the evidence points to murder. To allay suspicion--and to avoid losing an important financial grant to his university--Powell starts his own investigation. The trail leads him to San Francisco, where poor Powell becomes mired in a confusing crime plot. Fortunately, Winters is still alive; unfortunately, Powell may not be for long. Adapted from the Irwin Shaw novel Night Call, Take One False Step is saved from tawdriness by the innate dignity of William Powell. Also, the film is leavened by unexpected moments of humor, notably the relaxed banter between Powell and Shelley Winters. ~ Hal Erickson, Rovi