George Bernard Shaw Movies

American audiences generally expect the films they see to be simply entertaining, whatever other good qualities they may have. Russian audiences and filmmakers are more diverse in their expectations, so that sometimes a film can be made (and seen) purely to advance the cause of art. Skorbnoye Beschuvstviye is such a film, made by Alexander Sokurov who routinely requires his viewers to appreciate his skillful use of imagery and symbolism, rather than his storytelling. He is considered to be one of the more significant young Russian directors, and his films frequently create quite a stir. The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic. ~ Clarke Fountain, All Movie Guide

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film. ~ Hal Erickson, All Movie Guide

The 1977 BBC feature adaptation of George Bernard Shaw's 1919 theatrical opus Heartbreak House can be relished again and again in this home video release. A response to the First World War, the play dramatizes Captain Shotover's weekend party at his Sussex estate for his two daughters and their freewheeling artiste friends, including such indelible characters as Boss Mangan, Ellie Dunn and Hector Hushabye. The narrative explores the various romantic attachments that form and dissolve over the course of a few days. Heartbreak represents a defiant call to the audience, Shaw demanding (through the drama) that viewers step back to reestimate and reevaluate how they live and which life-priorities are most important. Directed by Cedric Messina, the '77 miniseries stars such legends as Sir John Gielgud, Lesley Anne-Down and Daniel Massey. ~ Nathan Southern, All Movie Guide

At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, All Movie Guide

This Oscar-nominated satire is an adaptation of George Bernard Shaw's comedy Arms and the Man. Commenting sharply upon the pitfalls of nationalism and war, it follows the exploits of a frightened, AWOL soldier who ends up hiding beneath a pretty Bulgarian woman's bed.While her gung-ho fiancé is out fighting the Serbs, the soldier and the woman engage in a witty dialogue about the absurdity of war. ~ Sandra Brennan, All Movie Guide

This film version of George Bernard Shaw's satirical take on the American Revolution had a troubled production history (with a director change in mid-production), but nevertheless boasts a cutting performance by Laurence Olivier. Shaw's tale depicts his version of how the British lost the American colonies: because of a stupid mistake at the War Office someone forgot to tell Lord North to join up with General "Gentleman" Johnny Burgoyne (Laurence Olivier) and smash the rebels. Burt Lancaster is on hand as the Rev. Anthony Anderson, a peace-loving parson who ends up becoming a belligerent firebrand of a rebel. Also is tow is Kirk Douglas as Dirk Dungeon, who, in typical Shawvian irony, starts out as a unrepentant, cowardly scamp and ends up as the personification of Christian virtues. ~ Paul Brenner, All Movie Guide

After an extensive talent search, producer-director Otto Preminger selected a 17-year-old unknown from Iowa, Jean Seberg, to play Joan of Arc, a role traditionally portrayed by actresses twice to three times Seberg's age. Seberg is cast opposite such venerable pros as Richard Todd (as Dunois), Anton Walbrook (the Bishop of Beauvais), John Gielgud (Earl of Warwick) and Felix Aylmer (The Inquisitor). Cast as the vacillating Dauphin is Richard Widmark. Graham Greene's screenplay refashions the original Shaw text in the form of a flashback. Seberg eventually became an accomplished actress by virtue of her appearances in such nouvelle vague films as Breathless, but it was too late to salvage Saint Joan, which was figuratively burned at the stake by critics and filmgoers alike. ~ Hal Erickson, All Movie Guide

With George Bernard Shaw safely in his grave, RKO chief Howard Hughes had no qualms about twisting and bending Shaw's Androcles & the Lion to accommodate his own notions of entertainment. Happier, wiser heads prevailed before the Hughes-commissioned "Vestal Virgins" sequence, complete with near-naked dancing girls, was foisted on the public. Originally, Harpo Marx was to have played Androcles, the simple-hearted Christian tailor whose friendship with a lion saves himself and his friends from martyrdom in the Roman Colosseum. A few days into shooting, however, Harpo was replaced by Alan Young, who was okay but not in Marx's league. RKO habitués Jean Simmons and Victor Mature co-star as, respectively, a courageous Christian girl and the bullheaded Roman captain who falls in love with her. Every Shaw play has one character who acts as the playwright's alter ego; in Androcles, it's none other than Caesar himself, here wittily essayed by Maurice Evans. Director Chester Erskine co-adapted the play for the screen with Ken Englund; serving as producer was Gabriel Pascal. ~ Hal Erickson, All Movie Guide