Melville Shavelson Movies
Educated at Cornell University, Brooklyn-born writer/producer/director Melville Shavelson first channelled his creative juices into the world of press agentry. Tired of blowing everyone else's horn, Shavelson and his agency boss Milt Josefsberg wrote some comedy material and submitted it to comedian Bob Hope in 1938. Hope hired them on the spot, and though the comedian was tight with both a dollar and his praise, Shavelson remained with Hope until the late '50s. It was the Shavelson/Josefsberg team that helped develop the Bob Hope "character:" the brave coward, the impotent lover, the braggart with nothing to brag about, the man who never speaks when wisecracking will do. Shavelson worked on several of Hope's best films, including Princess and the Pirate (1944), Where There's Life (1947) and The Great Lover (1949). By 1954, Hope's box office was drooping, so Shavelson suggested that the comedian try a straight dramatic approach for a change. The resultant films, The Seven Little Foys (1955) and Beau James (1957), were both written and produced by Shavelson. It was Shavelson's contention that Hope was an accomplished enough actor to continue successfully in this vein, but when Hope decided to return to his old formula Shavelson felt that his writing skills might be better applied elsewhere. He went on to write and direct such box-office attractions as Houseboat (1958), The Five Pennies (1959), On the Double (1961) and Yours Mine and Ours (1968); in many instances, he also functioned as producer. On two occasions, Shavelson was honored with an Academy Award nomination for Best Writing. In addition to his work with Bob Hope, Shavelson also concocted comedy scripts for Danny Kaye and Groucho Marx. Though he'd severed most of his professional ties with Hope by the '70s, Shavelson had a long-standing handshake agreement to write and direct a Hope/Bing Crosby "reunion" picture, The Road to the Fountain of Youth, a dream dashed by Crosby's death; he also negotiated with Hope to work up a comedy about the Vietnam war, but the US invasion of Cambodia put the kibosh on that. Melville Shavelson was the author of two humorous, revelatory books about the movie business: How to Make a Jewish Movie (1971), a memoir of his experiences while producing and directing Cast a Giant Shadow, and the Hollywood-based novel Lualda (1973). ~ Hal Erickson, Rovi
The ultra-sentimental I'll See You in My Dreams is based on the life and work of composer Gus Kahn. The story is told from the point of view of Kahn' wife Grace, who was still alive when the film was made (Kahn died some ten years earlier). Danny Thomas stars as the prolific tunesmith, whose fortunes take an upswing in 1908 when he meets and falls in love with Grace LeBoy (Doris Day, who receives top billing, not to mention most of the best musical numbers). Kahn's career ascends to spectacular heights via such hits as "Pretty Baby", "My Buddy", "Toot Toot Tootsie" and "Making Whoopee", only to go into eclipse when he loses his savings in the 1929 stock-market crash. Convinced that he's lost his touch and that he's sacrificed true happiness to the evil goddess success, Kahn is ultimately gratified by the love and recognition of his peers. Among the famous personages imitated in I'll See You In My Dreams are Kahn's writing partner Walter Donaldson (Frank Lovejoy) and producers Sam Harris (Jim Backus) and Flo Ziegfeld (William Forrest). ~ Hal Erickson, Rovi
- Starring:
- Doris Day, Danny Thomas, (more)
One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, Rovi
- Starring:
- Jane Russell, Groucho Marx, (more)
Anxious to remain active in the 1950s, director Frank Capra wanted to prove to Paramount Pictures that he could deliver an "A" picture on a modest budget. To that end, Capra bought the rights of his 1934 film Broadway Bill from Columbia, and remade it under the title Riding High. He then hired many of the supporting actors who'd appeared in Broadway Bill -- including Clarence Muse, Douglass Dumbrille, Ward Bond, Charles Lane and Frankie Darro -- so he could match up his newly shot scenes with stock footage from the earlier film. Capra even kept the musical costs down by having star Bing Crosby sing such public-domain favorites as "Camptown Races" (though there is one delightful original song, "We Ought to Bake a Sunshine Camera" performed without dubbing by Crosby, Muse, and leading-lady Colleen Gray). Crosby steps into the old Warner Baxter role as Dan Brooks, scion of a wealthy family who prefers hanging around racetracks to the responsibilities of his family business. Scheduled for a "proper" marriage to Margaret Higgins (Frances Gifford), the snooty daughter of millionaire J. L. Higgins (Charles Bickford), Dan infinitely prefers the company of Margaret's younger sister Alice (Coleen Gray), who loves horses as much as he. Hoping to declare his financial independence, he pins his future on a racehorse named Broadway Bill. Though not in the same league as Capra's earlier classics, Riding High is lots of fun. It is especially enjoyable for film buffs, thanks to Capra's decision to fill the picture with uncredited celebrity cameo appearances -- including Oliver Hardy, minus Stan Laurel, as an apoplectic horse player. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Coleen Gray, (more)
- 1950
This Gay-90s musical interweaves a number of fictional characters with real-life theatrical impresario Tony Pastor (played by Gordon MacRae, who resembles the real Pastor not at all). The plot involves a roisterous Irish papa (James Barton) who, when not on a drunk, tries to keep his two daughters (June Haver and Debbie Reynolds) from the clutches of predatory men. The older daughter (Haver), who entertains notions of a stage career, meets Tony Pastor during an audition, and promptly falls in love. She becomes a star singing such turn-of-the-century hits as the title song, while Pastor tries to suppress his own warm feelings towards the girl. Warner Bros. stalwart S.Z. Sakall shows up in Daughter of Rosie O'Grady, fully justifying his nickname "Cuddles." ~ Hal Erickson, Rovi
- Starring:
- June Haver, Gordon MacRae, (more)
In The Great Lover, Bob Hope plays "Boy Rangers" scoutmaster Freddie Hunter, who accompanies his young charges on a European tour. During the ocean voyage to the continent, Freddie falls under the influence of erudite cardsharp O. J. Dabney (Roland Young), who promotes a romance between Freddie and Duchess Alexandria (Rhonda Fleming), the daughter of chronic gambler Grand Duke Maximillian (Roland Culver). What Freddie doesn't know (but the audience does) is that Dabney is not only a crook, but a murderer. Musical highlights include the peppy romantic ballad "A Thousand Violins," delivered by a delightfully intoxicated Rhonda Fleming. Watch for cameos by George "Superman" Reeves and Jack Benny. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Rhonda Fleming, (more)
- 1949
Milton Berle was enjoying the first flush of his television success when his musical-comedy movie vehicle Always Leave Them Laughing hit the screens. Though his character name is Kip Cooper, Uncle Miltie more or less plays himself: an ambitious comedian who rises to fame by stealing other performers' material. Surprisingly, Berle seems to delight in painting himself in as unsympathetic a light as possible, though the audience can be assured that he will find redemption before fadeout time. In contrast, Bert Lahr turns in a warm-hearted performance as an ageing burlesque comic who teaches Berle the ropes--whereupon our "hero" repays the favor by wooing Lahr's avaricious young bride Virginia Mayo. Ultimately, it is nice girl Ruth Roman who wins Berle's heart, though she certainly has her work cut out for her. Featured in the cast are such veteran troupers as Grace Hayes(the mother of Peter Lynd Hayes), Julius Tannen and Wally Vernon. But it's Berle's show all the way, and he makes a feast of it. ~ Hal Erickson, Rovi
- Starring:
- Milton Berle, Virginia Mayo, (more)
- 1949
Billy Wilder's future partner I.A.L. Diamond concocted the storyline for this Dennis Morgan/Jack Carson/Doris Day tunefest. Morgan and Carson, Warner Bros.' answer to Bing Crosby and Bob Hope, appear as themselves. Attempting to line up a director for their next picture, the boys find themselves unable to do so due to Carson's gigantic ego. Carson decides to direct their next vehicle himself; the next problem is locating a leading lady who'll be willing to put up with Carson. The boys discover Doris Day, a waitress in the Warner Bros. commissary. Carson and Morgan spend their entire shooting schedule vying over Day's affections; she gets fed up with this, and heads back to her home town in Wisconsin, there to marry her childhood sweetheart Jeffrey Bushdinkel--who is revealed in the final shot to be none other than Errol Flynn! Other guest stars popping in and out of It's a Great Feeling include Gary Cooper, Joan Crawford, Sidney Greenstreet, Danny Kaye, Patricia Neal, Eleanor Parker, Ronald Reagan, Edward G. Robinson and Jane Wyman. Also appearing as themselves are such Warner Bros. directors as David Butler (the real director of It's a Great Feeling), Michael Curtiz, King Vidor and Raoul Walsh. ~ Hal Erickson, Rovi
- Starring:
- Dennis Morgan, Jack Carson, (more)
- 1949
This second of four film adaptations of Damon Runyon's Little Miss Marker is tailored to the talents of Bob Hope. A shifty Broadway bookie, Sorrowful Jones (Hope) becomes a reluctant foster parent when an anxious gambler leaves behind his little girl Martha Jane (Mary Jane Saunders) as a "marker," or IOU. When the father is killed by mobster Big Steve Holloway (Bruce Cabot), Sorrowful decides to hide Martha Jane from the authorities, lest the poor girl get tossed in an orphanage. Lucille Ball co-stars as Sorrowful's erstwhile girlfriend Gladys, who along with Mary Jane is instrumental in "reforming" the cynical Jones. The climactic scenes, wherein Sorrowful tries to smuggle a horse into a hospital in order to bring the little girl out of a coma, deftly combines slapstick with pathos. A remake of 1934's Little Miss Marker, which starred Shirley Temple in the title role, Sorrowful Jones was itself remade in 1962 as the Tony Curtis vehicle Who's Got the Action; it was filmed again in 1980, once more as Little Miss Marker, with Curtis as the villain and Walter Matthau in the Bob Hope role. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Lucille Ball, (more)
- 1947
Bearing traces of such earlier hits as My Favorite Blonde and The Ghost Breakers, Where There's Life is one of the best of Bob Hope's postwar vehicles. The inimitable Mr. Hope is cast as New York radio personality Michael Valentine, who's poised to marry his long-time fiancee Hazel O'Brien (Vera Marshe). But destiny takes a hand when, in the far-off kingdom of Barovia, King Hubertus II (William Edmunds) is felled by an assassin's bullet. To avoid a revolution, the King's cabinet hurriedly searches for Hubertus' sole heir -- who, according to all reliable sources, is one Michael Valentine. Gorgeous General Katrina Grimovich (Signe Hasso) is dispatched to New York to bring Valentine back to Barovia, while a group of insurrectionists, headed by Krivoc (George Coulouris) and Stertorius (George Zucco), conspire to kill Valentine before he can ever leave American soil. When Valentine is apprised of his royal lineage, he assumes that he's the victim of a practical joke perpetrated by his announcer Joe Snyder (George Zucco). Once he's convinced that it's no joke, Valentine and Katrina scurry about the streets of Manhattan, dodging potential assassins at every turn -- not to mention keeping out of the way of Hazel's muscle-bound policeman brother Victor (William Bendix), who assumes that Valentine is merely trying to weasel out of his wedding. Full of bright dialogue and hilarious gag situations, Where There's Life is vintage Bob Hope. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Signe Hasso, (more)
- 1946
Danny Kaye's The Kid From Brooklyn is a virtual scene-for-scene remake of Harold Lloyd's The Milky Way (1936), with music and Technicolor added to the proceedings. Kaye is cast as timid milkman Burleigh Sullivan, who through a fluke knocks out prizefighting champion Speed McFarlane (Steve Cochran). Sensing a swell publicity angle, McFarlane's manager Gabby Sloan (Walter Abel) promotes Burleigh as the next middleweight champ-and to insure this victory, Gabby fixes several pre-title bouts. Unaware that his fighting prowess is a sham, Burleigh develops a swelled head, which alienates him from everyone he cares about, including his sweetheart Polly Pringle (Virginia Mayo). The truth comes out during the climactic title fight, but a chastened Burleigh emerges victorious thanks to a series of incredible plot twists. The strong supporting cast includes Vera-Ellen as Burleigh's sister Susie, Eve Arden as Gabby's wisecracking girl friday Ann Westley, and, repeating his role from Milky Way, Lionel Stander as Speed's lamebrained trainer Spider Schultz. Danny Kaye does his best to play Burleigh Sullivan rather than Danny Kaye, though his efforts are undermined by the interpolated "specialty" number "Pavlova," which just plain doesn't belong in this picture. Like The Milky Way, The Kid From Brooklyn was adapted from the Broadway play by Lynn Root. ~ Hal Erickson, Rovi
- Starring:
- Danny Kaye, Virginia Mayo, (more)
- 1945
Danny Kaye plays the first of his cinematic dual roles in Goldwyn's Wonder Man. Kaye appears as timid librarian Edwin Dingle and Edwin's extroverted twin brother, nightclub entertainer Buzzy Bellew. When Buzzy witnesses a gangland shooting, he himself is rubbed out by mob boss Ten-Grand Jackson (Steve Cochran, in his movie debut). Before long, Edwin is visited by Buzzy's ghost, who persuades his bookish brother to help bring Jackson to justice. For the rest of the film, poor Edwin is possessed by his brother's sportive spirit, causing no end of confusion for Edwin's demure lady friend Ellen Shanley (Virginia Mayo) and Buzzy's more outgoing girlfriend, dancer Midge Mallon (Vera-Ellen, also making her first film appearance). Done up in splashy Technicolor, Wonder Man is perhaps Kaye's best Goldwyn-produced vehicle, permitting him to play a character (or characters) rather than a caricature. Highlights include an opera spoof (a variation of which showed up in Kaye's 1954 feature Knock on Wood), Danny's allergic rendition of "Otchi Chornya," and a wonderful vignette wherein Kaye imitates all the "inhabitants" of a pet shop. ~ Hal Erickson, Rovi
- Starring:
- Danny Kaye, Virginia Mayo, (more)
In his second film for producer Sam Goldwyn, Bob Hope is felicitously teamed with luscious Goldwyn contractee Virginia Mayo. Hope plays Sylvester the Great, a two-bit entertainer "touring" the West Indies in the 18th century. Mayo is Princess Margaret, who is kidnapped by a rough, tough buccaneer known only as The Hook (Victor McLaglen). Through a series of unbelievable circumstances, Sylvester rescues Margaret, and the two of them pose as travelling troubadors in a treacherous Pirate colony, where people are stabbed and dumped in the ocean for nonpayment of rent and other such offenses. Disguising himself as The Hook, Sylvester is befriended by corrupt colonial governor La Roche (Walter Slesak), but only until the real Hook shows up. Things look bleak for Sylvester and Margaret, but salvation is on the way-as well as a surprising romantic denoument, when a "bit player from Paramount" (guess who?) shows up to steal the Princess away from Sylvester ("Boy, this is the last picture I make for Goldwyn!") No fewer than six writers teamed up for this Technicolor extravaganza, which though not as consistently hilarious as other Hope farces still holds up beautifully. The best performance is offered by Walter Brennan as an addled pirate named Featherhead, a character right out of a Tex Avery cartoon! ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Virginia Mayo, (more)
- 1941
By Republic Pictures standards, 1941's Ice-Capades certainly qualifies as an "all-star" film. The many subplots center around a performance of the real-life Ice-Capades skating troupe, featuring such luminaries as Belita, Red McCarthy, Megan Taylor, and future Republic film queen Vera Hruba Ralston. James Ellison plays the nominal leading character, a hotshot newsreel cameraman named Bob Clemens. Assigned to film an international skating star in action, Clemens inadvertently wastes miles of celluloid on aspiring skater Marie (Dorothy Lewis) rather than the real star, the unphotogenic Karen Vajda (Rene Riano). But not to worry: With the help of slick showbiz promoter Larry Herman (Phil Silvers), Marie becomes an Ice-Capades headliner in her own right. In addition to Silvers, the comedy relief in Ice-Capades is in the capable hands of Vera Vague (Barbara Jo Allen), Jerry Colonna and Gus Schilling. ~ Hal Erickson, Rovi
- Starring:
- James Ellison, Jerry Colonna, (more)
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