Melville Shavelson Movies
Educated at Cornell University, Brooklyn-born writer/producer/director Melville Shavelson first channelled his creative juices into the world of press agentry. Tired of blowing everyone else's horn, Shavelson and his agency boss Milt Josefsberg wrote some comedy material and submitted it to comedian Bob Hope in 1938. Hope hired them on the spot, and though the comedian was tight with both a dollar and his praise, Shavelson remained with Hope until the late '50s. It was the Shavelson/Josefsberg team that helped develop the Bob Hope "character:" the brave coward, the impotent lover, the braggart with nothing to brag about, the man who never speaks when wisecracking will do. Shavelson worked on several of Hope's best films, including Princess and the Pirate (1944), Where There's Life (1947) and The Great Lover (1949). By 1954, Hope's box office was drooping, so Shavelson suggested that the comedian try a straight dramatic approach for a change. The resultant films, The Seven Little Foys (1955) and Beau James (1957), were both written and produced by Shavelson. It was Shavelson's contention that Hope was an accomplished enough actor to continue successfully in this vein, but when Hope decided to return to his old formula Shavelson felt that his writing skills might be better applied elsewhere. He went on to write and direct such box-office attractions as Houseboat (1958), The Five Pennies (1959), On the Double (1961) and Yours Mine and Ours (1968); in many instances, he also functioned as producer. On two occasions, Shavelson was honored with an Academy Award nomination for Best Writing. In addition to his work with Bob Hope, Shavelson also concocted comedy scripts for Danny Kaye and Groucho Marx. Though he'd severed most of his professional ties with Hope by the '70s, Shavelson had a long-standing handshake agreement to write and direct a Hope/Bing Crosby "reunion" picture, The Road to the Fountain of Youth, a dream dashed by Crosby's death; he also negotiated with Hope to work up a comedy about the Vietnam war, but the US invasion of Cambodia put the kibosh on that. Melville Shavelson was the author of two humorous, revelatory books about the movie business: How to Make a Jewish Movie (1971), a memoir of his experiences while producing and directing Cast a Giant Shadow, and the Hollywood-based novel Lualda (1973). ~ Hal Erickson, All Movie Guide
Two big families merge into one super-sized brood in this comedy. Frank Beardsley (Dennis Quaid) is a naval officer who has been raising eight children on his own after the death of his wife, and while he loves his kids, he rules his household with military precision. Frank has been alone just long enough that he decides it's time to start dating again, and he agrees to be set up on a blind date for a social function. To his surprise, his date turns out to be Helen North (Rene Russo), a girl he dated years ago when they were both in high school who, like Frank, lost her spouse not long ago. The old chemistry clicks anew for Helen and Frank, and he asks her to marry him. However, there's just a bit of a problem -- Helen is caring for ten children of her own, six of whom were adopted, and her artistic temperament makes for a very different household than Frank and his kids are used to. Frank and Helen decide to give this grand experiment a try, but the 18 siblings don't get along at all well at first, until they decide to set aside their differences and unite against a common foe -- their folks. Yours, Mine & Ours is a remake of a 1968 comedy of the same name, which starred Henry Fonda and Lucille Ball as the newlywed parents. ~ Mark Deming, All Movie Guide
- Starring:
- Dennis Quaid, Rene Russo, (more)
The documentary Bob Hope: The Road to Laughter contains numerous clips from the film and television work of the beloved entertainer. These snippets are intercut with interview footage featuring people who worked with Hope as well as film historian Leonard Maltin who provides a context for Hope's career. ~ Perry Seibert, All Movie Guide
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
- 2001
- NR
- Add Goldwyn: The Man and His Movies to QueueAdd Goldwyn: The Man and His Movies to top of Queue
This documentary, produced for PBS's American Masters series, is based on A. Scott Berg's well-received biography of Samuel L. Goldwyn (1882-1974), Hollywood's first and likely still greatest independent producer. (Berg cowrote the screenplay.) Like many Hollywood pioneers, Goldwyn was born in Europe in modest circumstances, began his professional life in America in another business (selling gloves), and then fell into motion pictures, in Goldwyn's case, just as production was moving to the West Coast. His first film, with partner Jessie L. Lasky, was The Squaw Man, directed by Cecil B. DeMille and shot on location in the newly minted community of Hollywood. Goldwyn's career was slow getting started, but he hit his stride in the sound era, with literary adaptations of Sinclair Lewis's Arrowsmith and Dodsworth, Lillian Hellman's These Three and The Little Foxes (which Goldwyn, famous for slips of speech, always referred to as The Three Little Foxes), Sidney Kingsley's Dead End, and Emily Bronte's Wuthering Heights. He also made the first two screen versions of the venerable weepie, Stella Dallas, produced Eddie Cantor's big foray into film, Whoopee, and made the iconic baseball biography, Pride of the Yankees. Goldwyn finally reached the pinnacle of movie success in 1946 with The Best Years of Our Lives, which brought him his first Oscar for Best Picture. His postwar career arc was largely downward; two big musicals, Guys and Dolls and especially Porgy and Bess, failed to capture the public attention in spite of lavish production values and big-name casts. The newly filmed interviews, mostly with the surviving members of the Goldwyn family, including his son Sam Goldwyn, Jr., his daughter from his first marriage, Ruth Capps, and his actor grandson Tony Goldwyn, offer insights into Goldwyn the man, while excerpts from vintage interviews with Bette Davis, William Wyler, John Huston, Rouben Mamoulian, Lillian Hellman, Danny Kaye, Dana Andrews, Merle Oberon, and Laurence Olivier (doing a hilarious impression of Goldwyn) offer glimpses into his working persona. ~ Tom Wiener, All Movie Guide
- 1985
Stefanie Powers does double duty as twin sisters in the two-part TV movie Deceptions. Stefanie #1 is a glamorous globetrotter; Stefanie #2 is a drab New Jersey housewife. On a whim, the two siblings exchange identities, leading to a dizzying series of unexpected complications. Filmed on location in England and Italy, Deceptions is too thin to be stretched over two days (it was originally telecast May 27 and 28, 1985), but Stefanie Powers can make anything work. The film is based on a novel by Judith Michaels (the joint pen name for Judith Barnard and Michael Fain); it was adapted for television by Oscar-winning writer/director Melville Shavelson, who also shared directorial responsibilities with Robert Chenault. ~ Hal Erickson, All Movie Guide
- 1983
Directed by seasoned comedy man Melville Shavelson, The Other Woman is a "menage a trois" TV movie with a twist. The stars are middle-aged Anne Meara and Hal Linden, and youngish Madolyn Smith. The twist? Linden, a book publisher, is married to half-his-age Smith, a fashion designer. It is Anne Meara, a fiftyish divorcee and aspiring romance novelist, who turns out to be the "other woman!" Ms. Meara cowrote the teleplay for this engaging contrivance, in which everyone is so essentially likeable that we genuinely care how things turn out. ~ Hal Erickson, All Movie Guide
- Starring:
- Hal Linden, Anne Meara, (more)
- 1978
Robert Duvall stars as Gen. Dwight D. Eisenhower in this made-for-TV biography, which focuses on his career in the military during World War II as he helped to guide Allied forces to victory. Along with Eisenhower's military exploits and political aspirations, Ike: The War Years also offers a perspective on his person life, in particular his relationship with Kay Summersby (Lee Remick), the driver who later claimed to have had a long-term romantic relationship with him. First broadcast as a multi-part miniseries, Ike: The War Years also stars Dana Andrews, Darren McGavin, Laurence Luckinbill, and Steve Roberts as Franklin D. Roosevelt. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Duvall, Lee Remick, (more)
- 1976
Made for television, The Great Houdinis tells the life story of famed American illusionist/escape-artist Harry Houdini and his wife Bess. Studiously avoiding covering the same ground as the 1953 Houdini theatrical-film biopic, director Mel Shavelson's script for Great Houdinis spends a great deal of time on the conflict between Harry's Catholic wife Bess and his Jewish mother. The spiritualism angle so important to the Houdini story allows the 1976 film to recreate Houdini's meetings with "true believer" Sir Arthur Conan Doyle. Again departing from the 1953 Houdini, this later film does not end with Houdini's death from peritonitis in 1926; instead, we watch as the widowed Bess desperately tries to make contact with her husband in the "other world," all the while debunking phony mediums, just as her husband had done. Paul Michael Glaser and Sally Struthers star as the Houdinis, with Ruth Gordon as Harry's mother Mrs. Weiss, Peter Cushing as Conan Doyle, Jack Carter as Houdini's brother, Adrienne Barbeau as his mistress, Nina Foch as a medium, and Vivian Vance as the all-around best friend/severest critic, who narrates the film. The Great Houdinis first aired on October 8, 1976. ~ Hal Erickson, All Movie Guide
- 1975
Legend of Valentino is a TV-shorthand retelling of the life and loves of legendary silent screen star Rudolph Valentino, here portrayed by Franco Nero. This TV movie was advertised as "romantic fiction," which was just as well since its only nods to the truth are the basic facts of Valentino's enormous screen fame and the national hysteria attending his early death in 1926 of peritonitis. Typical of Legend of Valentino's fabrications is the depiction of Valentino's first meeting with his future mentor, screenwriter June Mathis (played by Suzanne Pleshette). In real life, Mathis discovered Valentino by watching him play a string of supporting roles; in Legend, she confronts him in her living room while he's burglarizing her house! Despite its historical shortcomings, Legend of Valentino is a lot better than the 1951 and 1977 biopics of the "Latin Lover." ~ Hal Erickson, All Movie Guide
- Starring:
- Suzanne Pleshette, Franco Nero, (more)
- 1974
- PG
In this sentimental comedy, the coach of the struggling Phoenix Suns basketball team finds his already heavy load increased when his wife decides to adopt three more children, a Vietnamese, a black and a Native American. They already have three kids of their own. Now in addition to trying to produce a winning team, he must figure out how to feed three more, and deal with bigoted neighbors. Things get even worse when he is fired. Fortunately, his trials are only temporary. ~ Sandra Brennan, All Movie Guide
- 1972
- PG
Loosely based on the life and work of cartoonist and essayist James Thurber, The War Between Men and Women stars Jack Lemmon as cartoonist Peter Wilson, who, while visiting an eye doctor for his failing vision, quite literally stumbles upon Terry Kozlenko (Barbara Harris), an attractive but somewhat volatile divorcee with three children. Peter has a well-documented antipathy for women, children, and dogs, so everyone he knows is rather surprised when he finds himself falling in love with Terry -- and she falls in love with him. Peter and Terry get married, but her affection for him is not shared by her kids, who still idolize their father Stephen (Jason Robards, a successful photojournalist; Terry's dog doesn't care for Peter, either. When Peter's eye condition worsens, leaving him nearly blind, he suggests to Terry that she should go back to Stephen for the sake of her children, only to learn that Stephen has been killed while on assignment. Peter is now the only father the children have, and he's forced to find a way to reach out to them. The War Between Men and Women's interpolation of Thurber's life and work, using both live-action and animation, was inspired by a respected but short-lived television series, My World and Welcome to It, in which William Windom starred as Thurber. ~ Mark Deming, All Movie Guide
- Starring:
- Jack Lemmon, Barbara Harris, (more)
This story is taken from the real-life marriage of two people in the early 1960s. Helen North (Lucille Ball) is a widow with eight children who falls in love with Naval officer Frank Beardsley (Henry Fonda), a widower with ten children of his own. The two marry as comedy ensues from the sheer numbers and diverse age groups of the offspring. Narration is used in the first half of the film to help set the stage for the impending nuptials. Van Johnson is the mutual friend who brings the couple together. Tom Bosley plays the harried doctor who makes a house call and finds almost two dozen patients under one roof. The newlyweds are soon off to the hospital when Helen becomes pregnant with the couple's first child in this amusing family comedy. ~ Dan Pavlides, All Movie Guide
- Starring:
- Lucille Ball, Henry Fonda, (more)
Cast a Giant Shadow is a big-budget, glossy action/adventure story set at the time that Israel became a nation. American Army officer Colonel David Marcus is recruited by the yet-to-exist Israel to help form an army. Marcus is conflicted because of his sudden appreciation for his Jewish heritage. Realizing that each of Israel's Arab nations has vowed to invade the poorly prepared country once the partition has been made, Marcus is made commander of the Israeli forces just before the war begins. The all-star cast includes Kirk Douglas, Senta Berger and Angie Dickinson. Aldo Tonti provides the beautiful photography by Aldo Tonti, and Melville Shavelson directs. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Kirk Douglas, Senta Berger, (more)
A man falls for an exotic "bad girl," unaware he's already met the nice girl lurking beneath the surface, in this romantic comedy. Samantha Blake (Joanne Woodward) works for a large department store in New York City as a sort of industrial spy; while ostensively a buyer, Blake's greatest responsibility is to find out what the hot new fashions are going to be, so her store can have cut-price knockoffs on the racks once they hit the boutiques. Samantha is flying to Paris with her co-workers Leena (Thelma Ritter) and Joe (George Tobias) when she meets Steve Sherman (Paul Newman), a no-nonsense reporter who has been assigned to cover the unveiling of the new designer lines. Samantha and Steve don't exactly hit it off, and after arriving in Paris, a depressed Samantha makes her way to a beauty salon after a few cocktails too many. Decked out in a new wig and dressed to the nines, Samantha bumps into Steve, who is convinced she's one of the city of lights' glamorous high-priced call girls. Samantha plays along, and Steve writes a story about her which proves to be a hit with his readers, but as she finds herself falling for Steve, she isn't sure how to tell him that she's really the mousy woman he met on his flight to Paris. A New Kind Of Love also features cameo appearances from Maurice Chevalier and Frank Sinatra, the latter of whom sings the title song. ~ Mark Deming, All Movie Guide
- Starring:
- Paul Newman, Joanne Woodward, (more)
- 1962
A little bird tells on the U.S. Army during WWII in this farcical comedy. In 1944, during the last stages of the war in Europe, American officers Capt. Paul MacDougall (Charlton Heston) and Sgt. Joseph Contini (Harry Guardino) are sent to Italy to act as spies for the Allies, even though they have no experience in espionage. Working with Partisan resistance solider Ciccio Massimo (Salvatore Baccaloni), MacDougall and Contini send regular reports to their superiors by carrier pigeon. Contini also finds himself falling in love with Massimo's pregnant daughter Rosalba (Gabriella Pallotta), while her sister Antonella (Elsa Martinelli) has her eye on MacDougall. Contini proposes to Rosalba, and Ciccio prepares a feast to celebrate his daughter's upcoming wedding. However, Ciccio prepares squab for the occasion, killing all but one of the carrier pigeons. Ciccio scrambles to replace them, but the new pigeons he finds are German, and they deliver MacDougall and Contini's messages directly into enemy hands. The Pigeon That Took Rome's art direction earned the film an Academy Award nomination. ~ Mark Deming, All Movie Guide
- Starring:
- Charlton Heston, Elsa Martinelli, (more)
- 1961
Danny Kaye headlines this lively WW II-era comedy. He plays a foot soldier who with his fellow troop is preparing for D-day. Trouble begins when he is caught pretending to be the most important generals in England, a man he closely resembles. The two look so much alike that military intelligence assign him to keep on impersonating the general so as to keep the Nazis on their toes. He is good at his job and fools many of the general's staff. He does not, however, fool the general's estranged wife. Still in order to protect her country, she goes along with the ruse. Things get really sticky when the real general is killed and Army intelligence asks Kaye to continue with the deception. ~ Sandra Brennan, All Movie Guide
- Starring:
- Danny Kaye, Dana Wynter, (more)
With top stars Clark Gable as the American Michael Hamilton and Sophia Loren as the very Italian Lucia Curcio, this comedy by director Michael Shavelson already has a lot going for it. Michael is a lawyer who arrives in Naples to wrap up the estate of his dead brother, killed in an automobile accident. At issue is not so much his material possessions as the ten-year-old son Nando (Marietto) that he left behind. Nando's mother also died in the accident and her unmarried sister Lucia has claimed him as her own. As Michael and Lucia clash over legal custody of the young orphan, romantic sparks start to fly from all that friction, making the situation of Nando's custody just a little more complicated. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Clark Gable, Sophia Loren, (more)
The Five Pennies is the life story of influential jazz cornetist Red Nichols, played here by a remarkably straight-faced Danny Kaye. The somewhat romanticized screenplay chronicles Nichols' rise from obscurity, annotates the many future bandleaders who would play with Nichols' "Five Pennies," and details his self-destructive streak and (seeming) inability to conform to changing musical tastes. Weaving in and out of the main story is a sentimental subplot concerning Nichols' physically impaired daughter Dorothy, played by Susan Gordon as a child and by Tuesday Weld (in her movie debut) as a young woman. Nichols's long-suffering wife is portrayed by Barbara Bel Geddes. The storyline occasionally lapses into sappiness and the ending is almost impossibly lachrymose, but the musical highlights save the day. Especially memorable is Danny Kaye's duet with Louis Armstrong. Among the real-life musicians who grace the supporting cast of The Five Pennies are Bob Crosby, Ray Anthony, Shelly Manne, and, as Jimmy Dorsey, Bobby Troup. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Barbara Bel Geddes, (more)
Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Sophia Loren, (more)
- 1957
New York City is known for choosing colorful characters for its mayors. One its most illustrious was the wisecracking, dancing and singing Mayor James J. Walker (as played by Bob Hope in a rare, serious role) who helmed the Big Apple in the 1920s. This biopic chronicles his surprising rise to power and is adapted from a book by Gene Fowler. Walker owed his mayoral post to Tammany, a powerful political organization that used its tremendous clout to get him installed. Walker, who never takes his job seriously, then becomes a figurehead for Tammany, and while he is in power, corruption in the police force and other city offices runs rampant. Meanwhile Walker wrangles with his lover, dancer Betty Compton, and his jealous wife, from whom he is separated. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bob Hope, Vera Miles, (more)
With his movie career fading in 1955, Bob Hope was amenable to writer/director Mel Shavelson's suggestion that Hope try something different. The Seven Little Foys was the first of Hope's two "straight" biopics (the second was 1956's Beau James). Though not completely abandoning his patented persona, Hope does an admirable job of impersonating legendary Broadway song-and-dance man Eddie Foy, right down to the soft-shoe shuffle and affected lisp. A successful "single" in vaudeville, Foy meets and marries lovely Italian songstress Madeleine Morando (Milly Vitale). The union results in seven children, moving the Foys' priest to comment "we're running out of Holy water" after the seventh baptism. Hardly an ideal family man, Foy leaves Madeleine and her sister Clara (Angela Clarke) behind in their Connecticut home to raise the kids, while he rises to spectacular career height. Returning home after attending a testimonial for George M. Cohan (James Cagney, who played this unbilled cameo on the proviso that Hope turn over Cagney's salary to charity), Foy discovers that his wife has died of pneumonia. Months pass: Foy sulks in his rambling house, while his seven kids run roughshod. Foy's manager (George Tobias) suggests that the entire family be assembled into a vaudeville troupe called The Seven Little Foys. Though the kids are profoundly bereft of talent, the act gets by on its charm, and before long Foy is a bigger success than ever. But when Foy and the kids are booked into the Palace on Christmas Day, Aunt Clara decides that the kids are being cruelly exploited, and arranges for the authorities to arrest the act on charges of violating a state law barring children from singing and dancing. The authorities decide to drop the charges when the kids rally around their father, declaring their genuine love for him--but the deciding factor is a quick demonstration that the kids can't sing or dance to save their lives! The Seven Little Foys is a standard Hollywood whitewash job, emphasizing Eddie Foy's virtues (including his on-stage heroism during the infamous Iroquois Theatre fire of 1903) and soft-pedaling or ignoring his faults (e.g. his capacity for alcohol). Wisely, the scenes between Bob Hope and the seven children playing the Little Foys (including Father Knows Best's Billy Gray, The Real McCoys' Lydia Reed and Leave It to Beaver's Jerry Mathers) are refreshingly free of cloying sentiment. Also, Hope is a good enough natural actor to convince us that he deeply cares for his children without gooey effusions of emotion. The film's hands-down highlight is the "challenge dance" between Foy (Bob Hope) and Cohan (James Cagney)--a lasting testament of the superb terpsichorean talents of both men. The Seven Little Foys was narrated by Eddie's son Charley Foy, a fine comedian in his own right. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, James Cagney, (more)
- 1954
The 1954 Martin-and-Lewis romp Living It Up is an amusing remake of the 1937 comedy classic Nothing Sacred. More specifically, it is the film version of the Broadway musical Hazel Flagg, which was based on Nothing Sacred. The heroine of the original undergoes a sex change to become feckless Homer Flagg (Jerry Lewis), who is led to believe that he's dying of radiation poisoning. Manhattan newspaperwoman Wally Cook (Janet Leigh), hoping to improve circulation of her paper, convinces her boss, Oliver Stone (Fred Clark), to fete Homer as a hero with an all-expenses-paid trip to the Big Apple. Meanwhile, Homer learns from local doctor Steve (Dean Martin) that he isn't dying at all. But Steve talks Homer into taking advantage of the celebrity treatment bestowed on him by Wally, and a good time is had by all -- until medical specialist Dr. Egelhofer (Sig Rumann) insists upon examining Homer. Highlights include a hilarious bit at Yankee Stadium, and an energetic jitterbug number featuring Jerry Lewis and Sheree North. The handful of songs retained from Hazel Flagg include "Every Street's a Boulevard in Old New York." ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
"Winning isn't everything -- it's the only thing." These words were spoken not by Green Bay Packers coach Vince Lombardi but by Steve Williams, the fictional college athletics instructor played by John Wayne in Trouble Along the Way. Recently divorced, Williams has trouble finding a job due to his inability to get along with his superiors. If he doesn't find work soon, he'll lose custody of his daughter Carole (Sherry Jackson). Meanwhile, St. Anthony's College, heavily in debt, may have to close its doors. Father Burke, rector of St. Anthony's, reasons that the school could get back on its feet if it had a winning football team, thereby securing the support of the alumni. Thus, against his better judgment, Father Burke hires the troublesome Steve Williams, who'll stop at nothing to assemble a winning team. Somehow, Williams has to turn into a regular human being, and that's where social worker Alice Singleton (Donna Reed) comes in. More sentimental than most Wayne vehicles, Trouble Along the Way is well worth the ride. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Donna Reed, (more)
- 1952
Thanks to a bureaucratic blunder, the US State Department invites brassy showgirl Doris Day to attend a chi-chi arts festival in Paris. En route to the City of Light, Day falls in love with diplomat corps flunkey Ray Bolger (who's responsible for the error), even though he's married to witchy Eve Miller. The marriage turns out to be invalid, clearing the path for a happy ending. None of the songs in April in Paris are worth remembering, though the dancing by Bolger and Day is well up to the standards of both performers. The romantic scenes, however, fail to hold up: after all, we're talking The Scarecrow and the World's Oldest Virgin here! ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Ray Bolger, (more)
- 1952
Based on the autobiography by George and Anna Rose, Room for One More is a warm-hearted vehicle for husband-and-wife actors Cary Grant and Betsy Drake. Though she already has three children of her own, New Jersey housewife Anna Rose (Drake) adopts several kids born into less fortunate circumstances. Both Anna and her husband "Poppy" (Grant) must contend with the emotional baggage brought to their home by these "unwanted" kids, and both bear up quite well. The film's dramatic core concerns the Roses' efforts to reach a desperately unhappy 13-year-old girl (Iris Mann) and a physically handicapped boy with a penchant for getting into serious trouble (Clifford Tatum Jr). Despite occasional moments of anguish and pathos, Room for One More for the most part opts for a light-hearted approach to its subject matter. In 1962, a TV sitcom version of Room for One More, starring Andrew Duggan and Peggy McCay, debuted as a mid-season replacement over the ABC network; at that time, the original film was re-titled The Easy Way. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Betsy Drake, (more)
Booth Tarkington's Alice Adams, coupled with his Penrod stories, were incorporated in the script of the 1951 Warner Bros. musical On Moonlight Bay. The role of the incorrigible Penrod is played by future Father Knows Best regular Billy Gray, but his is a strictly secondary part herein. The emphasis is on Penrod's hoydenish older sister, played by Doris Day. She falls in love with Gordon MacRae, whose mildly anti-capitalist sentiments sit not at all well with Doris' banker dad (Leon Ames). Once a subplot involving Penrod's prevarications concerning his father's drinking habits is out of the way, we are treated to several romantic scenes involving Doris and Gordon, and a steady stream of early-20th-century standards like "Till We Meet Again," "I'm Forever Blowing Bubbles," "Cuddle Up a Little Closer," and the title song. On Moonlight Bay ends with MacRae marching off to World War I and Doris promising she'll wait for him; she did, as was proven in the 1953 sequel By the Light of the Silvery Moon. ~ Hal Erickson, All Movie Guide
- Starring:
- Doris Day, Gordon MacRae, (more)
