David Shaber Movies

Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, Rovi

Walter Hill's hip, super-stylized action film unfurls in a dystopian near-future, when various gangs control New York City. Each gang sports a unique moniker ('The Warriors,' 'The Baseball Furies,' 'The Rogues'), with a costume underscoring its "theme"; each, in turn, is also responsible for one geographic area. Hill sets up the landscape as a massive, violent playground - replete with bridges, vacant subway tunnels, parks, abandoned buildings and the like, all ripe for exploration and adventure. As the tale opens, the titular Coney Island has traveled to the Bronx to attend a city-wide meeting of all gangs; at that event, however, the psychotic leader of a rival gang, The Rogues (David Patrick Kelly of Dreamscape) assassinates the head of the city's foremost gang, but The Warriors are pegged as culpable. This sends the gang fleeing through the labyrinthine city. With every thug in Manhattan in vicious, homicidal pursuit, they must also overcome all obstacles in their way. Throughout, Hill keeps the onscreen violence absurd, exaggerated and unrealistic, downplaying death to an extreme degree; despite this fact, the film sparked a massive amount of controversy and an ugly backlash for allegedly inciting violence and destruction in several theaters where it initially played. James Remar, Michael Beck and Deborah Van Valkenburgh lead the ensemble cast. ~ Nathan Southern, Rovi

Alan J. Pakula directs the political thriller Rollover, produced by leading lady Jane Fonda's production company, IPC Films. Featuring a racist plot and negative stereotypes about the Arab world, this film reflected the American fear of the Middle East prevalent in the early '80s. Fonda stars as former film star Lee Winters, who inherits a multimillion-dollar company when her corporate bigwig husband is murdered. She teams up with banker Hubbell Smith (Kris Kristofferson) in order to find her husband's killer and survive in the world of high-stakes international finance. They become lovers and travel together to Saudi Arabia to secure a loan and to guarantee Lee's spot as the company's board chairman. However, they end up discovering an Arab company's plan to withdraw money from the world's banks in order to destabilize the Western economy. Rollover also stars Hume Cronyn and Josef Sommer. This story also foreshadowed Jane Fonda's marriage to corporate bigwig Ted Turner in 1991. ~ Andrea LeVasseur, Rovi

The first of several films based on Tom Clancy's "Jack Ryan" technothrillers, Hunt for Red October stars Alec Baldwin as eccentric CIA analyst Ryan and Sean Connery as Soviet submarine commander Marko Ramius. Ramius sets the plot in motion when he murders his political adviser, burns his orders, and steers his sub Red October towards American waters, hoping to defect. The CIA, aware that the Red October was about to embark on an evasive mission to demonstrate its ability to avoid detection and fire its nuclear missiles upon U.S. installations, believes that Ramius is insane, and that he plans to start World War III. To cover their own behinds, the Russians back up the CIA's suspicion. Only Jack Ryan believes that Ramius' mission is not as apocalyptic as it seems -- and it is Ryan who is assigned to infiltrate the Red October to prove his theory. The sort of film that in an earlier era would have been called a "thinking man's thriller," The Hunt for Red October ushered in a new series of Hollywood-produced post-Cold War adventure films, including 1995's Crimson Tide. ~ Hal Erickson, Rovi