Rod Serling Movies

A master of suspense and the bizarre, Rod Serling is best remembered for his groundbreaking sci-fi television anthology series The Twilight Zone (1959-1965). Born in Syracuse, NY, the son of a wholesale meat dealer, Serling had a life-long interest in science fiction and the supernatural. During WWII, he served as a paratrooper in the U.S. Army 11th Airborne Division. While in the military, Serling was also a noted boxer. Following an honorable discharge in 1946, the result of a shrapnel wound, he attended Antioch College and majored in physical education and then literature. While there, he began writing, directing, and acting in locally produced radio plays. In 1949, he sold his first television script, "Grady Everett for the People." He came to Hollywood to write teleplays full-time in the mid-'50s. Early on, Serling was noted for his intelligent and offbeat scripts. His teleplay Patterns earned him his first of five Emmys. With the Twilight Zone, Serling served as the host and oversaw each of the two stories presented per episode. He wrote many of the stories himself, most of which were known for their ironic twists. Serling also wrote a few screenplays, including Planet of the Apes (1968). Later, he returned to television to launch other anthology series such as Rod Serling's Night Gallery. He also was noted as the distinctive narrator of the Undersea World of Jacques Cousteau documentaries. In addition to his television career, Serling often did cross-country college campus lectures and for a time was a professor at Antioch College. He died in 1975 during open-heart surgery. ~ Sandra Brennan, All Movie Guide
1959  
 
Hypochondriac Walter Bedecker (David Wayne) would do anything to feel better -- including making a deal with the Devil. When His Satanic Majesty makes an appearance in the form of the jovial Mr. Cadwallader (Thomas Gomez), Walter enters into a contract whereby he will be given perfect health and immortality. Unfortunately, Walter soon discovers that eternal life isn't all it's cracked up to be, while his wife Ethel suffers spectacularly from Walter's efforts to "spice up" his existence. Several 1960s TV icons appear in supporting roles, including commercial "stars" Virginia Christine (aka Mrs. Olsen) and Dick Wilson) (Mr. Whipple), The Beverly Hillbillies' Raymond Bailey, and McHale's Navy's Joe Flynn. First telecast November 6, 1959, "Escape Clause" was written by Rod Serling. ~ Hal Erickson, All Movie Guide

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Starring:
David WayneThomas Gomez, (more)
1959  
 
One the finest of all Twilight Zone episodes, "Walking Distance" benefits not only from a superb Rod Serling script and a magnificent starring performance by Gig Young, but also from an evocative musical score by Bernard Herrmann (which would be cannibalized many times on subsequent episodes). Young is cast as 35-year-old businessman Martin Sloan, who, while waiting for his car to be repaired, takes a sentimental journey to his home town of Homewood. Gradually, Martin begins to realize that the town has not changed one bit in 25 years: In fact, his parents are still alive, and there's a young boy running around who is the living image of 10-year-old Martin Sloan. Watch for Ron Howard in a three-line bit role. "Walking Distance" was first telecast October 30, 1959. ~ Hal Erickson, All Movie Guide

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Starring:
Gig YoungFrank Overton, (more)
1959  
 
Add The Twilight Zone [TV Series] [1959-1964] to QueueAdd The Twilight Zone [TV Series] [1959-1964] to top of Queue
"You're traveling to another dimension...a dimension not only of sight and sound but of mind...a journey into a wondrous land whose boundaries are that of imagination. Your next stop: The Twilight Zone." Originally telecast on CBS from October 2, 1959, to September 18, 1964 (not counting a brief spate of network reruns in the summer of 1965), The Twilight Zone was one of the foremost filmed dramatic anthologies on TV and one of a precious few that specialized in fantasy and science fiction. Created by Rod Serling, whose previous TV writing credits included such classic live dramas as Patterns and Requiem for a Heavyweight, the series specialized in concise, economical playlets dealing with the offbeat andsupernatural, many of them with surprising and ironic climactic twists. Many of the individual episodes have stood the test of time as indisputable classics, among them "Eye of the Beholder," "The Monsters are Due on Maple Street," "The Invaders," "It's a Good Life," "To Serve Man," "The Invaders," and "Nightmare at 20,000 Feet." Rod Serling served as the series' host and narrator, and also wrote most of the dramas. Other noteworthy contributors included Richard Matheson, Charles Beaumont, and, on one memorable occasion (the episode "I Sing the Body Electric"), Ray Bradbury.

A veritable constellation of guest stars brought the stories to life; among those making multiple appearances were Burgess Meredith, Jack Klugman, William Shatner, Martin Landau, Anne Francis, Bill Mumy, Ed Wynn, and Lee Marvin, while many more showed up for memorable single performances including Charles Bronson, Elizabeth Montgomery, Robert Redford, Robert Duvall, James Coburn, Mickey Rooney, and Dennis Hopper. The series' famous theme music (heard from the second season onward) was composed by Marius Constant with unforgettable incidental music provided by the likes of Bernard Herrmann and Jerry Goldsmith. Although the series' title has become a household word and many of its episodes are acknowledged masterpieces, Twilight Zone was never a huge ratings attraction during its network run. Indeed, after only three seasons, CBS decided to yank the show. It was saved at the last minute and brought back as a mid-season replacement, expanded from 30 to 60 minutes per week in the process. For its fifth and final season, Twilight Zone returned to its familiar half-hour format, still playing to appreciative but comparatively small audiences. It was not until the series went into off-network reruns that Twilight Zone truly built its fan following, which has increased many times over in the ensuing years. Twilight Zone was revived twice with new, full-color episodes, first as a CBS (and later syndicated) weekly in 1985, then on UPN in 2002. Rod Serling was not involved with these revivals, having passed away in 1975; the 1985 version had no host, though its narrators included Charles Aidman and Robin Ward, but the 2002 version was hosted by Forest Whitaker. In addition, a theatrical feature, Twilight Zone: The Movie, was released in 1983. ~ All Movie Guide

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1958  
 
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Rod Serling's first original screenplay for the Big Screen was the psychological western Saddle the Wind. In one of his best performances, Robert Taylor plays Steve Sinclair, a world-weary gunslinger. Hoping to become a rancher, Sinclair is given a plot of land by patriarchal Dr. Deneen (Donald Crisp), on the proviso that Steve tries to curb the violent tendencies of his younger brother Tony (John Cassavetes). Unfortunately, Tony is not so easily controlled; he not only seethes with sibling rivalry, but also takes near-orgasmic delight in his gunslinging skills. Determined to prove to Steve and to his saloon-girl paramour Joan Blake (Julie London) that his shooting prowess somehow makes him a superior being, Tony brings tragedy to all concerned. Elmer Bernstein's overemphatic musical score is ideally suited to the larger-than-life histrionics of Saddle the Wind. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TaylorJulie London, (more)
1957  
 
Rod Serling wasn't telling whom he based the leading character of his TV play The Comedian upon, but sharp-eyed viewers could detect traces of everyone from Milton Berle to Red Buttons. Mickey Rooney stars as a top-rated television comedian who is all love-and-kisses when before the cameras but a flaming mass of vitriol towards his coworkers. Rooney's beleaguered head writer Edmond O'Brien worries that he's on the verge of being fired, so he steals an old piece of material from a long-dead comic for Rooney's opening monologue. Meanwhile, Rooney's brother Mel Torme, fed up with being the public butt of the comedian's jokes, is goaded into an on-camera revenge. Throwing out his original intention of having the vicious Rooney get his comeuppance, Serling ends The Comedian with Rooney still dispensing nastiness to one and all, and with Torme sobbingly accepting his lot in life; O'Brien, at least, is afforded a happier denouement. Originally telecast live on Playhouse 90 on February 14, 1957, The Comedian won an Emmy as "best single program"; a kinescope of the telecast is currently available on videocassette. ~ Hal Erickson, All Movie Guide

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1956  
NR  
The Korean conflict of the early '50s saw widespread use of psychological torture by the North Korean communists on enemy prisoners of war. That young American GIs cracked under this brainwashing at higher rates than the troops of our allies led to much soul searching within the military and the nation during that era. In Hollywood, this was most famously reflected in The Manchurian Candidate (1962), and lesser-known films like Time Limit (1955) and The Rack. The failure of all three films at the box office suggests that the public didn't care to be reminded of this painful issue. Paul Newman stars as Captain Edward W. Hall Jr., a career soldier being tried by a military court for collaborating with the enemy. As the son of a highly distinguished career officer (Walter Pidgeon), and with a brother who had been killed in the war, he is especially tormented by the accusations which have been brought against him. Although reluctant to take the case, Major Sam Moulton (Wendell Corey) elicits incriminating testimony from Hall, comparing him unfavorably with soldiers like Captain John Miller (Lee Marvin), who were able to withstand similar punishment. But defending attorney Lt. Colonel Frank Wasnick (Edmond O'Brien), makes the case that this new type of torture is a new and barely understood weapon, to which some will be more innately immune than others. ~ Michael Costello, All Movie Guide

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Starring:
Paul NewmanWendell Corey, (more)
1956  
 
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Rod Serling's incisive "gray flannel suit" TV drama created such a sensation when Kraft Television Theatre first aired it live on January 11, 1955 that, in an unprecedented move, it was repeated four weeks later, on February 9, again live. Richard Kiley starred as Fred Staples, a bright young man from Cincinnati brought into the executive pool at a top New York firm by ruthless CEO Ramsey (Everett Sloane). Staples doesn't know it at first, but he was recruited as the potential replacement for Andy Sloane (Ed Begley), an ailing exec whom Ramsey is easing out in a most unsubtle fashion. Staples takes a liking to Sloane and despises Ramsey's tactics; the question is: does he despise them enough to throw away the biggest opportunity in his life? Director Fielder Cook, who helmed both TV versions of Patterns, also did the same for the 1956 film version. While Everett Sloane and Ed Begley were carried over from TV, the more "bankable" Van Heflin replaced Kiley as Staples. ~ Hal Erickson, All Movie Guide

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Starring:
Van HeflinEd Begley, Sr., (more)
1956  
 
Harlan "Mountain" McClintock (Jack Palance) has been a professional boxer for 14 years. He's been in the ring for over 110 bouts and was once ranked number five among the world's heavyweight fighters, but age and the physical punishment of his sport have taken their toll. Now McClintock is growing too old to fight but he lacks the money to retire gracefully, as his manager Maish (Keenan Wynn) suggests he start fighting crooked or switch to professional wrestling. Ed Wynn co-stars as McClintock's corner man, and Kim Hunter plays a sweet but naïve social worker. Requiem for a Heavyweight was a television drama written by Rod Serling and originally broadcast in 1956; the story was later remade as a feature film starring Anthony Quinn. ~ Mark Deming, All Movie Guide

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Starring:
Jack PalanceKeenan Wynn, (more)
 
 
Undersea World of Jacques Cousteau, Vol. 9: The Forgotten Mermaids is part of a ten-volume nature/wildlife documentary series. In this episode, Cousteau and his crew study the habitat and behavior of the manatee in eastern Florida's Cypress Glades. The 60-minute program features footage of the huge manatees which Columbus called "mermaids." ~ Kathleen Wildasin, All Movie Guide

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Undersea World of Jacques Cousteau, Vol. 8: The Flight of Penguins is part of a ten-volume nature/wildlife documentary series. In this episode, Cousteau and his crew set off on an Antarctic adventure to study the habitat and behavior of penguins. The 60-minute program features footage of penguin life both above and under water. ~ Kathleen Wildasin, All Movie Guide

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