Rod Serling Movies

A master of suspense and the bizarre, Rod Serling is best remembered for his groundbreaking sci-fi television anthology series The Twilight Zone (1959-1965). Born in Syracuse, NY, the son of a wholesale meat dealer, Serling had a life-long interest in science fiction and the supernatural. During WWII, he served as a paratrooper in the U.S. Army 11th Airborne Division. While in the military, Serling was also a noted boxer. Following an honorable discharge in 1946, the result of a shrapnel wound, he attended Antioch College and majored in physical education and then literature. While there, he began writing, directing, and acting in locally produced radio plays. In 1949, he sold his first television script, "Grady Everett for the People." He came to Hollywood to write teleplays full-time in the mid-'50s. Early on, Serling was noted for his intelligent and offbeat scripts. His teleplay Patterns earned him his first of five Emmys. With the Twilight Zone, Serling served as the host and oversaw each of the two stories presented per episode. He wrote many of the stories himself, most of which were known for their ironic twists. Serling also wrote a few screenplays, including Planet of the Apes (1968). Later, he returned to television to launch other anthology series such as Rod Serling's Night Gallery. He also was noted as the distinctive narrator of the Undersea World of Jacques Cousteau documentaries. In addition to his television career, Serling often did cross-country college campus lectures and for a time was a professor at Antioch College. He died in 1975 during open-heart surgery. ~ Sandra Brennan, All Movie Guide
1964  
 
Charles Dickens' classic tale A Christmas Carol is revisited yet again in this made-for-television holiday drama. Told with a different twist, in this version, a melancholy father spends his Christmas Day mourning the son he lost in World War II. His holiday grieving is interrupted by the visiting ghosts of Christmases past, present and future. Henry Mancini provides the score. ~ Bernadette McCallion, All Movie Guide

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2000  
 
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Robert Wise brings his distinguished name and considerable directorial skill to this remake of a 1970 Rod Serling TV drama. Set in 1969, Abel Shaddick (Peter Falk), a crotchety deli owner, has a grudge against virtually everyone in his upstate New York town of Fairview, particularly against his slacker nephew Stanley (Andrew McCarthy) who lives behind the shop. Without telling his uncle, Stanley agrees to put up a needy city kid for the summer as part of a charity program run by rich debutante Gloria (Nastassja Kinski). Abel immediately vetoes the plan, but it is too late. The kid, young Herman Washington (Aaron Meeks), is already on his way. Though initially the two intensely dislike each other, they bond over fishing and war heroes -- Abel's son died during WWII, while Herman's brother was killed in Vietnam. ~ Jonathan Crow, All Movie Guide

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Starring:
Peter FalkAaron Meeks, (more)
1998  
NR  
Based on a teleplay by the late Rod Serling, this drama is set in a far-off and arid future. The tale follows the growing racial tension and conflicts within a mining town gripped by a terrible drought. ~ Sandra Brennan, All Movie Guide

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Starring:
Ron PerlmanStephen Lang, (more)
1966  
 
Assault on a Queen is a complex, exciting crime-caper film in which a gang of clever mercenaries try to rob the famous luxury liner, the Queen Mary. Mark Brittain (Frank Sinatra) is hired by wealthy Italian adventuress Rosa Lucchesi (Verna Lisi) and her German partner-in-crime, Eric Laufftiauer (Alf Kjellin) to refurbish a WWII German U-Boat and use it to hold the entire ship hostage while it is robbed. Scriptwriter Rod Serling does his best with an interesting, but rather implausible premise, and director Jack Donohue gets above-average performances from his cast of veteran character actors, including Richard Conte and Reginald Denny, but Frank Sinatra is not particularly believable as an action hero. The true star of the show is the terrific color photography of the magnificent ocean liner by William Daniels and a musical score by Duke Ellington. While Assault on a Queen fails to generate much suspense, fans of Frank Sinatra should enjoy this, although it fails to reach the level of fun and excitement of his excellent Ocean's 11. ~ Linda Rasmussen, All Movie Guide

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Starring:
Frank SinatraVirna Lisi, (more)
1974  
 
Benny Hill fans of the world arise! Your hedonistic hero is back with 55 minutes of highlights from his best British TV comedy specials. Included herein are the elaborate costume spoofs "Rembrandt's Cottage" and "Herd TV," along with a visit from Captain Benny. And what would a Benny Hill show be without the pulchritudinous presence of "Hill's Angels"? Originally released in 1985, Crazy World is one of seven tapes included in Thames Video's "Benny Hill Collection." ~ Hal Erickson, All Movie Guide

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1973  
PG  
This film is another amateurish, low-rent pseudo-documentary (of the kind prevalent in the mid-1970s) which marked the unfortunate nadir of Twilight Zone creator Rod Serling's career. Serling offers intermittent narration to a trio of allegedly true supernatural tales, all of which are purported to be based on actual paranormal case studies by Dr. Jonathan Rankin. The first tale concerns a group of youths who fall victim to a chilling graveyard prophecy; the second features a monster lurking within a pit in a farmer's field; and the third describes a mysterious rendezvous between man and ghost on a lonely bridge. The poorly-shot, post-dubbed segments are apparently padded with footage from another film. ~ Cavett Binion, All Movie Guide

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2000  
 
This made-for-TV fantasy was based on Rod Serling's "A Stop at Willoughby," a 1960 episode of Serling's classic anthology series Twilight Zone. The story begins in the year 2000, with advertising executive Charles Lattimer (Mark Harmon) escaping his hectic professional life and increasingly dissatisfying marriage to wife Kristen (Catherine Hicks) by obsessively tinkering with his elaborate model-train set. Through the aid of a magic stopwatch, Charles boards a real train and is whisked back to 1896, where he inaugurates a romance with attractive widow Laura Brown (Mary McDonnell). Traversing back and forth through the years, Charles ultimately finds that he will never truly be happy until he chooses between the "real" world and the world fashioned by his nostalgic imagination. Filmed in Alberta, For All Time made its CBS network debut on October 18, 2000. ~ Hal Erickson, All Movie Guide

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1973  
 
This documentary investigates the theory that extraterrestrials inhabited the Earth thousands of years ago, during the time of early humans. The program contains interviews with paranormal experts and historians, who talk about the conditions of the Earth during these ancient times and the types of interplanetary life that could have survived on the planet. The program also explores how the prehistoric human beings would have interacted with these aliens from other planets. ~ Cecilia Cygnar, All Movie Guide

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1962  
 
Rod Serling penned the story on which this crime melodrama was based. The trouble begins when as a policeman rushes toward the scene of a robbery. En route he hears a woman scream in a dark alley and gets there just in time to see someone tearing away. The cop calls out, but the runner does not stop. The cop opens fire and fatally shoots a young teenage boy. Apparently the youth had only accidentally bumped the lady and knocked her down. Though the cop is eventually acquitted, his reputation amongst his peers is destroyed. This leads the disgraced officer to launch his own investigation in hopes of clearing his sullied name. ~ Sandra Brennan, All Movie Guide

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Starring:
Chris WarfieldErin O'Donnell, (more)
1972  
 
This episode marks the only known instance in which future Oscar-winner Jodie Foster shared screen time (after a fashion) with Twilight Zone creator Rod Serling!. The ten-year-old Foster is cast as Pip Baker, the daughter of Chief Ironside's friends Gerald and Carol Barker (Paul Carr, Anne Whitfield). Morbidly fascinated with witchcraft and the occult, little Pip is convinced that she has cast a spell upon her parents' nasty landlord, causing the man's death. Later on, however, the police arrest a mentally challenged adult named Billy (Lee Paul) for the murder. Certain that neither Pip nor Billy is the guilty party, Ironside launches his own investigation, which at one point brings him in contact with a certain Mr. Thyros (Serling!), the black-clad owner of a "Witches'" store. ~ Hal Erickson, All Movie Guide

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1969  
 
In the two-hour pilot film for the subsequent TV "occult" anthology, series creator Rod Serling hosts three macabre short stories, introducing each with a framed portrait in a nocturnal art gallery. The first story stars Roddy MacDowall as a covetous nephew who murders his uncle, suffering the consequence of being possessed by a family painting. The second story stars Joan Crawford as a blind, thoroughly despicable millionairess who purchases the eyes of down-and-out Tom Bosley in order to enjoy 12 precious hours of sight. The final tale involves a Nazi war criminal (Richard Kiley), who attempts to evade his pursuers by escaping into a painting in a museum. The middle sequence is by far the best, directed with youthful bravado by 21-year-old Steven Spielberg. An uneven package, Night Gallery was nonetheless infinitely superior to the series that followed, which suffered from too much network and studio interference and not enough Rod Serling. The Night Gallery pilot was first telecast November 8, 1969; the series ran from 1970 through 1973. ~ Hal Erickson, All Movie Guide

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1956  
 
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Rod Serling's incisive "gray flannel suit" TV drama created such a sensation when Kraft Television Theatre first aired it live on January 11, 1955 that, in an unprecedented move, it was repeated four weeks later, on February 9, again live. Richard Kiley starred as Fred Staples, a bright young man from Cincinnati brought into the executive pool at a top New York firm by ruthless CEO Ramsey (Everett Sloane). Staples doesn't know it at first, but he was recruited as the potential replacement for Andy Sloane (Ed Begley), an ailing exec whom Ramsey is easing out in a most unsubtle fashion. Staples takes a liking to Sloane and despises Ramsey's tactics; the question is: does he despise them enough to throw away the biggest opportunity in his life? Director Fielder Cook, who helmed both TV versions of Patterns, also did the same for the 1956 film version. While Everett Sloane and Ed Begley were carried over from TV, the more "bankable" Van Heflin replaced Kiley as Staples. ~ Hal Erickson, All Movie Guide

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Starring:
Van HeflinEd Begley, Sr., (more)
1968  
G  
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Originally intended as a project for Blake Edwards, the film version of Pierre Boule's semisatiric sci-fi novel came to the screen in 1968 under the directorial guidance of Franklin J. Schaffner. Charlton Heston is George Taylor, one of several astronauts on a long, long space mission whose spaceship crash-lands on a remote planet, seemingly devoid of intelligent life. Soon the astronaut learns that this planet is ruled by a race of talking, thinking, reasoning apes who hold court over a complex, multilayered civilization. In this topsy-turvy society, the human beings are grunting, inarticulate primates, penned-up like animals. When ape leader Dr. Zaius (Maurice Evans) discovers that the captive Taylor has the power of speech, he reacts in horror and insists that the astronaut be killed. But sympathetic ape scientists Cornelius (Roddy McDowell) and Dr. Zira (Kim Hunter) risk their lives to protect Taylor -- and to discover the secret of their planet's history that Dr. Zaius and his minions guard so jealously. In the end, it is Taylor who stumbles on the truth about the Planet of the Apes: "Damn you! Damn you! Goddamn you all to hell!" Scripted by Rod Serling and Michael Wilson (a former blacklistee who previously adapted another Pierre Boule novel, Bridge on the River Kwai), Planet of the Apes has gone on to be an all-time sci-fi (and/or camp) classic. It won a special Academy Award for John Chambers's convincing (and, from all accounts, excruciatingly uncomfortable) simian makeup. It spawned four successful sequels, as well as two TV series, one live-action and one animated. ~ Hal Erickson, All Movie Guide

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Starring:
Charlton HestonRoddy McDowall, (more)
1957  
 
Rod Serling wasn't telling whom he based the leading character of his TV play The Comedian upon, but sharp-eyed viewers could detect traces of everyone from Milton Berle to Red Buttons. Mickey Rooney stars as a top-rated television comedian who is all love-and-kisses when before the cameras but a flaming mass of vitriol towards his coworkers. Rooney's beleaguered head writer Edmond O'Brien worries that he's on the verge of being fired, so he steals an old piece of material from a long-dead comic for Rooney's opening monologue. Meanwhile, Rooney's brother Mel Torme, fed up with being the public butt of the comedian's jokes, is goaded into an on-camera revenge. Throwing out his original intention of having the vicious Rooney get his comeuppance, Serling ends The Comedian with Rooney still dispensing nastiness to one and all, and with Torme sobbingly accepting his lot in life; O'Brien, at least, is afforded a happier denouement. Originally telecast live on Playhouse 90 on February 14, 1957, The Comedian won an Emmy as "best single program"; a kinescope of the telecast is currently available on videocassette. ~ Hal Erickson, All Movie Guide

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1962  
NR  
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One of the most memorable sports dramas because of its strong character development, Requiem for a Heavyweight is carried by Anthony Quinn as the washed-up boxer Mountain Rivera, and Jackie Gleason as his sleazy manager, Maish Rennick. In the opening scenes, Cassius Clay -- before he became Muhammad Ali -- knocks out Rivera in a stunning fight sequence. Rivera's career is over, and although his trainer Army (Mickey Rooney) and a social worker (Julie Harris) encourage him with vain hopes for an alternate career, the boxer's courage is stronger than his addled senses, a serious barrier to getting any job. Then Rivera's manager Rennick breaks down and tells him he has lost a gambling bet against the fighter and needs him to bail him out -- by becoming a wrestler. The question is, will Rivera take this humiliating path just to save his unethical manager, or will he stick to his scruples and reject the idea? ~ Eleanor Mannikka, All Movie Guide

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Starring:
Anthony QuinnJackie Gleason, (more)
1956  
 
Harlan "Mountain" McClintock (Jack Palance) has been a professional boxer for 14 years. He's been in the ring for over 110 bouts and was once ranked number five among the world's heavyweight fighters, but age and the physical punishment of his sport have taken their toll. Now McClintock is growing too old to fight but he lacks the money to retire gracefully, as his manager Maish (Keenan Wynn) suggests he start fighting crooked or switch to professional wrestling. Ed Wynn co-stars as McClintock's corner man, and Kim Hunter plays a sweet but naïve social worker. Requiem for a Heavyweight was a television drama written by Rod Serling and originally broadcast in 1956; the story was later remade as a feature film starring Anthony Quinn. ~ Mark Deming, All Movie Guide

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Starring:
Jack PalanceKeenan Wynn, (more)
1958  
 
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Rod Serling's first original screenplay for the Big Screen was the psychological western Saddle the Wind. In one of his best performances, Robert Taylor plays Steve Sinclair, a world-weary gunslinger. Hoping to become a rancher, Sinclair is given a plot of land by patriarchal Dr. Deneen (Donald Crisp), on the proviso that Steve tries to curb the violent tendencies of his younger brother Tony (John Cassavetes). Unfortunately, Tony is not so easily controlled; he not only seethes with sibling rivalry, but also takes near-orgasmic delight in his gunslinging skills. Determined to prove to Steve and to his saloon-girl paramour Joan Blake (Julie London) that his shooting prowess somehow makes him a superior being, Tony brings tragedy to all concerned. Elmer Bernstein's overemphatic musical score is ideally suited to the larger-than-life histrionics of Saddle the Wind. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TaylorJulie London, (more)
1964  
 
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Adapted by Rod Serling from the best-selling novel by Fletcher Knebel and Charles Waldo Bailey II, Seven Days in May was allegedly inspired by the far-right ramblings of one General Edwin Walker. Burt Lancaster plays General James M. Scott, who, convinced that liberal President Jordan Lyman (Fredric March) is soft on America's enemies, plots a military takeover of the United States. Every effort made by President Lyman to find concrete evidence of General Scott's scheme is scuttled by political protocol, human error and accidental death. Ultimately, Lyman must rely upon the man who first uncovered the plot: Colonel "Jiggs" Casey (Kirk Douglas). John Frankenheimer's terse direction and Ellsworth Fredericks' stark black and white photography enhance the "docudrama" feel of Seven Days in May. ~ Hal Erickson, All Movie Guide

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Starring:
Burt LancasterKirk Douglas, (more)
1966  
 
In this made-for-TV movie, a deadly bomb is concealed aboard a passenger jet in a devious plan to blackmail the airline company. With the bomb threatening to go off any minute, the passengers and crew aboard the plane must search to find and dismantle the deadly device. ~ Iotis Erlewine, All Movie Guide

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1972  
 
Rod Serling, a master of speculative scriptwriting, penned the screenplay of The Man. Set a few days into the future, the story contrives to kill off the President, the vice president, and virtually everyone in line of succession in a bizarre accident. This turn of events elevates African-American senator James Earl Jones directly into the Oval Office. Based on a novel by Irving Wallace, The Man was originally intended as TV movie, but released theatrically because most sponsors were afraid of its supposed controversial content. ~ Hal Erickson, All Movie Guide

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Starring:
James Earl JonesMartin Balsam, (more)
1956  
NR  
The Korean conflict of the early '50s saw widespread use of psychological torture by the North Korean communists on enemy prisoners of war. That young American GIs cracked under this brainwashing at higher rates than the troops of our allies led to much soul searching within the military and the nation during that era. In Hollywood, this was most famously reflected in The Manchurian Candidate (1962), and lesser-known films like Time Limit (1955) and The Rack. The failure of all three films at the box office suggests that the public didn't care to be reminded of this painful issue. Paul Newman stars as Captain Edward W. Hall Jr., a career soldier being tried by a military court for collaborating with the enemy. As the son of a highly distinguished career officer (Walter Pidgeon), and with a brother who had been killed in the war, he is especially tormented by the accusations which have been brought against him. Although reluctant to take the case, Major Sam Moulton (Wendell Corey) elicits incriminating testimony from Hall, comparing him unfavorably with soldiers like Captain John Miller (Lee Marvin), who were able to withstand similar punishment. But defending attorney Lt. Colonel Frank Wasnick (Edmond O'Brien), makes the case that this new type of torture is a new and barely understood weapon, to which some will be more innately immune than others. ~ Michael Costello, All Movie Guide

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Starring:
Paul NewmanWendell Corey, (more)
1959  
 
Add The Twilight Zone [TV Series] [1959-1964] to QueueAdd The Twilight Zone [TV Series] [1959-1964] to top of Queue
"You're traveling to another dimension...a dimension not only of sight and sound but of mind...a journey into a wondrous land whose boundaries are that of imagination. Your next stop: The Twilight Zone." Originally telecast on CBS from October 2, 1959, to September 18, 1964 (not counting a brief spate of network reruns in the summer of 1965), The Twilight Zone was one of the foremost filmed dramatic anthologies on TV and one of a precious few that specialized in fantasy and science fiction. Created by Rod Serling, whose previous TV writing credits included such classic live dramas as Patterns and Requiem for a Heavyweight, the series specialized in concise, economical playlets dealing with the offbeat andsupernatural, many of them with surprising and ironic climactic twists. Many of the individual episodes have stood the test of time as indisputable classics, among them "Eye of the Beholder," "The Monsters are Due on Maple Street," "The Invaders," "It's a Good Life," "To Serve Man," "The Invaders," and "Nightmare at 20,000 Feet." Rod Serling served as the series' host and narrator, and also wrote most of the dramas. Other noteworthy contributors included Richard Matheson, Charles Beaumont, and, on one memorable occasion (the episode "I Sing the Body Electric"), Ray Bradbury.

A veritable constellation of guest stars brought the stories to life; among those making multiple appearances were Burgess Meredith, Jack Klugman, William Shatner, Martin Landau, Anne Francis, Bill Mumy, Ed Wynn, and Lee Marvin, while many more showed up for memorable single performances including Charles Bronson, Elizabeth Montgomery, Robert Redford, Robert Duvall, James Coburn, Mickey Rooney, and Dennis Hopper. The series' famous theme music (heard from the second season onward) was composed by Marius Constant with unforgettable incidental music provided by the likes of Bernard Herrmann and Jerry Goldsmith. Although the series' title has become a household word and many of its episodes are acknowledged masterpieces, Twilight Zone was never a huge ratings attraction during its network run. Indeed, after only three seasons, CBS decided to yank the show. It was saved at the last minute and brought back as a mid-season replacement, expanded from 30 to 60 minutes per week in the process. For its fifth and final season, Twilight Zone returned to its familiar half-hour format, still playing to appreciative but comparatively small audiences. It was not until the series went into off-network reruns that Twilight Zone truly built its fan following, which has increased many times over in the ensuing years. Twilight Zone was revived twice with new, full-color episodes, first as a CBS (and later syndicated) weekly in 1985, then on UPN in 2002. Rod Serling was not involved with these revivals, having passed away in 1975; the 1985 version had no host, though its narrators included Charles Aidman and Robin Ward, but the 2002 version was hosted by Forest Whitaker. In addition, a theatrical feature, Twilight Zone: The Movie, was released in 1983. ~ All Movie Guide

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