Michael Seirton Movies

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a "handyman's special" in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne'er-do-well who ended up behind bars. After he's released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion -- and that many Cold Creek residents don't take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer. ~ Mark Deming, Rovi

Director Frank Darabont, who made an acclaimed feature film debut with The Shawshank Redemption (1994), based on a Stephen King novel set in a prison, returns for a second feature, based on King's 1996 serialized novel set in a prison. In 1935, inmates at the Cold Mountain Correctional Facility call Death Row "The Green Mile" because of the dark green linoleum that tiles the floor. Paul Edgecomb (Tom Hanks) is the head guard on the Green Mile when a new inmate is brought into his custody: John Coffey (Michael Clarke Duncan), convicted of the sadistic murder of two young girls. Despite his size and the fearsome crimes for which he's serving time, Coffey seems to be a kind and well-mannered person who behaves more like an innocent child than a hardened criminal. Soon Edgecomb and two of his fellow guards, Howell (David Morse) and Stanton Barry Pepper), notice something odd about Coffey: he's able to perform what seem to be miracles of healing among his fellow inmates, leading them to wonder just what sort of person he could be, and if he could have committed the crimes with which he was charged. The Green Mile also stars James Cromwell as the warden; Michael Jeter, Sam Rockwell, and Graham Greene as inmates awaiting dates with the electric chair; and Harry Dean Stanton as a clever trustee. ~ Mark Deming, Rovi

Directed by Gregory Hoblit (Primal Fear), Fallen is a blend of the police drama and supernatural thriller genres. Homicide detective John Hobbes (Denzel Washington) narrates, taking the audience back to "the time I almost died." This sets a flashback in motion, beginning at the prison cell of serial killer Edgar Reese (Elias Koteas), who grabs Hobbes' hand and sings the Rolling Stones' "Time Is on My Side." After Reese is executed, Hobbes and his partner, Jonesy (John Goodman), find a seeming copycat killer, committing murders in a manner not unlike Reese. Hobbes is drawn into the occult after he meets theology professor Gretta Milano (Embeth Davidtz), the daughter of a dead police officer. Hobbes becomes a suspect himself, but he continues his search for the truth. Co-producer Dawn Steel died just as this film was due for release. ~ Bhob Stewart, Rovi

The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, Rovi

In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He's sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis "Red" Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton's illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont. ~ Mark Deming, Rovi

When sweet Northern college kid Bill (Ralph Macchio) and his buddy Stan (Mitchell Whitfield) are picked up and thrown into the slammer in a hick Southern town, at first it looks like no big deal. Then they are informed that they are accused of murder. Penniless and without a single friend in the area, Bill decides to call his goofy cousin Vinny (Joe Pesci), who has somehow recently become a lawyer. Full of family feeling and bravado, Vinny, who has never tried a criminal case in his short life as a lawyer, rides south to defend his trusting relative. He's an expert motormouth and street-level logician from the wilder reaches of metropolitan New York, complete with a thick accent and the attitude to go with it. Otherwise, he's much less well qualified than your average public defender. When he arrives on the scene with his equally brassy girlfriend Lisa (Marisa Tomei), Bill is fairly sure he's going to be sentenced to death. His buddy Stan is even less confident of his legal representative, if that's possible, and the first thing Vinny has to do is to regain the consent of his clients to represent them. The local judge doesn't seem any too sympathetic to Vinny's verbal shenanigans either, and even the most optimistic supporter of the boys would begin to have doubts at this point -- and Vinny's no exception. With the insistent moral encouragement of his girlfriend, Vinny somehow accomplishes the impossible and wins grudging (if very irritated) respect from all concerned, for once studying as if his life depended on it. ~ Clarke Fountain, Rovi

Eric Idle and Robbie Coltrane team up for this bad boy comic burlesque, directed by Jonathan Lynn. Idle and Coltrane play Brian Hope and Charlie McManus, a pair of two-bit hoods who want to go straight, repulsed by the increasing reliance on guns and violence in their line of work. In thrall to vicious gangster Case Casey (Robert Patterson), the duo determine that their next job will be their last. When a large amount of money is extracted from a gang of Hong Kong drug dealers and it falls into the laps of Brian and Charlie, the two take off with the loot, with the Chinese Triad and Casey in relentless pursuit. When their car runs out of gas in front of a convent, Brian and Charlie run inside and disguise themselves as two of the ugliest nuns imaginable. Inside the convent, Brian and Charlie pass themselves off as nuns from a different order, assigned to the convent before leaving the country on missionary work. As the two men enjoy their undercover work with a collection of nubile nuns and coeds, the bad guys close in on their trail. ~ Paul Brenner, Rovi

Richard Lester returned to his double-barreled successes of the 1970s, The Three Musketeers and The Four Musketeers, with Return of the Musketeers, a film that was inexplicably shelved for several years, making its belated premiere on cable television. Based on Alexandre Dumas's novel Twenty Years Later, the film takes place (appropriately enough) two decades after the death of Milady de Winter. Though Milady may have died, her nefarious schemes have been taken up by her daughter Justine (Kim Cattrall), who maneuvers with the conspiring Cardinal Mazarin (Philippe Noiret) to gain control of the crown through Queen Anne (Geraldine Chaplin). D'Artagnan (Michael York) calls for his old compatriots Porthos (Frank Finlay), Athos (Oliver Reed), and Aramis (Richard Chamberlain) to once again go "one for all and all for one." But complications set in when Athos and Aramis take sides with the crown and Athos' adopted son Raoul (C. Thomas Howell) falls in love in Justine. The film is dedicated to character actor Roy Kinnear who plays Planchet, who died in an equestrian accident during the production. ~ Paul Brenner, Rovi

British playwright David Hare both wrote and directed the complicated political melodrama Paris By Night. Charlotte Rampling plays a Tory member of the European parliament, who lets absolutely nothing get in way of her ambitions. At present, Rampling is convinced that she is being blackmailed by her ex-business partner Andrew Ray. Upon accidentally meeting Ray, Rampling impulsively murders the man. In a deliciously ironic turn of events, she is approached by Ray's daughter Sinead Cusack, who hopes that Rampling will help her locate her missing dad. Rampling eventually finds out Ray had been innocent all along-but a greater shock awaits her at home, at the hands of her long-neglected husband Michael Gambon. Paris By Night contains far too many cute coincidences to be credible, but this fact doesn't immediately sink in as the audience revels in the film's superlative performances and David Hare's adroit manipulation of people, places and events. ~ Hal Erickson, Rovi

A doctor (Tom Conti) and his wife (Teri Garr), recently divorced, are kidnapped and brought to South America by an inept jewel thief (Paul Rodriguez), just in time to help cure a tribal chief's daughter of appendicitis. Then, a series of circumstances brings the entire family together. ~ John Bush, Rovi

In this slapstick chase-adventure, some unlikely heroes try to outwit each other for possession of a huge stash of cash hidden on the train they are all riding together. The comedy is a little uneven here or at least not to everyone's taste, and the pace is fast-forward frantic. Josef (Ed Lauter) and Georgiana (Pamela Stephenson) manage to break into her father's estate and swipe $5 million in cash from the safe, with plans to spirit the money across country on a train. Meanwhile, Michael (Michael O'Keefe) is a con man being chased by irate women on a roller derby team who have reason to be angry with him. He zips into a second-hand clothing store and dons the disguise of an army uniform, hoping to board a train for New York unnoticed. But when an officer gets suspicious at the station, Michael retorts that he is escorting a nearby coffin -- a coffin that actually contains the stolen $5 mil. The thieves are also nearby, but for reasons of their own, they go along with Michael's charade. Along for the ride are a neurotic woman (Beverly D'Angelo), an eccentric train conductor (David Wayne), a stowaway Vietnam defector, a blond woman of the underworld, a nymphomaniac, and briefly, a crafty con man (Louis Gosset Jr.). From that point onward, episodic vignettes are tossed here and there as the train moves ever closer to New York, and the protagonists try to outmaneuver each other for the money. Viewers may note that along for his fourth cinematic ride is Jim Carrey in a bit part. ~ Eleanor Mannikka, Rovi

Few filmmakers other than Warren Beatty would have had the courage and vision to fashion an epic film from the life of famed American Communist John Reed (who is the only US citizen buried in the Kremlin). The film is an effort to humanize a political movement that has previously been depicted on screen in a series of unsubtle and prejudicial broad strokes. The film begins in 1915, when Reed (Beatty) makes the acquaintance of married Portland journalist Louise Bryant (Diane Keaton). So persuasive is Reed's point of view--and so charismatic is Reed himself-- that Bryant kicks over the traces and joins Reed and his fellow radicals. Among the famous personages depicted herein are Emma Goldman (Maureen Stapleton), Eugene O'Neill (Jack Nicholson) and Max Eastman (Richard Herrmann). The second half of this nearly-200-minute film skims through the years when Reed, now a Russian resident, becomes disillusioned by the harsh realities of Bolshevism. Despite the celebrity line-up of real-life "witnesses" to the events depicted in the film (ranging from novelist Henry Miller to comedian George Jessel!), historians took Reds to task for its oversimplification of events and its laundering of the notoriously promiscuous Louise Bryant. ~ Hal Erickson, Rovi