Lewis Seiler Movies

In this realistic crime drama, a Santa Ana housewife, anxious to somehow avenge the drug-related death of her nephew, offers to help the Orange County cops break up a big drug ring. The woman then goes undercover and becomes the girl friend of the ring leader. She accompanies him to Tijuana and they both end up arrested. The drug ring is then destroyed. Rather than reveal her true identity, the woman opts to remain in jail. If the gangsters knew the truth, they would surely kill her. Much of the tale is taken from a true incident. ~ Sandra Brennan, All Movie Guide

This forgettable piece of 1950s sleaze stars Cleo Moore as a voluptuous blonde who becomes a successful commercial photographer. Richard Crenna, making a major break from his TV image as Our Miss Brooks' Walter Denton, plays a reporter who takes a special interest in Moore's career. The beauteous picture taker becomes involved in a blackmail plot when she goes to work for a Confidential-type magazine, nearly losing her life to mobsters. It was the opinion of many contemporary reviewers that the title Over-Exposed referred not to the photographs taken by Moore but to the generous amounts of cleavage displayed by the actress' low cut gowns. Though Cleo Moore has become a "cult" favorite thanks to her appearances in the turgid melodramas directed by Hugo Haas, Over-Exposed demonstrates that her minimal acting talent vanished altogether without Haas' guiding hand. ~ Hal Erickson, All Movie Guide

American POWs struggle to escape from a North Korean camp. While this is basically a remake of Stalag 17, it does feature interesting scenes of a North Korean brainwashing. ~ Sandra Brennan, All Movie Guide

Ronald Reagan delivers one of his best screen performances as baseball great Grover Cleveland Alexander in The Winning Team. The title refers to the mutually supportive relationship between Alexander and his loving wife Aimee (top-billed Doris Day); with this in mind, is it any surprise that the real Aimee Alexander served as the film's technical advisor. While the basic milestones of Alexander's career are adhered to, the film is a typical Hollywood blend of fact and fancy-plenty of fancy. While playing in the minors, Alexander is is hit on the heat by a batted ball, resulting in the dizziness and double vision that would ever after plague him. After toting up a record of 28 wins with the Philadelphia Phillies, Alex is traded to the Cubs, but World War 1 intervenes. On the battlefield, Alex suffers a recurrence of his double vision; and when he plays his first postwar game with the Cubs, he collapses on the field. Warned that his seizures will persist if he doesn't retire, Alex swears the doctor to secrecy. When the dizzy spells continue, Alex turns to drink. Branded an "alky", he descends to the depths of a House of David-style team, thence to the humiliation of carnival side shows. With the help and support of both Aimee and his old pal Rogers Hornsby (Frank Lovejoy), Alex stages a spectacular comeback, striking out Yankee Tony Lazzeri during the 1926 World Series and leading his team to victory. The script rearranges the chronology of Alexander's life, suggests incorrectly that the Lazzeri strikeout was the last play in the deciding Series game, and-most amusingly-depicts the unloveable Rogers Hornsby as a 100 % sweetheart. Otherwise, The Winning Team provides an excellent showcase for Ronald Reagan-though in later years he expressed some reservations about the script, noting that, by adhering to Warner Bros' insistence that the word "epilepsy" never be spoken, the picture confused audiences as to the true nature of Alexander's affliction. ~ Hal Erickson, All Movie Guide

Actual combat footage is deftly blended in with dramatized re-enactments in The Tanks Are Coming. Steve Cochran stars as Sergeant Sully, the hard-bitten new leader of an arrogant, fiercely independent tank platoon. Despite protests from his commanding officer and his men, Sully runs the platoon ragged, teaching them the value of humility and teamwork under fire. The sergeant's training methods pay off during the 3rd Armored Division's assault into France in the summer of 1944. Though Mari Aldon shows up briefly as a female war correspondent, Tanks are Coming is an essential all-male enterprise, featuring good performances by such dependable players as Philip Carey, Paul Picerni, Harry Bellaver, James Dobson and George O'Hanlon. ~ Hal Erickson, All Movie Guide

In this drama, a California artist abandons his work to become a New York prizefighter after he falls in love with a married nightclub singer. Her husband was a fighter, but suffered a crippling accident in the ring and was unable to fulfill his lifelong dream of becoming the world champion. The husband decides to live out his dream through the artist and begins tutoring him. Things go well until the hubby discovers that the artist has been sleeping with his wife. He then begins giving the artist bad advice so he will get creamed in the ring. Fortunately for the artist, he wins the Big Fight. ~ Sandra Brennan, All Movie Guide

The second of Perry Como's two starring vehicles for 20th Century-Fox, If I'm Lucky is an easygoing remake of 1937's Thanks a Million. Como plays the old Dick Powell role as Allan Clark, an entertainer who is maneuvered into politics by conniving manager Wally (Phil Silvers, in the role originated by Fred Allen). It all begins when Clark, hired to appear at a political rally for bibulous gubernatorial candidate Magonnagie (Edgar Buchanan), wins the hearts of the voters. One thing leads to another, and before long Clark himself is on the way to the governor's chair. With a newly acquired set of scruples, the singer-politico publicly reveals that his backers are crooks, but wins the election all the same! Though the satirical edge of Thanks a Million is muted in the remake, the musical numbers by Perry Como and costar Vivian Blaine help to take up the slack. ~ Hal Erickson, All Movie Guide

The Cole Porter Broadway musical Something for the Boys was brought to the screen by 20th Century Fox with three new non-Porter tunes thrown in. The dated libretto (by Herbert and Dorothy Fields) involves a crumbling Southern plantation which is converted into a home for servicemen's wives. Running the operation are three cousins: Michael O'Shea, Vivian Blaine, and, from the South American branch of the family, Carmen Miranda. When money runs out, the threesome contrive to put on a fundraising show -- which of course looks far too expensive to break even, but since Carmen Miranda's in the picture, who knows. Perry Como makes his movie debut in Something for the Boys singing a handful of pleasant songs, while Judy Holliday shows up in a funny bit as a defense-plant welder with peculiar dental problems. ~ Hal Erickson, All Movie Guide

20th Century-Fox's 1943 filmization of Richard Tregaskis' best-selling book Guadalcanal Diary does full justice to the spare, lean prose of Tregaskis' eyewitness account. The incidents in the "diary" are tied together by an off-screen narrator into a cohesive storyline. The principal characters in this wartime chronicle are marine sergeant Lloyd Nolan, chaplain Preston S. Foster, Mexican enlistee Anthony Quinn, and a Dodgers-lovin' Brooklynite, played by William Bendix. ~ Hal Erickson, All Movie Guide

The three stars of Universal's The Spoilers -- Marlene Dietrich, John Wayne and Randolph Scott -- were reunited for the pageantlike adventure yarn Pittsburgh. As indicated by the title, this is a saga of the steel industry, with longtime buddies Pittsburgh Markham (Wayne) and Cash Evans (Scott) rising from the ranks of miners to run their own foundry. Ruthlessly devoted to his work, Pittsburgh eventually has a falling out with Cash and also jeopardizes his romantic relationship with beautiful Josie Winters (Dietrich). Thanks to his duplicitous business practices, Pittsburgh loses both Josie and his steel mill; but when America enters WW II, he redeems himself by signing on as a common workman with Cash's still-thriving organization. Well acted and directed, Pittsburgh nonetheless lacks the extra spark which transforms a good film into a great one. ~ Hal Erickson, All Movie Guide

Kisses for Breakfast is a dumbed-down remake of the 1930 marital comedy The Matrimonial Bed, itself based on a British stage play by Seymour Hicks-which in turn was adapted from a French farce by Yves Mirande and Andre Mouzey-Eon. With that pedigree, it's amazing that this frenetic 1941 slapsticker isn't better than it is, but it just isn't, that's all. Knocked out during a fight, Rodney Trask (Dennis Morgan) awakens with amnesia, totally unaware that he's just married Juliet Marsden (Shirley Ross). His only clue to his identity is an address found in his coat pocket, which leads him to the South Carolina home of Juliet's cousin Laura Anders (Janet Wyatt). A year passes, during which Rodney straightens out Laura's financial problems and wins her love. After their marriage, Rodney and Laura decide to visit her northern relatives-including, naturally, wife number one, Juliet, who has come to believe that Rodney is dead and is about to take a new husband. What follows is a endless series of silly slapstick gags, with poor Juliet receiving a great deal of unwarranted punishment at the hands of the capricious Laura. The mess eventually straightens itself out, by which time both heroines have thorougly alienated the audience. ~ Hal Erickson, All Movie Guide

Like MGM's Whistling in the Dark, Warner Bros.' The Smiling Ghost was inspired by the success of Paramount's comedy-mystery The Ghost Breakers--even unto the casting of Ghost Breakers' Willie Best in a similar role. During a gloriously oversized thunderstorm, hapless hero Lucky Downing (Wayne Morris) arrives at the mansion of his fiancee, heiress Eleanor B. Fairchild. Lucky hopes to break the jinx that seems to hang over Eleanor, whose last three boyfriends all met with mysterious deaths ("Anyone can be bitten by a snake." "On the fourteenth floor of a New York Hotel?") To do this, he tries to solve the triple mystery himself, aided and abetted by troublesome girl reporter Lil Bastow (Brenda Marshall) and timorous black manservant Clarence (Best). After a night of terror, replete with clutching hands and sliding panels, the murderer is revealed-after which Clarence participates in a closing gag which single-handedly sets race relations back 50 years. The Smiling Ghost was cowritten by Stuart Palmer, the creator of spinster sleuth Hildegarde Withers and a past master of locked-room mysteries with a comic touch. ~ Hal Erickson, All Movie Guide

Humphrey Bogart is a gangster again, this time as counterpoint to the comic elements of It All Came True. On the lam from the cops, Bogart hides out in a theatrical boarding house, where most of the residents are old-timers dreaming of a comeback. Amused by these offbeat characters, Bogart arranges to transform the boarding house into a nostalgia-oriented nightclub, along the lines of Billy Rose's Diamond Horseshoe. Thanks to his intervention, singer Ann Sheridan gets her big break, introducing the Warner Bros. standard "Angel in Disguise". Based on the Louis Bromfield novel Better Than Life, It All Came True is typical of the lighthearted fare in which Bogart frequently was forced to act before The Maltese Falcon allowed the actor to pick and choose his roles. ~ Hal Erickson, All Movie Guide