David Seidler Movies

Kill Bill stars David Carradine and Daryl Hannah reunite for this two-part television mini-series set in late 1920s China, and following a Wudang monk and a vengeful lounge singer on their violent quest to assassinate the man responsible for killing their loved ones and destroying their lives. The orphaned son of Western missionaries, White Crane (Carradine) was trained by Wudang monks to become a spiritual leader and martial arts master. When Kahn Xin (Lim Kay Tong) and his murderous henchmen kill White Crane's mentor during a brutal raid on the Wudang temple, Crane infiltrates the Shainghai underworld on a mission to track Kahn down and ensure that justice is served. But during the course of his quest, Crane crosses paths with Jane Marshall (Hannah), a nightclub singer from Manhattan who also has a score to settle with Kahn. Kahn has kidnapped Jane's brother and the time to rescue him is fast running out. When Crane and Jane realize Kahn's diabolical plans are in fact much more ambitious and malevolent than previously suspected, they hatch a daring plan to enter his inner circle and destroy his gang from the inside out. Later, just as everything begins to fall into place and Kahn's empire quickly begins to crumble, Crane suddenly faces a serious moral dilemma - how can he reconcile his all-consuming hunger for revenge with the peaceful teachings of his Wudang mentors? Later, as Crane returns to help rebuild the fallen Wudang temple, he receives word that his old nemesis Bai Tang has kidnapped Jane back in Shanghai. Now, in order to prevent Jane from being forced into a life of sexual slavery, Crane and his faithful protégé Bingo (Osric Chau) set out to rescue her before all hope is lost. ~ Jason Buchanan, Rovi

Like many other made-for-TV biopics inspired by popular television series of yore, Come on Get Happy: The Partridge Family Story offers the spectacle of actors playing other actors playing different characters--and as such, those "characters" come off as more interesting than the "real" actors. Focusing exclusively on the five years (1970-1974) that The Partridge Family was in production, the story is told from the viewpoint of Danny Bonaduce (played by a pre-Desperate Housewives) Shawn Pyfrom), and accordingly is colored by the sentiments so often expressed by the real, irrepressibly outspoken Bonaduce. Upon landing the coveted role of Danny Partridge, young Bonaduce must contend with the jealousy of his abusive father Joseph (William Russ); all the while, Danny is a sidelines observer of the effect that overnight stardom has on his coworker David Cassidy (Keith Partridge), who (it says here) despises all the idolatry and yearns for a normal life. Rather touchingly, the film recounts the surrogate son-surrogate father relationship between Danny and actor Dave Madden (Michael Chieffo), who was genuinely fond of his younger costars despite the kid-hating irascibility of his "Reuben Kincaid" character. The film's highlight, which would be impossible to belief if it wasn't corroborated by witnesses, is the episode wherein Cassidy impulsively "kidnaps" Danny, whereupon both boys head off on a short journey of self-discovery; less easy to swallow is the scene which contrives a feud between the "Partridge" cast and the actors on the rival series The Brady Bunch (who are, interestingly enough, identified only by their character names and not their real names). Come on Get Happy: The Partridge Family Story made its ABC network bow on November 13, 1999. ~ Hal Erickson, Rovi

For this feature-length foray into Arthurian animation, screenwriters Kirk DeMicco (A Day in November), William Schifrin (Townies), Jacqueline Feather (Dancing in the Dark), and David Seidler (Tucker, Dancing in the Dark) adapted The King's Damosel (1976) by British novelist Vera Chapman. The 85-minute tale follows independent, strong-willed Kayley (Jessalyn Gilsig voice, with the singing of Andrea Corr), who hopes to follow the path of her late father, Sir Lionel (Gabriel Byrne), a brave Knight of the Round Table who died defending his king against the evil Ruber (Gary Oldman). Some years later, when Ruber is joined by sidekick Griffin (Bronson Pinchot), the two manage to acquire and then lose Excalibur, the legendary magic sword of King Arthur (Pierce Brosnan with Steve Perry singing). Preparatory to his invasion of Camelot, Ruber first kidnaps Kayley and her widowed mother, Lady Juliana (Jane Seymour, Celine Dion singing). Making an escape, Kayley travels through the haunted Forbidden Forest, where she meets Garrett (Cary Elwes, Bryan White singing), a bitter blind man assisted by his silver-winged, seeing-eye falcon, Ayden. Once King Arthur's stable boy, Garrett dreamed of becoming a knight, but after he was blinded by a fire, he ran away to live in the Forbidden Forest. When Garrett learns Kayley is the daughter of the knight who trained him to fight, he agrees to help Kayley search for Excalibur. Falling in love with Kayley, Garrett soon finds the courage to start anew. With the blessing of Merlin (Sir John Gielgud), the couple sets out to save Camelot. Along the way, they meet the two-headed dragon, Devon (Eric Idle) and Cornwall (Don Rickles), a dragon duo delivering dotty dialogue replete with riotous riffs and cinematic references (to such films as Dirty Harry and Taxi Driver). Yet another supporting character is Bladebeak, a cutting-edge hybrid possibly fashioned to illustrate the axiom, "Don't count your chickens before they're a hatchet." Following the live-action/animation combo of Space Jam, this is the first fully animated feature from the L.A.-based Warner Brothers Feature Animation unit, and the film began production May 26, 1995 in L.A., expanding operations February 11, 1996 with a sister studio in London: a 20,000-square-foot facility in London's Covent Garden district. The new UK unit shared production duties on Quest for Camelot, receiving storyboards from L.A., animating with both computers and traditional techniques, and digitally transmitting completed art back to L.A. for ink and paint. At the London WBFA studio, John McKenna (previously head exec of the London City Ballet and Disney's London studio manager) initially supervised a staff of 73 (including 50 artists from the British animation talent pool) that expanded to 350. The film eventually employed over 600 staffers as it ran through a variety of working titles (The Quest for the Grail, The Quest, The Quest for Camelot). Songs by Grammy-winners David Foster and Carole Bayer Sager include On My Father's Wings, (Kayley), I Stand All Alone (Garrett), The Prayer (Juliana), and If I Didn't Have You (Devon, Cornwall). The director of Quest for Camelot is Frederik Du Chau, who attended film school in his native Belgium, entered the industry via commercials and TV series, worked for Disney France, made his own animated short (The Mystery of the Land), drew Disney projects at Baer Animation, co-directed for Sony Wonder, directed The Land Before Time 3, joined Chuck Jones Productions, and was developing his own animated project for Warner Bros. when he was asked to direct Quest for Camelot. ~ Bhob Stewart, Rovi

The made-for-TV Lies He Told is based on one of those true stories that most producers would reject outright as ludicrous and impossible were it offered as fiction. Feeling confined by his marriage to wife Cindy (Teddi Siddall) and his family and military responsibilities, USAF Sgt. Major Davis Bay (Gary Cole) senses the opportunity to start life all over again when he meets and falls in love with Alyson Haywood (Karen Sillas). Faking his own death, Bay then weds the unwitting Alyson, assuring her that he'll be able to support her once his Air Force pension comes in -- which of course it never will, since he's officially deceased. Over the next few years, Bay is forced to feed Alyson and her family a pack of outrageous falsehoods to keep from being exposed as a deserter and a bigamist, not least of which is the claim that he's on a "covert mission" for the government. When all else fails, he resorts to a series of bank robberies to support himself and his new bride. Meanwhile, Bay's mother, who has never believed that he is truly dead, comes closer and closer to shattering his wall of lies. Originally filmed for the ABC network, Lies He Told first aired March 17, 1997. ~ Hal Erickson, Rovi

History tells us that would-be automobile mogul Preston Tucker was a silver-tongued con man, who misappropriated his investors' money and played fast and loose with ethics and legalities in the pursuit of his dream. Filmmaker Francis Ford Coppola isn't buying this: to hear Coppola tell it, Tucker was "Mr. Smith Goes to Detroit," a sincere visionary who tried and failed to buck the Big Three auto manufacturers. Moreover, he was a staunch defender of family values, as witness his inseparable relationship with his loyal wife (Joan Allen) and adoring children. It was for his family's sake, rather than any dreams of financial gain, that Tucker created the oddball three-headlight vehicle which he envisioned as the "car of the future". Naturally, the corporate fat cats of 1947 can't abide competition from a rugged individualist; thus, with several politicos in their pockets, they crush the Tucker and the man who built it. We'd have been more inclined to believe the story had Coppola adopted a straightforward Capraesque approach and not utilized all sorts of complicated camera trickery. Somehow, by presenting Tucker in so showoffy a directorial manner, the character comes off more as a sleight-of-hand artist than a bastion of sincerity. Even so, Jeff Bridges does a nice job as Tucker, as does Martin Landau as Tucker's incongruous business partner. Jeff's dad, Lloyd Bridges, appears in an uncredited role as a "bought" senator. ~ Hal Erickson, Rovi