Zelda Sears Movies

MGM's Sadie McKee is a superb example of how the "committee" system of moviemaking in the 1930s could sometimes yield unexpected delights. It all begins when Sadie McKee (Joan Crawford) is brought to big bad old New York by glib vaudevillian Tommy (Gene Raymond), only to be unceremoniously dumped in favor of actress Dolly (Esther Ralston). Cast adrift, our Sadie lands a nightclub job, where she meets genially intoxicated millionaire Brennan (Edward Arnold). Accepting his drunken marriage proposal, Sadie must endure the slings and arrows of Brennan's friends and family, who consider her a gold-digger. Meanwhile, Sadie's former boss Michael (Franchot Tone), the one true love of her life, waits and waits and waits to see what's really on the girl's mind! And as a bonus, this is the film that introduced the peppy ditty "All I Do Is Dream of You". The labyrinth plotline of Sadie McKee is proof enough that more than one screenwriter had a hand in its creation: but instead of chaos, the film is irresistibly watchable, full of unexpected plot twists and marvelous little surprises. ~ Hal Erickson, Rovi

This Side of Heaven is an early, muted example of what would refine itself into the "screwball comedy" genre. Lionel Barrymore plays an accountant, who's also the head of a large family consisting principally of dizzy buffoons. Not only that, but the Barrymore clan is selfish, totally unappreciative of Dad's efforts in their behalf. But when Barrymore is falsely accused of embezzlement, the family members rally to his aid and prove their hidden worth. Amazingly, all the problems in This Side of Heaven are ironed out within a 24-hour span (and 78 minutes' screen time). ~ Hal Erickson, Rovi

Virtually everybody except President Roosevelt was in the lavish MGM backstage musical Dancing Lady. Joan Crawford stars as Janie Barlow, an impoverished dancer reduced to working in a seedy Manhattan burlesque house. While on a slumming party with his society friend, wealthy young Tod Newton (Franchot Tone) spots Janie in the burleycue chorus line and immediately falls in love with her. When the joint is raided, Tod pays Janie's bail, but she resists his entreaties to become his mistress, promising instead to pay back every cent she owes him "honestly." With Tod's help, Janie is able to secure work in a big-time Broadway musical being staged by Patch Gallegher (Clark Gable), who is certain that the girl is an untalented opportunist and does everything he can to sabotage her audition. When he realizes that the girl "has something," he refuses to admit it but does, grudgingly, hire her for the show. Through a combination of skill and damned hard work, Janie ends up as the star of the show, whereupon Tod, worried that he'll lose the girl to the Great White Way, buys the show and promptly closes it. But Janie, who's fallen in love with Patch, teams with her new sweetheart to restage the show with their own meager savings -- and surprise of surprises, it's a smash hit. Truly an embarrassment of riches, Dancing Lady introduced Fred Astaire to the movie-going public, solidified the popularity of MGM's new tenor Nelson Eddy, and offered a wide berth for the comedy antics of Ted Healy and his Three Stooges -- Moe Howard, Curly Howard and Larry Fine (Larry, performing his role in a Jewish dialect, has a wonderful double-take bit with a jigsaw puzzle which turns out to be a portrait of Adolf Hitler). As a bonus, the film offers spectacular musical production numbers, not to mention the enduring song hit "Everything I Have is Yours." ~ Hal Erickson, Rovi

In this brutal prison drama a hen-pecked husband is sentenced to prison after getting caught with his hand in the company till. He is sent to a high-rise facility in LA. It seems the fellow was only following the instructions of his domineering, constantly nagging wife who, as soon as he is put away, takes up with a more successful businessman. This causes her new lover's ex-lover to get insanely jealous and kill the conniving wife. The businessman decides to take the blame for the death and he is sent to the same jail as the dead woman's husband. One of the two meets a violent end. ~ Sandra Brennan, Rovi

Emma is a turn-of-the-century domestic drama completely dominated by star Marie Dressler. She plays the maid of an upper middle class family, keeping her wits about her as her employers suffer crisis after crisis. When the master of the house (Jean Hersholt), a prominent inventor, is widowed, he proposes marriage to Emma. Shortly afterward, Hersholt dies, and Emma, who has married "out of her class", is accused of murder by Hersholt's jealous children. Cleared of the accusation, Emma turns over her inheritance to the selfish children and heads off to work for another family, once again making the best of any and all bad situations. ~ Hal Erickson, Rovi

New Morals for Old was the teasing title for a somewhat sedate film about the ongoing rejection of middle-class values by the youth of America. Robert Young, Myrna Loy, Donald Cook and Margaret Perry are among the freethinking young folk whose attitudes clash with those of their elders (including Lewis Stone, Laura Hope Crews and Jean Hersholt). The film's main crisis is nothing more scandalous than Robert Young's plans to pursue an art career over his father's objections. In an ironic coda, the younger people eventually marry, settle down, and become moralistic fuddy-duddies themselves. New Morals for Old was based on the John Van Druten play After All, which was set in London and thus added class consciousness to the basic generation-gap theme. ~ Hal Erickson, Rovi

Not every Greta Garbo film is an imperishable classic; this was seldom truer than in the case of her repetitious 1931 vehicle Inspiration. A modernized adaptation of Alphonse Daudet's Sappho, the film casts Garbo as Yvonne, a Parisian belle with "a history." When her past returns to haunt her, she decides to walk out on her sweetheart Andre (Robert Montgomery), even though she still loves him. Eventually she returns to Andre, but this time he leaves her. Worried that Yvonne will take drastic action over his defection, Andre returns, whereupon Yvonne breaks up the romance a third time, "all for the best." Had there been a fourth breakup, the audience probably would have walked out. No matter: Garbo illuminates every scene she's in, and that's all anyone could possibly ask for. ~ Hal Erickson, Rovi

In this slapstick comedy set in a posh beauty salon, the owner asks her matronly sister, a postman's wife, to come and visit. She does, and brings her lovely daughter along with her. This creates problems when the fiancé of the owner's daughter falls in love with the daughter of her sister. Fortunately, it is revealed that the man is a grade-A cad and both of the girls are saved. ~ Sandra Brennan, Rovi

Norma Shearer earned an Academy Award for playing the not so gay divorcée in this pre-Code offering based, loosely, on Ex-Wife, a 1929 Ursula Parrott novel. Shearer is Jerry, a socialite who marries handsome Ted (Chester Morris) after a whirlwind courtship. But Ted is not exactly the faithful type and after three years of what she in her naïveté considered marital bliss, Jerry learns of his affair with Janice (Mary Doran). "It meant nothing," Ted assures her but Jerry is devastated and decides to investigate adultery for herself by sleeping with Ted's best friend, Don (Robert Montgomery). When she discovers that the old double-standard still applies, Jerry announces that henceforth Ted, and only Ted, is no longer welcome in her bed. After a string of lovers who mean little or nothing to her, Jerry falls for an old flame, Paul (Conrad Nagel), but when she understands the effect their affair has on Paul's poor disfigured wife, Dorothy (Helen Johnson, aka Judith Wood), Jerry returns to Ted, who still loves her despite it all. ~ Hans J. Wollstein, Rovi

Nine years before stepping into the role of Sherlock Holmes, Basil Rathbone essayed the character of S.S. Van Dyne's dilettante detective Philo Vance in The Bishop Murder Case. The murderer this time is a mysterious figure known only as "The Bishop." Plotting his killings in the systematic manner of a chess game, the Bishop tips off each of his crimes by sending the police cryptic messages in the form of nursery rhymes (his first victim, felled by an arrow, is referred to as "Cock Robin"). Heroine Belle Dillard (Leila Hyams) fears that the Bishop may be her own sweetheart, Sigurd Arnesson (Roland Young) -- indeed, that's what the police think as well -- but Philo Vance carefully puts the clues together to finger the actual culprit. With surprising foresightedness, several of the characters remark upon Vance's deductive skills by referring to him as "Sherlock." Well-directed, and with an imaginative use of "natural" sound in the exterior scenes, The Bishop Murder Case is ultimately laid low by its molasses-slow pacing, though things become moderately exciting when the heroine is kidnapped in the last reel. ~ Hal Erickson, Rovi

Silent-film leading man Harrison Ford (no relation to the current box-office champion) stars as John Douglas Jr., a go-getting young businessman. Falling in love with circus owner Nancy Flood (Phyllis Haver), John endeavors to save her dog-and-pony operation from foreclosure. This requires our hero to enter the circus' main attraction, a dancing horse, in a high-stakes race. To achieve victory, John affixes earphones to the animal and pipes in the sounds of roaring lions -- the one thing that is certain to frighten the horse into accelerating its pace! Similar plotlines can be found in items as diverse as the Three Stooges' Playing the Ponies (1937) and "The $1,000,000 Derby," the premiere episode of TV's Top Cat. ~ Hal Erickson, Rovi

Those who believe that It Happened One Night was the first film to tap the comic potential of "auto courts" (later known as motels) are referred to the 1927 film Rubber Tires. It all begins when the Stack family sells all its worldly possessions, invests in a car, and heads to California. Every possible disaster befalls them, from flat tires to busted radiators, but the family is always rescued by Bill James (Harrison Ford), the erstwhile sweetheart of Mary Ellen Stack (Bessie Love). Upon arriving in the Golden State, Pa Stack (Erwin Connelly) finds that a promised job has fallen through, but fortunately the manufacturer of their car gives the family a huge cash reward for proving the durability of the auto. Rubber Tires was filmed on locations ranging from Monterey Bay to the coast of Carmel; according to co-star Frank "Junior" Coghlan, one scene was filmed in the tiny chili stand owned by future "restaurateur-to-the-stars" Dave Chasen. ~ Hal Erickson, Rovi