Fred Sears Movies

Columbia's The Werewolf is not nearly as generic as its title would suggest: in fact, it is one of the better films of its kind. Steven Ritch plays Duncan Marsh, who after being seriously injured in a car wreck is used as a guinea pig by a pair of none too scrupulous scientists (S. John Launer and George M. Lynn). Seeking a cure for radiation poisoning, the scientists inject Marsh with wolf serum (what this has to do with radiation poisioning is never fully explained). Before long, Marsh is a full-fledged lycanthrope, wreaking havoc in the Big Bear Lake region. Some truly startling vignettes--including one lulu of a sequence in a jail cell--lift this Sam Katzman production well above the norm. ~ Hal Erickson, Rovi

Two musicians whose dance band is going nowhere happen across a roadhouse in the sticks, where a pack of fun-loving youngsters are dancing to a new and different beat -- the kids call it rock 'n' roll! The band, Bill Haley and his Comets, leaves the two musicians mighty impressed, and they agree to manage Haley and his crew. They soon meet disc jockey Alan Freed, who immediately secures Haley and the boys a nightclub stand in the Big Apple, where the Comets become the hottest ticket in town. As stories go, Rock Around the Clock was not stunningly original, but at least director Fred F. Sears and producer Sam Katzman had the good sense to stay out of the way and let Bill Haley and his Comets do what they do best -- mix cowboy swing with rhythm and blues, make with the boogie, and have a fine old time doing it. Haley and Co. perform most of their best-known tunes here, including "See You Later, Alligator", "Razzle Dazzle", "Rudy's Rock" and (of course) the title tune, and if they look and sound a bit staid compared to what Elvis Presley, Little Richard and Gene Vincent would be serving only a few years later, their music is good, clean fun and swings a lot harder than most folks give it credit for. Rock Around the Clock also features performances from The Platters ("The Great Pretender" and "Only You") and Freddy Bell and His Bellboys. ~ Mark Deming, Rovi

Fury at Gunsight Pass is a brief, to-the-point "budget" western, well cast and excitingly staged. David Brian stars as bank robber Whitey Turner, whose outlaw gang takes over a small town. Beating gang leader Dirk Hogan (Neville Brand) to the punch by robbing the town bank ahead of schedule, Turner winds up empty-handed when crooked undertaker Boggs (Percy Helton) swipes the loot. Boggs is killed, whereupon his widow (Katherine Warren) gathers together the money and makes plans to skip town while the Law pursues Turner and Hogan. This is one of those stories in which no one emerges smelling like a rose; the suspense lies not in who will "get it", but how long will it be before someone halfway honest appears on screen. ~ Hal Erickson, Rovi

The ineluctable Sam Katzman pounced upon the "cha-cha" craze with the musical quickie Cha-Cha-Cha-Boom! Recording stars Perez Prado, Helen Grayco, Luis Arcaraz, Manny Lopez and the Mary Kaye Trio play themselves in this hurriedly assembled melange. The wafer-thin plot concerns the efforts of talent scout Bill Haven (Steve Dunne) to scare up some genuine Latino talent for his own recording company. To make a long story short, he coerces bandleader Perez Prado out of his native Cuba, whereupon Prado rallies his cha-cha'ing cohorts to assemble en masse in Haven's studio. The film is stolen by lissome dancer Sylvia Lewis, who later appeared on such TVers as The Dick Van Dyke Show. ~ Hal Erickson, Rovi

This Sam Katzman-produced sci-fier was originally released on a double bill with Katzman's Giant Claw. The plot is motivated by a newly discovered element called E-112, which festers at the Earth's core. Rising to the surface in the form of liquefied stone, E-112 becomes extremely dangerous when it is mixed with nitrogen. Before long, the entire world is threatened with the explosive power of the volatile element. To save Mankind from being blown to smithereens, seismologist David Conway (William Leslie) tries to neutralize E-112 with a combination of volcanic gases and silver iodide. Despite all the scientific doublespeak, The Night the World Exploded is doggedly nonintellecutal in its execution and appeal. ~ Hal Erickson, Rovi

This lively musical was made to capitalize on the popularity of calypso music and features some excellent production numbers. It all begins when a jukebox magnate tries to force his way into a record company. They succeed and this angers the labels biggest star, who doesn't want to change his style. He disappears and so does all of the company's profits. Musical chaos reigns for awhile, but eventually everything is set to rights and happiness ensues. Look for distinguished poet Maya Angelou singing "Run Joe" and actor Alan Arkin's performance with the folk group the Tarriers. ~ Sandra Brennan, Rovi

A veritable honor roll of famed western heroes and villains appears in the fanciful oater Badman's Country. It all begins when Sheriff Pat Garrett (George Montgomery) draws up plans to lure the Hole-in-the-Wall Gang, headed by Butch Cassidy (Neville Brand) and the Sundance Kid (Russell Johnson) into a trap. To do this, he enlists the aid of fellow peacekeepers Wyatt Earp (Buster Crabbe), Bat Masterson (Gregory Walcott) and Buffalo Bill Cody (Malcolm Atterbury). By the time everyone is introduced, the film is half over. No matter: Badman's Country is redeemed by a truly impressive climactic gun duel. ~ Hal Erickson, Rovi

In this drama, a sea captain is accused of negligence when his ship sinks and 162 passengers drown. A zealous defense attorney, proud of his perfect track record, is assigned to defend the sailor. Though the captain is clearly guilty, the DA gets him acquitted. Afterward, the lawyer's wife and friends are utterly disgusted and end up leaving him. In the end, the lawyer vindicates himself by proving that the captain is indeed innocent. He then brings the guilty ship's mate to justice. ~ Sandra Brennan, Rovi

Singer Molly Bee once commented ruefully that her films were shown only to captive audiences in jails and reformatories. One suspects that Ms. Bee's Going Steady had a few paying customers, since no Sam Katzman production of the 1950s ever lost money. In this one, Molly plays high schooler Julie Ann, who secretly marries boyfriend Calvin (Alan Reed Jr.) so that she can accompany his basketball team to an out-of-town game. The fun really begins when Julie Ann finds out that she's pregnant--depending, of course, upon one's interpretation of the word "fun". Going Steady was shipped out on a Columbia double bill with another Sam Katzman epic, Crash Landing. ~ Hal Erickson, Rovi