John Seale Movies

Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava: All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide

Set adrift in the vast waters of the North Atlantic for a luxury New Year's Eve party staged in the ship's magnificent ballroom, the massive ocean-liner Poseidon receives an unexpected jolt when a rogue, 100-foot wave rolls it completely upside down, forcing the surviving passengers to fight their way to safety in Das Boot director Wolfgang Petersen's waterlogged blockbuster. Trapped beneath the waterline and implored by the captain to remain in place until a rescue team arrives, the panicked survivors struggle to keep their cool as the water begins to rush in, infernos blaze all around, and a loss of electricity plunges the doomed vessel into total darkness. Seasoned gambler Dylan Johns (Josh Lucas) isn't willing to wage his life on the prompt arrival of help, though, and as he attempts to navigate the treacherous, inverted maze of death, he is flanked by desperate band of like-minded seafarers including eight-year-old Conor (Jimmy Bennett) and his mother, Maggie (Jacinda Barrett), reticent stowaway Elena (Mía Maestro), suicidal Richard (Richard Dreyfus), and concerned father Robert (Kurt Russell), whose missing daughter may still be somewhere onboard along with her frightened fiancé. With a little luck and a little help from onboard waiter Marco (Freddy Rodriguez), the desperate team may just live to see the morning after. ~ Jason Buchanan, All Movie Guide

Based on the novel by Charles Frazier, Anthony Minghella's star-studded Cold Mountain is a sweeping tale set in the final days of the American Civil War. Jude Law stars as Inman, a young soldier who, despite an injury, is struggling to make his way home to Cold Mountain, NC, where his beloved Ada (Nicole Kidman) awaits. In Inman's absence, Ada befriends Ruby (Renée Zellweger), who helps her keep up her late father's farm. Meanwhile, in his travels, Inman encounters a menagerie of interesting folks. Also starring Natalie Portman, Giovanni Ribisi, Donald Sutherland, and Philip Seymore Hoffman, Cold Mountain features original music by Jack White of the White Stripes. ~ Matthew Tobey, All Movie Guide

The best-selling novel by J.K. Rowling (titled Harry Potter and the Philosopher's Stone in England, as was this film adaptation) becomes this hotly anticipated fantasy adventure from Chris Columbus, the winner of a high-stakes search for a director to bring the first in a hoped-for franchise of Potter films to the screen by Warner Bros. Upon his 11th birthday, Harry Potter (Daniel Radcliffe), who lives in misery with an aunt and uncle that don't want him, learns from a giant named Hagrid (Robbie Coltrane) that he is the orphaned son of powerful wizards. Harry is offered a place at prestigious Hogwarts, a boarding school for wizards that exists in a realm of magic and fantasy outside the dreary existence of normal humans or "Muggles." At Hogwarts, Harry quickly makes new friends and begins piecing together the mystery of his parents' deaths, which appear not to have been accidental after all. The film features alternate-version scenes for every mention of the titular rock. Richard Harris, Alan Rickman, Maggie Smith, John Cleese, and Fiona Shaw co-star. ~ Karl Williams, All Movie Guide

New York architect Amy Benic (Mira Sorvino) meets blind masseur Virgil Adamson (Val Kilmer) and falls in love. As she learns his lifelong blindness may be curable through experimental surgery, she convinces him to undergo the operation. Virgil then learns vision may not quite be what he expected. At First Sight is directed by Irwin Winkler and also stars Bruce Davison, Nathan Lane, and Kelly McGillis. At First Sight is a romance adapted by writer Steve Levitt based upon the story To See and Not See from noted writer Dr. Oliver Sacks' collection, An Anthropologist on Mars. Dr. Sacks' work is also the basis for the Penny Marshall film Awakenings, starring Robert De Niro and Robin Williams and the opera The Man Who Mistook His Wife For a Hat by Michael Morris with music by Michael Nyman. In his original story, Dr. Sacks tells of receiving a call in October 1991 from a retired minister in the Midwest. His daughter was about to marry a fifty-year old man, Virgil, who had been blind since early childhood. He had thick cataracts and been diagnosed with retinitis pigmentosa, a disease which slowly eats away the retinas. As he could still make the distinction between light and dark, it was found he was misdiagnosed and simple cataract extraction could possibly restore his sight. While surgery was a success, Virgil, like his cinematic counterpart, found he would have to learn to use his vision much like an infant would, even though he was adept at relating to the world through touch. In his A New Theory of Vision, written in 1709, George Berkeley concluded there was no necessary connection between a tactile world and a sight world; a connection between them could be established only on the basis of experience. This same story was also adapted into the play Molly Sweeney by Brian Friel. ~ Ron Wells, All Movie Guide

An angel must decide if love is more important than eternal peace in this Americanized adaptation of Wim Wenders' modern classic Wings of Desire. Seth (Nicholas Cage) is an angel who hovers over the city of Los Angeles, listening to people's thoughts, observing their lives, and guiding them to the next world when they die. While Seth and his fellow angels try to offer comfort to people as they can, they are discouraged from direct contact with humans and are usually invisible to them. While at a hospital, Seth sees Maggie (Meg Ryan), a dedicated heart surgeon who attempts to save the life of a patient Seth was to call upon. Maggie is distraught after the patient passes, and her agony touches something inside the reserved Seth; he finds himself falling in love with her, and he decides to make himself visible so he can communicate with her. As Maggie gets to know the strange visitor in black who has suddenly appeared in her life, she finds herself torn between her new feelings for Seth and her attachment to her fiancé Jordan (Colm Feore), a fellow doctor. Seth, on the other hand, has a serious choice to make -- between immortality and giving it up in order to know both the pleasures and pains of being a human being. City of Angels also stars Dennis Franz as Messinger, a patient at the hospital who has some important advice for Seth. The film's soundtrack featured two Top Ten hits, "Iris" by the Goo Goo Dolls and "Uninvited" by Alanis Morissette. ~ Mark Deming, All Movie Guide

This is a long-awaited film telling the story of the trials of Medgar Evers' killer. Medger Evers (James Pickens, Jr.) was a black civil-rights activist in Mississippi who was shot to death in 1963. Despite very persuasive evidence that Byron De La Beckwith (James Woods) was indeed his killer, the all-white juries hearing his case at that time acquitted him (he was tried twice). In this film, with the aid of Ever's widow Myrlie (Whoopie Goldberg), Bobby DeLaughter (Alec Baldwin), a young lawyer, gathers enough new evidence to bring Beckwith in for a third trial. Woods' performance as a wise-cracking bigot is one of the film's highlights. ~ Clarke Fountain, All Movie Guide

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, All Movie Guide

In this drama, based on the best-selling novel by John Grisham, Mitch McDeer (Tom Cruise) is a young man from a poor Southern family who has struggled through Harvard Law School to graduate fifth in his class. Mitch is entertaining offers from major firms in New York and Chicago, but when Memphis-based Bendini, Lambert, & Locke offer him a 20 percent higher salary than the best offer he's received, in addition to an enticing variety of perks and fringe benefits, he decides to sign on and remain in the South. Mitch's wife, Abby (Jeanne Tripplehorn), warns him that the deal sounds almost too good to be true, but it's not until after several weeks of working with Avery Tolar (Gene Hackman) that Mitch discovers that the vast majority of BL&L's business is tied to organized crime, with crime boss Joey Morolto (Paul Sorvino) using the firm to launder Mafia money. FBI agents Wayne Tarrance (Ed Harris) and F. Denton Voyles (Steven Hill) try to blackmail Mitch into helping them make a case against the firm, while BL&L's "security director" William Devasher (Wilford Brimley) is blackmailing him to do as he's told after Mitch foolishly allows himself to be seduced by a prostitute hired by the firm. The Firm was adapted for the screen by acclaimed playwright David Rabe and features performances by Hal Holbrook, Holly Hunter, and Gary Busey. ~ Mark Deming, All Movie Guide

A doctor finds out the hard way that there's more to medicine than skill in the operating theater in this emotional drama. Jack McKee (William Hurt) is a gifted but arrogant surgeon who cares little about the emotional welfare of his patients and is little more than a benign stranger to his wife Anne (Christine Lahti) and his son Nicky (Charlie Korsmo). Jack has been suffering from a nagging cough for some time, and when he begins coughing up blood one morning, he finally allows another doctor to take a look at him. The doctor discovers that Jack has a malignant tumor in his throat that could rob him of the ability to speak, or even kill him. Suddenly, Jack is a patient instead of a doctor, and he learns first hand about the long stretches in the waiting room, the indignity of filling out pointless forms, and the callous attitude of the professional medical community. Jack also gets to know June (Elizabeth Perkins), a terminal cancer patient whose joyous embrace of life as her time draws to a close is an inspiration to him. Restored to health, Jack is determined to be a more caring healer and strives to be a better husband and father, but his new lease on life also earns him an enemy in fellow surgeon Murray (Mandy Patinkin), who wants Jack to lie under oath for him in a major malpractice case; and a new respect for Eli (Alan Arkin), an ear-nose-throat man he used to ridicule for his empathetic treatment of his patients. The Doctor was based on the memoir of real-life surgeon Ed Rosenbaum, entitled "A Taste of My Own Medicine." ~ Mark Deming, All Movie Guide

Robin Williams toned down his usually manic comic approach in this successful period drama. In 1959, the Welton Academy is a staid but well-respected prep school where education is a pragmatic and rather dull affair. Several of the students, however, have their thoughts on the learning process (and life itself) changed when a new teacher comes to the school. John Keating (Williams) is an unconventional educator who tears chapters of his textbooks and asks his students to stand on their desks to see the world from a new angle. Keating introduces his students to poetry, and his free-thinking attitude and the liberating philosophies of the authors he introduces to his class have a profound effect on his students, especially Todd (Ethan Hawke), who would like to be a writer; Neil ( Robert Sean Leonard), who dreams of being an actor, despite the objections of his father; Knox (Josh Charles), a hopeless romantic; Steven (Allelon Ruggiero), an intellectual who learns to use his heart as well as his head; Charlie (Gale Hansen), who begins to lose his blasé attitude; unconventional Gerard (James Waterston); and practical Richard (Dylan Kussman). Keating urges his students to seize the day and live their lives boldly; but when this philosophy leads to an unexpected tragedy, headmaster Mr. Nolan (Norman Lloyd) fires Keating, and his students leap to his defense. Dead Poets Society was nominated for four Academy Awards, including Best Picture and Best Actor for Williams; it won one, for Tom Schulman's original screenplay. ~ Mark Deming, All Movie Guide

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Ian Cuthbertson) to devote her life to the study of primates. Travelling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, All Movie Guide