Randolph Scott Movies

One of the first big-studio productions to acknowledge America's entry into WW2, 20th Century-Fox's To the Shores of Tripoli was filmed with full the cooperation of the US Marine Corps. John Payne plays Chris Winters, a wealthy, wise-lipped young Marine recruit who learns the true meaning of "Semper Fidelis" the hard way, courtesy of tough-as-nails drill sergeant Dixie Smith (Randolph Scott). Chris also falls in love with Navy nurse Mary Carter (Maureen O'Hara in her first Technicolor appearance), which leaves his poor hometown sweetheart Helene Hunt (Nancy Kelly) in the lurch. By film's end, Chris is one of the Few and the Proud as he and his buddies are shipped off to combat overseas. Portions of To the Shores of Tripoli were filmed in Hawaii just before the Pearl Harbor attack; according to studio publicity, some of the cameramen managed to capture portions of the Japanese raid on film, though none of these scenes seem to have made their way into the final release print. ~ Hal Erickson, All Movie Guide

20th Century-Fox mixed together elements of its own Jesse James and Selznick's Gone with the Wind, and the resultant brew was Belle Starr. Looking precisely nothing like the real Belle, Gene Tierney plays the title role, whom the screenplay suggests was the daughter of a Southern aristocrat. When those Damn Yankees march in and appropriate Belle's land, she heads to Missouri and joins forces with a Confederate guerilla fighter (Randolph Scott). Belle marries the man, and together they become outlaws, hoping to avenge the fallen South. For reasons best known to the studio, Belle Starr is overloaded with offensive African American stereotypes, including the faithful old ex-slave (George Reed) who narrates the story. ~ Hal Erickson, All Movie Guide

Leo McCarey was supposed to both produce and direct My Favorite Wife, but an illness forced him to relinquish the director's chair to Garson Kanin, who did a splendid job. This hilarious retread of the old "Enoch Arden" legend stars Irene Dunne as Ellen, who returns home to her husband Nick (Cary Grant) and children Tim (Ann Shoemaker) and Chinch (Mary Lou Harrington) after being marooned on a desert island for seven years. Thing of it is, Ellen has been declared legally dead, and Nick has taken unto himself a second wife, the bitchy Bianca (Gail Patrick). Upon discovering that Ellen is still alive, Nick is on the verge of a tender reunion-until it discovers that she spent those seven lost years in the company of handsome Mr. Barkett (Randolph Scott). The superb supporting cast includes Granville Bates as a flummoxed judge, Chester Clute as a meek shoe salesman whom Ellen tries to pass off as Barkett, and Donald MacBride as a beetle-browed honeymoon-hotel clerk. My Favorite Wife was remade in 1963 as Move Over Darling, in which Irene Dunne and Cary Grant were replaced by Doris Day and James Garner. ~ Hal Erickson, All Movie Guide

Promoted as a follow-up to the popular 1939 western Dodge City (which, indeed, was left wide open for a sequel in its closing scenes), Virginia City bears only surface resemblance to the earlier film. Indeed, the only discerning links between the two pictures are the western setting and the presence in the cast of Errol Flynn, Frank McHugh, Alan Hale and Guinn "Big Boy" Williams. After escaping from a Confederate prison during the Civil War, Union officer Flynn vows to stop a $5,000,000 gold shipment from reaching the South. He is challenged by Southern sympathizer Randolph Scott, whose interest in the gold is patriotic, and by outlaw Humphrey Bogart (complete with a Mexican accent that wouldn't convince a cow), whose interests are purely mercenary. Adding spice to the proceedings is Miriam Hopkins as a dance hall chanteusse-cum-Confederate spy. Better in individual components than sum total, Virginia City pleased the crowds in 1940, assuring that the Tasmanian-born Errol Flynn would continue appearing in westerns in the future. ~ Hal Erickson, All Movie Guide

Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide

The second of three films based on the Wyatt Earp biography by Stuart N. Lake, Frontier Marshal stars Randolph Scott as Marshal Earp of Tombstone. Earp and his brothers enforce the law as much by reputation as by gunplay. Occasionally the marshal's efforts are complicated by his "friendly enemy" Doc Halliday (based on Doc Holliday and played by Cesar Romero), a consumptive gunslinger who runs the gambling activities in town. When a murderous outlaw (Joe Sawyer) invades Tombstone and kills Halliday, Earp is moved to action -- and the result is the gunfight at the O.K. Corral. A remake of the 1934 film of the same name, Frontier Marshal was itself remade by John Ford as My Darling Clementine (1946), with Henry Fonda as Earp and Victor Mature as Doc Holliday. ~ Hal Erickson, All Movie Guide

A transport pilot is ordered to fly a risky mission. The pilot, Scott, refuses the dangerous mission and is fired from his job. Scott starts up a pilot school which struggles to stay in business. As an inspector for the government, Foster gives Scott trouble about his school, Scott hopes a new government pilot program will help him out. ~ All Movie Guide

In the rough-and-tumble world of post-Civil War Texas, ex-Confederate soldier Kirk Jordan (Randolph Scott) crosses paths with ranch owner Ivy Preston (Joan Bennett). Although a loyal Southerner, Jordan can't get past the waste and tragedy of the four years that have just ended, but Ivy is eager to help keep the war for the Confederacy alive, running guns to her would-be lover, unrepentant ex-Confederate captain Alan Sanford (Robert Cummings), who is prepared to ally himself with the Mexican emperor Maximilian as a means of starting a new war against the "Yankee" government. Ivy is attracted to Jordan after he boldly helps her evade an army checkpoint, until she finds out how relatively peaceable he is. Jordan and his sidekick, Cal Tuttle (Raymond Hatton), are prepared to make a cattle drive to the new railhead at Abilene and sell at a handsome profit, but Ivy wants nothing to do with the United States or Yankee money, even as her more practically minded grandmother (May Robson) and her foreman, Chuckawalla (Walter Brennan), try to convince her otherwise. Only when Isaiah Middlebrack (Robert H. Barrat), the corrupt local administrator for the occupying Northern government, arrives announcing a head-tax on cattle does she change her mind and begin to see some worth in Jordan's ambition and boldness. Two deaths, of Middlebrack and a much-loved ranch hand, allow the ranchers and the occupying soldiers to reconcile and make the drive together to the border. Jordan and his outfit find a stricken, desperate Abilene, bereft of anything to be shipped on the new rail line. Jordan's arrival accomplishes everything he hopes for and more, and in the end Ivy sees and also glories in his vision, of a United States reunited and restored, growing and thriving as never before. But Jordan can't abide her continued affection for Alan, whose continued obsession with restoring the Confederacy is wearing on him and almost everyone else by now, and he plans on leaving. Ivy doesn't want to see that happen, but is torn over her lingering affection for Alan. But then she learns that he is planning to join a new organization, the Ku Klux Klan, intended to drive the Yankees out of the South, and she suddenly has to choose with which of these men her future lies. ~ Bruce Eder, All Movie Guide

High, Wide and Handsome almost defies classification: Perhaps it's best referred to as a historical musical western comedy melodrama. Irene Dunne plays an itinerant circus performer who marries oilman Randolph Scott. The couple heads to Titusville, Pennsylvania in 1859, where Scott is among the lucky prospectors who strikes oil. With no train service to the refineries, the townsfolk are obliged to build a pipeline, which is accomplished to the accompaniment of several rousing musical numbers by Jerome Kern and Oscar Hammerstein. The villainous element is represented by Alan Hale, who does his best to block the project to serve his own evil ends. Dunne's old circus friends come to the rescue with a herd of trained elephants! High Wide and Handsome confused too many filmgoers to make money in 1937; today it's regarded in some circles as a classic. ~ Hal Erickson, All Movie Guide

This lesser Astaire/Rogers vehicle is one of several screen versions of the venerable Hubert Osborne stage play Shore Leave. For reasons unknown, Fred and Ginger are virtually supporting players here, spending most of their time trying to patch up the romance between Fred's fellow sailor Randolph Scott and Ginger's sister Harriet Hilliard (better known as Harriet Nelson, of Ozzie and Harriet fame). One of the sillier aspects of the plot hinges on raising enough money to renovate a broken-down old ship; to do this, Fred and Ginger stage a lengthy musical number that must have cost five times as much money as they raised! But that number, a languorous dance rendition of Irving Berlin's "Let's Face the Music and Dance", compensates for all the nonsense that has gone before. One fringe benefit of Follow the Fleet is spotting two fresh-faced starlets named Betty Grable and Lucille Ball. ~ Hal Erickson, All Movie Guide

And Sudden Death was inspired by a Reader's Digest article by Theodore Reeves, which later became one of the magazine's most oft-reprinted essays. The original was a Grand Guignol affair, cataloguing in grisly detail the consequences of reckless driving. The film version avoids this approach, opting instead for a plotline closely resembling Cecil B. DeMille's Manslaughter. Randolph Scott heads the cast as dedicated motor policeman James Knox, who sees to it that Betty Winslow (Frances Drake) is sent to jail for vehicular homicide. But there's something about the case that's not quite right, so Knox conducts an investigation of his own. Sure enough, he finally discovers that Betty was actually taking the rap for her alcoholic younger brother Jackie (Tom Brown). Only by making the supreme sacrifice is Jackie able to absolve himself of his sins. ~ Hal Erickson, All Movie Guide

Randolph Scott, whom Cooper borrowed from Paramount, plays Leo Vincey, an explorer searching for the "flame of life," a radioactive element hidden in the Arctic parts of Manchuria which, according to Vincey family lore, can bestow eternal life. Setting out on the fearful journey along with British scientist Horace Holly (Nigel Bruce), Vincey is soon joined by Dugmore (Lumsden Hare), a brutish trader, and his daughter Tanya (Helen Mack). In the mountains north of the legendary civilization of Kor, where the "flame of life" is said to be located, Dugmore stumbles over a frozen corpse laden with gold. Greedily hacking away at the corpse, the trader causes an avalanche that kills him and seals off Vincey, Holly, and Tanya from the expedition. The avalanche, however, also exposes a volcanic cave where the trio is taken into custody by Billali (Gustav Von Seyffertitz), Prime Minister of Kor, who brings them before the almighty ruler She, Hash-A-Mo-Tep (She, Who Must be Obeyed). The mysterious female potentate mistakes Vincey for his ancestor John Vincey, for whose return she has been waiting for 500 years. Completely under the spell of this beautiful but ancient monarch, Vincey demands that Holly and Tanya leave without him. But when She discovers Tanya's true feelings for Vincey, the merciless ruler orders the girl to be used as human sacrifice. Tanya is about to be dropped into the Holy Well when Vincey finally comes to his senses. With Holly and a rescued Tanya in tow, he escapes across a dangerous precipice -- right into She's sacred temple -- where a final, climactic confrontation between explorer and ruler takes place. Created by the makers of King Kong (1933) -- producer Merian C. Cooper and screenwriter Ruth Rose -- She, from H. Rider Haggard's 1886 novel, proved a disaster at the box office, losing a total of $180,000 according to some reports. Much of the blame was placed, unfairly perhaps, at the feet of Broadway actress Helen Gahagan, who made her screen debut in the film's all-important title role. Filmed at least four times in the silent era (including a 1925 British production starring American femme fatale Betty Blythe), She was remade twice by low-budget Hammer Films, in 1965 starring Ursula Andress and as The Vengeance of She in 1967. ~ Hans J. Wollstein, All Movie Guide