Randolph Scott Movies

Up until its surisingly mundane finale, A Lawless Street is one of the best of the Randolph Scott westerns of the 1950s. Scott plays famed marshal Calem Ware, whose strenous activities on behalf of law and order have exacted a toll on his personal life. Keeping the peace in the town of Medicine Bend, Ware hopes to someday be reconciled with his ex-wife Tally Dickinson (Angela Lansbury), now a touring musical comedy star. Just as Tally arrives in Medicine Bend, Ware is forced to deal with big-time criminals Thorne (Warner Anderson) and Clark (John Emery), not to mention their hired gun Baskam (Michael Pate). Will he do his duty and rid the town of his outlaw element, or will he hang up his guns as Tally wants him to? One of the highlights of A Lawless Street is a lively saloon-hall number performed by Angela Lansbury, who is quite a dish in her revealing stage wardrobe. ~ Hal Erickson, All Movie Guide

Dan Mitchell (Randolph Scott) is the town marshal of Abilene, KS, in the turbulent years after the Civil War and the start of the big cattle drives out of Texas. The town is growing faster than a lot of citizens are prepared to deal with it, especially as homesteaders start moving in, fighting for space with the cattlemen. Dan has kept the peace, such as it is, by keeping the saloons, gambling, and guns on one side of Main Street and the shop-owners, farmers, women, and children on the other. He's also been walking a tightrope in his own life, conducting a sometimes turbulent romance with Rita (Ann Dvorak), a saloon singer and co-owner, while also not discouraging the attentions of Sherry Balder (Rhonda Fleming), the "nice girl" daughter of one of the town's leading businessmen, who would love to marry Dan if only he would settle down. A new wave of homesteaders is arriving, and the cattlemen, cowboys, and saloon owners want them driven out and the town kept wide open, fearing the homesteaders' religious beliefs and the arrival of families, which means schools, building, and encroaching "respectability." Trouble breaks out and people are killed, with Dan caught in the middle. Using his guile and a good deal of bravery, and the unwitting help from the cowardly county sheriff (Edgar Buchanan), Dan manages to get the shop owners onto the side of the homesteaders, and plays a dangerous game of divide-and-conquer with the saloon-keepers and cowboys. ~ Bruce Eder, All Movie Guide

And Sudden Death was inspired by a Reader's Digest article by Theodore Reeves, which later became one of the magazine's most oft-reprinted essays. The original was a Grand Guignol affair, cataloguing in grisly detail the consequences of reckless driving. The film version avoids this approach, opting instead for a plotline closely resembling Cecil B. DeMille's Manslaughter. Randolph Scott heads the cast as dedicated motor policeman James Knox, who sees to it that Betty Winslow (Frances Drake) is sent to jail for vehicular homicide. But there's something about the case that's not quite right, so Knox conducts an investigation of his own. Sure enough, he finally discovers that Betty was actually taking the rap for her alcoholic younger brother Jackie (Tom Brown). Only by making the supreme sacrifice is Jackie able to absolve himself of his sins. ~ Hal Erickson, All Movie Guide

20th Century-Fox mixed together elements of its own Jesse James and Selznick's Gone with the Wind, and the resultant brew was Belle Starr. Looking precisely nothing like the real Belle, Gene Tierney plays the title role, whom the screenplay suggests was the daughter of a Southern aristocrat. When those Damn Yankees march in and appropriate Belle's land, she heads to Missouri and joins forces with a Confederate guerilla fighter (Randolph Scott). Belle marries the man, and together they become outlaws, hoping to avenge the fallen South. For reasons best known to the studio, Belle Starr is overloaded with offensive African American stereotypes, including the faithful old ex-slave (George Reed) who narrates the story. ~ Hal Erickson, All Movie Guide

A major moneymaker for RKO Radio, Bombardier stars Pat O'Brien and Randolph Scott as trainers at a school for bomber pilots. O'Brien and Scott argue over teaching methods, while their students vie for the affections of Anne Shirley. O'Brien's methods prove sound during a bombing raid over Tokyo. Scott and his crew are captured and tortured by the Japanese, but the mortally wounded Scott manages to set fire to a gas truck, providing a perfect target for his fellow bombardiers. Stylistically, Bombardier is one of the most schizophrenic of war films, with moments of subtle poignancy (the death of trainee Eddie Albert) alternating with scenes of ludicrous "Yellow Peril" melodrama (the Japanese literally hiss through their teeth as they torture the helpless Americans). Though it can't help but seem dated today, Bombardier remains an entertaining propaganda effort (the film is sometimes erroneously listed as the debut of Robert Ryan, who'd actually been appearing before the cameras since 1940). ~ Hal Erickson, All Movie Guide

Buchanan (Randolph Scott) rides alone through Texas, en route to his future home of Mexico. He is sidetracked during a stopover in a lawless border town, where Mexican youth Juan (Manuel Rojas) sits in jail, awaiting trial for the killing of the local bully. It seems that the dead man had several influential relatives who intend to string up poor Juan before justice can be served. Championing the boy's cause, Buchanan methodically sets out to undermine the villains by playing one against the other. As was customary in the Randolph Scott-Budd Boetticher films of the 1950s, Buchanan Ride Alone offers unrelenting tension and innumerable plot twists until its explosive finale. ~ Hal Erickson, All Movie Guide

Filmed on location in the Canadian Rockies, this historical adventure spins a fanciful account of the building of the Canadian Pacific railroad. Randolph Scott heads the cast as Tom Andrews, a rough-and-ready surveyor who meets and conquers all obstacles in the railroad's path. The biggest fly in the ointment is trapper Dirk Rourke (Victor Jory), who perceives the Canadian Pacific as a threat to his livelihood. Rourke foments an Indian uprising which very nearly destroys the railroad. But Andrews and his hardy band persevere. Jane Wyatt plays the heroine among more intelligent and self-reliant lines than is usual in films of this nature. Highly suspect on a historical level, Canadian Pacific is nonetheless an exciting piece of filmmaking, evocatively photographed in Cinecolor by Fred Jackman Jr. ~ Hal Erickson, All Movie Guide

When a final tally is made, it may turn out that Andre De Toth directed as many superior Randolph Scott westerns as the more celebrated Budd Boetticher. In De Toth's Carson City, Scott is cast as a railroad construction engineer known only as Silent Jeff. His plans to build a railroad line between Nevada's Carson City and Virginia City are met with hostility by the locals, who feel that where there are trains, there are bandits. Sure enough, a criminal gang headed by Big Jack Davis (Raymond Massey) and Jim Squires (James Millican) begins drawing up plans to plunder Carson City. When Silent Jeff vows to get rid of the town's criminal element, the villains frame him on a murder charge. The climax is one of the best of its kind, with Silent Jeff forced to contend with both a landslide and a big-scale gold bullion heist. Lucille Norman plays the heroine, whose attentions are torn between Silent Jeff and second lead Richard Webb (later TV' s Captain Midnight). ~ Hal Erickson, All Movie Guide

This episodic holiday film centers around a rich spinster aunt whose greedy nephew is attempting legal action to take her estate. Before he makes a final decision, a caring judge tells the spinster that she can rally together the three foster children she raised to help her keep the estate, he will delay the nephew's action. Now she must find her three grown boys who have gone in wildly different directions. One is a boozy cowboy involved in a baby racket, another is a deadbeat deeply indebted to the nephew, and the other is a successful owner of a South American cafe on the lam for a con-job he didn't commit. She endures and adventurous journey, but the three do manage to come together on Christmas Eve, save the estate, and give the conniving nephew his due. ~ Sandra Brennan, All Movie Guide

This melodrama, with a few comic overtones, was not the finest moment for either star Bebe Daniels or director Victor Schertzinger (who also composed the music and songs). It also hasn't weathered the years well, since its male chauvinism has fallen way out of favor. In fact, to modern eyes, Randolph Scott's character, Randolph Morgan, seems like an insufferable prig when he constantly lectures his artist girlfriend Cynthia Warren (Daniels) that "you can't change the rules" -- in other words, women were meant for marriage and child-rearing, not successful careers. Whereas viewers of the day may have wondered how Daniels could have fallen for the womanizing Lawton (Sidney Blackmer, who, looks-wise, was definitely a comedown from Scott), modern audiences tend to hope she'll dump her stuffy boyfriend, whom she's left back home while she goes on an ocean voyage. But there was no women's lib in 1933, and you know that Daniels' shipboard affair is going to end badly, and that she will throw everything away to return to the maddeningly arrogant Scott. The brightest spots in the film are offered by Muriel Kirkland, as a phony Russian countess who really hails from Kansas, and her eccentric companion, Alvarez (George Nardelli). Kirkland's worldly wise persona is a lot more interesting than the character that is handed to Daniels, which is bland in spite of her go-rounds with Scott. This picture was based on the story Pearls and Emeralds by James K. McGuinness. ~ Janiss Garza, All Movie Guide

The last of the Randolph Scott/ Budd Boetticher collaborations, Comanche Station stars Scott as another "lone rider" who takes on a highly dangerous job. Scott must rescue Nancy Gates from her Comanche captors and return the woman to her husband. He is assisted by a trio of criminals, who are out for the reward money and who plan to divide the spoils with as few partners as possible. As his ranks diminish in the face of Indian resistance, Scott must finish his mission alone. Comanche Station was scripted by Burt Kennedy, later a top western director is his own right. ~ Hal Erickson, All Movie Guide

Randolph Scott was the star of Corvette K-225, a tribute to the World War II corvette escorts which guided Allied convoys through treacherous Atlantic waters. Scott plays the officer in charge of a Royal Canadian corvette cruiser, dedicated to keeping the troops safe from enemy submarine attack. The focus of the film is a danger-ridden journey from Halifax to Britain, the tension quotient heightened by the use of actual combat footage. Only the romantic triangle involving Scott, James Brown and Ella Raines bogs down this thrill-a-minute war picture. Corvette K-225 was produced by Howard Hawks, though the direction was credited to Richard Rosson. ~ Hal Erickson, All Movie Guide