George C. Scott Movies
One of the finest American actors of his generation, George C. Scott was born in Virginia and raised in Detroit. After serving in the Marines from 1945 to 1949, Scott enrolled at the University of Missouri, determined to become an actor. Though his truculent demeanor and raspy voice would seem to typecast him in unpleasant roles, Scott exhibited an astonishing range of characterizations during his seven years in regional repertory theater. He also found time to teach a drama course at Stephens College.By the time Scott moved to New York in 1957, he was in full command of his craft; yet, because he was largely unknown outside of the repertory circuit, he considered himself a failure. While supporting himself as an IBM machine operator, Scott auditioned for producer Joseph Papp. Cast as the title character in Papp's production of Richard III, Scott finally achieved the stardom and critical adulation that had so long eluded him. Amidst dozens of choice television guest-starring performances, Scott made his movie debut in 1959's The Hanging Tree. That same year, he earned the first of four Oscar nominations for his incisive portrayal of big-city attorney Claude Dancer in Anatomy of a Murder. Over the next few years, Scott appeared in a dizzying variety of roles, ranging from Paul Newman's mercenary manager Bert Gordon in The Hustler (1961) to erudite British detective Anthony Gethryn in The List of Adrian Messenger (1962) to ape-like General "Buck" Turgidson in Dr. Strangelove (1963). After turning down several TV series offers, Scott accepted the role of social director Neil Brock on the David Susskind-produced "relevance" weekly East Side/West Side (1963-1964). He left the series in a huff in early 1964, citing the censorial idiocies of the program's network and sponsors; he also vowed to never again appear in a TV series -- at least until 1987, when the Fox network offered him 100,000 dollars per episode to star in the nonsensical sitcom Mr. President.
In 1971, Scott made international headlines by refusing to accept his Best Actor Oscar for his performance in the title role of Patton, deriding the awards ceremony as a "meat parade." Two years later, he turned down an Emmy for his work in the TV adaptation of Arthur Miller's The Price. Curiously, he had no qualms about accepting such honors as the Golden Globe or Canada's Genie Award for the 1980 film The Changeling. Gravitating toward directing, Scott staged both the Broadway and TV productions of The Andersonville Trial, and he also directed two of his films: Rage (1973) and The Savage Is Loose (1974). In 1976, he added singing and dancing to his accomplishments when he starred on Broadway in Sly Fox, a musicalization of Ben Jonson's Volpone. In the '80s, Scott played Fagin in Oliver Twist (1982), Scrooge in A Christmas Carol (1984), and Dupin in The Murders in the Rue Morgue (1987); he also starred in a 1987 TV biopic of Mussolini, and enacted one of the most excruciatingly drawn-out death scenes in television history in The Last Days of Patton (1986). Making his cartoon voice-over debut in the anti-drug TV special Cartoon All-Stars to the Rescue (1988), Scott served up more vocal villainy in the Disney-animated feature The Rescuers Down Under (1990).
Not until his later years did he show signs of slowing down; in 1996, while appearing as Henry Drummond in the National Actors Theater production of Inherit the Wind, he suddenly took ill in mid-performance, excused himself, and left the stage, obliging director Tony Randall to take over the part for the balance of the show. He made one of his final appearances in an Emmy-winning performance in the all-star TV remake of 12 Angry Men with Jack Lemmon.
Scott was married five times; his third and fourth wife was the distinguished actress Colleen Dewhurst, while wife number five was another stage and film actress, Trish Van Devere. Two of his children, Devon and Campbell, have also pursued acting careers. Scott died on September 22, 1999. ~ Hal Erickson, All Movie Guide
The "pals" of the title, played by Don Ameche and George C. Scott, are Army chums living a sedentary retirement. Occasionally the twosome becomes a threesome when Scott's mother Sylvia Sidney shows up. All three are resigned to living out their lives on fixed incomes in a Georgia trailer park-and then, Ameche and Scott discover a large sum of money in an abandoned car. Well, "large" is putting it mildly: they find nearly four million bucks. They also find a heap of trouble when mobster James Greene, who'd stashed the cash in the first place, starts nosing around. The made-for-TV Pals was originally telecast February 28, 1987. ~ Hal Erickson, All Movie Guide
Edgar Allan Poe's classic 1841 detective story Murders in the Rue Morgue was adapted for television by David Epstein. Two women--a mother and a daughter--are brutally killed in their tiny Paris apartment. There are no eyewitnesses, and the earwitnesses are wildly contradictory. The evidence points to a man of superhuman strength: perhaps it was the girl's jealous fiance. Enter consulting detective C. Auguste Dupin (George C. Scott), who with a methodical application of logic solves the mystery. The younger of the two unfortunate ladies was played by Rebecca De Mornay, still in her ingenue phase. Murders in the Rue Morgue was originally telecast December 7, 1986. ~ Hal Erickson, All Movie Guide
In this 1986 made-for-television sequel to the 1971 film that won George C. Scott his only Academy Award, the acclaimed actor once again portrays General George S. Patton. While the original film dealt exclusively with the legendary military man's life during World War II, this follow-up picks up shortly after that war. After being seriously injured in an automobile accident, Patton lies in a hospital bed at death's door. As a team of doctor's struggle to save the General's life, he flashes back to the early years of his life, recounting his time spent fighting in the first World War. The Last Days of Patton also stars Kathryn Leigh Scott and Daniel Benzali. ~ Matthew Tobey, All Movie Guide
- Starring:
- George C. Scott, Eva Marie Saint, (more)
- 1985
The story in this two-part TV biopic was probably "untold" mainly because it was untrue. According to the revisionist script by Stirling Silliphant, Italian dictator Benito Mussolini (overplayed by George C. Scott) may have been a fascist, a tyrant, a mass murderer and an intimate of Adolf Hitler, but he also had his warm and fuzzy side. This was manifested in his genuine love for his gorgeous mistress Clara Petacci (Virginia Madsen), whose devotion to Il Duce was equally strong, so much so that she willingly went to her death along with him when the Axis collapsed and the ex-dictator was summarily shot. Despite his extramarital shenanigans, Mussolini had plenty of affection left over for his long-suffering wife Rachel (Lee Grant) and his children. With a cast comprised largely of non-Italians (notably the aggressively Irish Gabriel Byrne as Mussolini's son Vittorio), this epic had more phony dialects than a Marx Bros. picture. Despite its distant relation to the facts and its flaccid treatment of one of history's darkest periods, Mussolini: The Untold Story (filmed not in Italy but in Yugoslavia) garnered respectable ratings when it was originally telecast by NBC on November 24 and 26, 1985--and also earned a brace of Emmy award nominations. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Lee Grant, (more)
Charles Dickens' classic holiday tale of one man learning the true meaning of Christmas is brought to the screen once again in this made-for-TV movie. Ebenezer Scrooge (George C. Scott) is a cynical old man whose greatest concern is money, and who regards compassion as a luxury he can't afford. On Christmas Eve, Scrooge is visited by the ghost of Jacob Marley (Frank Finlay), his former business partner, who arranges for Scrooge to be visited by three spirits in an attempt to show him the error of his ways -- the Ghosts of Christmas Past (Angela Pleasence), Christmas Present (Edward Woodward), and Christmas Yet to Come (Michael Carter). The spirits force Scrooge to examine the failings of his own life, as well as the bravery and optimism of his loyal but ill-treated employee Bob Crachit (David Warner). A Christmas Carol also features Susannah York as Mrs. Crachit, Anthony Walters as Tiny Tim, and Joanne Whalley as Fan. ~ Mark Deming, All Movie Guide
- Starring:
- George C. Scott
- 1984
- R
Firestarter is based on a bone-chilling novel by Steven King. Drew Barrymore plays Charlie McGee the young daughter of Andrew (David Keith) and Vicky (Heather Locklear) McGee, who years earlier had been guinea pigs for a top secret experiment. As a result, Charlie has acquired the unenviable ability to start fires simply by thinking about fires. Charlie is pursued over hill and dale by The Shop, a secret government organization bent upon using her skills for nefarious purposes. The special effects are undeniably startling, even when the script and dialogue are straight out of the funny papers (it's hard to keep a straight face during the New York Times final shot!) The high-priced cast--including George C. Scott, Art Carney, Louise Fletcher--seems to be having a grand ole time. ~ Hal Erickson, All Movie Guide
- Starring:
- David Keith, George C. Scott, (more)
- 1983
Filmed in Hong Kong, the made-for-TV China Rose stars George C. Scott as an American businessman. Scott arrives in Canton, China, trying to find out what has happened to his rebellious son, who was swept up in China's "cultural revolution". Ali MacGraw plays a freewheeling guide who falls in love with Scott while helping him locate his son. Together, Scott and MacGraw uncover what was described in the original ads as a "shocking secret". The long-in-tooth stars are not ideally suited to their roles in China Rose, but that's only one of the many problems plaguing this murky melodrama. ~ Hal Erickson, All Movie Guide
- 1983
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In an era when opinion polls seem to determine the opinions of politicians, it is good to be reminded that President Teddy Roosevelt actually led the country on several major issues (right or wrong), without waiting for feedback from the polls to see if he should change his actions. Using historical footage, old newsreels that were just coming out at this time, re-enactments (with Bob Boyd as Roosevelt), and an excellent narration written by Theodore Strauss, director Harrison Engle has put together a rousing biography of the 26th president. Little-known tragedies in Roosevelt's life (his wife died in childbirth on the same day his mother died) are recalled alongside well-known tragedies (as vice-president, he took over the presidency when William McKinley was assassinated in 1901). Photos and narration paint a picture of a childhood that was fraught with illness, but the young Roosevelt was still raised in the lap of luxury. His education extended to a period at Harvard, and his frail childhood is long gone by the time he energetically stumps the campaign trail and then fights for the legislation he wants approved in Congress. He established national parks and wildlife preserves, inaugurated the Panama Canal, and once out of office (he lost in a second attempt at the presidency), he went on personal expeditions to Africa and up the Amazon in South America. This is altogether an interesting documentary, especially for history buffs. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Bob Boyd
- 1982
Clive Donner directs Oliver Twist, the 1982 made-for-TV version of the classic Dickens novel. Richard Charles plays Oliver Twist, an orphan boy who gets kicked out of his juvenile workhouse when he asks for some more food. He is sent to work as an apprentice, but he quickly escapes and joins a group of other orphaned boys. They spend the day pickpocketing and commiting petty street crime in order to survive and bring home earnings to their leader, Fagin (George C. Scott). Eventually, Oliver picks the pocket of the wealthy Mr. Brownlow (Michael Hordern), who takes him in as his ward. However, the evil Bill Sikes (Tim Curry) kidnaps him back to continue working with the other pickpockets. The barmaid Nancy (herie Lunghi) helps Oliver escape, but she ultimately suffers the concequences of her actions. ~ Andrea LeVasseur, All Movie Guide
Devery Freeman's novel Father Sky was the inspiration for the far-fetched but convincingly acted and directed Taps. When an exclusive military school is threatened with demolition by a rapacious real-estate company, the students, headed by Timothy Hutton, take drastic action. Utilizing every bit of military know-how at their disposal, the boys take over the school, arm themselves to the teeth, and prepare to do battle against the "invading" developers. General George C. Scott, the head of the academy, tries to quell the rebellion, but soon he too is swept up by the students' to-the-death determination when the Army is called in to rout the boys. Whenever the action of Taps begins to flag, we recommend that you keep an eye on the show-stopping performances of Sean Penn (in his movie debut) and Tom Cruise as two of the cadets. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Timothy Hutton, (more)
- 1981
This TV-movie biography of legendary black ballplayer Leroy "Satchel" Paige unfortunately whitewashes and hokes up his fascinating story. Louis Gossett Jr. stars as Paige, who spends virtually his entire professional career in the Negro leagues because of the "gentlemen's agreement" barring African-Americans from the Majors. Paige's prowess as a pitcher is so famous that he becomes the highest-paid player in the Negro leagues -- but as for joining the mainstream teams, the answer is always the same: "If only you were white." When Jackie Robinson is signed by the Dodgers in 1946, the doors open for other black ballplayers; thus it is that in 1948, Satchel Paige becomes the first black pitcher in the American leagues...at the tender age of 42. Don't Look Back down-pedals Satchel Paige's tempestuous private life (his two marriages are combined into one, for example), and tends to shortchange the viewer in the crucial ball-playing scenes. Its saving grace is the towering performance by star Louis Gossett Jr., who struggles manfully to overcome the script's shortcomings. When the film was first telecast on May 31, 1981, the real Satchel Paige appeared in the prologue; one year later, Paige was dead at the (reported) age of 76. ~ Hal Erickson, All Movie Guide
- 1980
- R
With George C. Scott and Marlon Brando heading the cast, The Formula should have been far better than it is. Adapted by Steve Shagan from his own best-selling novel, the film is predicated on the concept that a formula for synthetic fuel had been developed by the Nazis during WW II. In the intervening 35 years since the war's end, the formula has disappeared and several people connected with it have died under mysterious circumstances. Also during this period, oil magnate Adam Steiffel (Marlon Brando) had commiserated with one of the decedents. Police officer Barney Caine (George C. Scott), a friend of the dead man, hopes to solve the mystery, and in so doing gets mixed up in a wide-ranging conspiracy to manipulate worldwide fuel prices. Reportedly, The Formula underwent a great deal of editing-room surgery before its release. If so, the editors certainly erred in retaining so many of the film's interminable "steadicam" sequences. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Marthe Keller, (more)
Peter Medak's The Changeling is among a handful of films, including The Haunting (1963), Ghost Story (1981), and Lady in White (1988), that have successfully recreated the intimate, drawing-room atmosphere of supernatural horror fiction. After his wife and daughter are killed in a snowbound car accident, classical composer John Russell (George C. Scott) relocates from New York to Seattle to teach at his alma mater. Looking for a quiet place to rest and continue writing music, he is referred Claire Norman (Trish Van Devere) at the Seattle Historical Preservation Society. Claire shows John a large, sparsely furnished estate in the outlying countryside. He takes the house, appreciating its remoteness and the solitude it might afford, and diverts himself by renovating and settling in. He even starts to compose, putting aside his older work in favor of a new, sentimental piece for the piano. It is not long, however, before he begins having nightmares about the accident that killed his wife and daughter. Possibly because of this trauma, he is open to communications from the house's ghostly occupants. Pursuing a loud, repetitive pounding noise in an upper room, he stumbles on the apparition of a young boy drowning in a tub. Working together with Claire, John discovers frightening parallels between this vision and buried events from the house's past. Horror writer M.R. James once said that his goal as a writer was to make the reader feel "pleasantly uncomfortable." Those looking for a similar experience in movies will appreciate The Changeling as a gem in the horror genre. ~ Anthony Reed, All Movie Guide
- Starring:
- George C. Scott, Trish VanDevere, (more)
"Oh my God, that's my daughter." So read the advertising copy of Hardcore. George C. Scott plays Jake Van Dorn, a man of means and conservative values who discovers that his precious daughter is appearing in X-rated films. Desperately making his way through the sub-rosa world of pornography, Van Dorn talks to pimps, prostitutes, and other such sterling individuals in hopes of locating his daughter and dragging her home. At one point, he falsely advertises himself as a porn producer in hopes that his little girl will show up for an interview. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Peter Boyle, (more)
- 1978
- PG
This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Barbara Harris, (more)
A poor commoner and a young prince each find out how the other half lives in this adventure story based on the classic tale by Mark Twain. Tom Canty (Mark Lester) is a young man from a laboring family who bears a striking resemblance to Prince Edward (also played by Lester), the son of King Henry VIII (Charlton Heston) and heir to his throne. Tom and Edward meet by chance, and they decide to exchange places briefly as a lark; Edward will get to live as an ordinary boy, and Tom will be able to enjoy the perks of royalty. But the two are separated before they can let everyone in on the joke, and Tom discovers as he pretends to be Price Edward that the castle is awash in corruption. Originally released as Crossed Swords, The Prince and the Pauper also features Oliver Reed, Raquel Welch, George C. Scott, and Rex Harrison. ~ Mark Deming, All Movie Guide
- Starring:
- Oliver Reed, Raquel Welch, (more)
After a parade of top-heavy blockbusters (Papillon, Nicholas and Alexandra), director Franklin J. Schaffner retreats, like the Hemingway character of the film, to peaceful tropical serenity in Islands in the Stream (based on Ernest Hemingway's posthumously published novel). George C. Scott plays the rich, but world-weary writer Thomas Hudson, living on Bimini in the Bahamas, where he carouses, drinks, and fishes to his heart's content. Invading Hudson's paradise is a parade of the sons of his ex-wives. His oldest son Tom (Hart Bochner) succeeds in getting closer to his father, but the bonding comes to a halt as ripples from the encroaching conflagration of World War II intrude upon Hudson's retreat. Tom leaves the island to fight for the RAF. Then, one day, Hudson receives a visit from his ex-wife Audrey (Claire Bloom), who tells him that Tom has died in the war. Rejecting his insulated existence, Hudson decides to make a stand by agreeing to smuggle a group of Jewish refugees onto the island. ~ Paul Brenner, All Movie Guide
- Starring:
- George C. Scott, David Hemmings, (more)
- 1976
This Hallmark Hall of Fame adaptation of the classic fairy tale Beauty and the Beast stars George C. Scott and his wife Trish Van Devere in the title roles -- and it should not take a rocket scientist to determine who plays what role. It all begins when Edward Beaumont (Bernard Lee) makes the fatal error of offending a bestial nobleman (Scott), whose ugly, boarlike countenance seemingly reflects a malevolent personality. To save her father from harm, Edward's gorgeous daughter, Belle (Van Devere), agrees to live as a permanent guest in the beast's huge, forboding mansion. Although he has all the resources of magic and mysticism at his beck and call, the Beast comes to the melancholy conclusion that the otherwise dutiful Belle will never consent to become his bride. But miracles do happen, and the virtuous Belle is able to burrow through the Beast's hideous façade and reveal the kindly, fragile soul within -- and in so doing, she herself grows and matures as a human being. Filmed in England, this production originally aired December 3, 1976, on NBC. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Trish VanDevere, (more)
- 1975
William Devane stars as John Henry Faulk, a popular radio and TV entertainer of the 1950s. In 1956, Faulk is blacklisted on the basis of an attack from the self-appointed anticommunist group AWARE. Fired by CBS, Faulk decides to sue AWARE for libel. His attorney Louis Nizer (George C. Scott) warns him that such a case will take several years to get to court, thus Faulk reluctantly takes a series of low-paying jobs to sustain himself during his "down period". In 1962, the case is finally brought before a judge, with several witnesses pointing out the idiotic iniquities of the Blacklist mentality (one child actor was prohibited from working because he had a name that sounded like that of an adult blacklistee). Appearing as themselves during the courtroom scenes are actress Kim Hunter, herself a blacklist victim, and producers David Susskind and Mark Goodson. Faulk wins his case, though his original award of $3.5 million in damages is later reduced to $550,000, and he is never able to completely return to his pre-blacklist prominence. Like several other filmic recreations of the "witch-hunt" era, Fear on Trial was first presented in the mid-1970s (October 2, 1975, to be exact), long after the most zealous of the 1950s anti-Red groups had fallen by the wayside. The film earned an Emmy award for screenwriter David Rintels. ~ Hal Erickson, All Movie Guide
- Starring:
- William Devane, George C. Scott, (more)
"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, All Movie Guide
- Starring:
- George C. Scott, Anne Bancroft, (more)
This crime-caper film from director Gower Champion stars George C. Scott as a visionary thief. He doesn't merely intend to rob a bank; his plan is to steal the whole bank. This is accomplished by lifting the structure with house-moving machinery in the dead of night, then painting it pink and squirreling it away in a trailer park. The Bank Shot was based on a novel by Donald E. Westlake who also wrote the book that became 1972's The Hot Rock. ~ Hal Erickson, All Movie Guide
- 1974
- R
George C. Scott produced, directed and distributed this offbeat drama. Near the turn of the century, John (Scott), his wife Maidi (Trish VanDevere) and their young son David (Lee Montgomery) are shipwrecked on a remote island. Resigned to the fact they may never be rescued, John teaches David how to survive on his own, and instills in him a macho philosophy that the strong will always defeat the weak. As the years pass, David (now played by John Carson) grows to adulthood, and he begins formulating his own interpretation of his father's teachings -- as the stronger man, he is now ruler of the island, and that the island's only woman should rightfully be his. The Savage Is Loose was the second and last theatrical feature George C. Scott would direct, though he would later helm a made-for-TV movie about the life of baseball great Satchel Paige. ~ Mark Deming, All Movie Guide
Director Mike Nichols and screenwriter Buck Henry team up again (after collaborating on The Graduate and Catch-22) for this adaptation of Robert Merle's best-selling adventure novel concerning dolphins who become pawns in a plot to kill the president. George C. Scott plays Dr. Jake Terrell, a researcher who, along with his wife Maggie (Trish Van Devere), is investigating dolphin intelligence, believing they have the capability of speech. Harold DeMilo (Fritz Weaver), in charge of a major corporation, sponsors their work. But undercover work by government agent Curtis Mahoney (Paul Sorvino) reveals that DeMilo is working with a right-wing group planning to kidnap the dolphins and use them to blow up the presidential yacht. Jake and Maggie have to race against time to save both their dolphins and the president. ~ Paul Brenner, All Movie Guide
- Starring:
- George C. Scott, Trish VanDevere, (more)
- 1973
- PG
Taciturn Faye Dunaway insists upon drilling for oil in her small, unpromising patch of Oklahoma land. Drifter George C. Scott signs on to work the derrick, but only after Dunaway, who for unspecified reasons hates all men, warns him to stay at arm's length. Jack Palance, the strong-arm representative for a huge oil firm, dearly covets Dunaway's land, and when she refuses to sell he sends his hooligans to beat both her and Scott to bloody pulps. Driven from her land, Dunaway can't expect help from the "bought" courtrooms, so she fights fire with fire: together with Scott and her ne'er do well father John Mills, she takes back the land by force of arms. As they sit guarding the derrick, Dunaway and Scott draw closer, and when Mills is killed by a fall, Dunaway turns to Scott as her one last pillar of strength. Just as Palance and his goons are about to rush the land, the long-awaited gusher comes in. The oil surge lasts just long enough for every oil company within two hundred miles to bid for pumping rights. Once the well runs dry, however, Dunaway and Scott are left standing alone in their grimy field. ~ Hal Erickson, All Movie Guide
- Starring:
- George C. Scott, Faye Dunaway, (more)
