Ettore Scola Movies
Though he began his career with commedia all'italiana, Ettore Scola shifted his cinematic view to larger concerns, and matured into one of the most highly regarded Italian filmmakers of the 1970s and into the 1990s.After World War II, Scola went to Rome to study law, but opted to pursue a writing career. Following in the footsteps of Federico Fellini, Scola contributed to humor magazine Marc' Aurelio before he entered the film industry as a screenwriter in 1953. Over the next decade, Scola churned out dozens of comic scripts, both in collaboration and solo, including Love and Larceny (1960) and The Magnificent Cuckold (1964). Scola moved to directing in 1964 with the sex farce Let's Talk About Women. Though he spent the remainder of the decade directing such stars as Vittorio Gassman, Nino Manfredi, and Marcello Mastroianni in traditional Italian comedies, other critical concerns emerged in his films by the 1970s.
Reflecting the influence of the socially attuned, experimental work of postwar greats Vittorio De Sica, Roberto Rossellini, Federico Fellini, and Michelangelo Antonioni, Scola's work tempered comedy with serious questions of politics, humanity, and cinema. In his acclaimed We All Loved Each Other So Much (1975), Scola combined an examination of postwar social currents with an homage to the postwar Italian cinema enmeshed in those shifts. Dedicated to De Sica, whose Bicycle Thieves (1947) plays a pivotal story role, Scola moves from a neorealist vision of the Resistance and 1950s Rome to a full-color 1960s dolce vita of excess and disillusion as he charts the lives of three friends. Scola earned Cannes' Best Director prize for Down and Dirty (1976), a parody that harshly reverses the utopian view of urban poverty in De Sica's Miracle in Milan (1951). Casting Sophia Loren and Mastroianni against type as a worn housewife and an anti-Fascist homosexual, Scola's incisively acted, Best Foreign Film Oscar nominee A Special Day (1977) counterpoints an encounter between two outsiders with Hitler's May 1938 visit to Rome. With The Terrace (1979), Scola turned his critical eye upon his own legacy of movie comedy in a collection of bittersweet vignettes. While Scola's Communist politics informed his view of the alienating effects of postwar Italian capitalism, his films were also infused with humor and concern for how individuals find their own ways to survive.
Expanding his view beyond Italy, Scola further bolstered his international reputation with La Nuit de Varennes (1982). A philosophical costume fable starring Mastroianni and Harvey Keitel, La Nuit de Varennes's scenario unites Casanova and Thomas Paine during the French Revolution. Scola's adaptation of the French musical Le Bal (1982) examined key moments in 20th century French history through choreography, mime, and music. Though his work in the 1980s was less ambitious, his films still dealt with how history affected individual lives. Scola's light-hearted comedy Macaroni (1985) featured Mastroianni and Jack Lemmon as reunited war friends, while The Family (1987) turned the events in one family's middle-class apartment into a microcosm of 20th century Italian history. Though The Family brought Scola more critical kudos and another Oscar nomination for Best Foreign Film, his subsequent work, including Captain Francassa's Journey (1990) and La Cena (1998), has gained less exposure in the U.S. ~ Lucia Bozzola, All Movie Guide
- 2006
Marcello Mastroianni (1924-1996) was arguably the most famous and respected leading man in the history of Italian cinema. A favorite of such directors Federico Fellini, Luchino Visconti and Michelangelo Antonioni, Mastroianni's fame in Europe extended to the United States, where he was nominated for three Academy Awards and frequently starred opposite another celebrated Italian player, Sophia Loren. Filmmakers Mario Canale and Annarosa Morri offer a look at the public and private sides of this legendary actor in the documentary Marcello: A Sweet Life, which features archival interviews with the actor alongside reminiscences from his family, friends and colleagues. Interview subjects include actresses Claudia Cardinale and Anouk Aimee, directors Ettore Scola, Mario Monicelli and Lina Wertmuller, and Marcello's daughters Barbara Mastroianni and Chiara Mastroianni. Marcello: A Sweet Life received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide
- 2001
The insidious emergence of state-sanctioned anti-Semitism in Fascist Italy sets the stage for this historical drama. In 1938, Umberto (Diego Abatantuono) is a tailor who is beginning to lose business to Leone (Sergio Castellito), a haberdasher whose shop is next door to Umberto's. Leone offers stock much like Umberto's and at lower prices, which has brought plenty of customers into his store, causing Umberto no small amount of annoyance. Umberto's ire is hardly soothed by the fact that his teenage son Paolo (Elio Germano) is dating Leone's daughter, Susanna (Gioia Spaziani), or that the two men's younger sons, Pietruccio (Walter Dragonetti) and Lele (Simone Ascani), are best friends. The rivalry between the two shopkeepers eventually leads to a heated public argument, in which Umberto refers to Leone's Jewish faith in a derogatory manner. A policeman overhears this, and Leone, who had previously been quiet about his Jewish heritage, soon finds himself having to deal with the sanctions being levied against Jewish citizens. As Umberto sees his neighbor slowly stripped of his property, his rights, and his dignity, his anger turns to sympathy and to a wish that he could do something to help a man not so different from himself. Concorrenza Sleale was directed by Ettore Scola, who previously examined Italy during Mussolini's rule in Una Giornata Speciale. ~ Mark Deming, All Movie Guide
- Starring:
- Diego Abatantuono, Sergio Castellitto, (more)
- 1998
This complexly plotted comedy interweaves snippets from the lives of nearly 40 diverse patrons sitting at 14 tables in a little Italian trattoria. Though the diners come from all levels of society, most are bound by one or two common threads: their engagement in illicit romantic affairs and the fact that they are, for the most part, morally and spiritually bankrupt. The restaurant's unflappable, wise owner Flora (Fanny Ardant) is the only one with any real common sense. ~ Sandra Brennan, All Movie Guide
- Starring:
- Fanny Ardant, Vittorio Gassman, (more)
- 1995
Unhappy neighbors hatch a homicidal scheme, then turn on each other in this Italian thriller similar to Strangers on a Train (1951). Vincenzo Persico (Rolando Ravello) is a miserable man. Despite graduating from college six years ago, he can't land a teaching position, so he's forced to live in humiliation with his mother, a pensioner. Vincenzo's neighbor, the 70-year-old Bartoloni (Alberto Sordi) is in a similar position. His wife, once a gorgeous artist, is now an obese, abusive alcoholic. One night Bartoloni gets Vincenzo drunk and makes him a proposition -- he'll pay him a large sum of money if the young man will kill his wife. The intoxicated Vincenzo doesn't agree, but the offer plagues his mind. Not long after, Mrs. Bartoloni is killed in a fall from her balcony. When her husband discovers his money missing, he assumes that Vincenzo is responsible. At the same time, Vincenzo claims to have landed a job, buying his mother gifts and taking his girlfriend out dancing. Bartoloni betrays Vincenzo, accusing him of murder. Arrested, Vincenzo unemotionally claims his innocence. The police investigation reveals Bartoloni's love for another woman, leaving them baffled over a case that had seemed to be an accident. ~ Karl Williams, All Movie Guide
- 1994
A young Italian Communist couple come to grips with the fall of Italy's Communist Party and find themselves drifting apart in this Italian-French drama. As the Berlin Wall collapsed in the late '80s, so did the Italian Communist Party. In it's stead has come the more left-wing party the PDS. Since adolescence, Mario and Maria Boschi have been good communist party members. Now that the party is gone, they find themselves drifting apart; especially when Mario eagerly joins the new party while Maria remains a steadfast Communist. Maria soon finds herself drawn to Sicilian Communist Mario Della Rocca. He too is married, but when Maria's mate goes to a conference, she and the new Mario begin a romance. The experience of falling in and out of love makes Maria physically ill. She recuperates at her brother's house and subsequently makes love to the Sicilian. The months fly by. The three are all living alone as they reconcile their many problems. ~ Sandra Brennan, All Movie Guide
- Starring:
- Giulio Scarpati, Valeria Cavalli, (more)
- 1990
Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac (Vincent Perez), who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina (Ornella Muti). He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella (Emmanuelle Béart). When the company plays before a group of noblemen, the three women make yet more conquests, a few of them unwelcome, and a series of competitions and duels for the hearts of the lovely ladies follows, before everyone settles down with the "right" person. ~ Clarke Fountain, All Movie Guide
- Starring:
- Massimo Troisi, Ornella Muti, (more)
- 1989
- R
Marcello (Marcello Mastroiano) has worked hard all his life to achieve a certain standing and success as a lawyer in Rome. He is pleased to be able to offer the fruits of his success to his son Michele (Massimo Troisi), and is perplexed and distressed that his unambitious son has no interest in any of these things. Michele is serving a term in the Italian military in the port town of Civitavecchia, and Marcello is visiting him there. Here he meets Michele's salty girlfriend Loredana (Anne Parillaud). The father and son share some meals and explore their differences. Though at first it appears that these two men will not be able to tolerate one another, they eventually decide to live and let live. ~ Clarke Fountain, All Movie Guide
- Starring:
- Marcello Mastroianni, Massimo Troisi, (more)
- 1988
The celebration of and homage to the language of cinema unites not only the three central characters of this film, but is the character of the film itself. This is the story of a man whose entire life has been shaped and supported by the movies. Jordan (Marcello Mastroianni) grew up at his father's movie theater, and after World War Two, he took over as the theater's manager. In those halcyon days, the theater was so popular that police had to be hired to keep the crowds waiting to get in from rioting. Now, however, the theater is losing money and is in danger of being torn down, or sold to a department store. Jordan has long since concluded that the townspeople have forgotten their affection for the movies, but in a Capra-esque vision, he imagines them gathering as a body to prevent him from selling the theater. One highlight of this successful film about films is the glimpses it offers of over a dozen great works of Italian cinema. ~ Clarke Fountain, All Movie Guide
- Starring:
- Marcello Mastroianni, Massimo Troisi, (more)
- 1987
- PG
A family history is recalled by the venerable patriarch Carlo (Vittorio Gassman) as he prepares to celebrate his 80th birthday. Young Carlo (Andrea Massimo) marries Beatrice (Stefania Sandrelli) in 1926 but later has an illicit affair with her bohemian artist sister Adriana (Fanny Ardant). Fascism, World War II, and the raising of children and grandchildren mark the passing of a lifetime. Old Carlo lives with his grandson where his recollections are interrupted by the gentle nagging of his beloved Beatrice. This feature received an Oscar nomination in 1987 for "Best Foreign Film." ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Fanny Ardant, (more)
- 1985
- PG
Ettore Scola directed this light comedy starring Jack Lemmon and Marcello Mastroianni that Scola calls "a story about two men who have reached the age where you look back and take stock." Lemmon plays business executive Robert Traven, who returns Naples for the first time since 1946, when he had an affair with an Italian girl named Maria. The girl's brother, Antonio Jasiello (Marcello Mastroianni) recognizes Robert and they sit around, catch up with old times. But when Antonio takes Robert to visit Maria (Giovanna Sanfilippo), Robert discovers Antonio has been writing letters to her in Robert's name for years, building up Robert to legendary status. Since the letters were not kept secret, everyone who knows Maria and Antonio greets Robert as if he were a living legend. ~ Paul Brenner, All Movie Guide
- Starring:
- Jack Lemmon, Marcello Mastroianni, (more)
- 1983
A unique look at the history of 20th century France as illustrated in popular culture, Le Bal is set in a Parisian dance hall and features no narrative, no dialogue, and no continuous characters. The film moves from one dance number to the next, as the music reflects the political and cultural tenor of the times, from the Popular Front of 1936 to the German Occupation of World War II, on to the breezy openness of the post-war era and the open rebellion and turmoil of May 1968, and finally closing in the early 1980s. A troupe of dancers portrays all the film's characters, with make-up and costume changes (as well as appropriate period music) indicating the different time periods. Directed by Ettore Scola, Le Bal was based on a stage production that was a great success in Europe. ~ Mark Deming, All Movie Guide
- 1982
- R
This talky French costume drama chronicles the adventures of King Louis XVI and Marie Antoinette as they attempt to flee Paris during the 1791 revolution. While en route to Varennes, the couple encounter and have philosophical debates with a number of fascinating historical figures including Thomas Paine and Restif de la Bretonne. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jean-Louis Barrault, Marcello Mastroianni, (more)
- 1981
Professional soldier Bernard Giraudeau is enmeshed in an affair with the beautiful but very much married Laura Antonelli. Transferred to a remote outpost, Giraudeau discovers to his chagrin that the only woman in the region (Valeria D'Obici) is about as appealing as a plate of pickles. Even so, Giraudeau falls madly in love with the woman, utterly forgetting Antonelli. He also forgets that he's a human being at fade-out time, metamorphosing into an epileptic bear! Perhaps Passion of Love made more sense in its original French-language version, Passione D'Amore. ~ Hal Erickson, All Movie Guide
- Starring:
- Valeria D'Obici, Bernard Giraudeau, (more)
- 1979
Perhaps a little over-ambitious for the casual audience unfamiliar with the Italian world of entertainment and politics, La Terrazza involves a total of eight main protagonists and how they have changed or are changing. All eight are sitting on a terrace talking, while flashbacks and flashforwards fill in their past, present, and future relationships. Enrico (Jean-Louis Tritignant) is a burnt-out screenwriter, Amedeo (Ugo Tognazzi) is a self-made producer, Mario (Vittorio Gassman) is a communist member of parliament who is having an affair with the married Giovanna (Stefania Sandrelli) and is otherwise having a hard time trying to tow the tough, virtuous line the party demands. Giovanna, as well as the other women on the terrace, have all the spirit of people looking forward to the future while the men have been there and found it wanting. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ugo Tognazzi, Vittorio Gassman, (more)
- 1978
- R
This Italian black comedy is comprised of nine short stories all related to the theme that most men are selfish cads. At the 1978 Oscars, the film was nominated for Best Foreign film. ~ Sandra Brennan, All Movie Guide
The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Sophia Loren strikes up a friendship with her homosexual neighbor Mastroianni. As the day segues into night, Loreon and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life. Beyond the "sensational" aspect of virile Marcello Mastoianni playing a gay character, A Special Day garnered a great deal of American attention when the stars promoted the film on the very first installment of PBS's Dick Cavett Show (that's the one in which Mastroianni might have said the F-word). ~ Hal Erickson, All Movie Guide
- Starring:
- Sophia Loren, Marcello Mastroianni, (more)
- 1976
In this episodic anthology, written and directed by assorted Italian filmmakers, the political and social aspects of Italian life are chronicled. In one satirical episode, The Bomb, a bogus bomb threat at a police headquarters gradually balloons into a real terrorist plot culminating with the bombing of the police commissioner. Other episodes satirize the CIA, Christmas in Naples and pompous public officials. ~ Sandra Brennan, All Movie Guide
- 1976
Down & Dirty was originally titled Brutti, sporchi e cativi in Italy. That translates literally to "dirty, nasty and bad", in reference to the lower-class characters and surroundings in this Ettore Scola film. Scola zeroes in on a particularly offensive Roman family. The stingy patriarch, Nino Manfredi, is personally wealthy but morally bankrupt, and his repulsive view of life trickles down to every member of his clan. Not content with corrupting his own flesh and blood, Manfredi spreads his philosophy throughout his village, where he functions as slumlord. By the time Manfredi's wife and sons begin plotting his murder, the audience is ready for a long, cold shower, with plenty of soap. A bleak film heavily laden with humor, Down & Dirty won Ettore Scola a Best Director award at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Manfredi
- 1975
Stefania Sandrelli, a bit player in Federico Fellini's La Dolce Vita, stars in the deliberately Felliniesque comedy We All Loved Each Other So Much. Sandrelli plays the longtime object of three friends' affections. The film traces the interrelationships of those friends-Vittorio Gassman, Nino Manfredi and Satta Flores-over a period of thirty years, beginning with their involvement in the wartime Resistance. In addition to freely quoting from La Dolce Vita, director Ettore Scola also calculatedly evokes memories of Fellini's I Vitteloni. As a bonus, the film offers affectionate homages to several other neorealist filmmakers, including Rossellini and de Sica. We All Loved Each Other So Much was originally released as C'erevamo tanto amati. ~ Hal Erickson, All Movie Guide
- Starring:
- Nino Manfredi, Vittorio Gassman, (more)
- 1972
This film marks the final performance of the notable French film star Pierre Brasseur, who died not long after the film was shot. One of his better-known films is Children of Paradise. In this film, an Italian industrialist (Alberto Sordi) who has made his fortune using some shady tactics, unwittingly becomes the victim and entertainment for four retired jurists. These four men (Pierre Brasseur, Michel Simon, Charles Vanel and Claude Dauphin), though retired, make it a practice to keep their legal skills sharp. Whenever a suitable villain stumbles across their path, they conduct a trial with all the trimmings. It is a form of play, but these virtuoso lawyers are quite serious about it. ~ Clarke Fountain, All Movie Guide
