Teri Schwartz Movies

Goldie Hawn garnered favorable reviews with her TV-movie directorial debut, a family drama set against the backdrop of racism in the American South of the early '60s. While in 1962 the Cuban Missile Crisis generates fears among adults, 12-year-old Lilly Kate Burns (Jena Malone) dreams of a career as a dancer. The problem is how to escape her dreary small-town existence, where she's surrounded by her mother (Mary Ellen Trainor), a stroke victim; her bigoted Uncle Ray (J.T. Walsh), a theater owner; her dejected Aunt Emma (Christine Lahti); and her alcoholic dance teacher Muriel (Catherine O'Hara). In addition to young Billy (Lee Norris), Lilly is also friends with black minister Jediah Walker (Jeffrey D. Sams). Uncle Ray has provided only a single exit in his theater, and when a young black boy dies in a theater fire, the tragedy sparks and inflames local racial conflicts. Uncle Ray is charged with wrongful death, and Lilly contemplates the nature of truth and justice. Filmed on location in Anderson, Texas. ~ Bhob Stewart, All Movie Guide

James Lapine, whose Broadway credits as a writer/director includes work with Stephen Sondheim, made his Hollywood debut with this comedy. Michael J. Fox plays Michael Chapman, who once upon a time was a wise-cracking child star on a situation comedy called "Life With Mikey." Now in his thirties and on the skids, Michael makes personal appearances at grand openings of hamburger stands, and runs an unsuccessful talent agency (specializing in kids) with his brother Ed (Nathan Lane). The agency's only successful client is Barry Corman (David Krumholtz), a fourteen-year-old with an attitude who is known as "the cereal king" for his appearances on television commercials. Ed is trying to talk Michael into closing the agency and Barry is threatening to go elsewhere when a sprightly 10-year-old reprobate named Angie (Christina Vidal) tries to pick his pocket. When Angie delivers a heart-rendering tale of questionable honesty about being an orphan from Queens, Michael realizes that Angie would be perfect for a Sunburst Cookie commercial. She clicks in the commercial, and both her career and the agency's soar. In the meantime, Angie movies in with Michael, and as they bond, Michael realizes how to act like an adult and Angie realizes how to act like a child. ~ Paul Brenner, All Movie Guide

Charles Lane directed Andy Breckman's script, based on an old "Saturday Night Live" sketch of Breckman's that featured Eddie Murphy. Comic Lenny Henry takes Murphy's place in True Identity as a black man forced to don white face in order to save his life. Henry plays Miles Pope, an agreeable British actor whose luck sours when he finds out that businessman Leland Carver (Frank Langella) is actually a notorious underworld mobster. Carver now wants to rub Miles out and the only way that Miles can escape Carver's retribution is to disguise himself as a man named Frank LaMotta, the Italian-American killer that Carver has hired to kill him. During the story, Miles finds that he has to assume a variety of roles to keep from getting shot --a gay real estate agent, a British lord, James Brown's brother Val, and even Othello. But the biggest shock for Miles comes when he plays the white man and discovers that he is given preferential treatment --not only by whites, but also by blacks and Hispanics. ~ Paul Brenner, All Movie Guide

Academy Award-winning screenwriter John Patrick Shanley's first foray into the director's chair is a quirky romantic fantasy, featuring Bo Welch's signature production design. Tom Hanks plays Joe Banks, a man who hates his job, thinks the overhead fluorescent lights are making him sick, and quakes at the presence of his boorish boss Frank Watori (Dan Hedaya). He is attracted to the office secretary DeDe (Meg Ryan) but is afraid to speak to her. Then his life changes when he visits Dr. Ellison (Robert Stack). Dr. Ellison tells Joe that he has something called "a brain cloud" that is rapidly spreading throughout his brain. He will feel great, but he'll be dead within five months. Instead of being depressed at this bleak prognosis, Joe suddenly feels free. He quits his job, asks DeDe out, and is contacted by a rich millionaire named Graynamore (Lloyd Bridges). Graynamore owns an island named Waponi Woo, whose natives need to be placated. The natives require a sacrifice to their island volcano, the Big Woo, so that the island won't sink beneath the Pacific. Graynamore offers unlimited wealth to Tom in exchange for Tom's becoming the object of human sacrifice. Joe has nothing to lose, so he accepts the offer. As he heads out to the island, Joe meets Graynamore's daughters -- Angelica, a Los Angeles socialite, and Patricia, Angelica's blonde half-sister (both roles played by Ryan). Joe arrives at the island, and as he stands at the lips of the Big Woo he has to decide whether he really wants to leap into the maw of the fiery volcano. ~ Paul Brenner, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

This hilariously awful killer-bee epic from director Alfredo Zacharias features surprisingly good special effects and horrible acting. Cult favorites John Saxon and Angel Tompkins star as scientists trying to deal with a U.S. invasion by trillions of sentient bees. The bees want humans to stop polluting the environment and they enlist Saxon to deliver their ultimatum to the United Nations. As Uncle Ziggy, John Carradine, before being shot by hitmen, delivers his dialogue as if speaking through dry heaves in a bad German accent. There are some exciting scenes of mass destruction as swarms of bees attack large crowds (including the Rose Bowl Parade, where President Ford is seen briefly) and then Saxon comes up with a plan. His proposal suggests the use of a chemical which turns the bees homosexual ("That reminds me of a certain neighborhood I know in L.A.," says one delegate). Eventually, Saxon goes to the U.N. to deliver the bees' message, only to meet with scorn. Naturally, billions of bees then burst into the room to plead their case. There are some well-done plane crashes, the bee scenes are realistic and incredibly numerous (a scene where they carpet Saxon's bedroom is astounding), and the storming of the U.N. is a classic. But all of this is compromised by annoying geometric wipes between scenes and some of the worst writing and acting to ever survive the cutting-room floor. Oddly enough, the same year's big-budget The Swarm would not improve on any of these areas, and is not as funny as this film either. ~ Robert Firsching, All Movie Guide