Joel Schumacher Movies
Born and raised in working-class New York City, versatile Hollywood director Joel Schumacher started out as an art student. After graduating from Parsons School of Design, he worked for several fashion design firms and dressed window displays at a department store. He found work as a costume designer (Woody Allen's Sleeper and Interiors) and screenwriter (Car Wash and The Wiz) before turning to full-time directing. After a few TV movies, Schumacher made his feature-length directorial debut with the Lily Tomlin comedy The Incredible Shrinking Woman, followed by the Mr. T vehicle D.C. Cab.Schumacher finally hit mainstream success in 1985 with the Brat Pack classic St. Elmo's Fire, kick-starting the careers of Rob Lowe, Demi Moore, Andrew McCarthy, Judd Nelson, Ally Sheedy, and Emilio Estevez, among others. This was soon followed by the beloved teen vampire flick The Lost Boys, starring both Corey Haim and Corey Feldman. Schumacher also directed music videos at the end of the '80s, including "Devil Inside" by INXS. With the exception of the Americanized romantic comedy remake Cousins, he seemed to cater almost exclusively to the youth market during this time.
The medical-student thriller Flatliners introduced Schumacher to starlet Julia Roberts, whom he quickly cast in his next movie, the aptly named Dying Young. Both films failed at the box office, so he tried a bit of social commentary with the psychological drama Falling Down starring Michael Douglas. The success of his John Grisham adaptation The Client led to a TV-series spin-off and another Grisham adaptation, A Time to Kill. Unfortunately, Schumacher had already become commonly known as The Man Who Destroyed the Batman Film Franchise with the widely panned Batman Forever and Batman & Robin.
Schumacher tried to make a comeback with the disturbing and brutal crime thriller 8MM starring Nicolas Cage. Fortunately, he made a wiser move back to writing and directing comedy dramas with Flawless, starring Robert De Niro and Philip Seymour Hoffman. After doing some producing, the director teamed up with action extravaganza producer Jerry Bruckheimer for Bad Company, a box-office dud featuring the odd pairing of Chris Rock and Anthony Hopkins. His Vietnam drama Tigerland marked the breakthrough performance of Irish actor Colin Farrell, whom he cast again in his next two features: the crime drama Veronica Guerin and the blockbuster suspense thriller Phone Booth. Schumacher then began work on a film version of Andrew Lloyd Webber's Broadway musical Phantom of the Opera. Released with an onslaught of hype in the fall of 2004, the film did little to aid the already-flagging musical revival of the 2000s, and was seen only by the most devout Webber fans.
The director chose somewhat safer ground with the flashy psychological thriller The Number 23 in the winter of 2007, reuniting with his Batman Forever star Jim Carrey. ~ Andrea LeVasseur, All Movie Guide
Post-collegiate angst, '80s style, is the subject of this coming-of-age ensemble piece, which traces the fortunes of a group of Georgetown grads as they enter the real world and grapple with work, infidelity, and adulthood. The most outwardly upscale member of the gang, Jules (Demi Moore), hides a plethora of emotional baggage behind a chic wardrobe, an expensive apartment, a fashionable drug habit, and lots of meaningless casual sex. Her friend Wendy (Mare Winningham) has the opposite problem; a trust-fund baby with body-image issues and little sexual experience, she's hung up on Billy (Rob Lowe), a no-good, sax-playing drunkard who can't face up to his responsibilities in the job market or at home with his wife and young child. Such open infidelity is anathema to Alex (Judd Nelson), who must maintain a sense of propriety even while engaging in compulsive womanizing; after all, the Democrat-turned-Republican's nascent political career requires the sort of picture-perfect relationship he shares with girlfriend Leslie (Ally Sheedy). That doesn't sit too well with tortured writer Kevin (Andrew McCarthy), who toils away at a newspaper job and pines away for the unattainable Leslie. Unrequited love also dogs Kirby (Emilio Estevez), a law-school student whose greatest wish is to romance classy doctor Dale Biberman (Andie MacDowell), who is, alas, way out of his league. Co-written by director Joel Schumacher and his studio intern, Carl Kurlander, St. Elmo's Fire spawned the number one pop hit "St. Elmo's Fire (Man in Motion)," which was credited to John Parr but co-written by music producer David Foster. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Rob Lowe, Demi Moore, (more)
A deadly boating accident derails the life of a sensitive youngster, leading to confusion, madness and murder. Years after the incident, Angela (Felissa Rose) is still withdrawn and rarely speaks, living a sheltered life with her aunt and cousin Ricky (Jonathan Tiersten). The two young teens are sent off to Camp Arawak to spend the summer, and though Ricky attends every year and has plenty of friends, Angela is unable to fit in and finds herself the target of cruel taunts from her bunkmates. Her cousin is always ready to stick up for her, and she begins a timid romance with Ricky's best friend Paul (Christopher Collet), but it isn't enough to stop the abuse from their fellow campers. Soon a series of fatal accidents is plaguing Camp Arawak; a pedophilic cook is scalded alive, a practical joker drowns mysteriously and the boys' restroom becomes the scene of a horrific bee swarm attack. The campers are fleeing in droves, and the few who remain begin suspecting foul play. But who is the killer? The camp's owner (Mike Kellin) believes that the killings are only meant to ruin his business, and he's convinced that the hot-tempered Ricky is to blame. When the evening of the camp social arrives, it proves to be the bloodiest night of all, and a terrible secret is revealed in a bizarre confrontation on the beach. This offbeat slasher mystery (also known as Nightmare Vacation) has earned a sizable cult following for its twisted sensibilities and inspired a pair of direct-to-video sequels. ~ Fred Beldin, All Movie Guide
- Starring:
- Mike Kellin, Jonathan Tiersten, (more)
In this casual, uninvolved comedy running on a low-octane script, a scruffy taxi company is about to be wiped out when its owner Harold (Max Gail) exhorts his cabbies to do what they can to help save the company -- and what they can do turns out to be a surprise to everyone concerned. Saving the day (and the film) are the likeable, eccentric drivers, introduced by means of a new trainee (Adam Baldwin) who rides around with each in turn. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Adam Baldwin, Charlie Barnett, (more)
- 1981
- PG
The Incredible Shrinking Woman, directed by Joel Schumacher, is an attempted social satire focusing on the position of women in our society and our social values. After being exposed to a bizarre mixture of household chemicals, Pat Kramer (Lily Tomlin) begins to shrink. While this baffles scientists and makes parenting difficult, Pat captures the hearts of the American people. An evil political group who plots world domination kidnaps Pat and performs experiments on her to learn the secret of how to shrink everyone. The screenplay was written by Jane Wagner, Tomlin's frequent collaborator; Charles Grodin plays Pat's husband. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Lily Tomlin, Charles Grodin, (more)
- 1979
Director Joel Schumacher makes like Robert Altman in the made-for-TV Amateur Night at the Dixie Bar and Grill. In the tradition of Altman's Nashville, Schumacher's film is a rambling, anecdotal study of an amateur talent show in a tawdry Southern saloon. The link between the two films is strengthened by the presence in Amateur Night of Henry Gibson, who'd played a Porter Wagoner type in Nashville. Among the contestants is country-western singer Tanya Tucker, who also contributed some of the background themes for the film's musical score. Amateur Night at the Dixie Bar and Grill was produced by Motown Industries' motion picture division. Sidebar: To improve ratings, the ad copy for this film was headlined "Disco Killer on the Loose!"--then, in smaller type, the copy explained that "killing" was merely a slang term for winning over the audience! ~ Hal Erickson, All Movie Guide
Diane Keaton, Kristin Griffith, and Mary Beth Hurt play Renata, Flyn, and Joey, the grown daughters of wealthy Arthur (E.G. Marshall) and his emotionally disturbed wife, Eve (Geraldine Page). When Arthur leaves Eve, her three daughters rally around her. As it turns out, none of the daughters are ideally suited to provide an "anchor" for their distracted mother, but all four women are strengthened by their renewed relationship. Interiors received five Oscar nominations, including Best Director for Woody Allen, Best Original Screenplay for Allen, Best Actress for Geraldine Page, Best Supporting Actress for Maureen Stapleton (who plays Arthur's new love), and Best Art Direction for Mel Bourne and Daniel Robert. ~ Hal Erickson, All Movie Guide
- Starring:
- Kristin Griffith, Mary Beth Hurt, (more)
Sidney Lumet's The Wiz is the film version of the popular Broadway musical that retells the events of L. Frank Baum's classic novel The Wonderful Wizard of Oz through the eyes of a young African-American kindergarten teacher who's "never been below 125th Street." Leaving a large family dinner to chase her dog into a snowstorm, Dorothy (Diana Ross) is swept up by a cyclone and transplanted to the land of Oz -- which looks suspiciously like a skewed version of the run-down Manhattan of the late '70s. Landing on top of the Wicked Witch of the East, the puzzled Dorothy is greeted by munchkins who peel themselves from a graffiti mural and sing to her about the Wiz (Richard Pryor), a powerful wizard living in Emerald City who can help her get home. On her journey down the yellow brick road, she encounters a garbage-stuffed scarecrow (Michael Jackson) in a junkyard, a broken-down tin man (Nipsey Russell) caught in the decay of an old amusement park, and a cowardly lion (Ted Ross) posing as a stone statue outside a museum. The quartet tangles with a subway station that comes to life, a poppy den, and a gaggle of motorcycle henchman on their way to the Wiz -- who orders them to kill the Wicked Witch of the West (a sweatshop tyrant) before he will grant them their wishes. The Wiz has about double the large-scale production numbers of The Wizard of Oz (1939), with songs written and composed by Charlie Smalls. ~ Derek Armstrong, All Movie Guide
- Starring:
- Diana Ross, Michael Jackson, (more)
A trio of musically talented Harlem sisters rise to become major stars of the '50s. Unfortunately, their sudden popularity causes much turmoil in their lives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Philip Michael Thomas, Irene Cara, (more)
Michael Schultz directed this kinetic, hyperventilating comedy (scripted by Joel Schumacher) concerning the crazed events that go on within a single 10-hour period at a Los Angeles car wash. The cast of colorful car-wash employees includes Lonnie (Ivan Dixon), an ex-con; Duane (Bill Duke), a militant black activist; and Lindy (Antonio Fargas), an obnoxious homosexual. Sully Boyar plays Mr. B, the frazzled car-wash owner who has to deal with his screwball employees along with his over-educated slip of a son, Irwin (Richard Brestoff), who quotes Mao and wants to radicalize the workers. Also along for the wash and wax are Miss Beverly Hills (Lauren Jones), with a wild assortment of wigs; Marsha (Melanie Mayron), the distracted car wash secretary; a mad bomber (Prof. Irwin Corey), who is terrorizing the neighborhood; and Daddy Rich (Richard Pryor), the founder of the Church of Divine Economic Spirituality, who sports a gold limousine. Danny de Vito, Brooke Adams and others were originally in the cast but their scenes were ultimately deleted. ~ Paul Brenner, All Movie Guide
- Starring:
- Franklyn Ajaye, Sully Boyar, (more)
Long before the Warren Beatty/Annette Bening vehicle Bugsy (92), Harvey Keitel portrayed gangster Bugsy Siegel and Dyan Cannon costarred as Siegel's mistress Virginia Hill in the made-for-TV The Virginia Hill Story. Told in flashback, the film traces Virginia's life from the time she takes up with Bugsy; we see Siegel's takeover of the Las Vegas gaming tables and his eventual death at the hands of his mob rivals. The flashback is bookended by Virginia's 1951 testimony before the Kefauver Committee. The film's attention to period detail does not extend to its "revisionist" dialogue, but it's gratifying to see the often ill-used Dyan Cannon in a worthwhile role. Harvey Keitel is alternately sinister and sensual as Siegel, while Herbert Anderson (the immortal Henry Mitchell from the old Dennis the Menace series) is the living image of Estes Kefauver. A note worth noting: The Virginia Hill Story premiered the same November week in 1974 as the network debut of The Godfather (1972). ~ Hal Erickson, All Movie Guide
- 1974
Killer Bees a made-for-TV thriller, directed by Curtis Harrington, is the story of a strong willed woman with a curious power. Madame von Bohlen (Gloria Swanson) matriarch of a family and controller of the family wine business rules her family with an iron hand. What is becoming increasingly obvious, after a series of mysterious bee attacks, is that she also has psychic control over a swarm of bees that reside in her vineyard. This silly, fun thriller has a great cast including Kate Jackson, Craig Steven and Edward Albert, and they all seem to be having as much fun with their roles as Gloria Swanson. Swanson attacks her role with the same feline energy that make her a star. She is outstanding as the controlling, iron-willed woman who will stop at nothing to get her way. A fun time is had by all in this outlandish, well-acted thriller. ~ Linda Rasmussen, All Movie Guide
A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Anne Bancroft, (more)
This suspense drama features an all-star cast, including Richard Benjamin, Dyan Cannon, James Coburn, James Mason, Ian McShane, and Raquel Welch. An interesting production fact about the film: its screenplay was written by actor Anthony Perkins and lyricist/songwriter Stephen Sondheim. Their careers depend on keeping in the good graces of Clinton (James Coburn), a powerful movie producer. That is why a group of actors, director, agents and other movie professionals (who hate each other) accept an invitation to spend a week on the producer's yacht on the anniversary of his wife's untimely death in a hit-and-run car accident. Once on board, Clinton requires them to play a vicious game which involves each person's revealing a damaging secret about themselves or someone else in the party. When one of the secrets to be revealed involves the hit-and-run murder of his wife, the game turns fatal. ~ Clarke Fountain, All Movie Guide
- Starring:
- Richard Benjamin, Dyan Cannon, (more)
In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
- 1972
Play It As It Lays offers what is probably the harshest view of Hollywood to be given a major production up to the time of its release; it depicts a world of narcissistic egotists who will do anything to inflate their own sense of importance. Based on the novel by Joan Didion, it tells of the rise and fall of one woman's acting career. Maria Wyeth (Tuesday Weld), a model, began her acting career in a Warhol-like film, and moved "up" to perform in a biker film. The director of both films, Carter Lang (Adam Roarke), discovered her, and soon afterwards, marries her. As Carter's career moves ahead, he pays less and less attention to Maria. She has a number of affairs to try to brighten her world, but nothing much works. When she gets pregnant by one of them, Lang divorces her. Then, her best friend (Anthony Perkins), who tried to bring about a reconciliation between Lang and her, commits suicide. Her world in tatters, she has a nervous breakdown. The film's story is told in flashbacks while she is in recovery. ~ Clarke Fountain, All Movie Guide
