Raymond Schrock Movies

Action specialist B. Reeves Eason socked Truck Busters through its breathless 58 minutes. Richard Travis plays independent trucker Casey Dorgan, who organizes his fellow drivers against the crooked machinations of crooked trucking executive Bonelli (Don Costello). Things get personal when Casey's brother Jimmy (Charles Lang) is killed in a Bonelli-engineered "accident." Standing helplessly on the sidelines is heroine Eadie Watkins, played by Virginia Christine, later to gain nationwide fame as "Mrs. Olsen" in the Folger's Coffee commercials of the 1960s and 1970s. Truck Busters is a not-too-heavily disguised remake of the 1932 James Cagney-Loretta Young vehicle Taxi. ~ Hal Erickson, All Movie Guide

Made in 1942 but released early in 1943, Secret Enemies is a Warner Bros. espionage quickie, putting the studio's second-echelon contractees to good use. Craig Stevens, Faye Emerson and John Ridgely are the leads in this hour-long meller about a Nazi spy ring operating covertly in America. The FBI sniffs out the "secret enemies," striking another blow against Uncle Adolf. Secret Enemies enabled Faye Emerson to step up into "A" pictures and secured a contract extension for reliable utility player John Ridgely. But Craig Stevens was drafted almost immediately after the film's release; unable to regain his lost footing after the war, it would take Stevens until 1958 to establish himself as a full-fledged star on the TV series Peter Gunn. ~ Hal Erickson, All Movie Guide

Escape from Crime is a pared-down (51 minute) remake of 1933's Picture Snatcher, with Richard Travis in the old James Cagney role. Recently paroled from jail, Red O'Hara (Travis) manages to wangle a photographer's job at the tabloid newspaper managed by hard-drinking Cornell (Frank Wilcox). Flamboyantly "grabbing" photos where no one else can, Red is able to support his wife Molly (Julie Bishop) and child, but the stigma of his prison sentence still hangs over him. Only by rounding up his former gang is Red able to square himself with police lieutenant "Biff" Malone. Though billed third, Jackie "C" Gleason has a very minor role as an overfed convict. ~ Hal Erickson, All Movie Guide

It's hard to believe that Wild Bill Hickok Rides is a Warner Bros. picture-and harder still to believe that Constance Bennett deigned to star in the film. Wavering uncomfortably between comedy and drama, this patchwork western features Bruce Cabot as Wild Bill Hickok, who on this occasion goes on the warpath against despotic land baron Harry Farrel (Warren William). When Hickok's rancher friend is lynched by Farrel's flunkeys, the fur-and bullets-really start to fly. Constance Bennett does her best to convincingly portray gambling-hall proprietress Belle Andrews, but it's an impossibly written role. Critic Bosley Crowther of the New York Times summed the whole thing up in a terse single sentence: "Will be remembered as the one in which a Bennett sister slummed. ~ Hal Erickson, All Movie Guide

James Dunn and Frances Gifford were husband and wife when they costarred in PRC's Hold That Woman. Dunn plays Jimmy Parker, ace operative for Skip Tracers Ltd., a process-serving firm. Repossessing a radio from a recalcitrant debtor, Jimmy finds a fortune in stolen jewels hidden inside the box. Arrested for theft, Parker spends the rest of the picture trying to recover both the jewels and the radio, the better to clear his name and keep his job. Frances Gifford (evidently the "woman" of the title) plays Parker's business partner and erstwhile sweetheart Mary Mulvaney. ~ Hal Erickson, All Movie Guide

Veteran movie heavy Boris Karloff plays a sympathetic role in Devil's Island. Karloff portrays a humanitarian physician, arrested for treating the wounds of a treasonous fugitive. Sent to the Devil's Island penal colony, Dr. Karloff runs afoul of sadistic commandant James Stephenson, who seems obsessed by the guillotine (an execution sequence is one of the film's longest scenes). Stephenson's wife Nedda Harrigan, fed up with her husband's cruelties, aids Karloff in turning the tables on the commandant. Participating in an escape, Karloff makes his way to freedom and clears his name. Devil's Island runs a scant 60 minutes, due to editing demands made by the French consulate in Washington, who felt that the film was detrimental to Franco-American relations. ~ Hal Erickson, All Movie Guide

Ace Secret Service agent Lt. Brass Bancroft is on the case in this crime drama. This time he is assigned to break up a major counterfeiting ring. To do so, he poses as a convicted counterfeiter who goes to prison to sneak into the inner circle. Eventually he learns that the money is coming from the printing press in the prison. ~ Sandra Brennan, All Movie Guide

In this, the premiere entry in the "Brass" Bancroft series (starring the man who would-be President, Ronald Reagan), Brass is seen as an ex-Army pilot who works as a commercial airline pilot. One day he quits his well-paying, safe job to become an agent for the Secret Service. His first assignment is to look into a gang of smugglers who are suspected of sneaking illegal aliens into the US via airplanes. This gang is really bad, and whenever they fear that they will be caught, they simply open their hatches and drop the hapless aliens like so many bombs. Bancroft is enraged at their inhumanity, and in the end, he and the ring leader battle it out in a plane spinning out of control. ~ Sandra Brennan, All Movie Guide

At their best, the Republic musicals of the 1930s could hold their own against anything turned out by MGM or Warner Bros. Republic's Sitting on the Moon is an excellent showcase for second-echelon stars Roger Pryor and Grace Bradley, here cast as songwriter Danny West and fading movie star Polly Blair. Hoping to jump-start Polly's career, Danny breaks up his partnership with lyricist Mike (William Newell), who finds some comfort in the arms of Polly's wisecracking pal Mattie (Pert Kelton). Hoping to tear Danny away from Polly, Mike contrives to have blonde seductress Blossom (Joyce Compton) pretend to be Mike's sweetheart, but all misunderstandings are forgotten during the climactic musical production numbers. Originally released at 66 minutes, Sitting on the Moon was cut to 53 minutes for television, with no discernible loss of continuity. ~ Hal Erickson, All Movie Guide

Hell Below transcends its hackneyed World War I plot to emerge as a drama of rare originality and gutsiness. Walter Huston stars as a submarine commander whose lieutenant (Robert Montgomery) falls in love with Huston's daughter (Madge Evans). All cliches (including the intrusive comedy relief of Jimmy Durante) are forgiven and forgotten once the sub is launched on a dangerous mission in the Adriatic. Commander Huston is forced to make several cold-blooded decisions to preserve the safety of his crew members. In one scene, seaman Sterling Holloway is trapped in a room full of poison gas. Huston orders the men not to rescue Holloway, lest they too be exposed to the deadly fumes. As the men grimly try to go about their routine tasks, the dying Holloway presses his face against the glassed-in porthole and piteously begs for help! This brief moment in Hell Below sticks in the mind far longer than Robert Montgomery's own death scene, in which he redeems his reckless behavior during a crucial battle. ~ Hal Erickson, All Movie Guide

Actor Robert Montgomery would serve as a lieutenant in the U.S. Naval Reserve during WWII, but he was just a lowly seaman in the 1931 MGM programmer Shipmates. When he's not being pushed around by chief petty officer Ernest Torrence, naval recruit Jonesy (Montgomery) is busily wooing Kit (Dorothy Jordan) the daughter of Admiral Corbin (Hobart Bosworth). After several reels of irresponsibility, Jonesy proves his worth by preventing an arsenal ship from being destroyed by a burning oil tanker. Cliff Edwards provides the requisite comic relief as a goofy gob named Bilge. Though Shipmates could hardly qualify as Robert Montgomery's best film, it was the picture in which he was finally afforded top billing, thereby increasing his salary to a daunting $2100 per week. ~ Hal Erickson, All Movie Guide

MGM house director Clarence Brown's first all-talkie, this pleasantly innocuous comedy drama stars William Haines as Jack Kelly, a carefree sailor picking up innocent Alice Brown (Anita Page) at a Ladies' Uplift Society Dance. Their whirlwind romance, however, ends abruptly when the girl's mother (Edythe Chapman) throws the sailor out of her home because of his profession. Alice, who has had enough of her mother's tyranny, follows him and, before shipping out, Jack helpfully secures her a room for the night by pawning her fox stole. Returning after a tour of duty, the chastened sailor finds his girl working as a taxi dancer and physically forces her to return to home and hearth. With her parents' wholehearted approval, Alice suggests that Jack marry her -- "a second time," as she fibs -- before a preacher. ~ Hans J. Wollstein, All Movie Guide

Universal's ruffled cowboy star Hoot Gibson and brunette Virginia Browne Faire played feuding ranchers in this average silent Western co-directed by Henry McRae and Herbert Blaché. The two ranchers get together to fight a common enemy, however, and fall in love. Based on William McLeod Raine's A Daughter of the Dons, this film is remembered only for Boris Karloff playing one of the thugs. ~ Hans J. Wollstein, All Movie Guide