Sheldon Schrager Movies

John G. Avildsen rehashes his shopworn formula for another go-round in The Karate Kid Part III. Going against the wishes of his mentor, Mr. Miyagi (Noriyuki "Pat" Morita), Daniel (Ralph Macchio) will defend his karate title in an All-Valley Championship match arranged by his nemesis Kreese (Martin Kove), whose karate studio folded after his star student lost the championship to Daniel. Kreese's friend, Vietnam veteran and toxic waste dumper Terry (Thomas Ian Griffith), agrees to help his old pal regain the championship trophy. Daniel's rival Mike Barnes (Sean Kanan) is known as "the bad boy of karate," and Daniel feels he requires more training to vanquish him. But Mr. Miyagi refuses to help Daniel train for the tournament: "Karate to defend life and honor means something. To defend a plastic trophy means nothing." As a result, Daniel naïvely falls into the clutches of Terry, who takes him on as a karate student. But after Daniel finds himself trapped at the bottom of a cliff and Daniel's girlfriend, Jessica (Robyn Lively), has her life threatened, Mr. Miyagi realizes the bad guys have gone too far and agrees to coach Daniel for the tournament. ~ Paul Brenner, Rovi

This is a tragic tale of the slow degeneration of a cancer patient that is filled with pathos and sorrow. Buffy Koenig (Kathleen Beller) is terminally ill with cancer and for the two-hour running time, she goes through several surgical procedures, suffers all the devastating side effects of chemotherapy, and gets unrelentingly worse. Her doctor (Marsha Mason) has a certain amount of conflict herself, but that is nothing compared to the young patient's distraught parents (Ned Beatty and Susan Clark) or her grief-stricken boyfriend (Paul Clemens). ~ Eleanor Mannikka, Rovi

The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, Rovi

In this counter-culture caper comedy, directed by Alan Myerson (whose work with The Committee and Second City gives the film a quirky sketch comedy freshness), Donald Sutherland plays Veldini, a sad-eyed demolition-derby driver, serving time for larceny. He also possesses a millennial desire to wreck every car manufactured in the United States from 1940 to 1960. After being released from jail, Veldini hatches a scheme to restore an old U.S. World War II amphibian plane to escape conventional society and fly off to a new nonconformist world. Searching for spare parts to complete the restoration, Veldini realizes that a particular electrical circuit is available only at the local Navy base, and he decides to rob the base to steal the circuit. Involved in the caper with him is Iris (Jane Fonda in a burlesque of her performance in Klute) as a 100-dollar-a-night call girl who is sick of being humiliated; Veldini's kid brother (John Savage); and Eagle (Peter Boyle), a schizophrenic out-of-work circus performer. Standing in the way of Veldini's scheme is Frank Veldini (Howard Hesseman), his older brother and a politically ambitious district attorney. ~ Paul Brenner, Rovi

The first independent production of former studio mogul Jack Warner, 1776 was adapted from the hit 1969 Broadway musical by Peter Stone and Sherman Edwards. William Daniels, Ken Howard, and Howard Da Silva are among the many actors who recreate their Broadway roles. The story is set during the first Continental Congress, when the Declaration of Independence was drafted by such founding fathers as John Adams (Daniels) and Benjamin Franklin (Da Silva). The script attempts to "humanize" these remote historical figures by contemporizing them -- particularly the character of Ben Franklin. Blythe Danner's character of Martha Jefferson is expanded for the film version to allow for an elaborate outdoor production number. After 1776, Warner made only one more film, the 1972 "grunge Western" Dirty Little Billy. On an added note: the picture was originally rated G with its theatrical running time of 141 minutes. It was later expanded to 166 minutes; the added scenes caused the MPAA to re-rate it PG (for language) in 1992. Both versions are available on video. ~ Hal Erickson, Rovi

This crime-drama follows the exploits of a rock star who is finally freed from prison after being convicted of drug dealing. Though he wants to go straight, he is blackmailed by a crooked cop who forces him to sell marijuana. ~ Sandra Brennan, Rovi