Paul Schrader Movies
Raised in a strict religious household in Michigan, writer/director Paul Schrader studied theology at Calvin College and didn't see a movie until he was in his late teens. His stern background would fuel many of the themes throughout his career: downbeat stories of characters who violently break down in oppressive situations. Transfixed by the cinema and encouraged by critic Pauline Kael, he moved to Los Angeles and became a film scholar at U.C.L.A. He wrote movie reviews for newspapers, edited the magazine Cinema, and wrote the highly influential critical essay "The Trancendental Style: Ozu, Bresson, Dryer." After a period of heavy drinking and serious depression, he sold his first screenplay, The Yakuza, a Japanese thriller co-written with his brother, Leonard, and Robert Towne. The next year, Schrader wrote Taxi Driver, the grim tale of urban alienation. Taxi Driver started his successful collaborative relationship with director Martin Scorsese, another so-called "film school brat" who was also raised in a religious household.After writing the screenplays for Obsession and Rolling Thunder, Schrader made his directorial debut with Blue Collar in 1978, a forceful exposé about auto workers. The following year he directed Hardcore, a poorly received but shocking account of a Midwestern girl escaping her family for a porno career in L.A. He would continue to explore the seedy underbelly of the sex industry in American Gigolo, a glossier look at another troubled hero that gained Schrader some attention. He teamed up with Scorsese for the second time with the emotionally brutal Raging Bull, one of the most acclaimed American films of the '80s, and a good example of Schrader's reoccurring destructive male protagonists suffering from violent desperation. This high point in his career was followed by a sporadic period during which he returned to evocative sexual themes with the remake of Cat People and won a Cannes prize for Mishima. Never ceasing to address controversial subject matter, he scripted The Last Temptation of Christ in his third collaboration with Scorsese, and then went on to write Patty Hearst, based upon the real-life terrorist-kidnapping plot. Light Sleeper, which he wrote and directed in 1992, can be thought of as the last entry in a trilogy of films -- together with Taxi Driver and American Gigolo -- investigating self-destructive urban loners driven to near madness.
For many of his other directorial projects in the '90s, Schrader turned to literature adaptations. The Comfort of Strangers was based upon the Ian McEwan novel , Touch, on an Elmore Leonard novel, and Affliction, on a Russell Banks novel. The latter enjoyed critical success for Schrader's abilities, in addition to a Best Supporting Actor Oscar for James Coburn. Unfortunately, the writer's fourth pairing with Scorsese for Bringing out the Dead did not do as well as hoped, compared with their triumphs in the past. After writing and directing Forever Mine, which debuted on cable, Schrader switched gears and worked only as a director for Auto Focus in 2002. This dark biopic of television star Bob Crane combines his frequent themes of sexual discrepancies and inevitable breakdowns. ~ Andrea LeVasseur, All Movie Guide
- 2011
Paul Schrader heads to Bollywood to write and direct the action film Extreme City, focusing on an American who gets wrapped up in some trouble with the Mafia after heading to India in order to help his father-in-law with a kidnapping plot. ~ Jeremy Wheeler, All Movie Guide
Author Yoram Kaniuk's celebrated 1971 novel concerning a charismatic yet questionably sane Holocaust survivor comes to the screen in this dark drama starring Jeff Goldblum, Willem Dafoe, and Derek Jacobi. In the years before World War II, Adam Stein (Goldblum) was a Berlin entertainer who thrilled audiences with extravagant circus acts and spectacular magic tricks. Later, when Hitler took power and Europe was plunged into chaos, Stein and his family were locked away in a concentration camp presided over by the sadistic Commandant Klein (Dafoe). The only reason Stein survived those dreadful years was because he managed to become the commandant's personal "dog," entertaining his captors even as his wife and daughter are marched off to die. Flash-forward to 1961, when Stein is a patient at an Israeli mental hospital for Holocaust survivors. Seemingly able to read minds, Stein confounds head doctor Nathan Gross (Jacobi) with the question "Who brought a dog in here?" Despite Gross' vehement denial that any such animal is on the premises, Stein soon tracks the scent to a young boy who has spent his entire youth locked in a basement and chained to a wall. Over time, Stein and the boy see in each other something undeniably familiar, and the two kindred spirits set out on a remarkable journey together. ~ Jason Buchanan, All Movie Guide
- Starring:
- Jeff Goldblum, Willem Dafoe, (more)
With The Walker, Paul Schrader unofficially updates themes and tropes first explored by his controversial erotic thriller American Gigolo (1980). Woody Harrelson stars as Carter Page III, an overtly gay, Virginia senator's son, paid as an asexual escort of middle-aged women in the upper-crust circles of Washington, D.C. Carter's regular clients include three politicos' wives: Natalie Van Miter (Lauren Bacall), Abigail Delorean (Lily Tomlin), and Lynn Lockner (Kristin Scott Thomas), to whom Carter is closest - so close that he squires her, regularly, to sexual rendezvous with her lover, the lobbyist Robbie Kononsberg (Steven Hartley). When an unknown perpetrator stabs Robbie to death, and Lynn discovers his murdered body at his condo, Carter attempts to protect Lynn and her husband, Larry (Willem Dafoe), from media intrusion by informing the police that he found the body himself, despite the fact that it makes him an immediate suspect. In time, Carter discovers from the women (during their gossip over a canasta game) that Robbie was involved with a shady insurance company, on the verge of being investigated - and that the investigation would have uncovered dirt and scandal on each woman. To shield Lynn from trouble, and deliver himself from incrimination, Page ultimately decides to investigate the crime himself, with the close assistance of his lover, the German-Turkish photographer Emek (Moritz Bleibtreu). Schrader authored the original script. ~ Nathan Southern, All Movie Guide
- Starring:
- Woody Harrelson, Kristin Scott Thomas, (more)
- 2005
- R
- Add Dominion: A Prequel to the Exorcist to QueueAdd Dominion: A Prequel to the Exorcist to top of Queue
In 2003, respected filmmaker and screenwriter Paul Schrader was hired to direct a prequel to the 1973 box-office smash The Exorcist. However, when Schrader turned in his film to executives at Morgan Creek Productions, the producers felt the film was not marketable, and they opted to remake the picture with director Renny Harlin, who brought a more visually aggressive approach to the story than Schrader's more contemplative vision. In 2004, Harlin's film, Exorcist: The Beginning, was released to middling critical and financial response, while the following year, Schrader's version went into limited release following film festival screenings. In Schrader's Exorcist: The Prequel, Father Lankester Merrin, the aging exorcist from the original story (played here by Stellan Skarsgård) is introduced in 1944, as he serves a flock in Holland during the Nazi occupation. After Nazi officers force Merrin to choose ten members of his congregation for immediate execution, Merrin is left an emotionally broken man, and he takes a leave of absence from his duties. Three years later, Merrin is taking part in an archeological project in East Africa, and he and his crew -- including priest Father Francis (Gabriel Mann), Major Granville (Julian Wadham), and Rachel Lesno (Clara Bellar) -- discover that a church from the fifth century has been buried in the desert. As Merrin and his associates discover that that a porthole to evil is located in the church, Cheche (Billy Crawford), a local boy Merrin has taken under his wing, begins showing signs of having fallen under the spell of Satanic forces. ~ Mark Deming, All Movie Guide
- Starring:
- Stellan Skarsgård, Gabriel Mann, (more)
Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.
Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide
Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide
- Starring:
- Dede Allen, Peter Bart, (more)
In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, All Movie Guide
- Starring:
- Martin Scorsese, Francis Ford Coppola, (more)
The life and sordid, untimely death of Hogan's Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane's show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early '60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan's Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else's surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn't long before Anne demands a divorce, and Crane marries his Hogan's co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who's more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002. ~ Michael Hastings, All Movie Guide
- Starring:
- Greg Kinnear, Willem Dafoe, (more)
Writer/director Paul Schrader explored his well-documented interest in film noir with this modern-day crime story. A horribly disfigured man named Manuel Esquema (Joseph Fiennes) is called upon to help out Mark Brice (Ray Liotta), a former city councilman in a wealthy New York community. Brice has been accused of some serious financial irregularities, and Esquema is the sort of "fixer" who might be able to make his problems go away. Mark, however, doesn't recognize Esquema as the former Alan Ripley, who was working as a towel boy at the Florida resort where Mark and his wife Ella (Gretchen Mol) were honeymooning shortly after their marriage. Alan became obsessed with Ella the moment he saw her, and before long the two were engaged in a torrid affair. Ripley urged Ella to leave Mark for him, but she refused; Ripley followed them to New York, and when Ella eventually confessed her infidelity to Mark, he responded by shooting off half of Alan's face. Alan survives and builds a new (and sinister) life for himself, but when Mark hires Esquema to help him, the former Alan's obsession with Ella blooms anew. Forever Mine was screened in competition at the 1999 Toronto Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Joseph Fiennes, Ray Liotta, (more)
This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York's most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn't save, and while he desperately wants to quit his job, outside forces won't let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of contemporary New York, one of his favorite locations, after three films set elsewhere: Kundun, Casino, and The Age of Innocence. The film also reunited Scorsese with screenwriter Paul Schrader, who scripted Taxi Driver, Raging Bull, and The Last Temptation of Christ. The supporting cast includes Patricia Arquette as the daughter of a heart attack victim that Frank has fallen in love with, and John Goodman and Ving Rhames as two of Frank's fellow drivers. ~ Mark Deming, All Movie Guide
- Starring:
- Nicolas Cage, Patricia Arquette, (more)
This film is the product of an unlikely pairing between novelist Elmore Leonard and maverick screenwriter-director Paul Schrader. Leonard usually writes Detroit-based crime novels; this time, Schrader transports one of Leonard's quirkier, non-crime books to an L.A. scene. Christopher Walken plays slick ex-preacher and musical promoter Bill Hill, who is trying to rescue his former church organist Virginia Worrell (Conchata Ferrell) from an abusive husband. He enlists a former Franciscan priest, a Brazilian named Juvenal (Skeet Ulrich) who now works as an alcohol rehabilitation counselor. Juvenal not only calms down Virginia's husband, he cures her blindness. Later, he also cures a young boy of leukemia. His laying on of his hands causes his palms to bleed with the stigmata of Jesus Christ. As work of his miraculous powers spreads, Juvenal becomes the prey of several people who want to exploit him, including Hill, who's out for money, and a militant traditionalist Catholic, August Murray (Tom Arnold), who wants Juvenal to help his crusade to restore the old-fashioned Latin Mass. Juvenal is also pursued by a television reporter, Kathy Worthington (Janeane Garofalo) and a tabloid TV show host, Debra Lusanne (Gina Gershon), who wants to televise his miracles live. Hill's scheme is to use an assistant record producer, Lynn Faulkner (Bridget Fonda), to pretend to be an alcoholic, get admitted to the center where Juvenal works, and find out more about Juvenal. ~ Michael Betzold, All Movie Guide
- Starring:
- Bridget Fonda, Christopher Walken, (more)
Nick Nolte and James Coburn deliver some of the finest work of their respective careers in this powerful but troubling adaptation of Russell Banks's novel. Wade Whitehouse (Nick Nolte) is the sheriff in a small New England town; it's a part-time job with few taxing responsibilities, and Wade fills his many free hours by swilling booze, smoking pot, and thinking back on his nightmarish childhood. Wade's father Glen (James Coburn) was by turns callous, distant, and abusive, and Wade has inherited his addiction to alcohol and inability to deal with others. Consequently, Wade's ex-wife (Mary Beth Hurt) despises him, his daughter is uncomfortable and frightened in his presence, and the only person who can reach him is his loving but long-suffering girlfriend Margie (Sissy Spacek). When a wealthy businessman is killed in a hunting accident, Wade suspects foul play and pursues the case with an obsession that puzzles all around him; meanwhile, Wade's mother dies and his brother Rolfe (Willem Dafoe), the only one in the family to escape Glen's abuse without crippling emotional scars, returns to pay his respects and is caught up once again in the damaged lives of his father and brother. James Coburn) won an Academy award for Best Supporting Actor for his work in Affliction, while Nick Nolte was nominated for Best Actor (he lost to Roberto Benigni). ~ Mark Deming, All Movie Guide
- Starring:
- Nick Nolte, James Coburn, (more)
Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, All Movie Guide
- Starring:
- Al Pacino, John Cusack, (more)
- 1994
- R
While investigating an infidelity case, an unconventional private detective discovers a far-reaching conspiracy in the magical world of 1950s Hollywood -- and in this film, the word "magical" is meant literally. Director Paul Schrader's comic mystery, originally made for cable, is set in an alternate universe where witchcraft is commonplace and magic just another modern convenience. The magic trend is particularly prominent in Hollywood, where detective H. Phillip Lovecraft is considered unusual for preferring to do things the old-fashioned, non-magical way. Still, Lovecraft is successful enough to be hired by famed movie star Kim Hudson, who suspects that she's being cheated on by her husband, wealthy producer N. G. Gottleib. It seems like a cut-and-dry case, until Gottleib winds up dead, the victim of a magic spell. Lovecraft's subsequent investigation finds this murder is part of a conspiracy centering around a secret, magic-run brothel and somehow involving Senator Lance Crockett, a McCarthy-like conservative leading a popular campaign to outlaw magic. When Crockett frames one of Lovecraft's friends as the witch responsible for Gottleib's death, it is up to Lovecraft to reveal the truth before his friend is burned at the stake. ~ Judd Blaise, All Movie Guide
- Starring:
- Dennis Hopper, Penelope Ann Miller, (more)
Paul Schrader's brilliant study of another alienated urban denizen skirting the borderline of madness stars Willem Dafoe as John Le Tour, a rich, upscale drug dealer for Manhattan professionals -- "White drugs for white people," as he puts it. John is a recovering addict and for him it's the perfect job, as he can relate completely with the self-absorbed eccentrics he services. But when his boss Ann (Susan Sarandon) tells John that she is planning to abandon the drug business for herbal cosmetics, John's life is thrown into disarray. With no future plans, he sees black clouds heading his way. Coincidentally, he runs into Marianne (Dana Delany), an old girlfriend and former addict who has returned to New York to be with her dying mother. John sees Marianne as his redemption and starts to pursue her, but she doesn't want to be reminded of her past. When the murder of an Upper West Side woman involved in a drug transaction has the police scouring the town for suspects, John thinks they are following him, and the strain upon his life and his hopes for the future become harder and harder to bear. ~ Paul Brenner, All Movie Guide
- Starring:
- Willem Dafoe, Susan Sarandon, (more)
In this erotic thriller, a young English couple on vacation in Venice find themselves seduced by a mysterious older couple. Mary (Natasha Richardson) and Colin (Rupert Everett) have come to Italy to chart the future of their troubled relationship. They soon meet Robert (Christopher Walken), the enigmatic owner of a picturesque watering hole. He entertains them with copious vino and colorful stories of a childhood spent with a brutal, domineering father. Later, drunk and lost in the maze-like city, the couple once again encounter Robert, who puts them up at his gorgeous villa. They also meet his wife, Caroline (Helen Mirren), who suffers from crippling back pain and obvious emotional instability. Fascinated by the glamorous older couple but disturbed by their dysfunctions, Colin and Mary find themselves slowly drawn into sexual and emotional games that culminate in sudden violence. Directed by Paul Schrader, The Comfort of Strangers was adapted by playwright Harold Pinter from the novel by Ian McEwan. Richardson previously starred in Patty Hearst, Schrader's portrait of the newspaper heiress-turned-terrorist. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Christopher Walken, Rupert Everett, (more)
- 1990
This documentary, made for PBS' American Masters series, explores the life and career of the renowned screenwriter and director Preston Sturges (1898-1959), whose few but very influential films managed to change the entire film industry. The documentary features clips from his films, and interviews with those who knew him well, including ex-wives. He was the first screenwriter to make the move to become a film director. He is best known for his unerringly light touch in dealing humorously with difficult topics, and directed one of the first widely successful spoofs of Hollywood, The Great McGinty. The director had a life as eventful and fraught with coincidences as anything in the movies, and this is recounted also. ~ Clarke Fountain, All Movie Guide
- Starring:
- Eddie Bracken, Thomas Quinn Curtiss, (more)
A cynical gambler reluctantly comes to the aid of a mysterious beauty in this interpolation of Casablanca and the real-life Cuban revolution. Big-stakes American gambler Jack Weil (Robert Redford) is comfortable in the anything-goes Havana of 1958. But with Fidel Castro out in the wilderness broadcasting revolutionary messages, it seems the good times may be on the way out. On a boat back to the island nation from the U.S. mainland, Weil agrees to help beautiful Bobby Duran (Lena Olin) smuggle in some contraband by trading vehicles with her on their way through the checkpoint. He's amused to discover not jewelry, but radio transmitters squirreled away in her car. Eventually, he learns that she's the European wife of monied Cuban communist Arturo Duran (Raul Julia), who believes his class and status will protect him from the ruling party. When that assumption turns out to be false, Jack finds himself sucked in by the plight of the suddenly widowed Bobby, who remains committed to her dangerous ideals. Risking his cushy lifestyle to protect Bobby from the coming tumult -- and from herself -- Jack must grapple with the dictates of his newfound conscience. With a supporting cast that includes Alan Arkin and Tomas Milian, Havana reunited director Sydney Pollack with Redford and David Rayfiel, star and co-screenwriter of The Way We Were. Rayfiel has also worked on a number of Pollack pictures, stretching from 1969's Castle Keep to 1995's remake of Sabrina. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Robert Redford, Lena Olin, (more)
- 1990
This documentary respectfully interviews a number of important American directors who have in one way or another "bucked the system." It also explores the life and work of earlier American mavericks through the tributes, reflections, and recollections of the first group. Prominent among the living directors interviewed are Martin Scorsese, Peter Bogdanovich, Francis Ford Coppola, Paul Schrader, and David Lynch. Among the directors who are discussed are Orson Welles, D.W. Griffith and Samuel Fuller. Clips from the films of these men, and interviews with important actors who have worked with them (e.g. Robert DeNiro) are another feature of this documentary, commissioned by Japanese public television corporation NHK. ~ Clarke Fountain, All Movie Guide
- Starring:
- Martin Scorsese, Paul Schrader, (more)
- 1988
- R
A newspaper heiress is kidnapped, brainwashed, and forced to join a group of terrorist bank robbers in this docudrama, based on the saga of Patricia Hearst. In 1974, Hearst (Natasha Richardson), the granddaughter of publishing tycoon William Randolph Hearst, was a student at the University of California. On February 4, members of the Symbionese Liberation Army, a radical political group, broke into the Berkeley home she shared with her boyfriend and kidnapped her. Hearst then allegedly spent 57 days locked in a closet as she was indoctrinated into the group's revolutionary beliefs by their charismatic leader, Cinque (Ving Rhames). Eventually, Hearst joined (or at least pretended to join) the SLA, adopted the name Tania and participated in a number of high-profile bank robberies. After several SLA members died in a police fire storm, Hearst and fellow members Bill and Emily Harris (William Forsythe and Frances Fisher) went on the lam and were later arrested. Although she claimed her participation in the group was a ruse carried out to protect herself from further rape, torture, and mind control, Hearst eventually served several years in prison after her 1976 conviction for bank robbery. Based on the novel Every Secret Thing, Hearst's own account of the events, Paul Schrader's film tells the story from the heiress' own viewpoint, with little in the way of conflicting evidence. After President Carter ordered her release from prison in 1979, Hearst went on to act in several films, including Cecil B. Demented, a John Waters spoof whose plot bears some resemblance to her own life story. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Natasha Richardson, William Forsythe, (more)
Willem Dafoe plays Jesus Christ in this extraordinarily controversial adaptation of Nikos Kazantzaki's novel. The film depicts a sometimes reluctant, self-doubting Jesus, gradually coming to accept His divinity and the inexorability of His ultimate fate. The much-maligned sex scene with Mary Magdalene (Barbara Hershey) occurs as an hallucination experienced by Jesus as he suffers on the cross. This particular sequence was what infuriated the film's most rabid critics, but in fact it is just one of many iconoclastic musings to be found in the film and its source novel. Equally volatile are the intimations that, as a carpenter, Jesus indifferently shaped the crucifixes for other condemned prisoners long before his own fate was sealed, and that Judas (Harvey Keitel) was literally manipulated into betrayal by a Christ whose preoccuption with his own destiny compelled him to "use" others. None of these departures from the normal interpretation of the scriptures are offered as any more than theory; as such, it was accepted as food for thought by the more open-minded clerics and Biblical scholars who recommended the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Willem Dafoe, Harvey Keitel, (more)
- 1987
- PG13
A brother and sister grapple with family and lifestyle issues in this rock-n-roll drama. Real-life rocker Joan Jett stars as Patti Resnick, an unwed mother who sings and plays guitar in a Cleveland bar band with her brother Joe (Michael J. Fox). Estranged from her parents and struggling to make ends meet, Patti decides to dive headlong into a carefree rock-n-roll lifestyle. Good-guy Joe pulls away from music to provide some stability for her tiny son. It takes a family crisis to bring Patti back home and force her to face the prickly past with her devoutly Christian mother (Gena Rowlands). Despite a somewhat thin story, the film has solid performances all around, most especially from the refreshingly compelling Jett. Bruce Springsteen penned the title song. ~ Bernadette McCallion, All Movie Guide
- Starring:
- Michael J. Fox, Gena Rowlands, (more)
Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, All Movie Guide
- Starring:
- Harrison Ford, Helen Mirren, (more)
- 1985
- R
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In Paul Schrader's unusual biopic, Ken Ogata stars as Yukio Mishima, perhaps the most celebrated Japanese novelist of the last five decades. The film begins with Mishima's youth, then moves forward in episodic fashion to his 1970 suicide, symbolically committed at a military site. Originally titled Mishima: A Life in Four Chapters, the film is neatly divided into a quartet of acts, and the screenplay does not flinch in its depiction of Mishima's hyperactive sex life. Among the many neat directorial touches is the decision to offer the narrative in black-and-white, while depicting scenes from Mishima's novels in vibrant color. Written off as self-indulgent by those impatient with Schrader's fragmentary technique, Mishima was produced in Japan by Francis Ford Coppola and George Lucas, an offshoot of Coppola's involvement with Japanese director Akira Kurosawa's Kagemusha. ~ Hal Erickson, All Movie Guide
- Starring:
- Ken Ogata, Masayuki Shionoya, (more)
- 1984
The film style of Robert Bresson is the subject of this documentary tribute to the French director and screenwriter, and to his minimalist auteur films about sensitive individuals (or even animals) trying unsuccessfully to survive in a cruel world. Weg Naar Bresson is divided into several segments with specific themes, such as "camera" or "theory," that are illustrated by film clips, and interviews with Bresson himself (a coup), and also with acclaimed directors Andrei Tarkovsky, Louis Malle, and Paul Schrader (who also wrote a book on three directors, including Bresson). The knowledge and experience revealed in each interview, and the examples of the film clips are clear indicators that the 54-minute running time of this documentary is too short, and should have been extended to do full justice to Bresson and his films. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Robert Bresson, Louis Malle, (more)
In this loose adaptation of the 1942 horror classic of the same name, a 2001-style opening montage establishes some sort of sacrificial, mystical union between panthers and an ancient tribe of humans. Flash forward to 1980's New Orleans, where waifish Irina (Natassja Kinski) meets her older brother, Paul (Malcolm McDowell), a minister, for the first time since their animal trainer parents died and she was sent to a series of foster homes. Paul's Creole housekeeper, Female (Ruby Dee), helps Irina settle into her brother's home, but Paul himself disappears. Cut to a fleabag motel where a blasé prostitute finds an angry panther instead of a client; after mauling her, the cat is captured by police and a team of zoologists: Oliver (John Heard), Alice (Annette O'Toole), and Joe (Ed Begley Jr.). The next day Irina finds herself in the zoo where these scientists work; drawn to the newly captured panther, she befriends Oliver and takes a job in the gift shop. Shortly after the panther's violence turns deadly, it escapes, and soon Paul turns up spouting an unbelievable story about his family's were-cat heritage and his inevitable sexual union with little Irina. On the run from her dangerous brother, Irina takes refuge in a sexually frustrated romance with Oliver, afraid of what might happen if she consummates their passion. Astute viewers will notice that the zoologist characters refer to the film's panthers as leopards; "panther" is actually a generic term for any large cat, especially a black one, but Cat People's panthers are in fact leopards whose black color comes from a recessive trait known as melanism. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Nastassja Kinski, Malcolm McDowell, (more)
