Bernard Schoenfeld Movies

Eddie Albert guest stars in this episode, playing--of all things--a middle-aged American farmer with a foreign-accented wife. But this is Combat, not Green Acres: Albert's character, a WW1 veteran named Phil, has been living in France with his French-born wife Marie (played by Alida Valli of The Third Man fame) ever since the Armistice. Unhinged by the ceaseless gunfire of WW2, Phil begins to imagine that he is still fighting The Great War--and so he dons his old uniform, marches into the countryside, and captures Sgt. Saunders (Vince Morrow), whom he believes to be a "Heinie" spy! ~ Hal Erickson, All Movie Guide

In this fun-filled adventure-fantasy, a rookie knight embarks upon a valiant quest to save a princess who has been captured by a malicious magician. Along the way he must battle the usual assortment of dragons, ogres and other mythical beings. He is assisted by a good witch who gives him a magic sword. Unfortunately, the magic fails and suddenly he must find his own magic from within. ~ Sandra Brennan, All Movie Guide

Charles Underhill (John McIntire) and his niece Anne (Suzanne Pleshette) offer a ride to Len (Robert Morse), the nice young man who helped Charles repair his stalled car. Shortly thereafter, Underhill learns that Len has spent several years in a reform school. Now in fear of his life, Underhill wonders how he can rid himself of the youthful hitchhiker -- but as it turns out, Len is the least of his worries. ~ Hal Erickson, All Movie Guide

Having the unique distinction of being perhaps the only American drama filmed in Cuba just after Fidel Castro's revolution, Pier 5, Havana is also distinctive because the American hero Steve Daggett (Cameron Mitchell) fights to protect Castro from dangerous pro-Batista counterrevolutionaries. Steve comes to Cuba to find his friend Hank Miller (Logan Field) who has been missing for awhile. It turns out that he has been captured by Fernando (Eduardo Noriega), the leader of the pro-Batista forces, who needs Hank to convert their airplanes into bombers. Steve enlists the help of the local police in his search for Hank. Complicating matters is the fact that Steve's former girlfriend Monica (Allison Hayes) is now Mrs. Hank Miller. ~ Eleanor Mannikka, All Movie Guide

Bette Davis guest stars in this episode, which was directed by her former Now, Voyager co-star Paul Henreid. Davis is cast as Miss Fox, a wealthy woman living in a luxury apartment. Taking a liking to elevator operator Eddie McMahon (James Congdon), Miss Fox hires him to walk her dog. Later on, Eddie approaches Miss Fox, asking for a generous loan. She refuses -- and shortly thereafter, she is brutally attacked on the street by an unseen assailant. ~ Hal Erickson, All Movie Guide

Gangster Eddie Slovak (Alex Nicol) is worried that his cowardice during the Korean War will be exposed by his old army buddy Pete (Don Keefer). To prevent this, Eddie offers Pete a huge sum of money to keep his mouth shut. But the gangster overplays his hand when he falls in love with Pete's wife Louise (Nita Talbot). Figuring into the outcome of the story is an elaborate murder scheme involving another woman, named Fay (Carmen Mathews). ~ Hal Erickson, All Movie Guide

Dave Brewster (Adam Williams) arrives to take his new job as an electronics technician at a top-secret Air Force base in California. With him are his wife Anne (Peggy Webber) and their two children, Bud (Mikel Ray) and Ken (Johnny Crawford), who are all apprehensive about this sudden transplant, as well as the spartan existence that all of the families live under. No sooner do they arrive, however, then Bud and Ken see a strange light in the sky pointing to the beach, and soon after that seem to be receiving increasingly powerful -- and detailed -- telepathic communications from an unseen source. The boys are drawn, along with the children from the other families, to a lonely cave near the beach, where an alien presence, in the form of a huge (and ever-growing) brain, has hidden itself. At first, it uses the children to try and persuade the more reasonable of the parents that their project -- a missile called The Thunderer, which will place a hydrogen bomb in orbit, capable of being used on any target in the event the United States is threatened -- is too dangerous to complete. But the parents aren't prepared to listen, either because they don't understand the danger, or because they genuinely believe in the conduct of the Cold War, as in the case of Hank Johnson (Jackie Coogan); or because they're too angry and belligerent, like Joe Gamble (Russell Johnson), who is at a dead-end in his job and has taken to alcoholism and abusing his wife (Jean Engstrom) and stepson (Johnny Washbrook). As the launch approaches and the children's entreaties are ignored, the alien takes more direct action with their help, and they soon find a potential ally in in Dr. Wahrman (Raymond Bailey), the inventor of The Thunderer, who is also the only man on the project smart enough to realize that he may not have all the answers. But the military head of the project (Richard Shannon) is stil prepared to launch The Thunderer, regardless of its inventor's doubts. ~ Bruce Eder, All Movie Guide

Professional hit man Manny Coe (Dick York) is kept on retainer by crime boss Mr. Williams (George Macready) to eliminate those crooks who have outlasted their usefulness to Williams' operation. When Manny bumps off an inept jewel thief, his girlfriend Betty (Kathleen Maguire) threatens to call the cops. Without batting an eyelash, Williams orders Manny to eliminate Betty. This ultimately proves to be unnecessary, but Williams is notoriously intolerant of those who do not carry out his instructions to the letter. ~ Hal Erickson, All Movie Guide

There's Always Tomorrow is a remake of a 1934 film of the same name. Fred MacMurray is a toy company executive whose wife (Joan Bennett) and kids (Gigi Perreau, William Reynolds and Judy Nugent) take him for granted. Barbara Stanwyck is Fred's former girlfriend, whose own business activities result in a surprise reunion. MacMurray falls back in love with Stanwyck and prepares to leave his family. MacMurray's children go to Stanwyck and politely ask her to back off. She does so, and MacMurray's wife Bennett, who's been out of town during all this, is none the wiser. In the original There's Always Tomorrow, the male and female leads (Frank Morgan and Binnie Barnes) were farther apart age-wise, making their brief encounter all the more poignant. ~ Hal Erickson, All Movie Guide

Pianist Gil Larkin (Robert Horton) falls in love with singer Mona Cameron (Cara Williams), who claims that her husband is abusing her. Gallantly, Gil heads to the husband's office to tell him off, only to witness the man's murder -- just before he himself is knocked unconscious. It soon develops that the husband's death had been carefully planned by an unknown party...and that Gil has been set up to take the fall. ~ Hal Erickson, All Movie Guide

Gangster Louis Koster (Robert Middleton) knows that his wife Marian (Kathleen Hughes) is cheating on him, but he doesn't know the name of her lover. In lieu of this information, Koster hires a hit man to bump off Marian. Things get out of hand for the unfortunate Mr. Koster when Marian strikes "a better bargain" with the would-be assassin. ~ Hal Erickson, All Movie Guide

The tendency is to scoff at Macao as just another example of Josef von Sternberg's late-career exercises in exoticism; true, it has its problems, including a weak plot and a slightly hasty pace, but it is still an extraordinary film for its time and its personnel. The real sparkplug for the movie is Jane Russell as out-of-work singer Julie Benson, who inadvertently gets the plot rolling when she ends up in a cabin with a lout who won't take no for an answer. Her plight, and a flying shoe, brings in laconic, slightly mysterious traveler Nick Cochran (Robert Mitchum), who seems to have something to hide and manages to get his wallet (including passport) lifted by the opportunistic Julie. Crossing paths with them is Lawrence Trumble (William Bendix), a good-natured lunkhead salesman coming to Macao for the gambling. And gambling, among other less legal activities, is what local hood Halloran (Brad Dexter) is all about. He's just hot enough in international crime circles to attract the authorities, who can't touch him in Macao; he's already had one New York detective killed and expects another to arrive, and he's keeping an eye on any suspicious, unfamiliar Westerners arriving, which leads him to Julie, Cochran, and Trumble. Halloran has other, obvious plans for Julie, especially when obliging corrupt police chief Thomas Gomez points her to a singing job at his club, much to the distress of his one-time girlfriend (Gloria Grahame); he dismisses Trumble as a lovable clown. But Nick has cop written all over him and is hiding something. All of the pieces fit together neatly in the end, and everyone is keeping at least one secret that will surprise viewers.

What makes Macao truly special are the performances, beginning with Jane Russell, who, with the possible exception of Gentlemen Prefer Blondes, was never better. Her ample physical assets are on display as usual, but she also never gave a sharper, more naturalistic or purely sensual acting performance. Russell had clearly found her talent and her center with this film. Whether she's shooting a suspicious glance at larcenous police chief Thomas Gomez, singing a sultry torch song in a seductive white strapless outfit, or striding forward in an exquisite dolly-out shot, she commands every scene in which she appears. And it's not just her imposing physique that does it, but a boldness of nuance; Russell had learned a lot since The Outlaw. Brad Dexter, the odd man out in The Magnificent Seven, makes an excellent villain, like a more pathological version of Steve Cochran. Meanwhile, Robert Mitchum, in his portrayal of a neurotic, perhaps shell-shocked veteran, shows a vulnerable side that seldom came out so convincingly or touchingly in his RKO movies; and even William Bendix found a new wrinkle to his screen persona as the seemingly larcenous commercial traveler. The audience will be beguiled and surprised throughout this movie -- an underrated noir classic -- and not just by the stories that unravel. The last line and wrap shot create an amazingly lusty, censor-challenging denouement for an early '50s film. ~ Bruce Eder, All Movie Guide

This grade-A example of "film noir" stars Mark Stevens as Brad Galt, an embittered ex-convict who returns to the private detective business upon his release. Sour and surly, Galt behaves himself only when he's around his faithful and adoring secretary Kathleen (top-billed Lucille Ball). When Galt's crooked former partner Tony Jardine (Kurt Krueger) inaugurates an affair with socialite Mari Cathcart (Cathy Downs), Cathcart's waspish art-collector husband (Clifton Webb) arranges Jardine's murder, carefully pinning the blame on Galt. On the lam from the cops, Galt must rely on Kathleen to help gather enough evidence to prove his innocence. Best scene: Cathcart's abrupt but chillingly casual murder of his partner-in-crime (William Bendix). The deliberate lack of background music serves to enhance the gloomy atmosphere of The Dark Corner. ~ Hal Erickson, All Movie Guide