Thomas A. Carlin Movies

The smash success Caddyshack became a prototype for countless other wacky T&A-tinged teen comedies of the early 1980s. At an exclusive country club for WASPish snobs, an ambitious young caddy (Michael O'Keefe) from an overpopulated home eagerly pursues a caddy scholarship in hopes of attending college and, in turn, avoiding a job at the lumber yard. In order to succeed, he must first win the favor of the elitist Judge Smails (Ted Knight), then the caddy golf tournament which the good judge sponsors. Of course, there are love interests as well -- one good, one naughty -- not to mention several foes he must vanquish along the way. The story itself serves to string along a series of slapstick scenes involving an obnoxious nouveau riche land developer (Rodney Dangerfield) who wants to turn the site into a condominium community; an oddball, Zen-quoting, millionaire slacker/golf ace (Chevy Chase); and a psychotic groundskeeper (Bill Murray) with a gopher-fixation. Caddyshack was a bona fide hit; throughout the '80s and '90s, director Harold Ramis would continue to create such hits as Ghostbusters, Groundhog Day, and Analyze This. ~ Jeremy Beday, All Movie Guide

You've probably already guessed that the Family Business in this all-star melodrama is the business of crime. Adapted from a novel by Vincent Patrick, the film stars Sean Connery as Jessie McMullen, the patriarch of a family of career criminals, including his son Vito (Dustin Hoffman) and grandson Adam (Matthew Broderick). Vito has gone legit, but college-educated Adam remains loyal to his grandfather. Reluctantly, Vito joins his father and son on a big-time heist involving millions of dollars' worth of test-tube specimens. There's many a slip-up and betrayal before the three generations can find a common ground. ~ Hal Erickson, All Movie Guide

A tortured man finds himself caught in a middle-ground between hallucination and reality in this supernatural thriller, scripted by Bruce Joel Rubin of Ghost (1990) and My Life (1993).
Jacob Singer (Tim Robbins) is a soldier stationed in Vietnam who undergoes a traumatic experience on the battlefield - the nature of which is initially unclear. The film then moves into his post-Vietnam experience in 1970s New York, where he feels consistently traumatized, but can never quite remember exactly what happened to him in Southeast Asia or to free himself from his anxieties over the recent tragic death of his young son (Macaulay Culkin). Though well educated, Jacob works as a letter carrier for the U.S. Postal Service and has become romantically involved with one of his co-workers, Jezzie (Elizabeth Pena), after divorcing his wife. Soon, Jacob's tenuous hold on reality starts to slip as horrifying events befall him; he is nearly run over by a subway train, pursued by faceless demons in cars, and spots reptilian tails and horns protruding from the bodies of those he encounters. Jacob also suffers severe panic attacks related to the chaos that may be reality, or may exist only in his mind. He seeks counsel from Louis (Danny Aiello), a kindly chiropractor, as his ex-wife Sarah (Patricia Kalember), fellow Vietnam vet Paul (Pruitt Taylor Vince), and enigmatic stranger Michael (Matt Craven) all try to help the tortured soul. Jason Alexander, Ving Rhames and Eriq LaSalle highlight the supporting cast. ~ Mark Deming, All Movie Guide

Independent filmmaker John Sayles creates one of his more artistic works with this period feature about a volatile 1920s labor dispute in the town of Matewan, West Virginia. Matewan is a coal town where the local miners' lives are controlled by the powerful Stone Mountain Coal Company. The company practically owns the town, reducing workers' wages while raising prices at the company-owned supply and grocery. The citizens' land and homes are not their own, and the future seems dim. When the coal company brings immigrants and minorities to Matewan as cheaper labor, union organizer Joe Kenehan (Chris Cooper) scours the town to unite all miners in a strike. As the crisis grows, strikers and their families are removed from their homes by two coal company mercenaries (Kevin Tighe and Gordon Clapp, both also featured in Sayles' Eight Men Out (1988)), and the situation heads toward a final shootout on Matewan's main street . Sayles' simple but telling screenplay brings to light the treatment of immigrants and minorities in the early 20th century South, and it draws sharp parallels between the Matewan labor battle and the Civil War some 50 years earlier. The visual feel of the film is real West Virginia backwoods, with much of the credit going to legendary cinematographer Haskell Wexler, whose warm, rustic lighting belies the anxiety and terror felt by the oppressed townspeople. ~ Norm Schrager, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

Filmed in Vermont, The Man That Corrupted Hadleyburg is based on one of Mark Twain's more mysoginistic works. Mysterious stranger Robert Preston shows up in Hadleyburg, a town that prides itself upon the honesty and integrity of its leaders. Preston offers $40,000 in gold to the anonymous Hadleyburg citizen who, years earlier, had given Preston a handout and some valuable advice. The stranger sends letters to each of Hadleyburg's nineteen finest families, containing cryptic clues pointing to the identity of the beneficiary of the gold. Before the story is over, it becomes painfully clear that 18 of the town's "nineteeners" are willing to lie and deceive in order to claim the prize. Adapted by Mark Harris (who was compelled to sweat out 40 pages of the original story in order to make it "play" on TV), The Man That Corrupted Hadleyburg was first presented in tandem with a dramatization of William Faulkner's Barn Burning on PBS' American Short Story series; the program first aired on March 17, 1980. ~ Hal Erickson, All Movie Guide

17-year-old Sal Mineo was one of the hottest young actors in Hollywood when The Young Don't Cry was specially tailored for his talents. Filmed on location at the Bethesda Home for Boys in Savannah, Georgia, the film stars Mineo as Leslie Henderson, a lonely older orphan who befriends escaped convict Rudy Krist (James Whitmore). Like Leslie, Rudy has spent his entire life feeling alone and unloved, but in his case he is totally irredeemable, using Leslie to further his own getaway plans. At long last, Leslie figures out that Rudy is a no-good--and also finds his own true niche in life. Worth noting is the film's sympathetic treatment of its two principal black characters, played by Leigh Whipper and Ruth Attaway; in 1957, it was still chancy to show any sort of equanimity between black and white people on screen. ~ Hal Erickson, All Movie Guide