Joy Carlin Movies

A woman finds herself torn between two cultures in this independent drama. Hava (Pooja Kumar) is a young woman born to a Pakistani-American family living in California. Hava's parents are keen to have their daughter grow up respecting Pakistani traditions rather than adopting a typical American lifestyle, so she was sent to Pakistan as a child, where she spent nine years living with family and studying. After returning to America, Hava becomes eager to sample some of the freedoms and possibilities which were closed to her in Pakistan, despite the objections of her parents. Without telling her father, Hava enrolls at a local college and takes a job at a coffee house, where she meets fellow student Justin (Craig Marker). Hava is attracted to Justin, and he feels the same way about her as he gently introduces her to the life of a typical college student; however, Hava's parents have pledged her hand to Salman (Suhail Tayeb), a fellow Pakistani-American, and Hava must decide if she is to follow the wishes of her family or her own heart. Night of Henna is the first feature film from writer and director Hassan Zee, who is himself a Pakistani immigrant living in California. ~ Mark Deming, Rovi

Curiously listed as a 1991 theatrical production in some sources, Eye on the Sparrow was actually a made-for-TV movie, which first aired December 7, 1987. Mare Winningham plays a blind Missouri woman who marries sightless teacher David Carradine. He is resigned to a world of darkness, but she is bitter over her lot in life, especially after an operation all-too-temporarily restores her sight. Unable to conceive children, the couple tries to adopt: but this is the mid-1960s, and agencies are unwilling to entrust "normal" children to the visually impaired. The only children permitted into their household are the handicapped rejects from foster homes. During their 12-year struggle to prove themselves acceptable as adoptive parents, the woman grows spiritually, learning to shelve her own self-pity by caring for those less fortunate than herself. Based on fact, Eye on the Sparrow was written for television by Barbara Turner (the mother, incidentally, of actress Jennifer Jason Leigh). ~ Hal Erickson, Rovi

A Christmas Without Snow originally premiered December 9, 1980. The title refers to the film's setting: the snowless San Francisco. The story is told from the point of view of newly divorced Michael Learned, who comes to grips with disillusionment with a little help from her friends in the church choir. As the singers prepare for a performance of Handel's "Messiah" under the autocratic leadership of choirmaster John Houseman, we learn a little something about the personal lives of several choir members, including Ramon Bieri, Ruth Nelson and Valerie Curtin--and the lonely Houseman himself. Christmas without Snow was presented by CBS in conjunction with the network's Family Reading Program. ~ Hal Erickson, Rovi

"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, Rovi