Emmanuel Schlumberger Movies

Gillies MacKinnon directed this $5.6 million production with a screenplay by his brother, Billy MacKinnon. The film adapts the 1992 autobiographical novel by Esther Freud (Sigmund Freud's granddaughter) about hippie misadventures in North Africa in 1972, as described by a five-year-old girl. Disenchanted with the dreary conventions of English life, 25-year-old Julia (Kate Winslet) heads for Morocco with her children, six-year-old Lucy (Carrie Mullan) and precocious eight-year-old Bea (Bella Riza). Living at a low-rent Marrakesh hotel, the trio survives on the sale of hand-sewn dolls and a few checks from the girls' father, a London poet who also has a child by another woman. After the girls match their mother with gentle Moroccan acrobat and con man Bilal (Said Taghmaoui), sexual gears are set in motion, and he moves in, serving as a surrogate father. Julia's friend Eva (Sira Stampe) urges Julia to study in Algiers with a revered Sufi master at a school of "the annihilation of the ego," and in another sequence European dandy Santoni invites Julia and the girls to his villa. As finances dwindle, Julia's philosophy is "God will provide," although usually it's Bilal who provides. This film was shot October-November 1997 in Morocco, where Winslet caught a stomach bug. Back in London, she went directly into the hospital and thus missed Titanic's London premiere. The score blends North African music with British-American pop hits of the '60s. The film's title derives from a word game played by the girls. Shown at the 1998 Dinard Festival of British Cinema and the 1998 London Film Festival. ~ Bhob Stewart, Rovi

Based on an award-winning play by Jean-Noel Fenwick, this fact-based drama offers a lively account of the lives and professional struggles of Noble prize-winning research scientists Pierre and Marie Curie. The two meet at the Paris School of Physics & Chemistry in a frosty laboratory. There Pierre (Charles Berling) and fellow researcher Gustave Bemont (Christian Charmetant) are busy with their work when the brash Marie Sklodowska bursts in to join them. She has been assigned there at the request of the school director Rodolphe Schutz (Phillipe Noiret), a man determined to have his school win the coveted Science Academy palmes, the highest honor in the French scientific community. Though she apparently speaks no French, Sklodowska proves her brilliance from the start. When not busy in the lab, Sklodowska and Pierre are busy in the boudoir indulging in another kind of experimentation that leads to love and ultimately marriage. This complicates matters for it is not easy to juggle the rigors of science, antagonistic colleagues, national pride and the demands of a family. Science aficionados in the audience may get a tickle from the cameo appearances by two Nobel laureate physicists, Pierre-Gilles de Gennes and Georges Charpak who show up as delivery men coming to unload a huge truckload of radium-bearing rocks. ~ Sandra Brennan, Rovi

In this affecting melodrama, a plucky ten-year old, who is the one delight her divorced parents enjoy together, is diagnosed with an inoperable brain tumor. This news doesn't upset her particularly, and she maintains an even keel in the face of her parents' hysteria. On learning of this diagnosis, her father takes her away for a rambling drive through France, Italy and Switzerland. Her actress mother, meanwhile, must cope with the news while attempting to carry on with the production she is in. ~ Clarke Fountain, Rovi

Titled after the name of a little girl's dress size, the coming-of-age drama 36 Fillette follows a couple days in the life of 14-year-old Lili (Delphine Zentout), whose physically mature features contrast with her immature adolescent angst. Away from her home in Paris, she is painfully bored during a summer vacation in a windy little campground near the resort town of Biarritz. She's stuck with her emotionally unavailable parents (Adrienne Bonnet and Jean-Francois Stevenin) and older brother J.P. (Stephane Moquet). After some blatant begging on her part, J.P. eventually agrees to take her out to a disco. They don't have a car, so they hitch a ride from the middle-aged Maurice (Etienne Chicot), who is out cruising in his sports car. Maurice and J.P. go to a disco, but Lili is too young to get in. She spends the evening at a café talking to the celebrity musician Boris Golovine (Jean-Pierre Leaud), but she agrees to meet Maurice for a date at midnight. After much pleading with the doorman, Lili is allowed in to the disco where she dances with Maurice. Eventually, she leaves the club with him and spends the evening in his fancy hotel room. 36 Fillette was written and directed by Catherine Brelliat, who adapted the screenplay from her own semi-autobiographical novel. ~ Andrea LeVasseur, Rovi

Mixing together the erotic and a theme of imminent death, director Michel Deville has fashioned an increasingly unsettling tale, based on the French novel Sur la Terre Comme au Ciel by Rene Belletto. When David (Christophe Malavoy) arrives at the home of Julia (Nicole Garcia) and Graham (Michel Piccoli) to teach guitar to their teenage daughter, a certain attraction starts between the student and teacher. That disappears when Julia seduces David at his apartment, and the two begin an affair, seemingly with the tacit consent of Julia's husband. Meanwhile, David's neighbor keeps snooping around, and at one point David is saved from a mugger just in the nick of time by a man who turns out to be an assassin for hire -- and hired to kill Graham, Julia's husband. As danger looms on the horizon for David, Graham, Julia, and the assassin himself, tension mounts, and someone's violent death seems inevitable. ~ Eleanor Mannikka, Rovi

Based on a non-fiction bestseller of the same name by Rolf Hochhuth, Eine Liebe In Deutschland is about a tragic and forbidden love affair between Stanislaw, a Polish POW (Piotr Lysak) and Paulina (Hanna Schygulla) a fruit-and-vegetable vendor in a small town in Germany along the border with Switzerland. Their affair would have gone undetected except for the busybody women of the village, and when Stanislaw is picked up by a German stormtrooper (Armin Müller-Stahl) and brought in for a mock trial, he is given a chance to prove his racial purity and so perhaps escape execution. As for Paulina, she is ostracized by the villagers and imprisoned for consorting with someone who was not of the same high Aryan caste as herself. Depressing, yet politically relevant to Poland of the early 1980s, this film by acclaimed director Andrzej Wajda) is an effective and emotional statement on the nature of oppression. ~ Eleanor Mannikka, Rovi

Lola Lane and James Craig play explorers working on behalf of the British government. Lane and Craig have been assigned to venture deep into the wilds of Africa to retrieve the sacred skull of a long-deceased Sultan. Whoever possesses the skull will have total control over the native population--which is why several sinister gentlemen with Teutonic accents (America wasn't in the war yet, so no nationalities, please) also covet the skull. A reactivated volcano provides a rip-roaring climax for this Universal second feature. Zanzibar was based on a pair of short stories written by Maurice Tombragel and Maurice Wright, who collaborated on the screenplay. ~ Hal Erickson, Rovi