Herman Schlom Movies

Tim Holt's first western release for 1952 was Trail Guide. Tim (Holt) and his perennial saddle pal Chito Rafferty (Richard Martin) are hired to shepherd a wagon train to Arizona. Our Heroes end up protecting the travellers from a vicious ban of land-usurpers. Halfway through the proceedings, Tim and Chito are framed for murder and slated for a "necktie party," but things turn out in their favor. Trail Guide introduced a new leading lady to the RKO fold, Linda Douglas. Though the Tim Holt series had once been a cash cow for RKO, Trail Guide ended up $50,000 in the red, indication enough that the era of the "B"-western was drawing to a close. ~ Hal Erickson, All Movie Guide

Tim Holt and Richard Martin ride again in the RKO budget western Target. The story is nothing new: Tim (Holt) and Chito (Martin) take on a band of criminals who've been flummoxing local ranchers out of their land. The film's novelty value is the presence of a lady marshal, played by Linda Douglas. In typical 1950s fashion, of course, Douglas isn't quite as effective at keeping the peace as her two male co-stars. The supporting cast of Target is comprised of the usual western regulars, including Walter Reed, Lane Bradford and Riley Hill; also appearing in a sizeable role is John Hamilton, best-known as Perry White on TV's Superman. ~ Hal Erickson, All Movie Guide

Tim Holt rides again in RKO's Gunplay. This time, Holt and saddle pal Chito Rafferty (Richard Martin) try to solve a murder. The victim is the father of 11-year-old Chip Martin ([Harper Carter]) (best known for his portrayal of Clifton Webb's son in Titanic). At stake is a huge inheritance, which young Chip may lose to the head villain (who, of course, masterminded the murder). RKO's Tim Holt series was beginning to show its age, as indicated by the comparatively small box-office take of Gunplay. Nevertheless, the studio continued grinding out low-budget westerns until 1952. ~ Hal Erickson, All Movie Guide

One of only five films directed by Academy Award-nominated editor Stuart Gilmore, this 1951 Western stars Robert Young as Dan Craig, a gambler who may be the only man who can stop a war between a tribe of Native Americans and a group of white settlers. Shortly after the U.S. Civil War, Frank Crawford (Reed Hadley), a crooked politician, concocts a scheme to pillage the vast quantities of gold present on Apache tribal land. If Crawford can incite a war, he can clear the Apaches from the area and the gold will be his. Luckily Craig steps in, and with the help of Charlie Wolf (Jack Buetel), a half-Apache, helps prevent the tribe members from playing into Crawford's plan. But when Wolf's sister is murdered, he can no longer resist the urge to rise up, leaving Craig as the only one to avert a disastrous battle. ~ Matthew Tobey, All Movie Guide

Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there's foul play afoot and embark on an investigation. But Holt and Rafferty run into some trouble of their own in the form of Terry Muldoon (Gail Davis), the daughter of the owner of the telegraph company. ~ Matthew Tobey, All Movie Guide

Western star Tim Holt and director Lesley Selander continued their collaboration with Law of the Badlands. Holt and his cohort Chico Rafferty (Richard Martin) are lawmen who pose as desperadoes. The plan is to infiltrate a vicious gang of counterfeiters who've been flooding the frontier with funny money. But when Holt's former girl friend Joan Dixon shows up in town, the jig is up. Law of the Badlands was the least expensive Tim Holt western since the mid-1940s, but thanks to postwar inflation the film lost money--as did most of Holt's subsequent RKO B pictures. ~ Hal Erickson, All Movie Guide

Some auteur critics feel that director Richard O. Fleischer did his best work while laboring in the "B" mills of RKO Radio. Fleischer's minimalist noir exercise Armored Car Robbery stars William Talman as the chief crook and Charles McGraw as the detective dogging his trail. A shade smarter than his gang underlings, Talman manages to elude capture, and even travels freely about in the company of his flashy lady friend Adele Jergens. But McGraw's persistence eventually pays off. Don McGuire, later a prolific TV producer/director, provides a welcome touch of comic relief as McGraw's rookie-cop assistant. A powerful (and slightly gruesome) climax caps this low-budget gem. ~ Hal Erickson, All Movie Guide

For a Tim Holt western, Border Treasure is surprisingly light on action scenes. The plot is the main consideration, as Ed Porter (Holt) and his saddle pal Chito Rafferty (Richard Martin) set about collecting money for an earthquake relief fund. The donations are stolen by the villains, whereupon Porter and Rafferty take chase. They nearly ride into an ambush, but are saved by Stella (Jane Nigh), the repentant girlfriend of one of the outlaws. Before the film's six reels have run their course, Our Heroes find themselves being accused of the robbery. Tim Holt fans won't believe that for a minute! ~ Hal Erickson, All Movie Guide

Westerner Tim Holt and his sidekick Richard Martin are hired to act as border guards on the Rio Grande. This being a modern western (more or less), Holt is obliged to keep insurrectionists from smuggling machine guns into Mexico. The villainy this time around is in the grubby but formidable hands of Douglas Fowley and Tom Tyler; Cleo Moore, voluptuous leading lady of many a Hugo Haas "B" melodrama, is also around to rouse Holt's interest south of the border. A very modest western, Rio Grande Patrol has had its virtues blown all out of proportion by devotees of "cult" director Lesley Selander. ~ Hal Erickson, All Movie Guide

Texas Rangers Tim Holt and Richard Martin are dispatched to halt a gang of masked outlaws terrorizing the frontier. Infiltrating the gang, Holt and Martin learn that the raiders are operating altruistically, robbing from the rich to give to the poor. The real villain, it seems, is the local banker (Frank Wilcox), who is mortgaging the local ranchers out of existence. Holt convinces masked-raider leader Marjorie Lord that it's best to let the law take his course, then rides out to bring the banker to task for his misdeeds. Masked Raiders moves along with the smooth expertise audiences of 1949 had come to expect from RKO's Tim Holt western series. ~ Hal Erickson, All Movie Guide

While searching for a stolen gold shipment, partners in a stagecoach line attempt to keep crooked ranch hands from stealing their employer's land. ~ Sandra Brennan, All Movie Guide

Lieutenant Harry Grant (William Lundigan) and Sgt. Art Collins (Jeff Corey) have been handed the unenviable assignment of tracking down "The Judge," a mysterious serial murderer responsible for seven deaths over the past few months. The police have plenty of clues and forensic evidence, but no solid leads to who this highly resourceful strangler is. Complicating Grant's work is the presence of Ann Gorman (Dorothy Patrick), an ambitious reporter for a sensationalistic crime magazine, who keeps sticking her nose into this case and into his work. In exasperation over The Judge's latest victim, a newspaper editor named McGill (Frank Ferguson), Grant decides to take a novel approach to catching the killer -- he prepares a life-size blank-faced dummy using all the clues the police have, as to height, weight, physique, preferred way of dressing etc., in order to give his officers a clearer picture of who and what they're looking for. The result is creepy but effective, and soon Grant is getting closer to the killer -- but The Judge is insane, and agitated by all manner of outside stimuli, and he might prove too much even for a police detective to deal with in a direct confrontation. ~ Bruce Eder, All Movie Guide