John Schlesinger Movies
London-born director John Schlesinger worked steadily in both Hollywood and Britain in films, television, and on the stage. By exploring the complexities of human relationships, some of his films made it possible for later filmmakers to bring controversial subjects into the mainstream. He started making short films as a boy before attending the Uppingham School with the intent to study architecture. In 1943 he was drafted into the British army and ended up in a magic act entertaining the troops abroad. By 1947, he was back in school studying English literature at Balliol College, Oxford, where he was president of the Experimental Theatre Club. Following graduation, he worked as an actor with the Colchester Repertory Company and the Ngaio Marsh Touring Company. He continued making short films and started directing documentaries for the BBC programs Tonight and Monitor. He won a BAFTA award for his debut film Terminus, a chronicle of the Waterloo railway station. His first two feature films, A Kind of Loving and Billy Liar, both received critical praise from the British Academy. They also introduced Schlesinger to his longtime filmmaking allies: producer Joseph Janni, actor Alan Bates, and actress Julie Christie. In 1965 he received international attention and his first Oscar nomination for the drama Darling about the London fashion scene during the mod '60s. After adapting the Thomas Hardy novel Far From the Maddening Crowd, Schlesinger made his first American film, Midnight Cowboy, starring Jon Voight and Dustin Hoffman. A compassionate story about friendship, it was also the first X-rated film to win the Academy Award for Best Picture. It also earned Schlesinger his first Oscar for Best Director. The next year, he was honored with the appointment of Commander of the British Empire by Queen Elizabeth II. Back in England, he earned his third Oscar nomination for the psychological drama Sunday, Bloody Sunday. Starring Glenda Jackson, Peter Finch, and Murray Head, it was one of the first mainstream films to deal with homosexual themes with sensitivity and perception. During the '70s he continued directing stage productions in between his film work, eventually becoming the associate director of the National Theatre in London. After a few meager successes with the psychological thriller Marathon Man and the war drama Yanks, he moved over to television to make the well-received Separate Tables and An Englishman Abroad. During the late '80s he made the spy film The Falcon and the Snowman and cast Shirley MacLaine in the choice lead role of Madame Sousatzka before making a minor comeback with the comedy Cold Comfort Farm, based on the novel by Stella Gibbons. After bringing the play The Tale of Sweeny Todd to the small screen, he made his last film, The Next Best Thing, starring Madonna and Rupert Everett. Schlesinger died at age 77 in Palm Springs due to complications following a severe stroke. He is survived by photographer Michael Childers, his companion of 36 years. ~ Andrea LeVasseur, Rovi
Best buddies Abbie (Madonna), a heterosexual yoga instructor, and Robert (Rupert Everett), a gay landscaper, cope with failed relationships, the approach of middle age, and the AIDS-related death of a mutual friend by sticking together as a "family of choice." Drunk one night, they have sex, and when Abbie turns up pregnant, they decide to move in together and raise the child as decidedly unconventional co-parents. Flash forward several years and Abbie begins dating Ben (Benjamin Bratt), an investment banker. The new relationship causes tension between Abbie and Robert that ultimately leads to betrayal, courtroom confrontation, and a sudden denouement. Everett, a sometime writer of trashy comic novels such as Hello Darling, Are You Working?, reportedly supplied the film's concept and even additional dialogue, although Tom Ropelewski is the credited screenwriter. This was pop diva Madonna's first film role since the hoopla of Evita; she supplied a highly edited hit cover of Don McLean's "American Pie" and one other song for the soundtrack, which was released on her own Maverick imprint. ~ Brian J. Dillard, Rovi
- Starring:
- Rupert Everett, Madonna, (more)
- 1998
John Schlesinger directed this razor-sharp retelling of the familiar Demon Barber legend, previously a Victorian penny-dreadful by Christopher Bond (The Story of Pearls), a stage play by George Dibdin-Pitt, a Tod Slaughter film (the 1936 Sweeney Todd, the Demon Barber of Fleet Street), and the 1979 Stephen Sondheim stage musical (Sweeney Todd). Sondheim's musical has been televised in a production with George Hearn and Angela Lansbury heading the cast. This John Schlesinger drama, scripted by executive producer Peter Shaw, is set in turn-of-the-century London where bald barber Sweeney Todd (Ben Kingsley) runs a cutting-edge business with an affluent clientele. He also has several sidelines, including the sale of his murder victims' jewelry, plus a profitable agreement with Mrs. Lovett (Joanna Lumley), who uses an industrial-size meat grinder to prepare her tasty "meat pies" for her unsuspecting customers. American insurance investigator Ben Carlyle (Campbell Scott), tracking $50,000 worth of missing diamonds, encounters corruption throughout the city as he attempts to solve the case. Victorian London locales seen here were actually filmed in Dublin. Shown April 19, 1998 on Showtime. ~ Bhob Stewart, Rovi
- Starring:
- Ben Kingsley, Joanna Lumley, (more)
Co-written by Jonathan Tolins and based on his original stage play, this Showtime drama concerns the possible role of genetics in determining sexual orientation. Suzanne Gold (Jennifer Beals), a medical-school dropout who manages a clothing store, marries genetic researcher Rob Stein (Jon Tenney), the son of Orthodox Jews who disapprove of what they perceive as their son's meddling with God's prerogatives. When Rob submits his and Suzanne's unborn son to his colleagues' experimental test procedures, the baby appears to have a 90 percent chance of being homosexual. Suzanne confides to her mother, Phyllis (Faye Dunaway), that she fears for the added burden her new family will face. Mom's got a big mouth, and before long Suzanne's father, Walter (Garry Marshall), and gay brother, David (Brendan Fraser), are weighing in with their conflicting opinions about whether or not Suzanne should abort the child and what such an action would mean about David's place in the family. The strain of such a decision ruptures existing fault lines in both the Gold family and Suzanne's marriage, culminating in revelation, transformation, and a group hug. ~ Brian J. Dillard, Rovi
- Starring:
- Jennifer Beals, Jon Tenney, (more)
An ordinary woman is driven to the point of violent revenge in this tense thriller. Karen McCann (Sally Field) is a suburban wife and working mother with two daughters. Karen's life is turned upside down when her 17-year-old daughter is raped and murdered, a crime she overhears on her cellular phone. Sgt. Denillo (Joe Mantegna), a bright and resourceful police detective, soon tracks down the culprit, an especially sleazy criminal named Robert Doob (Kiefer Sutherland). However, due to a minor technicality, Doob escapes conviction, even though he's clearly guilty. Karen's husband Mack (Ed Harris) suppresses his grief and tries to go on with his life, but Karen doesn't find this quite so easy; she joins a support group for parents of murdered children, and she discovers that within the group is an underground society that seeks vigilante justice against killers who've slipped through the net of the judicial system. Karen buys a gun, learns how to use it, and begins training in martial arts. She starts keeping tabs on Doob, and learns that he not only intends to kill again, he's targeting her younger daughter. Beverly D'Angelo co-stars as Karen's best friend Dolly, and Philip Baker Hall plays Sidney Hughes. ~ Mark Deming, Rovi
- Starring:
- Sally Field, Kiefer Sutherland, (more)
Stella Gibbons' popular novel was published in 1932, and it has been adapted twice for British television, first as a miniseries in 1971, then by director John Schlesinger in 1995. That version proved so popular that it was released to theaters in the U.S. The heroine of Gibbons' story, Flora Poste (Kate Beckinsale), is an aspiring young writer with two needs: material for her first novel, and a cheap place to live and work. A wealthy friend encourages her to take advantage of her country cousins and impose upon them for lodgings. Flora finds Cold Comfort Farm to be a ramshackle affair populated by eccentrics including the imperious Ada Doom (Sheila Burrell), her daughter Judith (Eileen Atkins), Judith's rough but handsome son Seth (Rufus Sewell), and Amos (Ian McKellen), an amateur preacher whose sermonizing seems to release some kind of demons within him. Undaunted by this menagerie, Flora gets to work organizing the household, and she comes to realize that the material for her book is right in front of her. ~ Tom Wiener, Rovi
- Starring:
- Kate Beckinsale, Sheila Burrell, (more)
Based on Vito Russo's groundbreaking 1981 work of film history, The Celluloid Closet gathers clips from dozens of mainstream Hollywood films to illustrate how the movies have dealt explicitly -- and more importantly, implicitly -- with gay and lesbian themes. Layered between the clips are interviews with filmmakers whose works have touched on that subject. The popular films of the Golden Age could only hint at homosexuality and often portrayed gays as simpering characters, objects of scorn or merriment, or insidious villains. With the strictures of the old Production Code loosening, bolder presentations were possible, but often over the objections of studio executives who feared a public backlash against a film that dealt with a long taboo subject. Among the films discussed are Philadelphia, The Children's Hour, Making Love, Rope, and Spartacus. Gore Vidal, Tom Hanks, Susan Sarandon, and director John Schlesinger are among the film's strongest interview subjects. ~ Tom Wiener, Rovi
A young man unthinkingly throws himself into a world of political and sexual turmoil in John Schlesinger's adaptation of the novel by Ian McEwan. Leonard Markham (Campbell Scott) is a British communications and surveillance expert who is sent to Germany in the early 1950s, at the height of the Cold War. Leonard is put under the command of Bob Glass (Anthony Hopkins), an American agent who goes out of his way to show him around town. Leonard is woefully naive about most subjects not directly involving his job, and when Bob takes him to a typically decadent Berlin nightclub, he is astonished to discover that Maria (Isabella Rossellini), a beautiful and mysterious woman, announces that she's quite attracted to him. Soon Leonard is no longer a 24-year-old virgin, but (as one might expect) Maria's interest in him is not entirely a matter of physical attraction. Bob's secret project is a hidden tunnel beneath Berlin that allows his forces to tap into Russian telephone transmissions, which is Leonard's responsibility. But the Americans are also obtaining coded information that they aren't passing along to the British; while Leonard helps Bob, he's also finding out what Bob knows and passing it along to the British. However, Maria is also looking for certain information, and she sees the innocent and gullible Leonard as an easy way to get it. The Innocent was originally completed in 1993, but it was not shown in the United States until 1996, when it was given a brief theatrical release before appearing on home video. ~ Mark Deming, Rovi
- Starring:
- Isabella Rossellini, Anthony Hopkins, (more)
- 1992
James Fox stars as real-life British turncoat Anthony Blunt in A Question of Attribution. A highly respected art expert (he was Queen Elizabeth's personal art advisor), Blunt was also intimately involved in the Burgess-Maclean-Philby spy scandal of the 1950s. According to this 1992 adaptation of Alan Bennett's play, Blunt tipped his hand while restoring one of his precious Titians. John Schlesinger (Midnight Cowboy) directed this razor-sharp psychological melodrama. Originally produced for British television, the 90-minute A Question of Attribution premiered in the US on October 4, 1992, as part of PBS' Masterpiece Theatre. ~ Hal Erickson, Rovi
- Starring:
- James Fox, Geoffrey Palmer, (more)
Adaptation of the David Leavitt novel in which a young man agonizes over revealing his homosexuality to his parents, but doesn't realize that his father is also gay and is about to come out of the closet in a way that will destroy his marriage. ~ Nicole Gagne, Rovi
- Starring:
- Brian Cox, Eileen Atkins, (more)
John Schlesinger directed this upscale horror film about a landlord with the ultimate problem tenant. Patty Palmer (Melanie Griffith) and Drake Goodman (Matthew Modine) are a middle class couple who lie on their financial statement in order to buy an old Victorian house in San Francisco, planning to renovate it and rent it out. Unfortunately, they select as a tenant Carter Hayes (Michael Keaton), a psychotic real estate bargain hunter who plans to drive Patty and Drake into foreclosure proceedings and then buy the house cheap. Carter starts the ball rolling by refusing to pay his rent and driving out a couple who had rented the rear flat by hammering and sawing all night -- and then releasing a tidal wave of cockroaches. What follows is a psychological war between Carter and the Yuppie couple, with Carter succeeding not only in provoking Drake into more extreme means of eviction, but also causing a rift between Drake and Patty. ~ Paul Brenner, Rovi
- Starring:
- Michael Keaton, Melanie Griffith, (more)
- 1990
Giuseppe Verdi's Un ballo in maschera is performed before a live audience in this 1990 production captured live at the Grobes Festspielhaus in Salzberg, Germany and starring Placido Domingo, Leo Nucci, and Josephine Barstow. The Konzertvereinigung Wiener Staatsopernchor performs under chorus master Helmuth Froschauer, and Sir Georg Solti conducts the Wiener Philharmoniker. ~ Jason Buchanan, Rovi
- Starring:
- Plácido Domingo, Leo Nucci, (more)
- 1988
- PG13
Shirley MacLaine is Madame Sousatzka, an aging piano instructor of Russian extraction. Entrenched in a dilapidated London rooming house, the Madame gives lessons only to the most gifted. She does not stop at mere instruction; Sousatzka insists that her pupils conduct their lives in the same genteel, cultured manner in which she was raised. Her prize student at the moment is an East Indian teenage boy (Navin Chowdhry), who forms a strong and loving bond with the old woman. Director John Schlesinger occasionally cuts away from the Madame and her pupil to allow comic space for the other tenants in Ashcroft's building, including an erstwhile songstress (Twiggy) and a gay osteopath (Geoffrey Baydlon). Navim Chowdhry's mother is played by Shabana Azmi, an important star of Indian films. ~ Hal Erickson, Rovi
- Starring:
- Shirley MacLaine, Navin Chowdhry, (more)
A police psychologist and his school-age son become embroiled in the machinations of a mysterious cult religion in this thriller from director John Schlesinger. After his wife is electrocuted in a freak accident, Dr. Cal Jamison (Martin Sheen) and his son, Chris (Harley Cross), move back to Manhattan, where Cal went to school. When not spending time with his son and surrogate extended family -- husband-and-wife anthropologists Kate (Elizabeth Wilson) and Dennis Maslow (Lee Richardson) -- Cal settles into his new job and romances his landlady, Jessica Halliday (Helen Shaver). Soon, though, a series of brutal murders of young children begins to take over Cal's life. Through the ravings of policeman Tom Lopez (Jimmy Smits), who believes the killers have supernatural power over him after stealing his badge, Cal learns of Santeria, a voodoo-like Latin American sect that mixes elements of Christianity and pagan mysticism. Although the religion turns out to have ties to some of the richest men in the city and even Cal's well-meaning maid seems to be a practitioner, he can't get any straight answers as to whether the cult is responsible for the murders. But after a sinister African shaman (Malick Bowens) places a curse on Jessica, Cal finally begins to understand the danger that faces him -- and his son. The Believers was very loosely adapted from Nicholas Conde's 1982 novel The Religion. ~ Brian J. Dillard, Rovi
- Starring:
- Martin Sheen, Helen Shaver, (more)
John Schlesinger directed this fact-based drama - adapted from Robert Lindsay's bestseller of the same title -- about two Californians, friends since boyhood, who are caught selling government secrets to the Soviet Union. Christopher Boyce (Timothy Hutton) is an all-American boy, studying for the priesthood in a seminary. But Boyce decides to drop out of school, and with the help of his father (Pat Hingle), a FBI agent, he gets a job working for the CIA in a message-routing center. While reading the messages, Boyce is shocked to learn that the CIA is involved in fixing Australian elections. Watching the Watergate hearings on television, he feels an ever-mounting sense of outrage at the arrogance of the U.S. government and decides to do something about it. Deciding to supply the CIA messages to the Russians, he enlists his childhood friend Daulton Lee (Sean Penn) to help him. Lee is to deliver the CIA secrets to a Russian operative (David Suchet) at the Soviet Embassy in Mexico City. But Lee is an unreliable drug dealer, and his sloppy spy trail leads the two old friends into more trouble than they bargained for. ~ Paul Brenner, Rovi
- Starring:
- Timothy Hutton, Sean Penn, (more)
- 1983
The BBC-produced An Englishman Abroad was first offered to American viewers October 27, 1984, as part of PBS' Great Performances series. Alan Bates stars as Guy Burgess, the infamous British diplomat who spied for the Russians in the 1950s. Alan Bennett's teleplay re-creates the 1958 chance meeting in Moscow between Burgess and English actress Coral Browne (playing herself). Though unrepentant concerning his traitorous activities, Burgess wistfully reveals to Ms. Browne that he longs to return to his native England. Mostly, he misses such niceties as British food, wine, conversation, gossip...and tailoring. An Englishman Abroad runs the gamut from cynicism to pathos in its all-too-brief 68 minutes. ~ Hal Erickson, Rovi
- Starring:
- Alan Bates, Coral Browne, (more)
- 1983
British filmmaker John Schlesinger directs Separate Tables, a made-for-cable TV version of the Terence Rattigan plays Table By the Window and Table Number Seven. This 50-minute adaptation features Julie Christie and Alan Bates, each in a dual role. Set in a sleepy British town, a group of residents hide out in a hotel during the off-season and try to forget their troubles. Things get upset when former model Ann Shankland (Julie Christie) comes to visit her alcoholic ex-husband John Malcolm (Alan Bates). He is a struggling writer secretly in love with the hotel's owner, Pat Cooper (Claire Bloom). Other residents of the hotel include the overbearing Mrs. Railton-Bell (Irene Worth), whose distrubed daughter Sibyl (Christie) is strangely attracted to Major Pollock (Bates), a man who claims to be a military officer. The feature-length version of Separate Tables was released theatrically in 1958, starring Burt Lancaster and Wendy Hiller. ~ Andrea LeVasseur, Rovi
In this involved send-up of two American icons -- the automobile and the tourist trap -- the tiny Florida town of Ticlaw strives desperately for success after it has been denied the most essential of all tourist amenities -- a freeway exit. The insane, and mostly successful, schemes of the mayor (William Devane) and other distinctly unbalanced citizens interrupt, often hilariously, the lives of various eccentric travellers forced into a place they never intended to be. Critics disagree violently on whether this is a neglected classic or sophomoric nonsense. The winning record of director (John Schlesinger) (Midnight Cowboy, Marathon Man, Cold Comfort Farm, etc.,) and first-class performances by William Devane, Beau Bridges, Beverly D'Angelo, Hume Cronyn, JessicaTandy and a plethora of great character actors -- not to mention the water-skiing elephant and the wild rhino -- argue that it's worth a look. ~ Michael P. Rogers, Rovi
- Starring:
- Beau Bridges, Hume Cronyn, (more)
John Schlesinger directs the war romance Yanks, based on the story by Colin Welland. Set in England at the end of WWII, the story concerns three American GIs and their affairs with British women of varying social status. The central romance concerns Sgt. Matt Dyson (Richard Gere) and Jean Moreton (Lisa Eichhorn making her film debut), who is the daughter of shopkeepers (Rachel Roberts and Tony Melody). He falls in love with her but she is still infatuated with her boyfriend Ken (Derek Thompson). Higher up on the class scale, the officer John (William Devane) has a brief extramarital affair with socialite Helen (Vanessa Redgrave). The third pairing involves Sgt. Danny Ruffelo (Chick Vennera) in a fling with Mollie (Wendy Morgan). Eventually, the Americans and the Britains find themselves surrounded by racism at a New Year's Eve dance. Annie Ross from the vocal jazz group Lambert, Hendricks, & Ross appears briefly as a Red Cross nurse. Yanks won two BAFTA awards in 1980: to Shirley Russell for Best Costume Design and to Rachel Roberts for Best Supporting Actress. ~ Andrea LeVasseur, Rovi
- Starring:
- Richard Gere, Lisa Eichhorn, (more)
Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Laurence Olivier, (more)
The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, Rovi
- Starring:
- Donald Sutherland, Karen Black, (more)
- 1973
- G
This documentary of the 1972 Summer Olympics, held in Munich, is remarkable for bringing eight of the world's most notable film directors to work on it. They are: Milos Forman, Yuri Ozerov, Mai Zetterling, Arthur Penn, Michael Pfleghar, Kon Ichikawa, Claude Lelouch and John Schlesinger. Each director concentrated on events that were of interest to him and filmed in his own style. For instance, Foreman focused on the comic aspect of the games; Lelouch kept his sights on the losers rather than the winners; and Mai Zetterling examined obsession in the form of weightlifting. The movie does not attempt to comprehensively document the '72 Olympics and does not aim for a unified vision. Instead, it showcases the talents of these directors under the inspiration of this most dramatic of gatherings. ~ Clarke Fountain, Rovi
This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards. ~ Clarke Fountain, Rovi
- Starring:
- Glenda Jackson, Peter Finch, (more)
Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA. ~ Lucia Bozzola, Rovi
- Starring:
- Dustin Hoffman, Jon Voight, (more)
This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, Rovi
- Starring:
- Julie Christie, Terence Stamp, (more)
Julie Christie won an Oscar for her portrayal of a bored, amoral fashion model in this cynical melodrama from director John Schlesinger. Following the break-up of a teenage marriage, Diana Scott (Christie) drifts into the world of modeling and acting, where she meets a television news reporter, Robert Gold (Dirk Bogarde), who leaves his family for her and introduces her to a more powerful and wealthy set. Soon Diana meets somebody more attractive: public relations mogul Miles Brand (Laurence Harvey). After briefly leaving and then drifting back into Robert's life, experiencing an orgy and even getting an abortion, Diana eventually leaves the swinging London scene behind and settles down to an unfulfilling if comfortable life as the wife of millionaire Italian widower Cesare (Jose-Luis deVillalonga). Shocking in its day, Darling (1965) won Oscars for its costumes and script from Frederic Raphael. ~ Karl Williams, Rovi
- Starring:
- Julie Christie, Dirk Bogarde, (more)
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. 2013 Rovi Corporation.