George Schlatter Movies

On the cusp of stardom, standup comic Maija DiGiorgio suffered an emotional breakdown while performing before a room packed with a number of the comedy industry's head honchos -- whom were on the receiving end of DiGiorgio's obscenity-laced outburst -- at the Aspen Comedy Festival. Subsequently faced with a nearly industry-wide blacklisting as a result, the comic (and film school graduate) came upon the idea of creating a film journal to document her struggles within the industry, as well as within her own psyche. The result is Bitter Jester, DiGiorgio's 2003 film that started as a document of self-examination and evolved into an examination of success and achievement within the standup circuit. Greatly assisted by the contacts and prestige of executive producer Richard Belzer -- a friend and former employer of DiGiorgio's boyfriend and co-conspirator Kenny Simmons -- DiGiorgio proceeds to gain access to a surprising berth of comedy legends, including Chevy Chase, Richard Pryor, Phyllis Diller, Whoopi Goldberg, and George Carlin, all of whom dispense insightful and sometimes surprising opinions about their individual achievements. ~ Ryan Shriver, All Movie Guide

Diana Ross hosts this four-hour TV special tracing the rise of Berry Gordy's Detroit-based Motown record label during the '60s. Clips were compiled from a variety of sources, including such TV shows as Teen Town, Where the Action Is and It's What's Happening Baby. The history covers the label's leading acts (Temptations, Supremes, Four Tops, Stevie Wonder, Martha and the Vandellas, Mary Wells, Smokey Robinson and the Miracles, the Jackson 5, Marvin Gaye) and explores the talents who created the Motown style -- songwriters Holland-Dozier-Holland and Norman Whitfield, choreographer Cholly Atkins, finishing-school director Maxine Powell, arranger Maurice King, and the rhythm section (pianist Earl van Dyke, drummer Ben Benjamin, and bassist James Jamerson). With background on Gordy, the story moves forward into Motown's film/TV production, the solo career of Diana Ross, the Commodores, Teena Marie, Rick James, and many others. Interviews include Aretha Franklin, Little Richard, Branford Marsalis, Clive Davis, Jesse Jackson, James Taylor, Bonnie Raitt, George Schlatter, Julian Bond, Diahann Carroll, RuPaul, and Rod Stewart. The special premiered as a two-parter (February 15th and 19th, 1998) on ABC. ~ Bhob Stewart, All Movie Guide

After wife Beatrice (Pearl Bailey) runs off to Mexico, a despondent Ben Chambers (Redd Foxx) travels to California to visit his son, Norman (Michael Warren). To Ben's dismay, Norman admits that he's gay -- and that his lover is a white man. ~ Jason Ankeny, All Movie Guide

This episode was originally designed as a lead-in for the zany variety series Rowan and Martin's Laugh-In, which I Dream of Jeannie preceded on NBC's Monday-night lineup during the 1968-69 season. Thanks to her zany behavior, Jeannie (Barbara Eden) is invited to appear as a guest on Laugh-In, whereupon Roger (Bill Daily) appoints himself as her agent. Appearing in cameo roles as themselves are Laugh-In regulars Judy Carne, Arte Johnson and Gary Owens, as well as the series' producer George H. Schlatter. (Trivia note: As originally conceived, the Laugh-In installment which followed this episode on February 24, 1969, was to have included a production number in which Barbara Eden's navel would make its first network TV appearance; alas, this gag was scuttled, reportedly at the insistence of the I Dream of Jeannie production staff!) ~ Hal Erickson, All Movie Guide

In this collection of clips from The Judy Garland Show, which ran for 26 episodes on CBS television in 1963 and 1964, the legendary singer and actress performs a number of songs, several of them collaborations with up-and-comer Barbra Streisand, grand dame Ethel Merman, and Garland's own daughter, the then-teenaged Liza Minnelli. Garland's solos include several of her signature numbers, from "I'm Nobody's Baby," which she performed as a fresh-faced MGM star in 1940's Andy Hardy Meets Debutante, to "The Man That Got Away," written especially for 1954's comeback vehicle A Star Is Born. Garland and Streisand alternate friendly banter about hating each other's talent with solo renditions and two extended medleys. The most famous of these pairings is their show-stopping combination of the standards "Get Happy" and "Happy Days Are Here Again"; Garland had performed the former in 1950's Summer Stock, while Streisand recorded the latter the same year the program aired. In another segment, Merman appears in the middle of the audience and joins Streisand and Garland for a leather-lunged rendition of "There's No Business Like Show Business." The Merman and Streisand footage was taped on October 4, 1963, for episode nine of Garland's eponymous program. A sequence featuring three duets and lots of clowning with Minnelli was taped a few months earlier, on July 16, for episode three. Several years after her program was cancelled, Garland was set to play Helen Lawson, a character based on Merman, for the film version of Jacqueline Susann's Valley of the Dolls; she was replaced, however, by Susan Hayward. Streisand would go on to star in her own remake of A Star Is Born, while Minnelli would mine her mother's legacy in her own repertoire. ~ Brian J. Dillard, All Movie Guide