Vincent Schiavelli Movies

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide

It is a glorious day for immigrant mechanic Latka Gravas (Andy Kaufman) when no less an authority than Dr. Joyce Brothers (as herself) declares him cured of his multiple-personality syndrome. Now, at long last, Latka can tie the matrimonial knot with his lovely countrywoman, Simka Dahblitz (Carol Kane, repeating her Emmy-winning recurring role). But given the bizarre customs of Latka and Simka's homeland -- not to mention the jaundiced critical eye of Latka's mother (Susan Kellerman) -- will the wedding come off without the usual setbacks attending situation-comedy marriage ceremonies? Familiar character actor Vincent Schiavelli (Ghost) appears as Rev. Gorky. ~ All Movie Guide

The rise and growth of American popular music through the 20th century is reflected in the lives of four generations of one family in this animated drama directed by Ralph Bakshi. Zalmie (voice of Jeffrey Lippa), a Russian Jew, emigrates to America, and tries to struggle along as a comic and musician in vaudeville, until an injury suffered in World War I ends his singing career. Zalmie's son Benny (voice of Richard Singer) inherits his father's love for music, and when he grows to adulthood, he joins a jazz combo as a pianist; his career is cut short, however, when he's killed while fighting in World War II. Benny's son Tony (voice of Ron Thompson) is also bitten by the music bug and is determined to make his mark as a songwriter; he becomes involved in the Beat poetry and music community in San Francisco, and later falls in with a pioneering psychedelic band. Along the way, Tony fathers an illegitimate son named Pete (voice of Eric Taslitz), and ends up becoming Pete's guardian in New York City without realizing he's the boy's father. After Tony's death, Pete supports himself by dealing drugs, while struggling to make his dream of becoming a rock star a reality. Ralph Bakshi achieved American Pop's unique look through a process called "rotoscoping" -- shooting the scenes with live actors, and then tracing their movements onto animation cells.
~ Mark Deming, All Movie Guide

Bette Davis is White Mama in this custom-made TV movie. Ms. Davis plays a poverty-stricken widow who is too proud to go on welfare. Aware that she can receive a steady income if she takes in a foster child, Davis becomes surrogate mother to tough black teenager Ernest Harden Jr. The relationship is shaky at best in the beginning, but soon foster mother and foster "child" learn to love, respect and trust one another. Originally telecast March 3, 1980, White Mama garnered an Emmy nomination for Bette Davis. ~ Hal Erickson, All Movie Guide

The made-for-TV Escape was inspired by the true story of Dwight Worker, an American imprisoned in Mexico for smuggling hashish. Given the country's stringent anti-drug laws, Worker's chances of release are slim to none (a situation similar to the protagonist's plight in Midnight Express). Against all odds, Worker plans a daring getaway from the notoriously impenetrable Lecumberri Prison (for obvious reasons, the film was not shot on location). Timothy Bottoms stars as Worker, with Kay Lenz as Barbara Chilcoate, the woman who became his wife; Colleen Dewhurst co-stars as the sympathetic "Mother Jones" type who helped engineer the escape. Adapted from Dwight and Barbara Worker's autobiography, Escape debuted February 20, 1980. ~ Hal Erickson, All Movie Guide

This "prequel" to the Newman/Redford vehicle Butch Cassidy and the Sundance Kid was written by TV sitcom veteran Allan Burns and stars Tom Berenger as Butch and William Katt as Sundance. The film, per its title, traces the formative days of Butch and Sundance's careers as soft-hearted western outlaws, and their creation of the Hole-in-the-Wall Gang. There's no Etta Place this time around; the fictional heroine, named Mary, is played by Jill Eikenberry. Only Jeff Corey, as Sheriff Ray Bledsoe, repeats his role from the original film. ~ Hal Erickson, All Movie Guide

Robert Aldrich returns to the western-spoof genre he'd previously explored in Four for Texas with The Frisco Kid. Gene Wilder plays Polish rabbi Avram Belinsky, who intends to set up a congregation in San Francisco. Eminently unsuited for life in the Old West, poor Avram is victimized by everyone with whom he comes in contact. Salvation arrives in the unlikely form of taciturn bank robber Tommy (Harrison Ford). Incredibly, Tommy takes a liking to the feckless Avram, and together the two men embark on a series of seriocomic adventures. ~ Hal Erickson, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide

With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, All Movie Guide

Lynn Redgrave stars as New York madam Xaviera Hollander in this romp based on Hollander's rise to the top of the sex-for-hire industry. ~ Jason Ankeny, All Movie Guide

This third film version of F. Scott Fitzgerald's classic 1925 novel was one of the most hyped movies of the summer of 1974. Robert Redford stars as self-made millionaire Jay Gatsby, who uses his vast (and implicitly ill-gotten) fortune to buy his way into Long Island society. Most of all, Gatsby wants to win back the love of socialite Daisy Buchanan (Mia Farrow), now married to "old money" Tom Buchanan (Bruce Dern). Calmly observing the passing parade is Nick Carraway (Sam Waterston), Gatsby's best friend, who narrates the film. Francis Ford Coppola's screenplay is meticulously faithful to the original novel, but Theoni V. Aldredge's costume design and Nelson Riddle's nostalgic musical score won the film its only Oscars. The huge supporting cast includes Howard Da Silva, who played Wilson in the 1949 Great Gatsby, and a very young Patsy Kensit as Daisy's daughter. ~ Hal Erickson, All Movie Guide