Fred Schepisi Movies

This two-part HBO miniseries is based on the Pulitzer Prize-winning novel by Richard Russo. Having long since sacrificed youthful ideals and values to remain in his New England hometown for the sake of his family, middle-aged Miles Roby (Ed Harris) finds his "secure" little world disintegrating when his wife, Janine (Helen Hunt), divorces him. Equally vexing is the emotional and financial pressure exerted by domineering town matriarch Francine Whiting (Joanne Woodward), who owns (among other things) the Empire Grill, the little diner that Ed has run for several years. As he reflects on what he considers to be a wasted life, Ed flashes back to memories of his curmudgeonly father, Max (Paul Newman, who also executive-produced the miniseries); his long-dead mother, Grace (Robin Wright Penn); his scapegrace brother, David (Aidan Quinn); his blossoming daughter "Tick" (Danielle Panabaker); and Francine's late husband, C.B. Whiting (Philip Seymour Hoffman). Also tied in with Miles's reminiscences is the spectacular saga of the rise and fall of Empire Falls, a once-prosperous mill town that has fallen into disrepair -- as have the town's once-rigid and inviolate social barriers. Despite the initial bleakness of Miles' plight, and the revelation of innumerable family skeletons as the plot progresses, the story is ultimately both heartwarming and life-affirming. Filmed on location in Maine, Empire Falls originally aired on May 28 and 29, 2005. ~ Hal Erickson, Rovi

Australian filmmaker known for such classics as The Chant of Jimmie Blacksmith and Six Degrees of Separation, Fred Schepisi tells this story about a group of lifelong chums coming to terms with their friend's death, based on a prize-winning novel by Graham Swift. When Jack Dodd (Michael Caine) passes on, his three best buddies (Tom Courtenay, Bob Hoskins, and David Hemmings) along with his son (Ray Winstone) carry out his last wish -- to have his ashes cast off the pier of the seaside town of Margate, where he and his beloved wife honeymooned and where he hoped to retire. As the group venture to the coast in a large black Mercedes, they reminisce about their younger, wilder days. Eventually, they end up in a pub where, in a haze of beer and tears, secrets are unveiled. Meanwhile, Jack's wife, Amy (Helen Mirren), visits the mentally disabled daughter that Jack refused to acknowledge. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

Legendary scientist Albert Einstein (played here by Walter Matthau) takes a break from theoretical physics to try to set up his intellectual niece with a handsome auto mechanic in this romantic comedy. The movie's central conceit is that Einstein's brilliance extends to matters of the heart, allowing him to immediately sense that Ed Walters (Tim Robbins), a bright, lower-class mechanic obsessed with Popular Science Magazine, would be perfect for his niece Catherine (Meg Ryan). Unfortunately, Catherine is already engaged to a stiff Princeton man. In order to defeat Catherine's resistance, Uncle Albert decides to help Ed pretend to be a revolutionary scientist, a charade that inevitably leads to much farcical confusion. Einstein's scientist pals are portrayed as a Greek chorus of Catskills-style kibitzers, featuring such notable perfomers as Lou Jacobi as Kurt Godel and director Gene Saks as Boris Podolsky. ~ Judd Blaise, Rovi

Two socialites find their view of the world changed when a young man takes advantage of their preconceptions in this thoughtful comedy-drama. Flan and Ouisa Kittredge (Donald Sutherland and Stockard Channing) are a married couple who have built highly successful careers as art dealers catering to Manhattan's upper crust. The Kittredges are entertaining friends one evening when a young black man named Paul (Will Smith) appears at their door. Paul says that he's a close friend of their children, with whom he attended boarding school, and he's just been mugged and needs to get off the street for a moment. Flan and Ouisa invite him in, and they are immediately taken by Paul's intelligence and charm; he offers to prepare dinner, regales them with stories about his father, Sidney Poitier, and ends up spending the night at their apartment. However, the next morning Flan and Ouisa discover that they've been had; Paul is actually a con artist from the streets who has been pulling the wool over the eyes of many of their friends -- and his actions are beginning to have serious consequences. John Guare adapted the script from his own successful stage play; the supporting cast includes Ian McKellen, Mary Beth Hurt, Bruce Davison, and Heather Graham. ~ Mark Deming, Rovi

"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., Rovi

This modernization of Edmond Rostand's Cyrano de Bergerac casts Steve Martin as C. D. Bates, the fearless, quick-witted fire chief of a Washington State resort town. Bates' most trusted fireman is the handsome but tongue-tied Chris McDonell (Rick Rossovich). Both men are in love with the beautiful Roxanne Kowalski (Darryl Hannah), but Bates, adorned with a huge nose that makes Bob Hope look like Nanette Fabray, is convinced that he's too homely to win Roxanne's heart. Thus, in the self-sacrificing tradition of Cyrano de Bergerac, Bates courts Roxanne vicariously by feeding his rival Chris the proper romantic words and phrases. The inherent pathos in Roxanne is offset by moments of slapstick, notably the scene wherein C. D. Bates vanquishes a pair of hooligans with a tennis racket. Steve Martin himself is credited with the screenplay for Roxanne, though he generously cites Edmond Rostand as his inspiration. ~ Hal Erickson, Rovi

We first see Asian cave dweller John Lone as he wanders around what seems to be his natural habitat of some 10,000 years ago. Soon we learn that Lone is in a controlled environment in a scientific lab--and that his frozen body was recently discovered during an expedition to the North Pole (hence the nickname "Iceman"). Scientists Lindsay Crouse and Timothy Hutton hope to learn to communicate with Lone, and in so doing discover life was truly like for our neanderthal ancestors. The other, less altruistic scientists want to dissect Lone and analyze his innards. With Hutton's help, Lone escapes, but soon both men realize that there's really no place for "the Iceman" in modern society. Though the settings are convincingly arctic, Iceman was filmed in Manitoba. ~ Hal Erickson, Rovi

Based on a novel by Thomas Keneally, which was in turn inspired by actual events, this drama is a shocking indictment of the racism inflicted on the indigenous people of Australia. Jimmie (Tommy Lewis) is a half-white, half-aborigine young man raised by a Methodist minister. Feeling outcast among the aborigines, Jimmie moves to the city and gets a job working for a white family. When a white serving girl at the estate becomes pregnant, everyone is convinced that Jimmie is the father; to spare the girl's honor, Jimmie marries her and is allowed to live with her on the estate. But after the child is born, everyone realizes that the father was a white man, not Jimmie; he is still willing to accept the child and stand beside his wife, but his employers now feel that he married a white girl under false pretenses, and they bar him from the estate. Forbidden to see his wife and fired without receiving his pay, Jimmie finally explodes in a fury of violent revenge. Director Fred Schepisi's original cut of this film runs 122 minutes, though it was more widely distributed in a shortened version running 108 minutes. ~ Mark Deming, Rovi

Four Australian directors explore different angles of the title topic in this generally downbeat anthology. In "The Husband" a husband increases his arousal during lovemaking by imagining his wife in different sexual liaisons without realizing that his fantasy may based on fact. The second vignette "The Child" centers on the resentful son of a widow who is having an affair with another. While his mother is off galavanting with her new love, the boy is left in the care of a governess whom he grows to love. The poor boy begins to fear that his new friend will be fired as soon as his mother returns and so goes off on a walk to sort out his feelings. He wanders into a field and it is there he sees his governess making love to his mother's boyfriend. This causes the emotionally fragile lad to shatter and blindly run towards the river where he crazily hops into a boat and begins rowing into the current. The lover, wanting to save the child from harm dives in and tragedy ensues. In "The Priest," a priest wrestles with his love for a nun. Though they want to marry, the nun forces them to leave their orders in the correct way. It is a way filled with red-tape and takes so long that the relationship withers and they remain in their vocations. The final segment "The Family Man" deals with a slob of a husband who decides to celebrate the birth of his third child by having a little fling while his wife recuperates in hospital. He enlists the aid of a buddy and together they get drunk, pick up two floozies and head to his beachhouse. When the gals learn about his wife, they stomp out of the house. Time passes and the husband brings his family to the house for vacation. Much to his horror he finds that the two women have placed a large incriminating sign upon it leaving him to try to explain it all to his wife. ~ Sandra Brennan, Rovi