Dore Schary Movies
Inheriting a strong work ethic from his parents, American filmmaker Dore Schary was an excellent student in his early teens; also inheriting a tenacious streak, Schary managed to get himself expelled from school after an argument with a math teacher. He worked for a while with his family's Kosher catering business, then pursued a career as an actor. He also briefly became a stockbroker, a career cut short by the Crash. Several plays Schary had written for New Jersey community theater groups came to the attention of Columbia Pictures, where Schary received his first screenwriting job. After a few up-and-down years in Hollywood, Schary sold a story called Boys Town to MGM; it won the 1938 Academy Award, and at long last Schary knew for sure where his next meal was coming from. In 1942, Schary was put in charge of MGM's B-picture unit, which under his guidance began making more money than the studio's A-product. A disagreement with the MGM brass led Schary to quit, but he was soon claimed by independent producer David O. Selznick. Schary's successful management of Selznick's subsidiary Vanguard Pictures led to a vice-president's post at RKO Radio Pictures in 1947. When Howard Hughes took over RKO, Schary found the atmosphere untenable, especially after a falling out over a proposed Battle of the Bulge picture, Battleground. Making his peace with MGM, Schary returned to that studio in 1948, where, over MGM head Louis Mayer's objections, he produced Battleground (1949), which became a hit. After Mayer was ejected from MGM during a power struggle with the studio's New York office, Schary was chosen to be MGM's head man in 1951 -- a position he held until he fell victim to another power struggle in 1956. Fed up with studio politics, Schary began writing plays again, branching out into producing and directing. Schary's 1958 Broadway production of his own play Sunrise at Campobello earned five Tony Awards; subsequent Schary stage successes included A Majority of One (1960) and The Unsinkable Molly Brown (1961), both of which he produced and directed but did not write. From 1958 through 1963, Schary had a go at independent film production, but voluntarily ended his Hollywood career after the failure of 1963's Act One, which he also directed. A lifelong civil libertarian who did all he could to protect victims of the Hollywood Blacklist (he was himself labelled a "Red" for these efforts, but survived the slur), Dore Schary was also very active with the B'nai Brith's Antidefamation League and New York's Commissioner of Cultural Affairs. ~ Hal Erickson, All Movie Guide
- 1963
This autobiographical story traces the career of playwright Moss Hart. Moss (George Hamilton) struggles as a dramatic writer until he concentrates his efforts on writing comedy. He suffers through a series of professional and romantic failures before a meeting with George S. Kaufman (Jason Robards Jr.) changes his fortunes. Joe (Jack Klugman) is the faithful friend who stands by Hart in the lean times. Ruth Ford, Eli Wallach and George Segal also appear in this feature produced, directed and written by Dore Schary. ~ Dan Pavlides, All Movie Guide
- Starring:
- George Hamilton, Jason Robards, Jr., (more)
- 1960
One of only two theatrical features by television director Vincent J. Donahue, Sunrise at Campobello is a biography of President Franklin D. Roosevelt that attempts to illustrate the statesman's courageous battle against infantile paralysis and his political foes. While in the prime of his life, Roosevelt (Ralph Bellamy) is stricken with a debilitating illness that threatens to end his career. Fortunately, his wife, Eleanor (Greer Garson), faithfully helps him regain his strength and become one of America's most influential and beloved Commanders in Chief. Hume Cronyn also stars as F.D.R.'s political strategist Louis Howe, who forms a successful triumvirate with the Roosevelts. For her performance, Greer Garson received a Best Actress nomination at the 1961 Academy Awards. ~ Matthew Tobey, All Movie Guide
- Starring:
- Ralph Bellamy, Greer Garson, (more)
- 1958
For his film directorial debut, producer Dore Schary selected a longtime pet property: Miss Lonelyhearts, Nathaniel West's trenchant 1933 novel. Montgomery Clift delivers a haunting performance as journalist Adam White, assigned by his cynical editor Adam Shrike (Robert Ryan) to take over a newspaper advice column. Signing himself Miss Lonelyhearts, White is appalled by the human misery pouring out of the letters sent to him (one of his correspndents was born without a nose), but Shrike insists that anyone who'd write to such a column is fake. To find out for himself, White looks up one of the correspondents, unhappily married Fay Doyle (Oscar-nominated Maureen Stapleton). His pity for the seriously disturbed Fay nearly leads to tragedy (in the novel, there's no "nearly"). Meanwhile, Shrike tries to contend with his own tottering marriage to his wife Florence (Myrna Loy). In additional to shortening the title to Lonelyhearts, Dore Schary made a number of radical changes in the original, adding an overabundance of "meaningful" dialogue and softening the character of Florence Shrike. Purists were enraged by Schary's liberties, while critics carped at his perfunctory direction; audiences, however, seemed to like the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Montgomery Clift, Robert Ryan, (more)
Vincente Minnelli directed this sophisticated comedy, which owes a debt to Spencer Tracy/Katherine Hepburn vehicles. Sportswriter Mike Hagen (Gregory Peck) and fashion designer Marilla (Lauren Bacall) are New Yorkers who meet while both are vacationing in California. It's love at first sight, and the two decide on the spur of the moment to get married. However, once they return to the Big Apple, it starts to occur to them just how different they are after Mike moves out of his sloppy bachelor lair in the Village and joins Marilla in her luxury flat on the Upper East Side. While they try to sort out their differences, Mike encounters his former girlfriend Lori (Dolores Gray), while Marilla runs into her onetime beau Zachary (Tom Helmore); given the haste with which they married, neither of their exes had yet heard that Mike and Marilla were hitched, and the notion that they could still be lured away hangs in the air. Meanwhile, Mike has written a series of articles exposing corruption in boxing, which earns him no friends among some ill-mannered Gotham mobsters. Bacall's sparkling comic performance was a remarkable display of personal strength; as the movie was being filmed, her husband Humphrey Bogart was suffering from the last stages of the cancer that would soon claim his life. ~ Mark Deming, All Movie Guide
- Starring:
- Gregory Peck, Lauren Bacall, (more)
- 1956
Set in the West of the late 19th century, Richard Brooks' film stars Robert Taylor as Charles Gilson, a brutal buffalo hunter who kills purely for sport and enjoyment. Stewart Granger portrays Sandy McKenzie, a former hunter on whom Gilson is seeking revenge. ~ Jason Ankeny, All Movie Guide
- Starring:
- Robert Taylor, Stewart Granger, (more)
- 1956
Frances Howard starred as Princess Alexandria in the 1925 silent version of Ferenc Molnar's play The Swan; Lillian Gish assumed the role in the 1930 talkie version. The third and final adaptation starred Grace Kelly, who had one slight advantage over her predecessors; she would soon become a real princess instead of a make-believe one. And don't think that MGM, knowing full well that Grace would retire from moviemaking upon ascending the throne of Monaco, didn't carefully select the timeworn Molnar play for the express purpose of extra publicity. Outside of its mercenary considerations, The Swan is an enjoyable bittersweet tale of a princess who falls in love with her handsome tutor (Louis Jourdan), only to be required to give him up in favor of an arranged marriage of state. The nicest element of the story is that the prince to whom Kelly is engaged, as played by Alec Guinness, is a decent sort, who voluntarily asks for the princess' hand instead of forcing the issue. Of course, the issue has been forced upon him when he realizes the depth of the love Kelly harbors for her tutor. It may well be that this version of The Swan will be the last; on the other hand, who'd a' thunk that someone would want to make Sabrina again in 1995? ~ Hal Erickson, All Movie Guide
- Starring:
- Grace Kelly, Alec Guinness, (more)
This powerfully tense, fast-paced suspense drama also yields a grim social message about racial prejudice. Spencer Tracy is John J. MacReedy, a one-armed stranger who comes to the tiny town of Black Rock one hot summer day in 1945, the first time the train has stopped there in years. He looks for both a hotel room and a local Japanese farmer named Komoko, but his inquiries are greeted at first with open hostility, then with blunt threats and harassment, and finally with escalating violence. MacReedy soon realizes that he will not be allowed to leave Black Rock; town boss Reno Smith (Robert Ryan), who had Komoko killed because of his hatred of the Japanese, has also marked MacReedy for death. MacReedy must battle town thugs, a treacherous local woman (Anne Francis), and finally Smith himself to stay alive. The entire cast is flawless, especially Ernest Borgnine and Lee Marvin as the mean-spirited town bullies, and the relentlessly paced action never eclipses the film's sobering themes. ~ Don Kaye, All Movie Guide
- Starring:
- Spencer Tracy, Robert Ryan, (more)
- 1953
"You guys will never be soldiers!" With these words Richard Widmark opens and closes Take the High Ground. Widmark plays a tough drill sergeant, whipping his recruits through basic training in preparation for shipment to Korea. Carleton Carpenter is the standard-issue private who just can't seem to cut it, despite Widmark's relentless special attention. To prove that the behemoth sergeant has a tender side, the script contrives a romantic triangle involving Widmark, Elaine Stewart, and Karl Malden. The film is an amalgam of rugged realism and Hollywood hokiness, with Widmark terrific as the topkick you love to hate. Filmed at Fort Bliss, Texas, Take the High Ground utilizes several real-life soldiers in the drill sequences (you can recognize the real ones; they aren't afraid of Richard Widmark). ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Karl Malden, (more)
- 1953
- NR
Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide
- Starring:
- Cary Grant, Deborah Kerr, (more)
- 1952
Plymouth Adventure earned a footnote in film history as the last directorial effort by the prolific Clarence Brown. Otherwise, this colorful re-creation of the Pilgrims' journey to America is a workmanlike job, never inspired but always interesting. Spencer Tracy stars as bull-stubborn Captain Christopher Jones, who intends to guide the Mayflower to its destination come Hell, high water or any other obstacle. Since Jones is spiritually "wed" to his job, the film's romantic angle is handled by Van Johnson as John Alden and Dawn Addams as Patricia Mullen. Gene Tierney is second-billed as Dorothy Bradford, the ill-fated bride of future Plymouth Colony governor William Bradford. Though the film makes several departures from the facts (there's even a villain!), Plymouth Adventure tells its tale professionally and with satisfactory entertainment value. The film earned MGM artisan A. Arnold Gillespie an Academy Award for best special effects. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Gene Tierney, (more)
- 1952
Washington Story stars Van Johnson as mildly liberal congressman Joseph T. Gresham. For reasons that he can't fathom, Gresham has been targeted for abuse by powerful columnist Gilbert Nunnaly (Philip Ober). Working in cahoots with Nunnaly is journalist Alice Kingsley (Patricia Neal), who pretends to be working on a favorable magazine article about Gresham, but who is actually digging up dirt for Nunnaly's benefit. Ultimately, Alice falls in love with the honest Gresham, standing by him during a moment of profound political crisis. The major selling card of Washington Story was producer Dore Schary's decision to lens the film on location in Washington, offering viewers glimpses of the real-life Congress and Senate in action. Remarkably, the film offers a slightly left-of-center hero at a time when McCarthyism was at its height. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Patricia Neal, (more)
Robert Pirosh wrote and directed this little-known World War II drama from MGM that commemorates the 442nd Regimental Combat Team, a combat unit composed of Japanese-Americans who fought valiantly during World War II, with many of the actual veterans of the combat unit appearing as actors in the film. For the most part, the film follows the standard Battleground plot line -- there is Sam (Lane Nakano), the wise sergeant; Chick (George Miki), a lazy private; the enervating Ohhara (Henry Oyasato); and Tommy (Henry Nakamura), a crack sharpshooter. Van Johnson plays Lt. Michael Grayson, a bigoted Texan assigned to shape these men into a fighting unit and who learns to respect their valor and bravery. ~ Paul Brenner, All Movie Guide
- Starring:
- Van Johnson, Kane Nakano, (more)
- 1951
- NR
Though Frank Capra wrote the original story treatment for MGM's Westward the Women, he was too busy to direct the film, and handed the reigns instead to his former Liberty Films partner William A. Wellman. This stark, no-nonsense outdoor drama stars Robert Taylor as a trail guide named Buck, who in 1851 is hired by California settler Roy Whitman (John McIntyre) to head a wagon train full of mail-order brides from Chicago to the West Coast. Though Buck spares the brides nothing in describing the hardships they're about to face, most of the ladies agree to undertake the journey. Starting out with 104 women, Buck leads the expedition through some of the most treacherous territory in the West. Several of the women die en route, killed off by the elements, Indian attacks, and sundry unexpected mishaps. Most of the male travellers likewise fall victim to disaster, save for Buck and his courageous Japanese cook Ito (Henry Nakamura). Even when the wagon train reaches its destination, the story is far, far from over. Though second-billed Denise Darcel is the most prominent of the women, the large cast generally works as an ensemble, with everyone pitching together for the common good, just as their real-life counterparts had done back in the 1850s. Throughout, the film abruptly (and effectively) switches moods, veering precipitously from raucous comedy to profound tragedy (some of the deaths occur so suddenly that they can still elicit gasps from the audience). An expertly assembled and reasonably realistic saga, Westward the Women is one story that needs to be told in black-and-white; the currently available colorized version should be avoided like the plague. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Denise Darcel, (more)
- 1950
The Next Voice You Hear was a pet project of MGM producer Dore Schary, who lavished more attention on this modestly budgeted drama than he did on some of his "bigger" projects. Though based on characters first introduced in the 1942 film Joe Smith, American, Next Voice was not a sequel to the earlier film. James Whitmore stars as blue-collar family man Joe Smith, while future first lady Nancy Davis appears as his pregnant wife and Gary Gray rounds out the family unit as their son. The Smiths, their relatives, their neighbors and the citizens of the World are shaken out of their complacency when the voice of God begins delivering messages over the radio. For six consecutive evenings, the voice speaks over the airwaves (the movie audience never hears the voice, thanks to a series of clever evasionary tactics). At first frightened, the listeners gradually realize that God simply wants to convey the age-old message "Love thy Neighbor." With this realization comes several changes of attitude, some minor, others profound. The concept may sound portentous (and pretentious), but the actors handle their responsibilities with subtlety and conviction. So, too, does director William A. Wellman, a curious choice indeed for this sort of film. ~ Hal Erickson, All Movie Guide
- Starring:
- James Whitmore, Nancy Davis, (more)
- 1950
Comprised of eight unrelated episodes of inconsistent quality, this anthology piece of American propaganda features some of MGM Studios' best directors, screenwriters and actors; it is narrated by Louis Calhern. Stories are framed by the lecture of a university professor. In one tale a Boston resident becomes angry when the census forgets to record her presence. Another sketch chronicles the achievements of African Americans while still another pays tongue-in-cheek tribute to Texas. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ethel Barrymore, Gary Cooper, (more)
- 1949
Set in the early 1900s, Adventure in Baltimore is a romantic comedy about the woman's suffrage movement. Shirley Temple plays a student at an exclusive girl's school who "sees the light" and begins campaigning for women's rights. This doesn't sit well with her minister father (Robert Young) nor with Temple's boyfriend (John Agar, then married to Temple). Eventually, Temple's dad is won over to his daughter's point of view, and delivers an impassioned sermon on tolerance and individual rights for the edification of the hidebound townspeople. Like most of Shirley Temple's "grown up" films, Adventure in Baltimore was a disappointment at the box office. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Shirley Temple, (more)
- 1949
Widely regarded as a "model" B-movie thriller, The Window stars Bobby Driscoll as a young boy prone to fibs. Thus, no one believes him when he claims to have seen a murder in a neighboring apartment. No one, that is, except the killers (Paul Stewart and Ruth Roman). Realizing he won't get any help from his parents (Barbara Hale and Arthur Kennedy) or the law, the boy must figure out a way to save himself from being shut up permanently by the murderers. The film's hair-rising and oft-imitated climax, which takes place in a rotting abandoned tenement, has lost none of its edge over the past five decades. A much-needed hit for financially strapped RKO Radio Pictures, The Window was remade in 1960 as The Boy Cried Murder. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Hale, Bobby Driscoll, (more)
Incoming MGM production head Dore Schary ramrodded Battleground into the studio's schedule over the virulent protests of MGM boss Louis Mayer. The result was an award-winning box-office hit, as well as the beginning of the end of Mayer's power. This dramatization of the battles of Bastogne and the Bulge in the waning days of World War II concentrates on a single infantry unit. Van Johnson and John Hodiak are the ostensible stars, but the film is stolen by James Whitmore as the cigar-chomping, battle-stained sergeant. Also appearing is Ian MacDonald as General McAuliffe, whose legendary response to the Nazi's suggestion that the Americans surrender consisted of a single four-letter expletive: "Nuts". Whitmore's final scenes of near-delirium before the relief troops arrive are unforgettable. Battleground tries within MGM limits to be wholly realistic, though it is slightly compromised by the scripters' inability to use Army profanity, and by pointless subplot involving actress Denise Darcel. The film doesn't hold up as well as such wartime efforts as The Story of GI Joe or Walk in the Sun, but in 1949 Battleground was regarded as an important milestone in the field of truthful, de-glamorized combat flicks. Please avoid the colorized version: this is a black-and-white subject if ever there was one. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, John Hodiak, (more)
Finding a curiously silent young runaway boy (Dean Stockwell) whose head has been completely shaved, small town police call in a psychologist (Robert Ryan) and discover that he is a war orphan named Peter Frye. Moving in with an understanding retired actor named Gramps (Pat O'Brien), Peter starts going to school and generally begins living the life of a normal boy until his class gets involved with trying to help war orphans in Europe and Asia. Peter soon realizes that -- like the children on the posters, whose images haunt him -- he, too, is a war orphan. The realization about his parents and the work helping the orphans makes Peter turn very serious, and he is further troubled when he overhears the adults around him talking about the world preparing for another war. Peter awakens the next day and his hair has turned green, prompting him to run away after being taunted by the townspeople and his peers. Suddenly, appearing before him in a lonely part of the woods are the orphaned children whose pictures he saw on the posters. They tell him that he is a war orphan, but that with his green hair he can make a difference and must tell people that war is dangerous for children. He leaves determined to deliver his message to any and all. Upon his return, the townspeople chase Peter, and even Gramps tries to encourage him to consider shaving his hair so that it might grow back normally. He agrees to get his head shaved, and the town barber does the job -- that night, however, Peter runs away. Later reunited with Gramps, Peter learns that there are adults out there who accept what he has to say and want him to go on saying it. He's sure that his hair will grow back in green again, and he will continue to carry his message. ~ Bruce Eder, All Movie Guide
- Starring:
- Pat O'Brien, Robert Ryan, (more)
- 1948
- NR
Cary Grant met his future wife Betsy Drake on the set of the appropriately titled Every Girl Should be Married. Grant plays well-known baby specialist Madison Brown, who is Dr. Spock in everything but name. After a chance meeting with headstrong young Anabel Sins (Drake), poor Brown finds his every move and thought monitored by Anabel, who intends to become his wife come heck or high water. Upset that Brown steadfastly resists her charms, Anabel decides to make him jealous by playing up to her boss Roger Sanford (Franchot Tone). When Brown still won't bite, our plucky heroine mounts a campaign enlisting everybody in town to wear down the doctor's resistance. Nowadays, this is called "stalking"; in 1948, it was called "funny." Produced, directed and written by Don Hartman, Every Girl Should be Married was a box-office winner to the tune of $775,000. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Franchot Tone, (more)
- 1947
- NR
- Add The Bachelor and the Bobby-Soxer to QueueAdd The Bachelor and the Bobby-Soxer to top of Queue
Judge Myrna Loy decides that the best way to curb the excesses of playboyish art teacher Cary Grant is to force him to do what he does best--romance a willing young lady. In this instance, the girl is Loy's own sister, played by a blossoming Shirley Temple. Aware that Temple has a serious crush on Grant, Loy orders him to date the teen-aged Temple until the girl gets him out of her system; he is also ordered to keep his hands to himself lest he wind up in the pokey. Grant finds the irrepressible Temple rather wearisome, but he throws himself into his sentence full-force, donning teenaged clothes, speaking in nonsense slang ("Voodoo! Who Do? You Do!" etc.) and participating in the athletic events at a high school picnic. Grant eventually divests himself of Temple by arranging for her to fall for a boy her own age; meanwhile, Loy realizes what we've realized all along--that it is she who is truly smitten by Grant. Adding to the frothy fun of Bachelor and the Bobby-Soxer are the supporting performances of Ray Collins as a sagacious psychologist and Rudy Vallee as a stuffy district attorney. The film's screenplay won an Academy Award for Sidney Sheldon, who went on to create I Dream of Jeannie and to matriculate into a best-selling novelist. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Irving Bacon, (more)
- 1947
When Loretta Young stepped up to accept her Academy Award for The Farmer's Daughter, the ever-youthful leading lady, who'd been in films since 1928, sighed "At long last!" Young is cast as Katie Holstrum, an independently-minded Swedish girl who leaves her family's Minnesota farm to take a domestic job at the Washington DC home of congressman Glenn Morley Joseph Cotten. Katie's outspokeness and Scandanavian common sense immediately endears her to Morley, his mother Ethel Barrymore, and the family's crusty-but-kindly butler Clancy Charles Bickford. Sensing that the political machine backing Morley isn't thoroughly honest, Katie takes an active hand in Washington politics, leading to her own nomination for a congressional seat. The machine-boss villains (depicted rather provocatively as right-wing reactionaries) try to discredit Katie on the eve of the election, but she is rescued by Morley, who of course has fallen in love with her. Adapted from Juurakon Hulda (Hulda, Daughter of Parliament), a Finnish play written by Hella Wuolijoki (using the pen name Juhani Tervapää), which had originally been optioned as a potential vehicle for Ingrid Bergman, The Farmer's Daughter later matriculated into a weekly TV series, with Inger Stevens as Katie and William Windom as Morley. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Keith Andes, (more)
This drama was one of the first major-studio efforts to confront anti-Semitism (beating the Oscar-winning Gentleman's Agreement by several months), and it features a standout performance from Robert Ryan as a bigoted soldier on the run. Monty Montogomery (Ryan) is a violent and unstable soldier who, while out on a pass, goes on a drinking spree with three buddies, Floyd (Steve Brodie), Arthur (George A. Cooper), and Leroy (William Phipps). While boozing it up in a tavern, the four men meet Joseph Samuels (Sam Levene) and strumpet Ginny (Gloria Grahame), who invite the soldiers back to their apartment for a party. Monty, however, has a fierce hatred of Jews, and he later goes into a drunken rage in which he beats Joseph to death. Monty's friends can barely remember the incident through their liquor-shrouded memories, but they recall just enough to make themselves scarce when police detective Capt. Finlay (Robert Young) begins making the rounds looking for information on Joseph's murder. Sgt. Kelly (Robert Mitchum), a soldier who knows the four men, begins to suspect that something is up, and he works with his wife and Finlay to help ferret out the killer in his ranks, while Monty kills Floyd when he becomes convinced that he's going to talk to the authorities. While director Edward Dmytryk showed real bravery in bringing this story to the screen, it had greater repercussions than he might have expected; the film's controversial themes led to Dmytryk's denunciation by the House Un-American Activities Committee during the McCarthy-era investigations of the 1950s. Luckily, unlike other filmmakers who suffered similar accusations by HUAC, Dmytryk continued to work steadily through the '50s and '60s. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Young, Robert Mitchum, (more)
