James Schamus

Filmmaker Ang Lee and screenwriter/producer James Schamus team for this adaptation of Jean Dell's play about a happily engaged Brooklyn couple who, after hearing rumors that they have broken up, decide to find out how their circle of friends really feels about their coupling. ~ Jason Buchanan, All Movie Guide

Ang Lee's adaptation of E. Annie Proulx's story Brokeback Mountain stars Jake Gyllenhaal and Heath Ledger as young cowboys named Jack Twist and Ennis Del Mar. Each of them is hired to corral sheep on the title location and they soon bond very closely. Their platonic relationship explodes into a physical one, but eventually the two are separated when their job comes to an end. Although the two follow different life paths -- one becoming a father of two and the other marrying into a successful business -- they have a reunion years later. Each is affected profoundly by the rekindling of their old feelings for each other. Those feelings lead each to consider what continuing their hidden relationship would cost them. The screenplay was written by Pulitzer Prize-winning author Larry McMurtry and Diana Ossana. ~ Perry Seibert, All Movie Guide

The life and sordid, untimely death of Hogan's Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane's show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early '60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan's Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else's surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn't long before Anne demands a divorce, and Crane marries his Hogan's co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who's more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002. ~ Michael Hastings, All Movie Guide

A remake of Ang Lee's family comedy Eat Drink Man Woman, Maria Ripoli's Hispanic-American ensemble feature set in Southern California about a veteran chef named Martin Naranjo (Hector Elizondo), who is slowly losing his sense of taste. He has three daughters, all of whom have chosen different paths. There is Letitia (Elizabeth Pena), the oldest and most repressed of the bunch, a rigid schoolteacher who is a member of the Christian faith. His youngest, Maribel (Tamara Mello), is the most assured, though plagued by doubts. His middle daughter Carmen (Jacqueline Obradors) is most like him and shares his taste for cooking, but has chosen a career as a corporate consultant, which makes for a more secure lifestyle. She is offered a high-profile job in Barcelona, which causes a rift in the family setting. Maribel soon finds herself drawn to a handsome Brazilian student (Nikolai Kinski), and Letitia is gaining affection for Orlando (Paul Rodriguez), an awkward ballplayer whom her students have sent mistaken love letters to without her knowing. Also at their dinners are a shy single mother (Constance Marie) and her obnoxious mother (Raquel Welch), who has her sights set on Martin's affections. Tortilla Soup is Maria Ripoli's second major feature, after her whimsical 1998 feature Twice Upon a Yesterday. ~ Jason Clark, All Movie Guide

A complex tale of uneasy alliances along the Kansas/Missouri border during the Civil War, Ride with the Devil concerns Jack Bull Chiles (Skeet Ulrich), a proud son of the South ready to fight for the Confederate cause after his father is killed by Union troops. Chiles's best friend, Jake Roedel (Tobey Maguire), joins the Bushwhackers, a group of renegade Southerners aligned with the Confederate Army, even though his family supports the Union cause. The two young men, used to the slow pace and gracious lifestyle of the South's privileged class, are soon confronted with the chaos of battle. Their comrades include valiant leader Black John (James Caviezel), paranoid madman Pitt (Jonathan Rhys Myers), Southern gentleman George (Simon Baker), and Daniel (Jeffrey Wright), a slave from George's plantation. The Bushwhackers hide out in a barn near the home of Sue Lee (singer/songwriter/poet Jewel, in her film debut), a pregnant widow whose husband died in battle three weeks after their marriage. Roedel and Sue Lee begin a chaste romance, but it remains to be seen if the war will permit them to stay together. Adapted from the novel Woe to Live On by Daniel Woodrell, Ride with the Devil was directed by Ang Lee, whose previous project was a very different look at America's past, the 1970s domestic drama The Ice Storm (1997). ~ Mark Deming, All Movie Guide

When young Turkish talent Kutlug Ataman wanted to make a film about transvestites, the first location he had in mind was Istanbul. As he developed the script, his thought was to place these marginal characters, who are subject to societal prejudices in an environment where there is already discrimination, would add dramatic effect. Supported by funding from German sources, Ataman set his story in Berlin, inside the community of "guest workers" where Turkish transvestites are shunned not only by Germans, but by their own kind as well. The result is a strong film with moments of tenderness, emotion and laughter juxtaposed with the harsh realities of life for those who dare to be different. 16 year old Murat (Baki Davrak) is a Turk who is curious about gay life and eventually submerges himself in the gay hustler and transvestite subculture. He is taken by the free and easy atmosphere of the dimly lit bars and the appearance of camaraderie among this marginal community, while at home his very conservative brother Osman (Hasan Ali Mete) rules with an iron fist. Murat finds the brotherly love denied at home in a transvestite, Lola (Gandi Mukli), who turns out to be his actual brother, disowned by Osman years ago. As more family secrets come to the open, violence erupts. Murat survives the ensuing tragedy and finally finds a way of living his own life. Most of the players in this film are non-professional actors from Berlin's Turkish community (and incidentally, not all of them are gay or transvestite). Veteran German actress Inge Keller, who plays the mother of Frederich, an aristocrat who risks his social standing because of his passion for Bilidikid (Erdal Yildiz), is the only famous name among the cast. Clever editing by Ewa J. Lind prevents a downhill flow into sheer melodrama by periodically mixing the narrative with dynamic performances in Turkish transvestite bars, as if giving the audience a chance to fuel up before charging them with the next powerful emotion. Night scenes in the desolate parks of Berlin accentuate the loneliness of the characters with impressive camerawork by Chris Squires. Lola und Bilidikid opened the Panorama section of the 49th International Berlin Film Festival, 1999 and won the Teddy Bear Award given to gay/lesbian films. ~ Gönül Dönmez-Colin, All Movie Guide

A family is torn between their need to air out their dirty laundry and their habit of sweeping things under the rug in this emotional drama. Hal (Roy Scheider) and Lena (Blythe Danner) are a successful but emotionally frosty New England couple whose four adult children are coming home for Thanksgiving. Strapping Jake (Michael Vartan) brings along his new girlfriend Margaret (Hope Davis), but while her affection for him is obvious, he's not sure how he feels about her. Mia (Julianne Moore), an alternately reserved and sexually ravenous art gallery worker, also brings her current lover, the nervous and unstable Elliot (Brian Kerwin). Leigh (Laurel Holloman) seems happier and better adjusted than her siblings, but she still hasn't resolved her long-standing rivalry with Mia. And Warren (Noah Wyle), who hasn't seen his parents for three years, has a bitter grudge against his father and hasn't been able to get his former girlfriend Daphne (Arija Bareikis) out of his mind. Co-star Noah Wyle also served as associate producer. ~ Mark Deming, All Movie Guide

In this inarguably bizarre comedy, Larue Maxwell (Will Keenan) is an unfortunate young man suffering from "compulsive reading syndrome," a neurochemical malady that causes him to furiously read as many books as he can, and then destroy them. Larue is released from the mental institution he's called home for some time against the advice of his psychiatrist, Dr. Noguchi (Yukio Yamamoto), who stresses the importance of Larue taking his medication. Instead, Larue throws his pills away and sets out to see the world; however, he is soon attacked by a trematode, a mutated parasite that has grown to fantastic size and has a habit of burrowing into people's bodies after emerging from their toilets. Dr. Noguchi is aware of the trematode and its effects and is trying to find the creature to prevent it from attacking others. While Larue is consumed by the parasitic super worm, he finds himself at the mercy of a number of strangers, including his neighbor Helen, (Shannon Burkett), and Kali (Kymberli Ghee), a woman who is convinced that an Egyptian deity is her husband. Stuart Gray composed the film's original score and performed it with his rock band Lubricated Goat; another musician of note, Kerri Kenny of the band Cake Like, also appears in a supporting role. ~ Mark Deming, All Movie Guide

Set on Thanksgiving weekend of 1973, The Ice Storm looks into the lives of a wealthy Connecticut family who are calm and civil on the outside, but whose lives are quietly falling into chaos. Sixteen-year-old Paul Hood (Tobey Maguire) is home for the holidays from prep school; he'd just as soon have stayed at school, given the usual level of tension around the house and his desire to win the affections of Casey (Katie Holmes), a girl living in Manhattan. His 14-year-old sister, Wendy (Christina Ricci), is already a hardened cynic obsessed with the ongoing Watergate investigation, and she has begun acting out sexually with a neighbor boy, Mikey (Elijah Wood). Apparently, this runs in the family: Wendy's father, Ben (Kevin Kline), is having an affair with Mikey's mother, Janey (Sigourney Weaver), though Ben sees a future in the relationship and Janey does not. Elena (Joan Allen), Ben's wife, knows something is wrong with her marriage and her life, but she has no idea what she should do about it. As the teenagers surreptitiously experiment with drugs and alcohol, and the adults drift into mate-swapping, a dangerous blanket of freezing rain begins to cover New Canaan. The Ice Storm was adapted from the acclaimed novel by Rick Moody. ~ Mark Deming, All Movie Guide

A Manhattan woman struggles with loneliness in the face of her best friend's imminent marriage in this well-received independent comedy from first-time writer-director Nicole Holofcener. Amelia (Catherine Keener) feels isolated because her friend Laura (Anne Heche) has been devoting all her time to preparing for her upcoming wedding. Desperate, she resorts to the unthinkable: dating the nerdy, Fangoria-obsessed clerk at her local video store (Kevin Corrigan). This discouraging encounter, along with some awkward conversations with her former boyfriend, leave her even more depressed and jealous of Laura's good fortune. However, Laura soon reveals that she is having her own doubts about her future. ~ Judd Blaise, All Movie Guide

The recipient of seven Oscar® nominations, this film version of Jane Austen's classic 1811 novel stars Emma Thompson as Elinor Dashwood. With her mother and sisters, Elinor struggles financially after the death of her father, who bequeathed the Dashwood estate to his oafish son by an earlier marriage. While sorting out the family's affairs, the shy, self-sacrificing Elinor secretly falls for her stepbrother-in-law, Edward Ferrars (Hugh Grant), a sensitive, well-educated bachelor who cannot court her because of his foolhardy youthful engagement to the greedy Lucy Steele (Imogen Stubbs). The grateful Dashwoods are offered a modest country home by family friends, which they accept. Once relocated, Elinor's brash, spirited sister Marianne (Kate Winslet) falls for a dashing local, John Willoughby (Greg Wise), a womanizer who nevertheless seems to share her affections. A prominent neighbor, Colonel Brandon (Alan Rickman), also falls in love with Marianne, but she is oblivious to the older man's affections. Eventually, Willoughby fails Marianne, breaking her heart, until she realizes Brandon's feelings. When Edward's family disowns him, Lucy marries his brother instead, leaving him free to pursue an exultant Elinor. Thompson won the film's sole Oscar® for her screenplay adaptation of Austen's novel. ~ Karl Williams, All Movie Guide

The powerlessness of sensitive children in the face of adult perversity is one of the themes of this drama about a young girl who faces the prospect of life without her mother. At first, when nine-year old Margaret's (Remy Ryan) mother (Laurie Metcalf) is taken to the hospital, Margaret tries to make sure that no one knows that her mother is dying and that she will soon be left alone. For a while, it looks as though she will succeed, but after her mother dies and her next of kin, Margaret's Aunt Fergie (Shirley Knight), is notified, any foolish hopes she might have along those lines are quickly and efficiently squashed. ~ Clarke Fountain, All Movie Guide