Richard Carle Movies

Ernst Lubitsch's That Uncertain Feeling was previously filmed by the director in 1925 as Kiss Me Again; both versions were inspired the Victorien Sardou-Emile de Najac bedroom farce Let's Get a Divorce. Six year into her marriage to preoccupied insurance salesman Larry Baker (Melvyn Douglas), Jill Baker (Merle Oberson) develops a case of hiccups. Phlegmatic Freudian psychologist Vengard (Alan Mowbray) suggests that Jill's affliction is caused by marital problems, whereupon she decides to enter into a new relationship with Vengard's star patient, hilariously neurotic concert pianist Sebastian (Burgess Meredith). Magnanimously agreeing to a divorce, Larry nonetheless remains in love with Jill, and she with him. They'll get back together, of course, but not until a multitude of delightful misunderstandings. Outside of Burgess Meredith's brilliant comic performance (obviously patterned on Oscar Levant), the film's highlight finds Larry trying to figure out the gentlest possible way to permit Jill to file for divorce on the grounds of cruelty. ~ Hal Erickson, Rovi

Another cookie-cutter Universal minimusical, Moonlight in Hawaii gathered together the usual suspects-Johnny Downs, Leon Errol, Jane Frazee, Mischa Auer, Sunny O'Dea et. al.--in their usual roles. Downs plays a young man named Pete, who shepherds a group of sightseers to Honolulu. Pete's greatest ambition is to star on radio with his pals the Merry Macs, and to this end he curries favor with potential sponsors Spencer (Leon Errol) and Lawton (Richard Carle), partners in a pineapple-juice factory. The complications begin piling up when Spencer and Lawton have a falling out over the affections of wealthy dowager Mrs. Floto (Marjorie Gateson), forcing Pete and his pals to play matchmaker. Superstar-to-be Maria Montez shows up in a bit role as a hula-hula dancer. ~ Hal Erickson, Rovi

Dangerous Game was a 61-minute entry in the off-and-on Universal "B" adventure series starring Richard Arlen and Andy Devine. The emphasis is on laughs as the pair infiltrate a suspicious lunatic asylum. Amidst the genuine assorted nuts (all of whom behave "cuckoo" in 2-reel comedy fashion) are several perfectly sane criminals, using the asylum as headquarters. Arlen and Devine rout out the crooks, winning a huge cache of money in so doing. Jeanne Kelly, who later enjoyed a brief leading-lady career as Jean Brooks, provides the heart interest in A Dangerous Game. ~ Hal Erickson, Rovi

My Life with Caroline is a dizzy boy-chases-girl affair with a twist: the girl being chased is the boy's own wife. Wealthy publisher Anthony (Ronald Colman) weds dizzy socialite Caroline (Anna Lee, in her first Hollywood film), who sees nothing wrong with seeking out new boyfriends even after her marriage. Caroline thoughtfully informs Anthony that she can't make up her mind between De Valle (Gilbert Roland) and Paul (Reginald Gardiner), obliging Anthony to work overtime to win his wife back. The film is cleverly framed in a flashback, with Anthony's voiceover narration providing the audience information on a "need to know" basis. Based on the French stage farce Train for Venice, My Life With Caroline was co-produced by Ronald Colman and William Hawks (Howard's brother). ~ Hal Erickson, Rovi

Comin' Round the Mountain was a tailor-made vehicle for bucolic radio humorist Bob "Bazooka" Burns. After striking out in New York, backwoods musician Jed Blower (Burns) and his hillbilly family band return to their native Tennessee. Here they land a job at a tinker-toy radio station in a community plagued by a long-standing family feud. Also causing local headaches is a continuing political tug of war over the maintence of the city's poorhouse. Hoping to solve everyone's problems, Jed runs for mayor, using the radio station as his podium. Old-time radio aficionados will enjoy seeing such Fibber McGee and Molly regulars as Harold Peary (the Great Gildersleeve), Bill Thompson (the "Old Timer") and Cliff Arquette (Grandpappy) in supporting roles, not to mention perennial Bob Hope stooge Jerry Collonna and Jack Benny's rotund announcer Don Wilson. ~ Hal Erickson, Rovi

Dumb but honest insurance agent Henry Twinkle (Lew Ayres) is in love with Mary Blake (Rita Johnson), the secretary of Henry's boss. To impress Mary, Henry sells a huge policy to wealthy Gus Fender (Lloyd Nolan), who turns out to be a notorious gangster on the lam from the law. If he wants to save his job, Henry will have to protect Fender from being killed. After a series of hair-raising adventures, hapless Henry ends up collecting the reward money for Fender's capture, only to be duped into turning it all over to the gangster for bail money. Saving Henry's hide-and his relationship with Mary-is a share of seemingly worthless stock which unexpectedly pays off big-time. ~ Hal Erickson, Rovi

Set in the South Seas, Seven Sinners stars Marlene Dietrich as a cabaret singer whose reputation as a troublemaker has gotten her kicked out of one port of call after another. Once more causing a riot, Dietrich takes refuge on the first ship out, together with her underhanded cohorts Broderick Crawford and Mischa Auer. During her next stopover at the Seven Sinners Cafe, Dietrich meets handsome Naval officer John Wayne. He falls in love with her, much to the consternation of island governor Samuel S. Hinds, who knows that any romantic entanglement with Dietrich invariably results in dissension, disarray and brawls. He tells her to lay off Wayne or she'll be deported. But Dietrich insists upon performing one last song for the Duke...and sure as shootin', a battle royal ensues. This time, however, Wayne works tirelessly behind the scenes to solve everyone's problems. Maintaining the fascination level of Seven Sinners is a limitless array of top character actors, including Oscar Homolka, Billy Gilbert, Albert Dekker and Reginald Denny. The film was remade in 1950 as South Sea Sinner, starring Shelley Winters and--are you holding on to something?--Liberace. ~ Hal Erickson, Rovi

The moral of Preston Sturges' first directorial effort The Great McGinty seems to be: If you're a crook, stay a crook, because honesty will get ya every time. Brian Donlevy plays Dan McGinty, a Chicago hobo who is hired by local political bosses as a "professional voter", casting ballots under a variety of assumed names in various districts. McGinty chalks up $74 worth of votes, and when local ward heeler William Demarest can't pony up, McGinty takes direct action by trying to beat up The Boss (Akim Tamiroff). Though the two men can't get through an entire day without trying to kill each other, McGinty and the Boss are impressed by each other's raw abilities and become political partners. Through the Boss' patronage, McGinty works his way up to the mayor's office, with his politically expedient bride (Muriel Angelus) at his side. Though he never goes so far as to fall in love with his "arranged" wife, Donlevy is fond of both her and her children by a previous marriage, and for their sake he begins to reform--much to the dismay of the Boss. With the Governor's mansion within his grasp, McGinty makes the fatal error of fessing up to a graft-ridden bridge contract. It is this impulsive moment of honesty, rather than any of his past crimes, that gets McGinty thrown in the slammer, sharing a cell with the blood-in-his-eye Boss. Demarest separates the two combative men long enough to arrange an escape to South America, but not before McGinty has assured the financial security of his wife and family. The story is told in flashback form in a seedy South American dive, where McGinty works as a bartender and the Boss is the manager. The film ends with the two friendly enemies duking it out over a minor infraction, while bouncer Demarest looks on in disgust. Sick to death of watching other directors mangle his screenplays, Preston Sturges sold this rollicking political satire to Paramount only on the condition that he be allowed to direct (for the princely sum of $10). Paramount hedged its bets by giving Sturges a slim budget and inexpensive stars; as a result, the film made back its cost several times over, and Preston Sturges' directorial career was off and running. ~ Hal Erickson, Rovi

In this off-beat love story, wealthy socialite Linda Bronson (Greer Garson) is about to marry Sky Ames (Lou Ayres) but then falls in love with handsome Jeff Holland (Robert Taylor). They become engaged. Unfortunately, Jeff is obsessed with work and has no time for an elaborate wedding. Instead they visit the justice-of-the-peace. The honeymoon ends quickly because Jeff spends so much time working that he completely ignores Linda. Fed up, she files for divorce. Good old Sky, who was so gentlemanly when she dumped him, sees that Linda is about to make a grave mistake and so comes up with a creative way to bring her and Jeff back together: he will slip them a memory-loss drug and then reintroduce them in hopes that they will once again fall in love. ~ Sandra Brennan, Rovi

A genuine oddity, Life Returns was originally filmed by Universal Pictures in 1935. The story, concerning the efforts by researchers Onslow Stevens and Lois Wilson to find a means to briefly bring dead animals back to life for research purposes, was built around the actual accomplishments of Dr. Robert E. Cornish of the University of California-Berkeley. On May 22, 1934, Cornish was successful in reviving a dog that had been pronounced dead: the actual footage of this experiment was incorporated into Life Returns. Presumably because of its controversial subject matter, the film was shelved by Universal and never released by that studio. It finally received distribution in January 1939 via a small-time firm called Scienart Pictures, which also took credit for producing the film. ~ Hal Erickson, Rovi

Maisie stars Ann Sothern as a worldly showgirl stranded in Wyoming when her show fails. She accepts a job at a carnival shooting gallery, where she meets the handsome foreman (Robert Young) of a lavish ranch -- and is promptly accused of picking the man's pocket. Despite this rocky beginning, Maisie grows fond of the foreman, clearing him of a murder charge (she proves that the victim committed suicide). The wisecracking, street-smart Maisie is on the verge of settling down on the Wyoming ranch at fade-out time. She must have had a change of heart, since Maisie was the first of ten MGM B-pictures featuring Ann Sothern as Maisie Ravier. ~ Hal Erickson, Rovi

Robert Wilcox stars in Man in Blue as Frankie, a gangster's son. Frankie has been raised since childhood by Officer Martin Dunne (Edward Ellis), the cop who killed his father. About to join the force himself, Frankie is enticed into a life of crime by his con-artist uncle Willie Loomis (Richard Carle). After paying his debt to society in prison, our hero is redeemed by the love of heroine June Hanson (Nan Grey). Billy Burrud, a busy if not familiar juvenile actor, does a nice turn as the younger Frankie. Fairly conventional for the most part, Man in Blue is elevated by a powerhouse finale. ~ Hal Erickson, Rovi