Furio Scarpelli Movies

OK Nerone stars Italian film favorites Walter Chiari and Cario Capanine as a pair of fun-loving American sailors. While on a sightseeing tour of Rome, the two tars imagine themselves back to the days of Emperor Nero (Gino Cervi). The rest of the film is in the fine tradition of such Eddie Cantor comedies as Roman Scandals and Ali Baba Goes to Town, with Chiari and Capanine introducing 1st-century Rome to the pleasures of 20th-century America. The climax takes place in the Colosseum, as our heroes stage a football game to rescue the Christians from the lions. OK Nerone exists strictly for laughs, and in this respect it succeeds admirably. English-language prints were radically trimmed to satisfy the censors of the early 1950s. ~ Hal Erickson, All Movie Guide

Told in pageantlike fashion, Casa Ricordi is the story of the Ricordi family, the most prestigious music publishers in all Italy. It was the Ricordis who, for better or worse, came up with the "royalty" concept, paying artists (and their families) for their work in perpetuity. As the family's fortune grows, the Ricordis rub shoulders with the musical glitterati of the 19th and 20th centuries, including Verdi, Donizetti, Puccini, Bellini and Rossini. Naturally, this allows the film to showcase some of these composers' most famous works--and in true Hollywood-by-the-Mediterranean fashion, the principal influence for these compositions are the various members of the Ricordi family. The soundtrack of Casa Ricordi reverberates with the voices of such musical immortals as Tito Gobbi, Renata Tibaldi, Mario Del Monaco and Gianni Poggi, among many others. ~ Hal Erickson, All Movie Guide

This engaging slice of neorealism stars Marcello Mastroianni as "Il Medico" (The Doctor) and Vittorio de Sica as "Lo Stregone" (The Healer). Setting up practice in a backward, provincial village, Mastroianni finds that he can make no headway with the superstitious townsfolk so long as faith-healer De Sica holds them in thrall. A battle of wills ensues, which at first is won by De Sica. But when a medical crisis arises, it is Mastroianni who comes out on top. The feminine angle is provided by Marisa Merlini. Thanks to the drawing power of its two male stars, Il Medico e lo Stregone was well distributed in the U.S. ~ Hal Erickson, All Movie Guide

Vittorio Gassman and Alberto Sordi don ill-fitting military uniforms in this anecdotal Italian service comedy. They play a couple of World War I soldiers, adept at sidestepping duty and responsibility, but courageous to the core when in a pinch. The film strives for the boisterous feel of What Price Glory, but at 118 minutes the material wears rather thin. Still, the reputation of director Mario Monicelli helped this uneven production win a Golden Lion award at the Venice Film Festival. Originally released in Italy in 1959 as La Grande Guerra, The Great War was distributed in the U.S. two years later. ~ Hal Erickson, All Movie Guide

In this comedy, a bungling gang leader and his henchmen attempt to swipe a suitcase full of loot from a soccer pool. The task seems simple enough, but the gang suffers a variety of zany mishaps before the leader finally gets hold of the money. Just as he gets it, he is arrested by the police for jaywalking. ~ Sandra Brennan, All Movie Guide

Also known as The Passionate Thief, this fast-paced crime comedy stars Anna Magnani as the fly in the ointment for a pair of disreputable types. Pickpockets Toto and Ben Gazzara don't want Magnani around while they ply their trade, but she manages to foul up their plans by falling in love with their "pigeon", American tourist Fred Clark. Gazzara briefly rids himself of Magnani by pinning a robbery rap on her. Upon her release from jail, she is reunited with Toto, who has loved her all along. Since it is established early on that Magnani is a movie extra and Toto an out-of-work actor, Risate di Giola gets away with a few jibes at the Italian film industry. ~ Hal Erickson, All Movie Guide

In this crime comedy with heavy neorealist influence, Antonio (Alberto Sordi) is a Sicilian auto plant worker who has almost completely forsaken his southern Italian roots by marrying a fair-haired girl from the north and conceiving two children with her. As the movie opens, Antonio prepares to round up the family and take them on a vacation to his native town of Calamo, Sicily. Before he leaves, however, his boss summons him in and asks him to pass along a little gift to Don Vincenzo, a mob boss in Calamo. Antonio agrees to the plan, tentatively at first, but as the family gets closer and closer to the isle of Antonio's childhood, and shares lodging with Antonio's eccentric family, Sicilian pride and enthusiasm well up inside of this family patriarch, and he is,ultimately confronted with a request to carry out a hit for Vincenzo. Dino DeLaurentiis produced and Alberto Lattuada directed. Though the film was long forgotten, it received a U.S. theatrical release by Rialto in 2007 and netted absolutely stunning reviews. ~ Dan Pavlides, All Movie Guide

This well-acted though conventional comedy-drama by director Luigi Comencini features comic Nino Manfredi in the title role of Giacinto, a father and husband who has been driven to steal in order to survive. His ineptitude lands him in jail where he meets up with slightly more hardened criminals, like Tagliabue (Mario Aldorf), a killer, and Il Sorcio (Raymond Bussieres), an experienced thief. Giacinto is anxious to escape and get back to his family but Tagliabue and the thief also want out as soon as possible. And even if Giacinto escapes, the challenges that wait for him on the other side of the bars may be more than he can handle. ~ Eleanor Mannikka, All Movie Guide

Mistakenly labeled as a neorealist drama in some sources, Seduced and Abandoned is actually a slyly constructed Italian domestic comedy (could anyone have really taken that florid title seriously?) Aldo Puglisi plays a "love 'em and leave 'em" type who impregnates the teen-aged sister (Stefania Sandrelli) of his own fiancee (Paola Biggio). Saro Urzi, the girls' infuriated father, insists that Puglisi break off with the older girl to marry the younger. The police get into the act, threatening to arrests Puglisi for corrupting the morals of a minor. Through some quick thinking on his part, Puglisi manages to get the younger girl to indignantly refuse his hand in marriage. The family is torn asunder by this incident, with darkly comic results. ~ Hal Erickson, All Movie Guide

In this comedy anthology, the sex-capades of several Italian couples are chronicled. In "The Scandal," a dull and insensitive husband is unaware that his lonely wife has been flirting with a young buck at a vacation resort. When the husband finally finds out, he gets jealous and the marriage is renewed. In "Sin in the Afternoon," a movie producer is frustrated because his wife refuses to touch him, and so he winds up picking up a comely woman off the street and taking her to a motel. "The Victim" chronicles the relationship between an insanely jealousy woman and her beleaguered husband, whom she drives away. She, seeking revenge, begins an affair with his best friend. In the final episode, "Modern People," a deeply indebted cheese maker is given the option of paying the debt in cash or allowing the debtor an evening of lovemaking with his gorgeous wife. ~ Sandra Brennan, All Movie Guide

In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. ~ Yuri German, All Movie Guide

Dino Risi directed this bittersweet comedy about a 45-year-old man, Francesco Vincenzini (Vittorio Gassman), who becomes a grandfather for the first time and begins to fret about old age. When his son is rejected by the flirtatious Carolina (Ann-Margaret) and tries to kill himself, Francesco pays Carolina a visit to lambaste her for her treatment of his son. Carolina responds to his tongue-lashing by seducing him. Feeling young again, he plunges whole hog into an affair with Carolina, rejecting his job and his family and devoting all his attention to her. Finally, Carolina demands that he abandon his family and take off to Paris with her. While on the train to meet Carolina, Francesco has to decide whether he is using his best judgment leaving his family for Carolina. ~ Paul Brenner, All Movie Guide