Joseph Sargent Movies

Joseph Sargent's made-for-TV drama, set during World War II, stars Walter Matthau as an attorney coerced into defending a German POW who is accused of murdering the town physician (Barnard Hughes), Matthau's best friend. ~ Jason Ankeny, All Movie Guide

This third sequel to the 1975 mega-hit Jaws returns Lorraine Gary to the role of Ellen Brody, widow of the Roy Scheider character from the first two films. When her son Sean, the current police chief of shark-plagued Amity Island, is killed by the beast, Ellen goes to the Bahamas to comfort her surviving son. Michael Brody (Lance Guest) and his friend Jake (Mario Van Peebles) are marine biologists there to help, but in the end it is up to Ellen and her new beach-bum love -- played by Michael Caine -- to put a halt to the fishy horror. Director Joseph Sargent concludes the series with an ending chosen from several alternate possibilities. ~ Robert Firsching, All Movie Guide

In this drama, a formerly famous star returns from an insane asylum and tries to make a comeback. Despite the objections of her teen-age son, the woman embarks upon a risky romance with a dashing stranger. The story is based on a novel by James Kirkwood. ~ Sandra Brennan, All Movie Guide

In its own mild, unobtrusive manner, the made-for-TV Love is Never Silent managed to knock an all-star adaptation of Alice in Wonderland out of the ratings box when it was first telecast on December 9, 1985. Based on the Joanne Greenberg novel In This Sign, the film stars Mare Winningham as a normally functioning woman with deaf parents. Using sign language, Winningham has spent most of her Depression-era childhood as her parents' only conduit to the outside world. When a close family friend (Sid Caesar in a towering non-comic performance) asks Winningham if she isn't sacrificing the opportunity for happiness on her own, she carefully considers his words. She marries Frederick Lehne, at which point her embittered parents close off their relationship with their daughter. How Ms. Winningham manages to bridge this gap is the focus of the film's final scenes. The parents are played by Ed Waterstreet and Phyllis Frelich, longtime members of the National Theatre for the Deaf. The Emmy-winning Love is Never Silent was originally presented as a Hallmark Hall of Fame special. ~ Hal Erickson, All Movie Guide

84-year-old James Cagney delivered his final performance in the TV movie Terrible Joe Moran. Cagney plays a former boxing champ, now enfeebled and bound to a wheelchair (we see him in his prime via a clip from Cagney's 1932 vehicle Winner Take All). Long estranged from his family, the ex-boxer grudgingly allows his granddaughter (Ellen Barkin) to move in with him and his former trainer (beautifully played by Art Carney). The girl is unfortunately a compulsive thief, carrying on a romance with a petty crook with mob connections. The broken-hearted grandfather agrees to pay off the boy friend's debts so long as his granddaughter leaves and never returns. But Terrible Joe Moran and his chastened grandchild are tearfully reunited in the finale. Critics in 1984 went overboard praising the obviously ailing James Cagney for his bravura performance; only after his death did the truth come out that most of Cagney's dialogue had been dubbed in by an impressionist. ~ Hal Erickson, All Movie Guide

Divided into four separate independent films originally made as a television pilot, Nightmares begins with "Terror in Topanga," a story about a young woman who goes out one night to buy a pack of cigarettes, knowing full well that the infamous "canyon killer" is on the loose -- and sure enough, a subtly menacing store clerk (Anthony James) begins to loom large in the woman's journey. The second story, "Bishop of Battle" is a sequence with animation that details the saga of a video games champion who comes up against a supernatural opponent. The next vignette, "The Benediction" is about a priest who gives up on his faith and takes off down the highway, only to be confronted with a demonic minivan and good reasons for remaining a believer. The last story, "Night of the Rat" has the rodent that ate Manhattan looming large over the home of a young couple, but never fear, the husband is blasé enough to handle anything, or so he thinks. As might be expected, the low-budget production and facetious scripting of a few of these sequences work against the intended scary effect of the stories. ~ Eleanor Mannikka, All Movie Guide

Amber Waves is the tale of two radically different personalities, united by crisis. Dennis Weaver plays a midwestern wheat harvester, coarsened by his lifelong struggle with poverty and the elements. Kurt Russell plays an obnoxious Manhattan-based male model, who has coasted through life on his charm and has never gotten his hands dirty. When Russell finds himself facially disfigured and penniless, he takes a job on Weaver's farm. Though the two men dislike each other at first, they reach a common ground when Weaver suffers a serious personal dilemma. Beautifully lensed in Alberta, Canada, Amber Waves was one of the high points of the 1979-80 TV movie season. ~ Hal Erickson, All Movie Guide

After a particularly bitter argument with her divorced mother, teenager Libby Bellow (Mare Winningham) runs away from home. Eventually, she links up with a traveling carnival and takes on a variety of responsibilities, in so doing coming to the realization that her life at home might not have been so bad after all. In addition to serving as an early showcase for actress Mare Winningham, this made-for-TV film also features a number of original songs by Janis Ian. Freedom was originally telecast by ABC on May 18, 1981. ~ Hal Erickson, All Movie Guide

Comedy falls as flat as a blowout in this film by Joseph Sargent about a down-to-earth trucker (Robert Blake) and the rich and looney witch (Dyan Cannon) he is forced to take on a haul from New York to L.A. Madie (Cannon) is running away from her money-grubbing husband who is conniving to get the most inexpensive divorce he can. Charlie (Blake) the trucker is under pressure from a ruthless creditor and is in desperate need of cash. As the mismatched duo continues in a stressful journey across country, sparks fly but fail to ignite much of anything along the way. ~ Eleanor Mannikka, All Movie Guide

Star Gregory Peck went into MacArthur disliking the title character that he was slated to play, but emerged from the experience with a deeper understanding and respect for this complex historical figure. The film is framed in flashback, with an octogenarian General
Douglas MacArthur (Peck) making his final address before his alma mater of West Point. We flash back to the fall of Corregidor in 1942, with MacArthur promising "I shall return" to the beleaguered (and eventually imprisoned) American and Filipino troops. The story follows MacArthur's subsequent victories in the South Pacific, occasionally pausing to show us the General's omnipresent sense of "showmanship" (e.g. his wading ashore on the beaches of the Philippines for the benefit of the newsreel cameras). The greater part of the film involves MacArthur's attempts to restore dignity to the defeated postwar Japan, and to keep the Russian Communists from overtaking the orient as they had Eastern Europe. MacArthur is eventually fired from his post by President Truman after the general defies orders during the Korean conflict. MacArthur was intended as Universal's "answer" to 20th Century-Fox's enormously successful Patton (1970), but box-office returns were disappointing. ~ Hal Erickson, All Movie Guide

The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide

On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, All Movie Guide