Jonathan Sanger Movies

When a woman serving time for the murder of her husband is granted early release on the condition that she remains under house arrest for the remainder of her sentence, her past strikes back with a supernatural vengeance in this thriller from director Eric Red (Undertow and Bad Moon). Marnie Watson (Famke Jansen) was suffering under the brutal hand of her husband Mike (Michael Pare) - a violent New York City cop - when she struck back in self-defense. In the aftermath of that tragedy, Mike was dead and Marnie convicted of manslaughter. Now released from prison and outfitted with an electronic ankle bracelet the will alert authorities to her location at all times, Marnie is given strict orders to remain in her house until her sentence is served in full. As Marnie begins to serve her time, her late husband's partner observes from a patrol car parked across the street - eager for the moment she violates her probation and he can lock her up for good. But there's something else in the house with Marnie, and now the woman who thought her nightmare was finally over is about to discover that it's only just begun. Marnie's husband is just as evil in death as he was in life, and he's determined to strike back at the woman who killed him with savage ferocity. ~ Jason Buchanan, All Movie Guide

After transforming his first motion picture into a smash Broadway musical, Mel Brooks brings the story of two would-be theatrical moguls turned con men back to the screen in this musical comedy. Max Bialystock (Nathan Lane) was once one of Broadway's most successful producers, but a string of flops has thrown his career into a tailspin, and now he struggles to raise the cash to stage new shows by playing gigolo to lonely old ladies. While going over his books, accountant Leo Bloom (Matthew Broderick) notices that Bialystock raised more money than he spent for one show, and points out that if one raised enough money for a show that closed in one night, you could make more off a flop than a hit. This strikes Bialystock as a brilliant scheme, and he decides to give it a try, persuading Bloom to join him in staging the world's greatest flop. After discovering a truly vile script -- "Springtime for Hitler," a musical set in the Third Reich written by neo-Nazi pigeon fancier Franz Liebkind (Will Ferrell) -- and giving a key role to the secretary Ulla (Uma Thurman), a drop-dead gorgeous blonde with only a tenuous understanding of the English language, Bialystock and Bloom are certain they have the disaster they need for their plan to work. But the scheme unexpectedly goes wrong when "Springtime for Hitler" becomes a "so bad it's good" hit. Mel Brooks co-wrote the screenplay for The Producers as well as producing it, but directorial chores were handed over to Susan Stroman, who also directed the Broadway show; Nathan Lane and Matthew Broderick also repeated their roles from the Broadway production. ~ Mark Deming, All Movie Guide

'N Sync is one of the biggest pop groups in America, and they get even bigger in this concern documentary, which was shot and originally distributed in the high-definition IMAX format. Shot at several dates during the band's sold-out tour in support of the album No Strings Attached, 'N Sync: Bigger Than Live captures the best-selling "boy band" on stage, playing nine of their biggest hits (eight of which appear on No Strings Attached, as well as taking a brief look at the backstage pastimes of Lance Bass, Joshua "J.C." Chasez, Joey Fatone, Chris Kirkpatrick, and Justin Timberlake. Curiously, 'N Sync features no director's credit, though John Bailey is credited as "photography and camera director." ~ Mark Deming, All Movie Guide

In this psychological drama, a woman tries to get on with her life after she is captured and tortured in a nameless South American country. It begins as US journalist Helen McNulty and her photographer/lover Jan travel to the country to find a rebel leader. Instead they are captured during a protest demonstration, separated, and tortured. She survives the ordeal and ends up back in Portland, Oregon, still grieving for Jan a year later. Though she has buried most of the terrifying experience and is determined to live a normal life, she finds herself forced to face the experience when she attends a symposium for survivors of political torture and decides to write a story on Anna Lenke, the keynote speaker and Holocaust survivor. Lenke runs a center for survivors and while there, Helen finds Anna treating her like a therapy patient, rather than a reporter. Conflict ensues. More conflict erupts when a mysterious, Latin professor, Tomas Ramirez arrives at the clinic. ~ Sandra Brennan, All Movie Guide

In Michael Lessac's lugubrious House of Cards, women's intuition beats out psychology in the battle against autism. The story begins in Mexico, where a little girl named Sally Matthews (Asha Menina) lives with her parents, scientists studying ancient ruins. When her father falls to his death, Sally is comforted by a Mayan mystic that tells Sally her father has gone to the moon. When Sally, her mother Ruth (Kathleen Turner), and her brother Michael (Shiloh Strong) return home to North Carolina, Sally begins to retreat into autism. She first stares silently at the night sky. Then she shrieks when Ruth wears a baseball cap the wrong way. Finally she develops the habit of scaling the roof of the house and other tall structures. This makes Ruth realize that there is something seriously wrong, and she takes her to see Dr. Jacob Beerlander, a psychiatrist who is an expert in autism. As Sally retreats more and more into herself, Beerlander and Ruth clash over the scientific approach versus the intuition of a mother. ~ Paul Brenner, All Movie Guide

Episode 26 of Twin Peaks, "Variations on Relations," originally aired on April 11, 1991, and was directed by Jonathan Sanger. While the Sheriff's department finds a petroglyph symbol at Owl Cave, Windom Earle announces his interpretation of the White Lodge, as well as his intentions of seeking out the Black Lodge. Major Briggs agrees to help decipher the symbol with help from his dreams. Pete tries to open the puzzle box left by Eckhardt's assistant, only to drop it on the floor and discover its contents. At the Double R diner, Gordon Cole (David Lynch) kisses Shelly and states, "You are witnessing a front three-quarter view of two adults sharing a tender moment." While at the diner, Cooper recognizes Shelly's poem as a sign of Windom Earle. Meanwhile, the Miss Twin Peaks Committee gathers together the contestants and plans the upcoming beauty contest with Ben suggesting a save-the-forest theme, and Dick Tremayne hosts a wine-tasting party at the Great Northern. That evening at Easter Park, Cooper and Truman find another dead body. ~ Andrea LeVasseur, All Movie Guide

In this film a middle-aged woman tries to get married to her younger fiance but is hindered by her four grown children who come bearing grudges. ~ Sandra Brennan, All Movie Guide

In this slow-paced thriller set just before D-Day in Paris, Gus Lang (Ed Harris) is an American agent who has to make sure a captured U.S. officer is not forced to divulge the secret of the Normandy invasion. Since audiences know the invasion worked, the success of Gus Lang's espionage forays into Nazi officialdom, and the French resistance appears to be a foregone conclusion. At least Paris provides an excellent backdrop for his undercover work, both with the attractive Claire Jouvet (Cyrielle Claire) and the less-attractive Nazi military. ~ Eleanor Mannikka, All Movie Guide

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, All Movie Guide

In this dark and sometimes sad comedy, Dominick -- an extremely obese man -- is pushed by his sister Antoinette to shed a few pounds lest he end up dead like his cousin. To do so, she helps him enroll in the fanatical weight-loss group, the Chubby Checkers, who will do anything to keep fellow members from over-eating. Another incentive for Dominick is his love for Lydia, a women whom Dominick fears has deserted him because of his obesity.The process of weight loss is torture, and he is left with a painful choice (one that the naturally thin don't always understand), suffer the pain and lose the weight or somehow learn to live with it. After his initial attempts to lose weight end in failure, and he goes on a gigantic food bender (one of the great binge scenes in movie history), in the end, Dominick learns that Lydia loves him for who he is, and he decides that he should do himself the same favor. ~ Sandra Brennan, All Movie Guide

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide