Jorge Sanchez Movies

Seven internationally respected filmmakers offer different perspectives on time and fate -- some witty, some somber -- in this omnibus film, with the stories linked by performances from jazz great Hugh Masekela. Dogs Have No Hell by Aki Kaurismaki follows one man's unusual journey as he celebrates getting out of jail by travelling to Siberia in search of a wife. Victor Erice directed the impressionistic Lifeline, in which a family of Spanish farmers try to help an infant who has fallen ill. Werner Herzog visits the Uru Eus tribe of South America -- believed to have been the last unknown indigenous people on earth prior to their discover in 1981 -- and explores the often sad toll their discovery has taken upon them in Ten Thousand Years Older. Chloe Sevigny plays an film actress waiting out a ten-minute break in her trailer in Int. Trailer. Night, directed by Jim Jarmusch. Wim Wedners contributes Twelve Miles to Trona, in which a young man, dazed and ill, tries to drive himself to a doctor through a barren desert. Spike Lee looks into the Florida vote-counting scandal, and how Al Gore's assistants and supporters reacted to it, in the short documentary We Wuz Robbed. And in 100 Flowers Hidden Deep, directed by Chen Kaige, a delusional elderly man is convinced his furniture still stands in the vacant lot where his home used to be, and he persuades workers to help him move it away to safety. ~ Mark Deming, Rovi

Using digital video and a skeleton crew, master filmmaker Arturo Ripstein boldly reworks the ancient Greek drama Medea, employing a dizzying array of flashbacks and Brechtian devices. The film focuses on Julia (Arcelia Ramirez) who works as an homeopathic doctor. Lovelorn and embittered, she learns that her husband, a failed boxer named Nicolas, has dumped her in favor of a younger woman, Raquel (Francesca Guillen), the daughter of local slumlord La Marrana (Ernesto Yanez). To make matters worse, Nicolas wants to take the kids, while at the same time La Marrana evicts Julia from her modest abode. Julia's growing thirst for vengeance is furthered by her godmother who believes that all men should be castrated. This film was screened at the 2000 Cannes Film Festival. ~ Jonathan Crow, Rovi

Based on the novel of Gabriel Garcia Marquez by the same name, but set in the forties, the film is a reflection on life and its illusions by the Mexican master Arturo Ripstein. In a small coastal town in Mexico in the late 1940's, an obstinate colonel of the anticlerical Cristeros War keeps waiting for the pension that has been promised to him but never delivered. Every Friday, he goes down to the docks, dressed in his best suit in anticipation of the arrival of the letter announcing his pension. Everyone knows that he is waiting in vain, but he refuses to face reality, even though, deep in his heart, he knows that the letter will never arrive. His wife is suffering from asthma; their son Agustin was killed by the fascists; and the roof over their head will soon be taken away because of the unpaid mortgage. Yet the Colonel stands by his dream, refusing to give up despite poverty and hunger. He knows that if he lets go, there is nothing else left. His wife Lola proposes to sell the cock, which is the only thing left behind from their son. But the Colonel does not want to give up the fighting cock, which he believes will win one day. The story is rendered in a simple and straightforward narrative style unlike Ripstein's earlier work, which is more baroque, or Marquez's magical realist style. Repeated close-ups accentuate the damages of a long and hopeless wait on a person's inner strength. Veteran Fernando Lujan is remarkable as the Colonel, but Spanish Marisa Paredes shines as the wife who suffers in dignity. Salma Hayek has a brief appearance as the prostitute who had a relationship with Agustin. In competition at the 52nd Cannes Film Festival, 1999. ~ Gönül Dönmez-Colin, Rovi

Mexican director Arturo Ripstein helmed this Mexican-Argentine-Spanish religious drama with Buñuelian overtones. Based on true events that took place in Mexico during the '70s, the film is updated to the present. Mama Dorita (Katy Jurado) leads the New Jerusalem cult with film-buff Papa Basilio (Francisco Rabal). Basilio's worship of movies explains the cult's costumes, imitative of Hollywood Biblical epics. When Dorita dies, she chooses teen Tomasa (Edwarda Gurrola) to give birth to the New Messiah. Unable to handle this sudden power, Tomasa instead proclaims herself to be the Whore of Babylon, forcing male cultists to have sex with her. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Three women seek their fortune in a small border town in this drama from acclaimed, Ariel-winning Mexican director Maria Novaro. In the shadow of the 15-mile-long steel wall that stands on the edge of Tijuana, Serena, Jane, and Elizabeth each take shelter in search of a better life. Serena is a widowed mother of three, Jane is an American searching for her long lost brother, and Elizabeth is a Mexican-American artist who has come to the border town in search of her roots. In the town that is prison to some and refuge to others, all three women will experience something new as they discover that even in the stark heat of the desert, a garden can bloom. ~ Jason Buchanan, Rovi

With little dialog and exquisite, almost documentary-like images, Cabeza de Vaca offers a fascinating (if not mystical and at times just plain puzzling) foray back to early 16th-century America as it chronicles the exploits of the explorer Alvar Nunez Cabeza de Vaca as he spends eight years traversing the wild lands surrounding the Gulf of Mexico. The story itself is based on the book Naufragio, Cabeza de Vaca's personal account. Cabeza de Vaca was the ship's treasurer on an ill-fated expedition to America. Marooned on the densely jungled Florida coast he becomes the unwilling guest of the Iguase Indians (for added realism and to help audiences understand how Cabeza de Vaca felt, the Native speech is not translated). He is enslaved and much of the story centers on his coming to grips with his strange new life and the people around him. Eventually he is taken to a powerful Iguase shaman who teaches him the healing arts, skills he is able to put to amazing use during his amazing journey. ~ Sandra Brennan, Rovi

In this tender family drama, Lola is a single mother living in Mexico City who earns her living as a street vendor. She and the other unlicensed vendors like her must keep an eagle eye out for the police, and at the same time must try to eke out a living selling clothing irregulars. Despite that, she has a good relationship with her daughter. It's probably just as well that her rock-guitarist boyfriend went away. ~ Clarke Fountain, Rovi