Ron Carey Movies

Two years ago, Andy Barker suffered serious brain damage after being involved in a violent car accident; now that his memory is finally coming back he isn't sure he likes what he sees. His memories suddenly triggered by family portraits and strangely familiar locations, Andy gradually begins piecing together the fragments of his shattered life. But why has his brother gone missing, and can the tattooed girl who claims to be his daughter truly be trusted? When Andy attends a costume party and the strangers who surround him greet him like an old friend, he begins to wonder if his sanity is slipping. Later, when he discovers a mysterious porn tape featuring himself as the star, Andy becomes increasingly horrified of the person he sees in the mirror. ~ Jason Buchanan, All Movie Guide

In this farcical Western, a gunslinger riding a loquacious talking horse work together to bring law and order to a rough and tumble town. ~ Sandra Brennan, All Movie Guide

Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide

This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, All Movie Guide

Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide

Death of a Hooker was the spell-it-out alternate title for Ernest Pintoff's unorthodox murder mystery Who Killed Mary Whats'ername. At first, Red Buttons seems an illogical choice for a hero, especially since he plays a diabetic ex-boxer who isn't all that quick on the uptake. But Buttons gradually grows on the audience as he investigates the murder of a Greenwich Village prostitute whom he barely knew. With the help of his daughter Alice Playten, Buttons unearths a great many clues that we either overlooked or ignored by the cops. The film ends abruptly and somewhat tragically, which may have resulted in poor word of mouth when it was first released. Only after it became a Late Late Show perennial did Who Killed Mary Whats'ername? finally find its audience. The largely New York-based cast includes Sylvia Miles, Sam Waterston, Conrad Bain and, in an uncharacteristically repulsive "heavy" role, David Doyle. ~ Hal Erickson, All Movie Guide

Ohio businessman Jack Lemmon is offered a golden job opportunity; all he has to do is relocate himself and wife Sandy Dennis to New York City. What follows has led some critics to complain that playwright Neil Simon has written a "hate letter" to Manhattan. Within a 36 hour period, the couple (a) loses their airplane luggage; (b) are forced to travel from Boston to New York in a greasy old train; ( c ) can't get any sort of service because virtually everyone in Fun City is on strike; (d) are mugged twice, once while they're asleep; (e) are reduced to sleeping on Central Park benches in their day clothes.....and so it goes, until the shabby, disheveled Lemmon tells his prospective bosses off, and he and his wife head back to Ohio---- almost. Punctuated by Sandy Dennis' plaintive "Oh, my Gawwwwd", The Out of Towners tightens the screws and ups the ante on the classic "comedy of errors" formula. Filmed on location, the picture features a who's who of character actors (Milt Kamen, Anne Meara, Phil Bruns, Dolph Sweet, Richard Libertini, Paul Dooley, Robert Walden, Ron Carey etc. etc. etc.) When first shown on network television, the film was shorn of its closing punchline because of an eccentric censorship rule. ~ Hal Erickson, All Movie Guide