Luciano Salce Movies

A good idea is taken to the well one too many times in this routine comedy by Luciano Salce. Paolo Villaggio is Arturo, the bank teller of the title, and Catherine Spaak is his put-upon wife Elena. Arturo's problem is that he does not have enough money to keep his head above water and so that is his wife's problem too. The maid no longer works because she has not been paid in living memory, and Elena is forced to scrub the floors. Then Arturo brings in his mistress to shore up their finances. After he fails in his objective (she moves in but cannot help that much), Elena brings in her lover to help out. After he arrives, his wife also moves in with her lover. At that point, who is sleeping with whom becomes a question of mathematical complexity. ~ Eleanor Mannikka, All Movie Guide

In this anthology made up of three shorter comedies, Ugo Tognazzi, Paolo Villaggio and Alberto Sordi each bring their own special brand of humor to the screen. In "Saro Tutta Per Te" (I Will Be All Yours), Tognazzi is Enrico, a dentist who has agreed to vacation with his ex-wife at her lover's villa. All he really wants to do is take her to bed one more time, but he is consistently interrupted in his attempts by the arrival of yet more guests. In "Si Buana" (Yes, Buana), Villaggio is Wilson, a man in charge of a group of tourists in Kenya. One of this segment's highlights is the outspoken homesickness of his "native" black guide for the beauties of his homeland -- Rome. In the final episode, "La Vacanze Intelligenti" (Intelligent Vacation), Alberto Sordi is Remo, a greengrocer who, along with his wife, gets sent on a vacation by their well-meaning children who want to "improve" their parents' minds by sending them off to see Etruscan tombs, hear performances of atonal modern music, and appreciate the wonders of avant-garde modern art. In one of the most amusing vignettes, they see an art exhibit consisting of an enclosure filled with sheep with purple spots painted on their backs. ~ Clarke Fountain, All Movie Guide

The English-language title for the Italian L'Anatra All'arancia was Duck in Orange Sauce. Though Ugo (Ugo Tognazzi) is comfortably married to Lisa (Monica Vitti), he nonetheless takes up with pretty (and fetchingly underdressed) American Patty (Barbara Bouchet). In retalitaiton, Lisa begins an affair with French count Jean Claude (John Richardson), arousing Ugo's jealousy. At his request, the four members of this romantic quadrangle repair to a summer house to come to a "civilized understanding"--which erupts into something out of the Keystone Kops. ~ Hal Erickson, All Movie Guide

This Italian film was made for the blaxploitation action niche, but sloppy dubbing and unintentionally funny dialogue kept it from packing the kind of action punch needed for box-office success. Father Charlie (Lino Venturi) is an ex-con who has been granted an exemption from canon law to become a priest. When a friend of his gets into trouble which looks suspiciously like a frame-up, Father Charlie decides to investigate, with or without the blessing of his bishop. His friend Lee Stevens (Isaac Hayes) is looking for the real culprit as well, and Father Charlie and Lee soon join forces. ~ Clarke Fountain, All Movie Guide

This Italian film is a searing indictment of the greed and ambition which warp the medical profession. It focuses especially on surgeons in the persons of Professor Valiotti (Gabriele Ferzetti) and Dr. Giordani (Enrico Maria Salerno). Many of the scenes are based on Italian news stories of the period ('70s) which recount the suffering and high costs of unnecessary or overly aggressive treatment motivated by academic ambitions or simple greed. Director Luigi Zampa's previous film about the medical system was a satire/comedy: Be Sick, It's Free. ~ Clarke Fountain, All Movie Guide

This comedy takes sharp aim at the hypocritical behavior of supposedly celibate Roman Catholic clergy. Keeping to the middle ground, neither too "holy" nor too critical, it was a hit in native Italy. Don Clemente (Lando Buzzanca) has done too good a job as a priest in his rural parish and is promoted to a wealthy parish in Rome. Along with the new job come new temptations, most prominent of which is the desire to embrace the problems of Silvia, a beautiful young prostitute with a yen for married life (Rossana Podesta). Their relationship develops until he must choose between his calling and marrying Silvia. As he is growing accustomed to life in the city, he gains insight into his romantic temptations by observing how his peers and superiors in the church respond to theirs. ~ Clarke Fountain, All Movie Guide

This comedy concerns identical twin brothers who have a very different way of looking at life. Filippo makes a living selling nude photographs and engaging in forgery and petty crimes, much to the consternation of his brother Mario, an honest law man employed by the government. Mario is driven crazy by Filippo, who eventually sleeps with Mario's wife and becomes a respected member of Parliament. Filippo excels, in spite of his sordid background, while the virtuous Mario loses everything and is unrewarded for his strong convictions of morality and law and order in this offbeat comedy.Vittorio Gassman stars in the double role of the disparate identical twins. ~ Dan Pavlides, All Movie Guide

Yet another entry in a long series of 1960s Italian sex comedies, this one has some clever moments in its study of four beautiful women (Ursula Andress, Marisa Mell, Virna Lisi, and Claudine Auger) who cheat on their husbands to relieve their marital discontent. Jean-Pierre Cassel also stars in this typical anthology written by Ruggero Maccari and Ettore Scola. ~ Robert Firsching, All Movie Guide

In this comedy anthology, the sex-capades of several Italian couples are chronicled. In "The Scandal," a dull and insensitive husband is unaware that his lonely wife has been flirting with a young buck at a vacation resort. When the husband finally finds out, he gets jealous and the marriage is renewed. In "Sin in the Afternoon," a movie producer is frustrated because his wife refuses to touch him, and so he winds up picking up a comely woman off the street and taking her to a motel. "The Victim" chronicles the relationship between an insanely jealousy woman and her beleaguered husband, whom she drives away. She, seeking revenge, begins an affair with his best friend. In the final episode, "Modern People," a deeply indebted cheese maker is given the option of paying the debt in cash or allowing the debtor an evening of lovemaking with his gorgeous wife. ~ Sandra Brennan, All Movie Guide