Philip Carey Movies

A Girl for Joe was the reissue title for the 1951 WWII romantic drama Force of Arms. William Holden and Nancy Olson, previously teamed in Sunset Boulevard and Union Station, co-star once more as, respectively, an Army sergeant and a WAC officer. While on leave, Holden and Olson fall in love, but before long Holden is sent back to the front. Surviving the battle of San Pietro, Holden is tortured by the fact that he may have "choked" under fire, indirectly causing the deaths of his CO Frank Lovejoy and several of his comrades. Even after his happy marriage to Olson, Holden cannot purge himself of his guilt feelings. Despite his wife's protestations, Holden re-ups to atone for past mistakes. Told that Holden is missing in action, Nancy refuses to give her husband up for dead and heads for the front herself. Officially based on a short story by Richard Tregaskis, this drama is actually a semi-remake of Hemingway's A Farewell to Arms, previously filmed in 1932 (this may partially explain why Warner Bros., producers of Force of Arms, purchased the rights to the 1932 film). ~ Hal Erickson, All Movie Guide

A prison guard at one of California's most notoriously brutal correctional facilities during the 1920s attempts to enact more humane ways of controlling the inmates in this drama. Much of the story was filmed on location and centers the relationships between the steel-tough inmate, Steve Cochran, the ruthless, sadistic warden de Ted de Corsia and his thuggish guards and David Brian, the caring captain of the guard who to enact prison reform and promote rehabilitation programs rather than senseless violence. Steve Cochran and his followers are constantly scheming to escape while de Corsia and crew are trying to beat them into submission. To make things better, Brian, constantly defies de Corsia and as a result gets fired. This infuriates Cochran and the others and a bloody riot ensues. Though many die in the desperate melee, something good comes out of it all. ~ Sandra Brennan, All Movie Guide

Actual combat footage is deftly blended in with dramatized re-enactments in The Tanks Are Coming. Steve Cochran stars as Sergeant Sully, the hard-bitten new leader of an arrogant, fiercely independent tank platoon. Despite protests from his commanding officer and his men, Sully runs the platoon ragged, teaching them the value of humility and teamwork under fire. The sergeant's training methods pay off during the 3rd Armored Division's assault into France in the summer of 1944. Though Mari Aldon shows up briefly as a female war correspondent, Tanks are Coming is an essential all-male enterprise, featuring good performances by such dependable players as Philip Carey, Paul Picerni, Harry Bellaver, James Dobson and George O'Hanlon. ~ Hal Erickson, All Movie Guide

Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

Joan Crawford is appropriately cast as the title character in This Woman is Dangerous. Crawford plays master criminal Beth Austin, the lady friend of dangerous gangster Matt Jackson (David Brian). After being caught in the crossfire of a robbery engineered by Jackson, Beth recuperates in a hospital, hoping to keep her past a secret from the authorities. But the FBI wants Beth to lead them to Jackson, and to that end, her doctor Ben Halleck (Dennis Morgan) is strong-armed into inaugurating a romance with his gorgeous patient. Eventually, of course, Ben and Beth fall genuinely in love, thereby incurring the terrible wrath of the vengeful Jackson. And to think that Joan Crawford endures all this without a hair out of place on her lovely head! TV's future "Captain Midnight" Richard Webb co-stars as a diligent FBI agent. ~ Hal Erickson, All Movie Guide

Doris Day looks no more like the real Calamity Jane than you or I do, but this 1953 film is intended as a lighthearted musical, not a historical tract. As portrayed by the freckled Ms. Day, Jane is a rootin', tootin' shootin' hoyden in the western town of Deadwood. When she isn't tearing up the town, Jane spends her time cussing out Wild Bill Hickok (Howard Keel). The plot gets under way when Jane promises the citizens of Deadwood that she can persuade classy Chicago stage star Adelaide Adams (Gale Robbins) to perform at the local opry house. Through a case of mistaken identity, Jane brings Adelaide's maid Katie (Allyn Ann McLerie) back to town. Katie proves to be a success all the same, and out of gratitude promises to make a "lady" out of Jane, who is sweet on handsome Lt. Gilmartin (Philip Carey). When the lieutenant chooses Katie over Jane, our heroine is heartbroken--until she realizes that she has loved Wild Bill Hickok all along, and that the feeling is mutual so far as Hickok is concerned. The peppy musical score by Sammy Fain and Paul Francis Webster includes the Oscar-winning Secret Love, which became a million-selling hit for Doris Day. ~ Hal Erickson, All Movie Guide

Filmed on location in Utah, The Outlaw Stallion top-bills Phil Carey and Dorothy Patrick, but the star of the proceedings is young Billy Gray. Living on a ranch with his widowed mother (Patrick), Billy makes friends with the white stallion who leads the herd of wild horses living under the ranch's protection. Villain Roy Roberts intends to flout the law by corralling the stallion's herd, then shipping the horses across the border. To accomplish this, Roberts uses a fierce black stallion to lead the herd astray. After a hoof-to-hoof fight between the "good" and "bad" stallions, Roberts resorts to kidnapping Gray and his mother to bring the white horse out in the open--and that's where hero Carey justifies his presence in the film. ~ Hal Erickson, All Movie Guide

Two bank robbers get away with 250,000 dollars in unmarked, unrecorded bills, murdering a guard in the process. The police know the leader was Harry Wheeler (Paul E. Richards) and turn their attention to his girlfriend, Leona McLane (Kim Novak), detective Paul Sheridan (Fred MacMurray) arranging to pick her up in a "chance" meeting at a movie and spend some time with her. After one day, he knows what he needs to -- that she's not in touch with Wheeler, but expects to be -- but he keeps things going between them for three more days. By the time the department has a full surveillance team in place, he can't get her off his mind, and when she discovers that he's a cop and raises the notion of letting events take their course with Wheeler (i.e., him ending up dead) and the two of them keeping the money, he's hooked. Sheridan is fast on his feet and a quick thinker and sees how he might pull this off and get the two of them away clean. But he doesn't bargain for the alcoholism of one of the detectives (Allen Nourse) on the surveillance team, the inquisitive nature of his squad commander (E.G. Marshall), or the attachment that his younger associate (Philip Carey) develops for a nurse (Dorothy Malone) living in the building they're observing. Kim Novak had previously appeared in small roles in some films at RKO, but The Pushover marked her formal introduction to audiences as a star, and she more than lives up to the billing and the buildup she received, her acting ability and her physique easily carrying her end of the picture (she's onscreen alone for long minutes under observation, and is convincingly seductive), while MacMurray gives one of the best performances of his career, rivaling his work in Double Indemnity, The Caine Mutiny, and The Apartment. ~ Bruce Eder, All Movie Guide

Phil Carey is his usual rough-and-tumble self in the Columbia western programmer Wyoming Renegade. Carey plays Brady Sutton, a former outlaw who wants to go straight. Trouble is, everyone is convinced that Sutton is still a no-good -- everyone, that is, except heroine Nancy Warren (Martha Hyer). When it appears as though Sutton has joined the "Hole in the Wall" gang headed by Butch Cassidy (Gene Evans), it looks like Nancy was wrong and everyone else was right. Ah, but Sutton's motives are honorable, though it takes him half the movie to prove it. William Bishop is fourth-billed as Butch Cassidy's cohort Sundance, while desperado Blackjack Ketchum makes a cameo appearance in the form of bit player A. Guy Teague. ~ Hal Erickson, All Movie Guide

The life story of West Point athletic director Marty Maher was the inspiration for John Ford's The Long Gray Line. Told in flashback, the film recalls the first days at the Point for Irish immigrant Maher (Tyrone Power), a pugnacious boy who can't seem to fit in with the institution's regimen of unquestioning discipline. Athletic director Ward Bond takes a liking to Maher and arranges for the young man to become his assistant; Bond also plays Cupid between Maher and Irish maidservant Mary O'Donnell (Maureen O'Hara). When Mary's baby is stillborn, the Mahers begin to regard the West Point cadets as their surrogate children: this eventually leads to the film's most touching scene, in which Mary bids farewell to her son-substitute as he marches off to World War II. Following Mary's death, Marty stays on at the Point, until the place seems somehow incomplete without his presence. On the occasion of his forced retirement, Maher gently pleads with one of his former students--President Dwight D. Eisenhower--to permit him to remain at his post (Ike is played by Harry Carey Jr. in his early scenes, and by the voice of Paul Frees in the wraparound White House scenes). Based on Marty Maher's autobiography, The Long Gray Line seems at first glance too leisurely for its own good, but this appealing film gradually grows on its audience--just like Marty Maher himself. ~ Hal Erickson, All Movie Guide

Henry Fonda returned to films after an eight-year absence in this masterful adaptation of the actor's Broadway hit Mister Roberts. Written and partially directed by Joshua Logan, the film stars Fonda as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant." WW2 is in its last few months, and Roberts is itching for combat duty. But the Reluctant's surly, despotic captain (James Cagney), anxious to use Roberts to expedite his own promotion, refuses to sign any of Roberts' transfer requests. Helping to brighten Mister Roberts' humdrum existence are his best friends, Ensign Frank Pulver (Jack Lemmon, in an Oscar-winning performance) and the ship's philosophical doctor (William Powell, in his final film appearance). Most of the laughs are provided by Pulver, officer "in charge of laundry and morale." When he isn't wheeling and dealing to bring a bevy of beautiful nurses on board the Reluctant, Pulver is concocting elaborate schemes to avenge himself against the Captain -- even though he's spent 14 months on the Reluctant without ever meeting his nemesis. The film's highlights include the efforts by Roberts, Pulver, and Doc to mix a bottle of Scotch from Coca-Cola, Iodine, and other vital ingredients; and Mister Roberts' (and later Ensign Pulver's) assertion of manhood by tossing the Captain's precious palm tree overboard. Halfway through shooting, legendary director John Ford was replaced, ostensibly because of illness, by Mervyn LeRoy. One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom. ~ Hal Erickson, All Movie Guide

Wicked as They Come stars Arlene Dahl as Kathy Allen, whose sour attitude on life has been formed by a sexual assault in her childhood. Rising out of the shabbiness of the Lower East Side, Kathy ruthlessly climbs the social and financial ladder by using and then abandoning a series of gullible older men. When she finally gets what she wants out of life, it still isn't enough, and it is this insatiability that leads to her downfall. Extensive location filming in London and Paris adds an exotic touch to this predictable melodrama. Wicked as They Come is based on Portrait in Smoke, a novel by Bill Ballington. ~ Hal Erickson, All Movie Guide

This Disney adventure differed from many films of its era in that it depicted an unusually humanistic view of Native Americans as it tells the story of a young Sioux who finds a wild horse, captures the magnificent animal, names him Tonka, and patiently gentles him. According to custom, he is supposed to give it to his elder cousin, a despicable and cruel fellow who takes pleasure in beating Tonka and who eventually sells him to the cavalry. A kindly cavalry captain buys Tonka and names him Comanche. Meanwhile, the grieving youth, decides he must be with his horse and so sneaks into the fort where he is promptly captured. Fortunately, the captain, who has come to love his horse as much as the boy does, understands the youth. Later the captain rides the horse into the fateful battle at Little Big Horn and in the end, Tonka is the only survivor. The youth takes his horse and is later made an honorary member of the cavalry. ~ Sandra Brennan, All Movie Guide