Gene Saks

While Woody Allen has long fused comedy and drama in his films, he embraces the two styles in a new and unusual way in this feature. Sy (Wallace Shawn) is enjoying dinner with some friends when they begin debating the nature of the tragic and the humorous. Sy, observing that a very fine line separates the two, decides to demonstrate this notion by showing how the same essential story can be either funny or sad depending on the way certain elements are handled; for the rest of the film, we jump back and forth between two versions of the story of Melinda (Radha Mitchell), a young woman with some serious problems in her life. In the tragic version, Melinda crashes a dinner party thrown by old friends Laurel (Chloë Sevigny) and Lee (Jonny Lee Miller). When she arrives, Melinda is distraught and under the influence of pills and alcohol, much to the annoyance of Lee, an actor hoping to impress a producer who is one of his guests. After a bad breakup with her husband, Melinda lost custody of her children and came to New York City, where she became involved with Ellis Moonsong (Chiwetel Ejiofor), a handsome and well-mannered composer whose promises to her proved to be worthless. Meanwhile, on the funny side of town, Melinda shows up dazed and confused at the home of Susan (Amanda Peet) and Hobie (Will Ferrell), who are in the midst of a dinner party. Learning about the sad state of Melinda's love life after divorcing her husband and losing custody of her children, Susan decides to play Cupid and fix her friend up with a well-to-do dentist. However, neither Susan nor Melinda are aware that there is another man deeply interested in the troubled divorcée -- Hobie. Melinda and Melinda also features Josh Brolin, Vinessa Shaw, and noted theatrical director Gene Saks. ~ Mark Deming, All Movie Guide

Woody Allen wrote, directed, and stars in this very dark comedy about a novelist, Harry Block, who says with admirable honesty, "I'm a guy who can't function well in life, but I can in art." So far, Harry has made his way through six psychiatrists and three marriages (one, conveniently enough, with one of his psychiatrists), and he has precious few friends whom he hasn't alienated or betrayed. Harry uses the chaos of his life as fodder for his writing, angering his friends, lovers, and family, who find thinly veiled (and rarely flattering) portraits of themselves in his work. Drowning his growing misery in pills and sex, Harry finds himself invited to receive an award at a college in upstate New York which he attended, but never graduated from. However, he has a hard time finding anyone who will attend the weekend-long symposium with him: his girlfriend Fay (Elisabeth Shue) has just left him to marry his friend Larry (Billy Crystal); his best friend Richard (Bob Balaban) is afraid he's about to have a heart attack; his former wife/analyst Joan (Kirstie Alley) refuses to let him take their son, and his one-time sister-in-law Lucy (Judy Davis) is literally ready to kill him. Undaunted, Harry hires a hooker, Cookie (Hazelle Goodman), kidnaps his son, forces Richard to come along, and heads upstate, where disaster awaits. A stellar cast appears in small roles and episodes from Harry's stories, including Robin Williams, Demi Moore, Julia Louis-Dreyfus, Eric Bogosian, Amy Irving, Richard Benjamin, Mariel Hemingway, and Julie Kavner. ~ Mark Deming, All Movie Guide

Seinfeld's Jason Alexander stars in this made-for-television remake of the 1963 classic musical. Alexander stars as Albert J. Peterson, a man hoping to make his fortune and get the girl by promoting the big send-off for a newly drafted pop star named Conrad Birdie (Marc Kudish). A song-and-dance movie, actress-dancer Ann Reinking served as choreographer of this film. ~ Bernadette McCallion, All Movie Guide

Paul Newman earned an Oscar nomination (and won citations from the New York Film Critics Circle and the Berlin International Film Festival) for his performance in this well-drawn comedy-drama. Sully (Newman) is a 60-year-old man who emotionally seems to have never quite emerged from adolescence; scraping by on part-time work in construction, Sully has built a life around avoiding responsibility. He hasn't spoken with his ex-wife (Elizabeth Wilson) in years, he lives in a rooming house owned by his eighth-grade teacher Mrs. Beryl (Jessica Tandy), his best friend is a mildly retarded handyman, Rub (Pruitt Taylor Vince), and he has a crush on Toby (Melanie Griffith), who is half his age and married to Carl (Bruce Willis), who sometimes gives him work. One day, Sully nearly runs into his son Peter (Dylan Walsh) and discovers that he has a grandson he never knew about; for the first time, Sully finds himself thinking that he ought to start behaving like a grown-up -- or at least get to know his family before it's too late. Nobody's Fool also features Gene Saks as Sully's lawyer Wirf, and Philip Seymour Hoffman as the overly-enthusiastic Officer Raymer. ~ Mark Deming, All Movie Guide

Brighton Beach Memoirs is the first of playwright Neil Simon's unofficial "autobiographical trilogy" (it was followed by Biloxi Blues and Broadway Bound). Jonathan Silverman repeats his stage role as Simon's teenaged alter-ego Eugene, who lives in 1937 Brooklyn with his parents (Blythe Danner and Bob Dishy), older brother Stanley (Brian Drillinger), aunt (Judith Ivey) and female cousins (Stacey Glick and Lisa Waltz). Much is made of Eugene's burgeoning sexual self-awareness and his father's efforts to support his huge extended family on his meager salary. ~ Hal Erickson, All Movie Guide

Saul (Dudley Moore), a married psychiatrist, becomes romantically obsessed with Chloe (Elizabeth McGovern), one of his patients. Chloe has already devastated one psychoanalyst, and although the venerable Freud himself (Alec Guinness) appears to counsel Saul in his worst moments, the man continues on his tormented way. In spite of notable names in the acting field, neither the subsidiary characters nor the story itself rise above the limited dialogue and plot. ~ Eleanor Mannikka, All Movie Guide

A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, All Movie Guide

Based on a play by Neil Simon, this comedy concerns Barney Cashman (Alan Arkin), the owner of successful seafood restaurant who is stuck in the depths of a mid-life crisis. Barney's marriage is no longer providing him with a sense of romantic adventure, and when he discovers his mother's apartment is empty one day a week, he decides that a series of extra-marital affairs is just what he needs. However, Barney's career as a spoiler of women quickly proves to be laughably unsuccessful; he's able to lure three different women to his make-shift love nest -- Elaine (Sally Kellerman), Bobbi (Paula Prentiss), and Janette (Renee Taylor) -- but try as he might, he can't convince any of them to sleep with him, and in the end, Barney has to settle for seducing his wife. Last of the Red Hot Lovers was the fourth of five Neil Simon adaptations that director Gene Saks would bring to the screen; Saks also directed a number of Simon's successes on Broadway. ~ Mark Deming, All Movie Guide

Compulsive neatnik Felix Unger (Jack Lemmon) is thrown out of his house by his divorce-bound wife. He wanders aimlessly through the streets of New York, toying with the idea of suicide, before gravitating to the apartment of his best friend, incorrigibly sloppy sportswriter Oscar Madison (Walter Matthau). Worried that Felix will try something desperate, Oscar, himself in the process of being divorced by his wife, invites Felix to move in with him. Within a few days, this mismatched pair is on the verge of mutual murder: Felix cannot abide Oscar's slovenliness, while Oscar is driven insane by Felix's obsession with cleanliness. A potentially passionate evening with Oscar's neighbors, the "coo-coo" Pigeon sisters (Monica Evans and Carole Shelley) is ruined when Felix, ruminating over his wife and children, reduces the two ladies to remorseful tears. Pushed to the brink, Oscar stalks around the apartment making as big a mess as possible. Comes the next week's poker game, and the previously vengeful Oscar is worried that Felix might have attempted to do away with himself again. Instead, a surprisingly self-confident Felix shows up to collect his belongings, then announces that he's temporarily moving upstairs with the toothsome Pigeon sisters! There's a laugh a second in this faithful movie adaptation of Neil Simon's hit Broadway play. A foolproof comic situation (allegedly based on a chapter in the life of Simon's brother Danny) is kept alive and healthy by some of the funniest dialogue ever written. The Odd Couple was later adapted into a long-running TV sitcom starring Tony Randall and Jack Klugman. ~ Hal Erickson, All Movie Guide

Jason Robards Jr. superbly re-creates his Broadway role in this 1965 film version of Herb Gardner's play. Robards plays Murray Burns, head writer of TV's popular Chuckles the Chipmunk show. Fed up with the rat race, Murray quits his job and retreats to his cluttered Manhattan apartment, where he carries on a nonconformist, laissez-faire existence with his 12-year-old nephew Nick (Barry Gordon). Though they're as close as father and son, Robards has never gotten around to legally adopting Nick, which brings him to the attention of social workers Sandra (Barbara Harris) and Albert (William Daniels). While Albert is disgusted by Murray's irreverence, Sandra falls in love with the free-spirited writer. Teaming up with Nick, Sandra tries to convince Murray to get another job. Arnold Burns (Oscar-winner Martin Balsam), Murray's agent-brother, is amused by his sibling's independence, but can find no work for him. Desperate not to lose Nick to the authorities, Murray offers to go back to Chuckles the Chipmunk -- aka Leo (Gene Saks), a neurotic bug who bullies his staff and hates kids. Young Nick is disillusioned by Murray's willingness to conform, and he throws an uncharacteristic temper tantrum. But the boy comes around to Murray's sudden realization that compromise is sometimes necessary if it's for the sake of someone you love. While the central message of A Thousand Clowns may grate on some viewers, the film is saved by the exuberance of the cast. ~ Hal Erickson, All Movie Guide